Earthenware Pottery

English creamware tankard, circa 1810-1820. The creamware tankard is decorated with a series of moulded engine-turned honeycomb designs separated w...

Unidentified European Majolica stick or umbrella stand which features a Pug. Colouration: grey, blue, brown, are predominant.

Charming Utility: A Swansea Pearlware Prattware Covered Tea Caddy Box, c. 1800-1820 This is an exceptional example of an early 19th-century Pearlware Tea Caddy Box, distinguished by...

A charming Prattware pottery model of a standing horse, attributed to the St. Anthony's Pottery, Newcastle upon Tyne, circa 1800–1820. The horse is b...

Staffordshire Blue and White Pearlware Chinoiserie Coffee Pot Circa 1785 This elegant and well-proportioned coffee pot is a superb example of late Georgian ceramic production from t...

- Handbuilt terracotta big side table, stool for bedroom or living room - made of clay collected from the potter's surroundings. - made in the Moroccan Rif mountains by the potter Ho...

A magnificent big size hyper realistic glazed ceramic fish tureen in shades of vibrant red and grey with dark accents manufactured in Portugal, 1950s. Beautiful to use as a wall deco...

Floral Elegance: A Vibrant Antique Bristol Pearlware Toothbrush Box Early 19th Century This highly unusual and remarkably preserved Bristol pearlware covered box offers a fascinatin...

A fine vintage Santa Claus character jug or decorative mug by the English pottery firm, Royal Doulton.

- Handbuilt terracotta side tables - made of clay collected from the potter's surroundings. - made in the Moroccan Rif mountains by the potter Houda. - co-created by the potter Houda...

Six Wedgwood majolica Argenta palette ‘Lincoln' pattern dessert plates with finely molded maroon prunus blossoms and dark taupe pine branches surrounded by a yellow Greek key border. The dishes are decorated in the japonisme style and feature the “Three Friends of Winter” motif, an Asian artistic convention showing the pine, plum, and bamboo together to represent steadfastness, perseverance, and resilience. The Wedgwood factory introduced muted Argenta glazes to its majolicas in the 1880s to keep up with ever-changing fashions. The Argenta glaze color palette was more subdued than that of traditionally vibrant majolica, and was thus more appealing to the Aesthetic Movement japonisme style that pervaded the market. These Argenta majolica dessert dishes...

Antique 19th century neoclassical Vase By Gerbing & Stephan Germany 1892. Ebonised earthenware, of baluster form with horned mask handles, on a circular footed base, with impresse...

A brightly colored Neoclassical tazza or cake plate in the 'Greek' pattern made by Copeland Spode in the late 19th century. This tazza, in Copeland Spode’s ‘Greek...

This beautiful earthenware storage jar dates from the late 19th century and was used for preserving and fermenting food. The handmade jar is typical of that period with its earthy co...

An outstanding, hand painted, handmade pottery, bread holder created in Naples, Italy circa 1920s having intricate colorful applied swags of flowers around the boat shaped rim above a floral painted lattice work below. Superb attention to detail and selection of it's colors of spring green, blue, rose, yellow and lavender. The workmanship is absolutely stunning to behold and would make a beautiful centerpiece for your dining table, sideboard or in your cabinet. Put a floral frog...

Very decorative pair of vintage candleholders from the 1950s. Originating from one of France's best known pottery making villages, Vallauris in the French Riviera. Materials: ceramic...

A Neoclassical red transferware tile made by Spode 1806-1810, with the ‘Refreshments for Phliasian Horseman’ pattern. Sir William Hamilton’s Collection of Etruscan, Greek and Roman antiquities, first published in 1766 by Pierre d’Hancarville, was a landmark publication in English design. It intended to disseminate the Antique style through its engravings of Attic pottery. The catalog’s faithful reproductions of Classical vases led British potteries, including Spode, to adapt or even copy the ancient art for modern life. These Spode Greek pattern tiles reflect the major influence of Hamilton’s catalog on English Neoclassicism. The central scene was taken directly from the catalog. This tile can be dated to a narrow window of production in the Spode factory, 1806-1810. During that time, Spode used a technique known as the “Pluck and Dust” method to print in red transfer designs onto creamware. Using this method, source prints were transferred overglaze using tissue imprinted with a very faint rendition of the design outlined in sticky oil. The decorator applied the tissue to the object then carefully “plucked” or pulled it away, leaving the sticky oil design behind. Then, a finely-ground enamel color was “dusted” onto the surface, sticking to any areas that had the oil. A final firing at a low temperature in the enamel kiln made the pattern permanent. The Pluck and Dust technique improved upon bat-printing and enabled larger designers to be transferred. It was short-lived, however, as under-glaze transfer printing soon took over as the preferred method for producing transferwares. Dimensions: 5 in. x 5 in. x 1/4 in. Condition: Excellent. Slight chip to the upper left corner measuring approximately 0.9 cm. in length. Provenance: The Collection of Nancy and Andrew Ramage Jonathan Horne...

