1820s Sterling Silver

Beautiful American coin silver 3 -piece tea and coffee service in the manner of Thomas Whartenby Pennsylvania, Circa 1816-1818. Thomas Whartenby and Peter Bumm were independently su...

A magnificent, fine and impressive, rare antique George IV English sterling silver soup tureen assayed in York; an addition to our dining silverware collection. This magnificent antique George IV English sterling silver soup tureen has an oval rounded form. The lower portion of the body is encompassed with impressive chased fluted decoration in a subtle swirl design. The decoration to the body incorporates an impressive scrolling leaf bordered cartouche to either side, each displaying an exceptional contemporary bright cut engraved marital coat of arms* depicting on the dexter a chevron between three crosses paty and the sinister a quadrangular castle. The coat of arms is surmounted with a bright cut engraved crest displaying a tent adorned or lined charged in the interior with a cross paty of the third. The plain waisted upper portion is encompassed with a Fine and impressive applied gadroon decorated border to the flared rim. This antique soup tureen...

MARK OF PHILIP RUNDELL, LONDON, 1820, RETAILED BY RUNDELL, BRIDGE AND RUNDELL, BASED ON THE DESIGNS OF JOHN FLAXMAN, MODELLED BY EDWARD HODGES BAILY Ea...

Hallmarked in London in 1827 by Benjamin Preston, this incredible, Antique Sterling Silver Soup Tureen, is a masterpiece of the regency style, with cast and applied feet and handles,...

An exceptional, fine and impressive antique George IV English cast sterling silver vinaigrette; an addition to our diverse collectable silverware collection. This exceptional antique George IV cast sterling silver vinaigrette is realistically modelled in the form of a cornucopia. The cast silver horn-shaped cornucopia container is encompassed with bands of ribbed decoration, accented with a spiralling terminal. The rim of the horn is further embellished with a cast leaf decorated border. The upper portion of the horn is fitted with a hallmarked hinged cover embellished with an embossed and chased floral bouquet design. The cover opens to reveal the original hinged grille and gilt interior. The gilded grille is ornamented with a bright cut engraved and pierced decorated scrolling leaf design. This exceptional 19th century vinaigrette in sterling silver suspends from the original round link chain, via anchor points to the rim and spiralling lower terminal. This antique silver vinaigrette...

With a racing scene in high relief. Marked: London, 1825, Makers: Emes and Barnard.

