Neoclassical Sterling Silver

Embossed and engraved silver plaque La Madonna del lago (The Madonna of the Lake) Probably Milan, post 1824 Brass frame It measures 16.14 in x 13.85 in (41 x 35.2 cm) and it weighs 10.357 pounds (4.698 g): silver 1.31 pounds (598 g) + brass 9.03 pounds (4.100 g) State of conservation: some abrasions on the bottom. The frame is old, but not original. The plaque is made up of a sheet of embossed and engraved silver, and held in a solid brass frame. It depicts the “Madonna del lago” – “Madonna of the Lake” - (the Madonna with Child and San Giovannino) by Marco d'Oggiono (Oggiono, 1474 circa - Milan, 1524 circa), while changing only the background landscape. Almost certainly the subject reproduced in the plaque was taken from a famous engraving by Giuseppe Longhi (Monza, 1766 - Milan, 1831), one of the greatest engravers of his era. The silver is unmarked, probably because originally the Madonna was due to be exposed in a church: sometimes precious metals destined for worship and liturgical use would be exempted from payment and were, therefore, not marked. It is very likely that the plaque was made in Milan because in this city in 1824 the engraving by Giuseppe Longhi was made and printed. In addition, in Milan, the alleged lost painting by Leonardo da Vinci in his Milanese period (1482-1500) would be produced; this is the painting from which Marco d'Oggiono took his version. The painting Marco d?Oggiono was one of Leonardo da Vinci's most brilliant students and collaborators (D. Sedini, Marco d’Oggiono, tradizione e rinnovamento in Lombardia tra Quattrocento e Cinquecento, Roma 1989, pp. 151-153, n. 56; p. 225, n. 124, with previous bibliography). His style reflects in every way that of the Tuscan Maestro, so much so that he was the one who executed some copies of da Vinci's paintings. The execution of the “Madonna del Lago” probably draws inspiration from a lost painting by the Maestro, created while he was living in Milan (1482-1500). There are many similarities with other works by Leonardo such as the “Vergine delle rocce” or the “Vergine con il Bambino e San Giovannino, Sant’Anna e l’Agnello”. The painting, from which the drawing and then the famous engraving were taken, is found today at the M&G Museum of Bob Jones University in Greenville, South Carolina, where it came to rest after the sale of the Harrington Collection in London in 1917. The work appears in the inventories of the collection of Napoleon and Joséphine Bonaparte at the castle of Malmaison, before 1809. The Malmaison building was born and developed in the 17th and 18th centuries. In the 18th century it belonged to Jacques-Jean Le Coulteux du Molay, a wealthy banker. Later, during the Directory, Joséphine Bonaparte de Beauharnais bought it on April 21st, 1799, but settled at the castle definitively only after her husband separated from her in 1809. She remained there until 1814, the year of her death. When Joséphine died, the estate passed to her son Eugène de Beauharnais, who moved to Munich with his whole family in 1815, bringing with him the collection of paintings he inherited from his mother. Eugène died in 1824 and his wife Augusta of Bavaria (von Bayern), unable to keep it, in 1828 sold the Malmaison to the Swedish banker Jonas-Philip Hagerman. It is likely that in this period Augusta also sold part of the paintings inherited from her husband, including the “Madonna del Lago”. This painting then came into the possession of Leicester Stanhope, fifth Earl of Harrington (1784 - 1862) and then was passed down to his descendants. In 1917, at the death of Charles, eighth Earl of Harrington, his brother Dudley inherited the title and properties and he put up a part of his collections for sale. Among these, precisely, the painting by Marco d'Oggiono was to be found. On the occasion of that auction the painting was presented as a work by Cesare da Sesto, by virtue of a handwritten note by the Countess of Harrington on the back of the table. However, already in 1857, the German critic Gustav Waagen had identified Marco d'Oggiono as the author of the painting, then exhibited in the dining room of Harrington House in London (Treasures of Art in Great Britain, in 4 volumes, London, 1854 and 1857). The engraving Giuseppe Longhi was one of the most renowned engravers in Italy between the end of the 18th century and the first quarter of the 19th century. In 1824 Giuseppe Longhi, based on a design by Paolo Caronni, made a famous engraving of the painting of Marco d?Oggiono. The activity of Longhi was then at the peak of his notoriety, enough to earn him very substantial commissions; it is not risky to suppose that some of his successful engravings were also reproduced using other means: in our case in silver. (A. Crespi, a cura di, Giuseppe Longhi 1766–1831 e Raffaello Morghen...