Wedgwood Majolica 'Vine & Strawberry' plate, English, with a large central green grape leaf, purple grapes, strawberries, and blossoms on a brown ground, impressed marks to rever...

- Handbuilt white side table - Sade of clay collected from the potter's surroundings. - Slip applied with natural pigments as whitewash with water - Made in the Moroccan Rif mount...

Wedgwood Majolica plate which features pheasants amongst foliage. Coloration: green, blue, ochre, are predominant. The piece bears maker's mark...

A Neoclassical red transferware tile made by Spode 1806-1810, with the ‘Zeus in His Chariot’ pattern. Sir William Hamilton’s Collection of Etruscan, Greek and Roman antiquities, first published in 1766 by Pierre d’Hancarville, was a landmark publication in English design. It intended to disseminate the Antique style through its engravings of Attic pottery. The catalog’s faithful reproductions of Classical vases led British potteries, including Spode, to adapt or even copy the ancient art for modern life. These Spode Greek pattern tiles reflect the major influence of Hamilton’s catalog on English Neoclassicism. The central scene was taken directly from the catalog. This tile can be dated to a narrow window of production in the Spode factory, 1806-1810. During that time, Spode used a technique known as the “Pluck and Dust” method to print in red transfer designs onto creamware. Using this method, source prints were transferred overglaze using tissue imprinted with a very faint rendition of the design outlined in sticky oil. The decorator applied the tissue to the object then carefully “plucked” or pulled it away, leaving the sticky oil design behind. Then, a finely-ground enamel color was “dusted” onto the surface, sticking to any areas that had the oil. A final firing at a low temperature in the enamel kiln made the pattern permanent. The Pluck and Dust technique improved upon bat-printing and enabled larger designers to be transferred. It was short-lived, however, as under-glaze transfer printing soon took over as the preferred method for producing transferwares. Dimensions: 5 in. x 5 in. x 1/4 in. Condition: Excellent. Provenance: The Collection of Nancy and Andrew Ramage Jonathan Horne...

A pair of plant pots covered in marbled brown glaze emulating agate gemstone encircled with checkered rims accented in gold, made circa 1770 by Wedgwood &...

Royal Worcester Majolica posy holder which features a dolphin supporting a shell on it's tail. Colouration: green, cream, red, are predominant. The piece b...

Set of 11 black forest German majolica plates, circa 1930. Georg Schmider, Zell (1928- 1940). Black Forest, Bade, Germany. A set composed of 11 plates (8 x 17cm diameter and 3 x...

Made in Italy, 1970s. Made in glazed earthenware. It's a vintage piece, therefore it might show slight traces of use, but it can be considered as in perfect original condition and re...

An English mochaware mug with black and blue machine-turned bands and a tree pattern on a soft brown glaze. This large mochaware mug features rouletted bands of black and blue frami...

Great authentic and rare piece of pottery from the Provence. Beautiful weathered and an amazing color. Imperfections help authenticate this cruche as it was an utilitarian type piece...

Andalusian Hand-made terracotta two-handled water jar, Spain, 1880s-1930s. Traditional spanish terracotta jar / pitcher. Unglazed exterior and interior with handles at both sides. Us...

From the Atelier Cérenne à Vallauris in France, a set of ten, rustic pottery flower holding knife rests, circa 1940-1950. Glazed in the popular majolica colors found in the South o...

This most unusual and very pleasing majolica pottery figure was made in Germany or Austria circa 1880 and it depicts a happy rosy cheeked gnome lying down on his front with his head...

Early 20th century American Art Deco earthenware or yellow ware pottery nesting bowl set. The mixing bowls’ pattern is called the picket fence design beca...

Rare Vintage Petite William Moorcroft "Leaf and Berry" Art Pottery Cabinet Vase, Stamped, circa 1930s. An exquisite and charmingly petite art pottery cabinet vase designed by the leg...

This is a beautiful stoneware vase by S. Hublet, made in Belgium. It has a granite like beige, pink and black surface accented by freeform chevrons on the top and the bottom. The center of this magnificent oversized art pottery tea pot...

Set of 3 unique decorative Mezcaleros made by expert artisans in San Bartolo Coyotepec, Oaxaca, Mexico at beginning of the 21th century and collected by Raíz Mx in a roadtrip in 2019...

Naturalistic Whimsy: Rare Staffordshire Creamware "Cauliflower" Tea Caddy (c. 1760) An exceptional mid-18th-century Staffordshire creamware tea caddy (or tea canister), brilliantly ...