This is a wonderful English antique William IV sterling silver tray, or salver, by the world famous silversmith Paul Storr. It has clear hallmarks for London 1820 the makers mark of Paul Storr. It is typical of his work with the octafoil shape and the exquisitely detailed reeded rim, and it is raised on four delightful foliate and scroll feet. The centre is engraved with a shield shaped coat of arms which I have had researched. The Marital Arms of Knollis and Hallifax The armorial bearings as engraved upon this George IV Large English Sterling Silver Footed Salver by Paul Storr hallmarked London 1820 are those of the family of Knollis with Hallifax in pretence. These armorial bearings denote the marshalling of a marital coat showing the arms of the husband over the entire surface of the shield, whilst the arms of the wife (as an heraldic heiress) are placed on a small shield (known as an escutcheon of pretence) centrally on the husband’s arms. They may be blazoned as follows: Arms: Quarterly 1st and 4th Azure crusily of cross crosslets a cross moline voided or (for Knollys) 2nd and 3rd Gules on a chevron argent three roses of the field barbed proper (for Knollys) over all an escutcheon of pretence Or on a pile engrailed sable between two fountains barry wavy of six argent and azure three cross crosslets of the first (for Hallifax) Crest: An elephant argent [differenced with a mullet1 ] (for Knollys) Motto: In utrumque paratus [Prepared for either] (for Knollys) These armorial bearings undoubtedly commemorate the marriage of The Honourable and Reverend Francis Knollis2 (baptised 3rd January 1743 died 27th February 1826), 1 The cadency mark for a third son of a family. 2 Francis appears to have preferred this spelling of his family’s surname. It is spelt as it is to be pronounced. of Burford in the County of Oxfordshire and of Eastleach Martin in the County of Gloucestershire and Mary Hallifax (baptised 5th March 1753 buried 18th December 1830). Francis and Mary were married at the Parish Church of St Mary, Ewell in the County of Surrey on the 9th June 1772. Francis was the third son of Charles Knollys (the titular 5th Earl of Banbury) 3 and his wife, Martha Hughes, whilst Mary was the daughter of The Reverend James Hallifax, of Ewell aforesaid and his wife, Elizabeth Chardavoyn. 3 Francis’s father claimed to be the 5th Earl of Banbury. A claim that continued to be pursued by the family until William Knollys, the titular 8th Earl of Banbury (born 1763 died 1834) was forced to discontinue its use by a resolution of the House of Lords which rejected his claim to the earldom in 1813. The crest surmounts a detailed dedication: This piece of plate was presented to the Honourable Rev Knolls by the inhabitants of the town and immediate neighbourhood of Burford on his completing the fiftieth year of his incumbency as the vicar of Burford. In testimony of their high respect 11th April 1821 There is no mistaking its unique quality and design, which is sure to make it a treasured piece by any discerning collector. Condition: In excellent condition with clear hallmarks and no dings, dents or signs of repair. Please see photos for confirmation. Dimensions in cm: Height 3 x Width 36 x Depth 36 Weight 1.52 kg Dimensions in inches: Height 1 inch x Width 1 foot, 2 inches x Depth 1 foot, 2 inches Weight 49 troy oz Paul Storr born in London England in 1771, was to become one of the most talented silversmiths of the nineteenth century. Today his legacy of exceptionally well crafted silver, found worldwide in museums and private collections, leaves one in awe when compared to that of his contemporaries.After having served a seven year apprenticeship from the age of 14, he began his career in 1792 when he went into a brief partnership with William Frisbee. This did not last and in 1793 a new mark, (his initials ‘P S’) was entered. By the beginning of the nineteenth century he had established himself as one of London’s top silversmiths producing, amongst others, commissions for Royalty. In 1801 he married Elizabeth Susanna Beyer with whom he was to have ten children. In 1807 Paul Storr entered into a working relationship with Philip Rundell and by 1811 was a partner, and managing the workshops for Rundell, Bridge & Rundell. During this period he kept his own marks and separate workshop. However it was through Rundell, Bridge & Rundell who were appointed Goldsmith in Ordinary to George III in 1804 that his reputation as a master silversmith grew. His talents lay in being able to transform ideas and designs from Rundell, Bridge & Rundell’s designers, William Theed...

Description George IV sterling silver presentoire, John Bridge, London 1826. Oval shape, gadroon edges and stylized shells. Heraldic coat of arms on both sides. Motto: Deo est Patrie...

A fine and impressive antique George IV English sterling silver quart tankard; an addition to our silver tankard collection. This exceptional antique George IV sterling silver qua...

An exceptional, fine and impressive antique Italian silver sterling jug. This exceptional antique Italian sterling silver jug has an oval paneled, flared form onto a circular domed foot. The surface of this antique jug is plain and unembellished, with a matte, subtly planished finish in keeping with the patination of a piece from this period. This impressive piece is fitted with an exceptional cast sterling silver scrolling handle, accented with a leaf design emanating from the thumbpiece, this leaf ornamentation comprises the upper terminal. The circular foot is encircled with a band of embossed bead decoration. This impressive antique silver jug has been independently tested using state of the art technology (Niton XL2 Analyzer) and verified as sterling standard silver (925/1000). Patination or Patina is a subtle coloration or tarnish which forms on the surface of some metals, produced by oxidation or other chemical processes. A good patina proffers an aesthetically pleasing look. Condition This antique silver jug is a very good gauge of silver and exceptional quality for its type. The jug is in exceptional presentation condition. Italian hallmarks struck to the surface of the jug and rim of the foot are all very clear. Reflections in photographs may detract from the true representation of this piece of antique Italian silverware...