Embossed and engraved sterling silver coffee pot Tommaso Panizza (1805-1868) Milan, circa half of the 19th century It measures 13.97 in (cm 35.5) in height x 8.66 in (22 cm) x 4.7...

Classical silver butter dish. Made by Vilhelm Christensen in Copenhagen in 1890. Globular; cover hinged side disc and barbell mounts. Cast double-scroll mounted brackets for tongs an...

A fine Neoclassical style cake plate or serving dish. In sterling silver and cut glass. By the International Silver Company. Stylistically similar to International's 'Wedgwood' pat...

Pair of Edwardian Period, tall, Neoclassical-Style, sterling silver Corinthian column candlesticks, Sheffield, England, year-hallmarked for 1906, James Dixon and Sons...

Beautiful pair of Victorian Period, neoclassical-style, sterling silver Corinthian column candlesticks, made in the city of Sheffield, England, year-hallmarked for 1898, Hawksworth, ...

This exquisite set of 12 "Gilded Age" Sterling Silver Tiffany Charges was realized in America in 1905. Each plate has heavily detailed boarders featuring a Kylix cup amid scrolling s...

Tiffany & Company and George Paulding Farnham, A rare, lavish and monumental sterling silver centerpiece with original mirrored-glass sterling silver plateau, circa 1900. Museum quality. In the George III style, designed by Paulding Farnham for Tiffany and Co, New York. Of palatial and monumental size. Centerpiece: 15" high x 30" wide x 27" deep Plateau: 3" high x 39" wide x 34" deep In excellent condition, ready to place. Of oval form, the everted rims formed of openwork scrolling classical foliage and bellflower swags, the tops applied with standing scrolling foliage with four silver caryatid female figures, the bases overlaid with acanthus and palmettes. The original, silver mirrored plateau...

This unique and highly ornate Pair of Neoclassical Sterling Silver & Bone Tongs originates from the United States, Circa 1890. The feature a spring mechanism and are rendered in beau...

French Neoclassical Silver Oil Lamp. Antique French sterling silver oil lamp of neoclassical form with leaf and bead detailing on raised pedes...

Tall, Edwardian, sterling silver, neoclassical, column-form candlesticks, Birmingham, England, 1914, Bayliss and Coulthard - makers. Measures: 12 1/2 high x 5 wide x 5 deep (at squar...

Circa 1910 Tiffany Sterling Silver "Winthrop" Flatware Service for 8. Arts & Crafts "E" monogram. Service for 8 of dinner knives (10.125"), forks (7.5") & teaspoons (5.625"). Luncheo...

Swan Boats of the Public Garden, a keyring in sterling silver. A true vintage collectible from Boston’s venerable emporium, Shreve Crump & Low, since 1796. This sterling silver key...

Pair of early 20th-century sterling silver serving spoons with an "E" monogram, cartouche, and ornate detailing. Such pieces often hold historical and aesthetic value.

Charming, rare estate Tiffany & Co. sterling silver baby cup in the form of a miniature tankard 20th Century Marks: Tiffany & Co., Sterling, 2419 Engraving: Adam Condition: Very Good...

George III sterling silver epergne. Made by Thomas Pitts in London in 1774. Reeded and beaded oval frame; at base swags threaded through fixed rings with pendant oval vase medallions, overlapping four split-mounted leafing supports terminating in pierced and scrolled oval feet. Four reeded and scrolling leaf-capped and -wrapped arms, each terminating in oval basket, mounted to frame base alternating with four reeded and scrolling leaf-wrapped arms, each terminating in round basket, mounted to supports. Large oval basket...