These are a beautiful pair of French Faience dinner plates with pierced rims, made by the Luneville K&G factory and dating to the late 19th century, circa 1895. These large circular earthenware pottery plates are well potted with pierced reticulated rims. Both plates are hand painted over a printed outline, with a similar bold floral pattern in different shades of Pink, blue, green and yellow enamels. Both plates have the the black printed Luneville, K&G factory mark on the base, dating them to the late 19th century, circa 1895. Overall a very decorative matching pair of French Faience plates.

Antique English Pearlware Blue-Ground Slop Bowl, Staffordshire, Circa 1790 Staffordshire or Yorkshire, circa 1790 This deep hemispherical pearlware slop bowl is dressed on the exter...

This is a large Earthenware ( pottery) Plate in the Melbourne Pattern, made by Gildea & Walker in 1881 as a testament to the Aesthetic Movement. The Aesthetic Movement was a lat...

From Sarreguemines, a charming Majolica glazed green cabbage leaf shaped small vide-poche, France, circa 1930. Shaped as a single dimensional cabbage leaf. Precise mold work, with a...

An early 20th century Country French yellow glazed earthenware pottery tian or grésale bowl. Originating from Provence and Southwestern France, these rustic terracotta vessels were s...

A 19th Century French green glazed pottery jug with ovoid form, short flared neck and looped handles. Beautiful rustic patina, minor glaze loss, chipped bottom. Known as a conscience...

Pair of Satsuma earthenware Meiji period vases Japanese, Early 20th Century Height 36cm, width 23cm, depth 15cm The pair of outstanding vases was crafted in early 20th century Ja...

An English majolica plate, The Flying Crane, by Joseph Holdcroft, Circa 1870. Designed in the Aesthetic Japonisme taste, the crane is centered on a turquoise pebbled ground with a border of prunus, or pink Dogwood branches stemming from the brown branch form rim. Showing the unusual green glazing on the verso, distinctive to Holdcroft majolica. Book reference,’The Collectors Encyclopedia of Majolica’ by Mariann Katz-Marks, page 95. Joseph Holdcroft held several patents for the production of earthenware. He was employed by Minton where he became proficient in the manufacture of majolica. Holdcroft established the Sunderland Pottery...

A set of six pottery au gratin dishes, Vallauris, France, circa 1930s. A traditional rustic design, these Treacle glazed shallow, handled open-proof dishes are perfect for prepari...

This antique French terracotta cruche dates from the 19th century, and would have once been used to store and transport olive or walnut oil, or to keep drinking water fresh and cool....

Wedgwood Majolica 'Vine & Strawberry' plate, English, with a large central green grape leaf, purple grapes, strawberries, and blossoms on a brown ground, impressed marks to rever...

Wonderful weathered glazed earthenware jug from the south of France., France, circa 1850-1900. Despite of its age in a good condition.

This is a beautiful pair of deep plates or Soup Bowls in the blue and white Rome or Tiber Pattern, produced by the Spode factory and made of a type of earthenware pottery called Pear...

A Mid-Century seven piece dessert set, by Hélène Ugo, Vallauris, France, circa 1950s. Hélène Ugo was a renowned ceramicist making pottery in Vallauris, a village in the South of Fra...

This charming 19th century French water jar is a beautiful example of traditional Provençal pottery, distinguished by its vivid green glaze and distinctive regional silhouette. Hand-...

Jug with neck in Saint Jean of the desert signed Berty of dimension 13 cm in diameter for 15 cm in height. Additional information: Material: Earthenware & Ceramics Style: 1940s ...

A nice early Massive Majolica L’Antica Deruta Charger or platter. It is of of the largest platters we have seen at 33.5 inches across. It is signed on t...

Victorian Majolica “Three-Legged Sailor” Teapot, Attributed to William Brownfield & Sons, c. 1880 Dimensions: 9" H × 7" W × 5" D This rare and engaging Victorian majolica teapot...

A fine antique French Art Nouveau majolica pitcher, “poppies” pattern, a very desirable color palette of poppy red, lime green and pale tan. A c...

1950s-1960s French Provincial Pottery Jar, Côte d’Azur Artisan Workshop This French pottery jar from the 1950s-1960s, crafted in an artisan workshop on the Côte d'Azur, embodies the...

A petite and very charming half-glazed water cruche, with side and top handle, spout and original lid. It would have originally been used to transport water to workers in the farm fi...

A fine vintage English round garden planter pot or urn of patinated terracotta, featuring pierced holes around the circumference, designed for growing strawberries. Dimensions: Heig...

Purple Bloom: Hand-Painted English Pearlware Botanical Plates Object: Pair of Hand-Painted Dinner/Dessert Plates Origin: English Potteries (Staffords...

Pair of Raku burnt earthenware lidded bowls by Ilja Pronk. Signed. The Netherlands, circa 1980's

This is a good, very early, rare blue and white coffee cup in the "Boy on a Buffalo" pattern, probably from the factory of Josiah Spode, stoke on Trent, Staffordshire, England, made...