Exceptional vermeil tureen with its lobed tray. The circular terrine is decorated with a border of chiselled foliage.The grip lid is decorated with foliage patterns. The soup tureen ...

Two elegant, simple early Biedermeier silver candle holders on a round stand with a slightly curved, smooth shaft, chased decoration on the edge of the foot, on the narrow bulge rings and on the upper edge of the slightly flared vase-shaped spout. Branded by the Wheel mark, Viennese official hallmark: 13 Lot silver, dated 1827 Master's stamp: 'LK' in oval - Leopold Kuhn, Worked as master 1818-1828 Bibliography: 'Old Vienna' dictionary for Austrian and southern German arts and crafts...

Embossed and engraved silver plaque La Madonna del lago (The Madonna of the Lake) Probably Milan, post 1824 Brass frame It measures 16.14 in x 13.85 in (41 x 35.2 cm) and it weighs 10.357 pounds (4.698 g): silver 1.31 pounds (598 g) + brass 9.03 pounds (4.100 g) State of conservation: some abrasions on the bottom. The frame is old, but not original. The plaque is made up of a sheet of embossed and engraved silver, and held in a solid brass frame. It depicts the “Madonna del lago” – “Madonna of the Lake” - (the Madonna with Child and San Giovannino) by Marco d'Oggiono (Oggiono, 1474 circa - Milan, 1524 circa), while changing only the background landscape. Almost certainly the subject reproduced in the plaque was taken from a famous engraving by Giuseppe Longhi (Monza, 1766 - Milan, 1831), one of the greatest engravers of his era. The silver is unmarked, probably because originally the Madonna was due to be exposed in a church: sometimes precious metals destined for worship and liturgical use would be exempted from payment and were, therefore, not marked. It is very likely that the plaque was made in Milan because in this city in 1824 the engraving by Giuseppe Longhi was made and printed. In addition, in Milan, the alleged lost painting by Leonardo da Vinci in his Milanese period (1482-1500) would be produced; this is the painting from which Marco d'Oggiono took his version. The painting Marco d?Oggiono was one of Leonardo da Vinci's most brilliant students and collaborators (D. Sedini, Marco d’Oggiono, tradizione e rinnovamento in Lombardia tra Quattrocento e Cinquecento, Roma 1989, pp. 151-153, n. 56; p. 225, n. 124, with previous bibliography). His style reflects in every way that of the Tuscan Maestro, so much so that he was the one who executed some copies of da Vinci's paintings. The execution of the “Madonna del Lago” probably draws inspiration from a lost painting by the Maestro, created while he was living in Milan (1482-1500). There are many similarities with other works by Leonardo such as the “Vergine delle rocce” or the “Vergine con il Bambino e San Giovannino, Sant’Anna e l’Agnello”. The painting, from which the drawing and then the famous engraving were taken, is found today at the M&G Museum of Bob Jones University in Greenville, South Carolina, where it came to rest after the sale of the Harrington Collection in London in 1917. The work appears in the inventories of the collection of Napoleon and Joséphine Bonaparte at the castle of Malmaison, before 1809. The Malmaison building was born and developed in the 17th and 18th centuries. In the 18th century it belonged to Jacques-Jean Le Coulteux du Molay, a wealthy banker. Later, during the Directory, Joséphine Bonaparte de Beauharnais bought it on April 21st, 1799, but settled at the castle definitively only after her husband separated from her in 1809. She remained there until 1814, the year of her death. When Joséphine died, the estate passed to her son Eugène de Beauharnais, who moved to Munich with his whole family in 1815, bringing with him the collection of paintings he inherited from his mother. Eugène died in 1824 and his wife Augusta of Bavaria (von Bayern), unable to keep it, in 1828 sold the Malmaison to the Swedish banker Jonas-Philip Hagerman. It is likely that in this period Augusta also sold part of the paintings inherited from her husband, including the “Madonna del Lago”. This painting then came into the possession of Leicester Stanhope, fifth Earl of Harrington (1784 - 1862) and then was passed down to his descendants. In 1917, at the death of Charles, eighth Earl of Harrington, his brother Dudley inherited the title and properties and he put up a part of his collections for sale. Among these, precisely, the painting by Marco d'Oggiono was to be found. On the occasion of that auction the painting was presented as a work by Cesare da Sesto, by virtue of a handwritten note by the Countess of Harrington on the back of the table. However, already in 1857, the German critic Gustav Waagen had identified Marco d'Oggiono as the author of the painting, then exhibited in the dining room of Harrington House in London (Treasures of Art in Great Britain, in 4 volumes, London, 1854 and 1857). The engraving Giuseppe Longhi was one of the most renowned engravers in Italy between the end of the 18th century and the first quarter of the 19th century. In 1824 Giuseppe Longhi, based on a design by Paolo Caronni, made a famous engraving of the painting of Marco d?Oggiono. The activity of Longhi was then at the peak of his notoriety, enough to earn him very substantial commissions; it is not risky to suppose that some of his successful engravings were also reproduced using other means: in our case in silver. (A. Crespi, a cura di, Giuseppe Longhi 1766–1831 e Raffaello Morghen...