Twelve silver glass coasters and four silver wine coasters. Silversmith Antonio Mantelli Milan, circa 1830 They measure: Glass coasters: 0.78 in high x 3.46 in diameter (2 cm x 8.8 c...

Ancient Neoclassic Sterling Silver Coffee Pot, Palermo, Sicily circa 1789 Embossed and engraved silver coffee pot Silversmith, probably Agostino Natoli Diego Di Maggio, Silversmith Consul in 1789 and 1796 Palermo, 1789 It measures 14.17 in (36 cm) high and weighs 2.76 lb (1.252 g) State of conservation: few signs of use and some slight blemishes The large silver coffee pot has a round mouthpiece with a markedly everted rim, on which hinges a domed lid with very full molded pod shapes; a closed bud surmounted by a small sphere serves as a knob. The polygonal neck descends and widens into molded elements that come together, with larger pods, at the point where it is attached to the body. The body in turn is united to a well-shaped foot, which ends in a flat base with a vertical rim. From the body rises a spout with a circular mouth accented with a thick rim. An angled loop, made of ebonized wood, is applied to the neck by means of a double-cone element having a sphere at its center; it ends in a silver cone...

A pair of Gorham sterling silver Chambersticks, circa 1920-1930. A beautiful Repoussé pattern of roses, fans, shells, and scrolls. Each with a finger holder, charming for the bedsid...

A set of seven, sterling silver butter pats, circa 1940s. Marked Sterling, with a running rope bordered rim. Each pat is faintly initialed with a G. The pats can also be used to hold a tea bag...

Maria Theresa Austria-Habsburg 1780 Silver Coin Letter Opener The coin is orignal and authentic minted 1780, the blade of the letter opener is sterling silver and hallmarked later a...

Tall, Empire-style sterling silver candelabra with removable arms, Preisner Silver Co., Wallingford, CT., Ca. 1935. Graceful design. Each of the pair, which is weighted, measures 15 ...

Embossed and engraved silver plaque La Madonna del lago (The Madonna of the Lake) Probably Milan, post 1824 Brass frame It measures 16.14 in x 13.85 in (41 x 35.2 cm) and it weighs 10.357 pounds (4.698 g): silver 1.31 pounds (598 g) + brass 9.03 pounds (4.100 g) State of conservation: some abrasions on the bottom. The frame is old, but not original. The plaque is made up of a sheet of embossed and engraved silver, and held in a solid brass frame. It depicts the “Madonna del lago” – “Madonna of the Lake” - (the Madonna with Child and San Giovannino) by Marco d'Oggiono (Oggiono, 1474 circa - Milan, 1524 circa), while changing only the background landscape. Almost certainly the subject reproduced in the plaque was taken from a famous engraving by Giuseppe Longhi (Monza, 1766 - Milan, 1831), one of the greatest engravers of his era. The silver is unmarked, probably because originally the Madonna was due to be exposed in a church: sometimes precious metals destined for worship and liturgical use would be exempted from payment and were, therefore, not marked. It is very likely that the plaque was made in Milan because in this city in 1824 the engraving by Giuseppe Longhi was made and printed. In addition, in Milan, the alleged lost painting by Leonardo da Vinci in his Milanese period (1482-1500) would be produced; this is the painting from which Marco d'Oggiono took his version. The painting Marco d?Oggiono was one of Leonardo da Vinci's most brilliant students and collaborators (D. Sedini, Marco d’Oggiono, tradizione e rinnovamento in Lombardia tra Quattrocento e Cinquecento, Roma 1989, pp. 151-153, n. 56; p. 225, n. 124, with previous bibliography). His style reflects in every way that of the Tuscan Maestro, so much so that he was the one who executed some copies of da Vinci's paintings. The execution of the “Madonna del Lago” probably draws inspiration from a lost painting by the Maestro, created while he was living in Milan (1482-1500). There are many similarities with other works by Leonardo such as the “Vergine delle rocce” or the “Vergine con il Bambino e San Giovannino, Sant’Anna e l’Agnello”. The painting, from which the drawing and then the famous engraving were taken, is found today at the M&G Museum of Bob Jones University in Greenville, South Carolina, where it came to rest after the sale of the Harrington Collection in London in 1917. The work appears in the inventories of the collection of Napoleon and Joséphine Bonaparte at the castle of Malmaison, before 1809. The Malmaison building was born and developed in the 17th and 18th centuries. In the 18th century it belonged to Jacques-Jean Le Coulteux du Molay, a wealthy banker. Later, during the Directory, Joséphine Bonaparte de Beauharnais bought it on April 21st, 1799, but settled at the castle definitively only after her husband separated from her in 1809. She remained there until 1814, the year of her death. When Joséphine died, the estate passed to her son Eugène de Beauharnais, who moved to Munich with his whole family in 1815, bringing with him the collection of paintings he inherited from his mother. Eugène died in 1824 and his wife Augusta of Bavaria (von Bayern), unable to keep it, in 1828 sold the Malmaison to the Swedish banker Jonas-Philip Hagerman. It is likely that in this period Augusta also sold part of the paintings inherited from her husband, including the “Madonna del Lago”. This painting then came into the possession of Leicester Stanhope, fifth Earl of Harrington (1784 - 1862) and then was passed down to his descendants. In 1917, at the death of Charles, eighth Earl of Harrington, his brother Dudley inherited the title and properties and he put up a part of his collections for sale. Among these, precisely, the painting by Marco d'Oggiono was to be found. On the occasion of that auction the painting was presented as a work by Cesare da Sesto, by virtue of a handwritten note by the Countess of Harrington on the back of the table. However, already in 1857, the German critic Gustav Waagen had identified Marco d'Oggiono as the author of the painting, then exhibited in the dining room of Harrington House in London (Treasures of Art in Great Britain, in 4 volumes, London, 1854 and 1857). The engraving Giuseppe Longhi was one of the most renowned engravers in Italy between the end of the 18th century and the first quarter of the 19th century. In 1824 Giuseppe Longhi, based on a design by Paolo Caronni, made a famous engraving of the painting of Marco d?Oggiono. The activity of Longhi was then at the peak of his notoriety, enough to earn him very substantial commissions; it is not risky to suppose that some of his successful engravings were also reproduced using other means: in our case in silver. (A. Crespi, a cura di, Giuseppe Longhi 1766–1831 e Raffaello Morghen...

An Earl’s Coronet, in silver-gilt, by Hunt & Roskell: the firm formerly known as Storr & Mortimer, a direct line to Paul Storr. Made in 1911, no doubt for...

Tiffany & Co., sterling silver pierced condiment dish in pattern number 13835 from 1898. They measure 7 3/4'' in length by 4 7/8'' in width by 2'' in height and bear hallmarks as shown. Total weight is 7.6 troy ounces. The legendary Tiffany brand was founded in 1837 by Charles Lewis Tiffany and John B. Young in Connecticut as a "stationery and fancy goods emporium," with the help of Charles Tiffany's father who financed the store for only $1,000 with profits from a cotton mill. Tiffany & Co. soon became a highly regarded brand for jewelry, gemstones, and silver. In 1845, Tiffany was a pioneer when it launched the Blue Book, which at the time was the first mail-order catalog...

Silver 925 Cutlery set for 12 people signed Bruckmann. Germany, late 19th century. Complete for 12 people. A total of 170 pieces: 12 large kni...

A sea shell centerpiece made of solid heavy gauge sterling silver and with conch shell feet by Buccellati, Italy 20th century. This rare neoclassical piece is rife with elegance and...

An assembled set of four vintage wide band Sterling Silver napkin rings, various makers, circa 1920s – 1930s. Wonderful examples: One ring is engraved with the name ‘Sylvia’ from th...

A sterling silver celery tray by Gorham, circa 1940s. A rectangular paneled tray with a rolled, shaped rim, very heavy in weight. Marked: Gorham Sterling...

Russian malachite and silver table by Imperial silversmiths the Grachev Brothers Russian, 1884 Measures: Height 85cm, width 113cm, depth 63cm This beautiful silver table was man...