A fine quality and handsome George IV/Regency inlaid rosewood dressing box, with the original sterling silver and glass fitted contents, London, 1824. The box having a lift-up hinged lid, finely inlaid with brass and bone marquetry of floral garlands & swags, the front having twin locking doors with corresponding inlay. Both the top, base and door panels have 'Dutch Ripple' molding and at each corner a hand-turned 'Barley Twist' column, both to the front and rear. The interior of the box also having inlaid satinwood stringing and three fitted compartments each with an etched crystal container...

Silver Hip Flask. A beautiful gentleman's curved body pocket silver spirit hip flask. This exceptional hip flask with plain domed hinged lid with screw bayonet fitting and retaining ...

An exceptional, fine and impressive, antique George IV English sterling silver mustard pot; an addition to our 19th century silverware collection. ...

Small casket / caddy, England, London 1820, 925/- sterling silver, rectangular shape with grooved decoration on the body, relief decoration with a small crab on the lid. Height 6.5 ...

Drageoir in silver and crystal blown and carved. The drageoir is decorated on both sides with finely chiselled motifs representing children in gardener...

Antique George 1V Provincial Silver Toddy Ladle Rettie & Son Aberdeen Circa 1820 This ladle was used to serve Hot Toddy( Hot water, whiskey,lemon, honey and spices) into the drinking...

Description George IV sterling silver coffee pot, Paul Storr, London, 1823. Rare coffee pot by silversmith Paul Storr. The body shape follows a neoclassical style, with a convex prof...

A fine pair of Georgian silver-mounted oak wine bottle coasters .T circular in form with cast foliate borders, central engraved cartouche crest depicting boar's head between 2 fea...

A good antique early 19th century Persian silver engraved Holy Qur'an case amulet, circa 1820. This type of Qur'an case is known in Persian as a Bazuband, these cases were worn on t...

A fine and impressive pair of antique George IV English sterling silver meat platters; an addition to our silver dining collection. The...

A fine pair of antique George IV English sterling silver game skewers/letter openers; an addition to our diverse flatware collection These fine antique George IV English sterling silver game skewers/letter opener has a plain tapered form. The anterior and posterior surfaces of the skewer are embellished with chased decorated shell designs below the plain circular ring loop finger piece. The original use of this item was purely as a game/meat skewer. Due to its form, this piece may certainly be used as an effective letter opener. Condition These antique letter openers...

An exceptional, fine and impressive, large antique George IV English sterling silver mustard pot; an addition to our 19th century silverware collection. This exceptional and large a...