This is a beautiful set of mother of pearl handled fish slice and fork. The stainless steel blade is engraved with a small floral design. Both the slice and...

This exquisite sterling silver Kiddush cup, originating from Russia circa 1879, showcases intricate chased acanthus detailing. The floral motifs, masterfully rendered, exemplify the ...

1933-1944 set of 6 sterling silver salt dips by Georg Jensen. A 1935 wedding present. Hand wrought; shaped, curved handle to 2 scrolled feet. Pattern #110. 5.75 troy oz. 2 7/8" x 2" ...

Antique Milanese silver oil cruet consisting of an oval tray supported by four cast zoomorphic paw shaped feet; the edge of the tray is a ribbon decorated by...

Hallmarked in London in 1802 & 1803 by John Emes, this handsome set of 4, George III, Antique sterling silver sauce tureens, are 'Boat' shaped, and plain in design, featuring reed bo...

A display round tray designed by Tiffany & Co. Beautiful antique three footed round display tray, created in New York city for Tiffany & Co. between the 1858-1859. This tray certainly is one of the first pieces made at the 550 Broadway avenue in solid .925/1000 sterling silver. It was made up with American classic patterns and mount in three elaborated legs. As with all Tiffany pieces, the quality and design are beyond compare. Exceptional and rare example of Tiffany's finest work. Weight: 175.85 Grams (112.72 Dwt). Measurements: Diameter of 146.05 mm and a height of 24.2 mm (5.75 x 0.95 inches). Hallmarks: Stamped twice with the maker's mark, the gothic letter "M" associated to J.C. Moore & Sons (1854-1869), the model number 867, the order numbers 9008 and signed in full. "TIFFANY & CO. M 867 ENGLISH STERLING 925/1000 M 9008 550 BROADWAY". In addition is engraved with the inventory numbers 441. Note: Tiffany silver hollowware and flatware is generally marked Tiffany & Co and generally includes date letters indicating the period it was made. Flatware also usually includes a pattern number. The first date...

A set of two coordinating sterling silver creamers in a Neoclassical style. Wonderful forms that would be perfect for simple syrup or on small saucers on a tea tray or coffee service; one could hold a lavender syrup and the other could offer cream. Both are marked and both show years worth of loving usefulness in the form of little dents and dings. A small bunch of wildflowers would be absolutely sweet in these vessels. They would make sweet and loving Easter basket...

A fine antique American silver gravy or sauce boat. By Samuel Kirk & Son. In a very heavy-gauged sterling silver. With a gadrooned rim above a wave pattern, a repoussé ribbed base...

Sterling Sliver Jelly Spoon, S.Kirk & Son 5.25 inch Short Handled Sterling Silver Repousse Jelly Spoon, 1930

Medallion coin silver mustard pot. Made by Gorham in Providence, ca 1860. Upward tapering bowl on raised foot. Hinged and domed cover and leaf-wrapped scroll bracket handle. Flat ban...

Large pair of Neoclassical (made in the Victorian Period), sterling silver column-form candlesticks, Sheffield, England, year-hallmarked for 1898, Henry Wigful - maker. Each candlestick measures 11 1/6 inches high x 5 1/4 inches deep x 5 1/4 inches wide. Columns are swirled in design. The capital of each column is designed with acanthus leaves. The base of each candlestick is decorated with profiles of the Green Man (a good luck symbol...

This gorgeous and gracefully achieved Tiffany and Co. 19th Century Sterling Silver Pierced Serving Spoon Pat IX95 T in Scalloped Floral Pattern originates from the United States duri...

This magnificent silver-gilt Portland vase was crafted by the pioneering silversmithing firm of Elkington & Co. The iconic classical scenes are chased up...

Oliera italiana in Argento di provenienza lombarda, della città di Brescia 1812/1872. Servizio da tavola, cestello ovale in argento contenente le ampolle dell'olio e dell'aceto. Su d...

A wonderful pair of Estate Sterling Silver barrel shaped napkin rings, American, circa 1890. Most likely presented as a wedding gift for ‘Anna and Johnny’, the names engraved insid...

George III sterling silver mustard pot. Made by Andrew Fogelberg in London 1770. Drum-form with flat and hinged cover; leaf-capped s-scroll handle with open scroll thumb rest. Engrav...

German Neoclassic jardinière in silver by Weinranck & Schmidt-Hanau. An impressive, oversized and highly decorated piece, made in Hanau Germany by the silversmiths and silver maker's Weinranck & Schmidt during the Imperial period, circa 1889. This large center piece was decorated, with neo-classic patterns in the manner of the Louis XVI style and was totally crafted in repousse of solid .800/.999 silver. Weight: Has a total of 2,305 Grams, (74 Troy Ounces). Measures: 467 mm by 258 mm by 312 mm (18.4 x 10.15 x 12.3 Inches) (25.8 x 10.15 x 12.3 Cm). Hallmarks: Stamped with the German guaranty marks of the Halbmond und Reichskrone...

Portuguese silver set of four identical snuffer trays Portuguese, 19th Century Height 3cm, width 16cm, depth 10cm A quartet of splendidly crafted Portuguese silver snuffer trays, ...

Sterling silver lions' head salt. Neapolitan silver salt / bud vase of circular form with reed and bead rim bordering silver bowl supported on tri...

Exceedingly Rare and Important pair of Museum quality old English sterling silver Cymric candlesticks.  Exceptional example of silver from the Art...

Neoclassical-Style, Continental Silver (.800), paw-footed chocolate pot with wood handle and hinged lid, Dutch, year-hallmarked for 1886, Ate deGroot Boersma Sneek - maker. Beautifu...

A group of 4 Mardi Gras sterling silver cordials, 1969 & 1970 dates, made by Gorham. Krewe of Athenians Ball souvenirs. 2.50 troy oz. 2.75" h., 1.25" dia. We are a family business t...

Sterling Silver Picture Frame H & S co.

Classical silver butter dish. Made by Vilhelm Christensen in Copenhagen in 1890. Globular; cover hinged side disc and barbell mounts. Cast double-scroll mounted brackets for tongs an...

A very decorative neoclassical silver urn stamped by the Italian silversmith Emanuele Caber, dating from around 1825. It has the Milan warranty stamp, and stamp of the silver finenes...

Italian Neoclassical silver coffee pot and sugar bowl. Italian Neoclassical Silver Coffee Pot and Sugar Bowl. Neapolitan caffettiera in sterling silver with wood handle of neoclassical form and decoration with acorn lid and camel spout of oviform body supported by three female hermes...

George III sterling silver epergne. Made by Thomas Pitts in London in 1774. Reeded and beaded oval frame; at base swags threaded through fixed rings with pendant oval vase medallions, overlapping four split-mounted leafing supports terminating in pierced and scrolled oval feet. Four reeded and scrolling leaf-capped and -wrapped arms, each terminating in oval basket, mounted to frame base alternating with four reeded and scrolling leaf-wrapped arms, each terminating in round basket, mounted to supports. Large oval basket...

From Kirk & Sons Silversmiths, an Estate Sterling Silver bacon fork in the Wakefield pattern, circa 1850- 1925. Now a discontinued pattern, the simple lines of the Wakefield pattern...

Continental German (19/20th Century) rectangular sterling silver box with Neo-classic figures in relief (signed: S. SCHNAUFFEN, DRESDEN)

A wonderful Tiffany sterling silver finely engraved round and footed serving tray or platter centerpiece.

Medallion coin silver cruet stand. Made by Gorham in Providence, ca 1860. U-form handle mounted to columnar shaft threaded through 4-ring frame on tapering pillars; solid quatrefoil ...

Italian Neoclassical Silver Coffee Pot. Neapolitan caffettiera in sterling silver with wood handle of neoclassical form and decoration with parrot l...

Pair of 5-light candelabra in 925 sterling silver in neoclassical style. Candelabra formed by an iron eye stem and a Hellenic part in Ionic style in 925 silver. The iron eye is a sto...

12 table place card in sterling silver. They are made in fusion and engraving finishing, as a copy of the Roman columns as can be admired in the Roman Forum in Rome. Silver Art - A...