Embossed and engraved silver coffee pot Antonio Garavaglia Milan, Circa 1830 It measures 16.92 in (43 cm) in height and weighs 3.35 lb (1.520 gr) State of conservation: very good The large silver coffee pot has a round mouthpiece with a marked everted rim on which a pagoda lid rests; this is surmounted by a cock-shaped knob with a border decorated with small pods...

An exceptional, fine and impressive, antique George IV English sterling silver egg cruet set for three persons; part of our dining silverware collection. This exceptional antique George IV sterling silver egg cruet set consists of three egg cups and three associated spoons, displayed on a functional original purpose-made stand. The original hallmarked egg cups have a bell shaped form onto a circular spreading pedestal foot. These silver egg cups are embellished with cast and applied floral and foliate decorated borders to the upper portions, in addition to a band of leaf decoration to the each foot. The three associated hallmarked English sterling silver spoons have a plain tapering form with leaf ornamentation to the terminals. This silver cruet set is supported and displayed on the original and impressive cast sterling silver circular rounded stand, ornamented with foliate decoration. The surface of the stand bears three circular receivers enabling the egg cups to stand securely in situ; these supports alternate with integrated receivers for the three egg spoons. The receivers surmount an exceptional pedestal constructed of three putto figures stood with their arms elevated, bracing scrolling supports to the plain circular boss. The original antique stand features a central carrying handle modelled in the form of a foliate wreath. Each antique egg cup and egg spoon retains the original gilt interior. The initials displayed within the maker's marks, in addition to the standardization of the surround could pertain to a multitude of antique silversmiths; these silversmiths include William Eaton, Ellerby, Esterbrook and Eley II. In art and culture, a putto (plural: putti) is a chubby male child, usually nude and occasionally bearing wings. Condition These antique sterling silver egg cruet...

Hallmarked in London in 1822 by William Eley II, this very handsome pair of Antique, Sterling Silver Meat Dishes, are in the Regency taste, featuring shell...

Heading : Cowrie shell snuff box Date : c1820 Period : George III / Regency Origin : Most likely Scottish Provincial Decoration : Silver mounted cowrie shell with monogram, parcel gi...

Neo-Classic sterling silver decorative dish plate. An antique piece made in the state of Hanau during the German Imperial period, circa 1820. It was crafted in solid sterling silv...

An exceptional, fine and impressive antique George IV sterling silver half pint tankard, part of our wine and drink related silverware collection. This e...

Very rare and important piece of George IV silver, highly important silver-gilt Inkwell probably by John Bridge of the renowned silversmiths Rundell & Bridge, Royal Silversmiths to t...

This exquisite pair of silver Shabbat candlesticks showcases the refined artistry of early 19th-century German silversmiths. Each candlesti...

Hallmarked in London in 1825 by John Bridge, this stylish, George IV, antique sterling silver Bouillabaisse Tureen, stands on four ball feet, and features a shell finial to the lid, ...

An exceptional and impressive antique George IV English sterling silver Regency style three piece tea service/set; an addition to our silver teaware collection. This antique George IV sterling silver three piece tea service consists of a teapot, cream jug / creamer, and sugar bowl. Each piece of this impressive set has a rectangular rounded form onto four Regency style feet. The plain body of each piece is encircled with a band of embossed and chased decorated stylised floral motifs on a matte background. The teapot is fitted with a flush hinged, domed hallmarked cover; the flush hinge indicates the fine quality of this service. The cover retains the original sterling silver rounded rectangular finial embellished with chased stylised rose and leaf decoration, encompassed with a bud border. The teapot, cream jug and sugar bowl are fitted with C scroll handles, ornamented with applied chased acanthus leaf decorated thumbpieces. Each component of this service is supported by four Regency style bracket style feet ornamented with a shaped claw foot, accented with scrolling leaf decoration and stylised floral motifs. The cream jug and sugar bowl retain the original gilded interiors. Condition This antique Regency tea service...

A fine and impressive antique English sterling silver mounted coconut cup; an addition to our diverse silverware collection. This impressive antique sterling silver mounted coconut cup has a circular rounded form onto a circular pedestal foot. The upper portion of this antique coconut cup...

1825 Old English pattern sterling silver tablespoon by William Bateman, London. Crude period monogram "CT". Good, heavy spoon. 2.30 troy oz. 8 7/8" x 1 13/16" x 1". Whitehall Antiqu...

A fine antique English mustard spoon. In sterling silver. By William Chawner II or London. In the Kings pattern. Each with light gilding to the bowl. Fully hallmarked to the re...

Pair Of Antique George 1V Silver Wine Coasters Dated 1821 S C Younge Of Sheffield Beautiful flower and scroll border around the top of each on with converging fluting around the midd...

A good antique Georgian sterling silver & silver gilt christening cup/mug, William Bateman I, London, 1825. The handled cup having a tankard shape and...

Large, Georgian (George IV) Period, sterling silver-mounted wood wine/champagne bottle coaster, Sheffield, England, year-hallmarked for 1820, ...

Decanter label or bottle ticket, if you prefer the English term, for Brandy by Charles Rawlings, London, 1828, hand wrought during the George III period....

Heading : Rams Horn and silver snuff mull c1820 Period : Regency Origin : Almost certianly Scottish provincial Decoration : Horn mull with silver rim and thistle design to cover. ...

An exceptional, fine and impressive antique George IV English cast sterling silver mustard pot; an addition to our antique 19th century silverware collection. This exceptional antiq...

An exceptional, fine antique George IV English sterling silver three piece tea service / set made by Charles Thomas Fox; part of our silver teaware collection This exceptional antique sterling silver three piece tea service consists of a teapot, cream jug and sugar bowl. Each piece has an oval rounded compressed form on to a collet base and four bracket style feet. The body of each piece is embellished with chased flower and foliate decoration incorporating a shaped cartouche to either side, each displaying a contemporary bright cut engraved crest of a mower with his scythe proper habited*. The upper rim of each piece is encompassed with a gadroon decorated border. The swept shoulders and the swan necked spout of the teapot are further ornamented with chased floral and scrolling leaf decoration. The original hinged hallmarked cover of the teapot is surmounted with a silver flower and leaf decorated finial. The teapot is fitted with a C scroll sterling silver handle ornamented with an impressive leaf design incorporated into a scrolling thumbpiece. The cream jug and sugar bowl have leaf decorated sterling silver C scroll handles and retain the original gilt interiors. Each piece is supported by four impressive bracket style feet accented with floral and paw ornamentation in the classic Regency style. The components of this exceptional antique teaware set were crafted by the renowned London silversmith Charles Thomas Fox. * The crest pertains to the Pilkington family, who are found in the Counties of Lancashire and Yorkshire, although other families bearing the name are found further afield and a similar crest. Whether these families are genealogically connected is not known. The Pilkingtons, of Rivington in the County of Lancashire are probably the more ancient and senior line. Legend has it that a member of the family (which was said to be one of repute prior to the Norman Conquest of 1066) disguised himself when sought by Norman soldiers as a mower and escaped. A similar legend adheres to another Lancashire family, the De Traffords or Traffords in which a member of that family avoided capture by the Parliamentarians during the Civil War of the 17th Century by disguising himself as simple-minded thresher wielding a frail rather than the Pilkington's scythe. There is certainly a possibility that this tea service was in the possession the baronetcy family of Pilkington, of Stanley in the County of Yorkshire who descended from Sir Alexander de Pilkington who held lands at Rivington during the reign of King Henry III. The baronet at the time of the manufacture of this tea service was Sir William Pilkington, the 8th Baronet (baptised 14th November 1775 died 30th 1850). Condition The pieces of this antique tea service...

A fine and impressive antique George IV English sterling silver vinaigrette in the form of a purse; an addition to our silver boxes collection. This antique George IV sterling silve...

Antique George 1V Silver Bucellas Wine Label Dated 1828 London Charles Rawlings A heavy beautifully cast wine label with hand pierced bucellas. This maker specialised in making fine...

An exceptional, fine and impressive pair of antique George IV English sterling silver wick trimmers; an addition to our silver flatware collection. This exceptional pair of antique George IV sterling silver wick trimmers has a hinged scissor action. The domed anterior surface of this antique candle wick trimmer...

Georgian sterling silver decanter label or bottle ticket if you prefer the English style, handmade by silversmith Charles Rawlings in London, 1828 during...

An exceptional, fine and impressive Russian silver gilt and niello enamel beaker, an addition to our Russian silverware collection. This exceptional antique Russian silver gilt beaker has a cylindrical, tapering form. The surface of this antique beaker is embellished with a fine niello enamel scene depicting a structural rooftop skyline behind a towered brick wall, incorporating cloud designs on the matte textured upper portion. The ornamentation to the beaker is flanked with two opposing chevron style borders. The upper rim of the beaker is encircled with an applied moulded border. The hallmarks struck to the beaker include: Maker's mark: ?? (Andrey Shikhin / ?????? ?????, Tver) Assay mark: ??, 1827 (Nikolay Dubrovin/??????? ????????) Silver quality/purity mark: 84 (84 zolotniks) City mark: St George slaying the dragon (Moscow, Russia) The surface and interior of this exceptional example of antique silverware retains the original gilding. 84 zolotniki is equivalent to 875/1000 or .875 standard silver Condition This antique Russian Niello...

Twelve silver glass coasters and four silver wine coasters. Silversmith Antonio Mantelli Milan, circa 1830 They measure: Glass coasters: 0.78 in high x 3.46 in diameter (2 cm x 8.8 c...

An exceptional, fine and impressive, antique George IV English sterling silver mustard pot; an addition to our 19th century silverware collection. This exceptional antique George IV...

Hallmarked in London in 1828 by Charles Fox II, this delightful, George IV, Antique Sterling Silver Tea Set, features converged fluting, silver handles ...

An exceptional, fine and impressive set of three antique George IV Scottish Provincial sterling silver fiddle pattern sauce ladles, an addition to our silver flatware collection. These exceptional antique George IV Scottish Provincial silver sauce ladles, in sterling standard, have been crafted in the fiddle pattern. The anterior surface of the handle of each antique silver ladle is embellished with a contemporary bright cut engraved crests of a hawk ringed...

An exceptional, fine and impressive, large antique George IV English sterling silver quart and a half tankard made by William Bateman I; an addition to our silver tankard collection....

An exceptional, fine and impressive pair of antique George IV English sterling silver old English pattern salad servers; an addition to our silver flatware collection. These exceptional antique sterling silver salad servers...

A fine and impressive antique George IV English sterling silver vinaigrette; an addition to our silver boxes collection This antique George IV sterling silver vinaigrette has a ro...

An exceptional, fine and impressive antique George IV English sterling silver snuffer tray; an addition to our antique silverware collection. This exce...

A fine and impressive antique George IV Scottish sterling silver waiter/teapot stand; an addition to our ornamental silverware collection. This fine antique George IV sterling silver waiter has a plain circular form onto a circular collet foot. The surface of this fine example of Scottish silverware is embellished with a fine and impressive contemporary bright cut engraved crest depicting a stag's head erased below the motto 'Steady'. The swept border is ornamented with a plain applied moulded rim. This crest pertains to the family name M'Adam, McAdam and Macadam of Craigengillan, Ayrshire, Scotland. Condition This antique teapot stand...

AN IMPORTANT GEORGE IV FOUR BOTTLE DECANTER stand MADE IN LONDON IN 1823 BY William Bateman I This very rare piece has a square platform base with gadrooned edge, displaying a Ro...