Clay Table Lamps

Hand-Built Ceramic Table Lamp with Linen Shade — Inspired by the New England Coast This one-of-a-kind ceramic lamp is entirely hand-built and assembled, celebrating the artistry of ...

White & Green Checkerboard Pattern with a Matte Finish and Green Mohair Shade Estimated processing time is 2 weeks from order confirmation. Pictured with a Mini Globe LED E27 Bulb...

Caramel Medium Sonora Linen Table Lamp by NASSI Dimensions: W 35 x D 35 x H 58 cm. Materials: Lampshade: coated iron, warm white Cotton Lining. Base: wood-fired clay with beeswax fi...

Pink ceramic lamp base with a matte finish paired with a matching wool lampshade See comparison photo to our standard size Opposée. We can provide an alternative colour and materia...

Our stoneware Sag Harbor lamp is handcrafted using slab-construction techniques. Finish - Dipped glaze parchment & chalk glaze - Antique brass fittings - Black-cloth cord - Full-r...

Inspired by the elegant, undulating forms of desert cacti, the Cereus Lamp offers a striking blend of minimalist design and organic playfulness. Handcrafted using traditional slab-bu...

This collection is shaped from clay sourced from the Sierra Madre mountains in Oaxaca. Local legend holds that the clay is blessed. Before firing, each piece is meticulously burnish...

Gunnar Nylund ''Chamotte'' Table Lamp for Rörstrand. The lamp is made of chamotte clay and finished with a green colored luster glaze. New wiring, Please note: the shade is not incl...

FINISH - Dipped verdigris glaze with signature prints - Antique brass fittings - Black-cloth cord - Full-range dimmer socket - Off-white linen shade, pictured in paper shade LAMPIN...

A French ceramic table lamp from the 1970s, crafted in earthenware with an earthy speckled brown glaze that captures the tactile beauty of artisanal ceramics. The lamp’s organic form...

A large early 20th century Armenian terracotta storage vessel, hand-thrown and traditionally open-fired, now converted into a sculptural table lamp. This form would have originally been used for storing olive oil or water, with its broad shoulder, defined neck, and tapering base designed for both durability and capacity. The surface carries a rich open-fired finish, with natural variation across deep terracotta, burnt umber, and darker smoked areas created through direct exposure to flame in the kiln. A subtle banding line at the shoulder marks the transition in form, while the body retains visible traces of its hand-thrown construction beneath the surface. The overall silhouette is strong and balanced, with a slightly narrower base that gives the piece a refined verticality. Now reworked as a vintage terracotta lamp...

Flab Clay Table Lamp by Harshita Jhamtani Designs Dimensions: D 16.5 x H 17.8 cm Materials: Stoneware clay. Available in Egg White, Blush Pink, and Charcoal Black. Please contact us...

This collection is shaped from clay sourced from the Sierra Madre mountains in Oaxaca. Local legend holds that the clay is blessed. Before firing, each piece is meticulously burnish...

Artisanal Ceramic Table Light by Project 213A. Crafted in the brand's in-house ceramic workshop. Light launched in 2023 during Salone de Mobile at the Alcova Fair in Milano as part ...

Ceramic Art Nouveau white relief lined cream white glazed table lamp with large stylized turquoise green leaves. Wired for EU and US use with Scandinavian plug. Fitting with switch. ...

This collection is shaped from clay sourced from the Sierra Madre mountains in Oaxaca. Local legend holds that the clay is blessed. Before firing, each piece is meticulously burnish...

Artisanal Ceramic Table Light by Project 213A. Crafted in the brand's in-house ceramic workshop. Light launched in 2023 during Salone de Mobile at the Alcova Fair in Milano as part ...

Bitossi by Aldo Londi for Bergboms – Ceramic Table Lamp, Italy, c. 1970s An elegant ceramic table lamp designed by Aldo Londi for Bitossi, produced in Italy in the 1970s for the Swe...

Rare, late 1920s Reuben Haley for Muncie Pottery "Rombic" lamp model 220-10. The lamp is shape 220 and it's the 10" version of this design. Reuben Haley...

Inspired by the organic, undulating forms of desert cacti, the Cereus Lamp embodies a harmonious blend of minimalism and playful natural shapes. Each lamp is hand-built using traditi...

Phyllis Morris original poodle table lamp, signed, Blue, 1952 Hollywood Regency. Iconic American Pop Design. Signed. Rare custom blue poodle. With original harp and lace shade. From the 1950s to her passing in 1988, Phyllis created hundreds of designs blending the Hollywood Regency and California eclectic styles with her interpretation of Baroque-meets-Fantasy. Phyllis Morris’ first and most iconic design was the Poodle Lamp...

Inspired by the undulating forms of night‑blooming desert cacti, the Cereus Lamp balances minimalism with playful organic movement. Hand‑built from speckled stoneware using slab‑cons...

Our stoneware Litchfield Lamp is handcrafted using slab-construction techniques. The lamp’s pattern is created by rolling the surface with textured rolling pins and rods. FINISH - Parchment & matte-black poured glaze - Antique brass fittings - Black-cloth cord - Full-range dimmer socket - Off-white linen shade, pictured with a paper shade LAMPING Provided with dimmable Tala LED light bulbs DIMENSIONS Lamp Height – 15” Lamp Base – 10” square tapering to 2” square Lamp Shade – 9” x 16...

One of a kind pair of “unmatched” ceramic lamps, thrown on the potters wheel and assembled by hand. Each lamp base is comprised of two different clay bodies and features a coppery gr...

Our stoneware Bantam Lamp is handcrafted using slab-construction techniques. The lamp’s pattern is created by rolling the surface with textured rolling pins and rods. FINISH - Ochr...

This is a very unique table lamp made by hand with a blue glaze. Impressive measurements. Lamps are very hard to find from this artist, a real must have. This is a real lamp not a va...

Inspired by the organic, undulating forms of night‑blooming desert cacti, the Night Blooming Cereus Lamp brings a quiet sculptural presence to any interior. Hand‑built from red stone...

White base with a Matte finish and Sand raffia shade Lamp & Shade: 33 x 20 x 20cm Estimated processing time is 2 weeks from order confirmation Pictured with a Mini Globe LED E27 ...

One of a kind ceramic lamp, thrown on the potters wheel and assembled by hand. The lamp base is comprised of three different clay bodies and features a raw, unglazed ceramic surface ...

Sculptural Handcrafted Ceramic Table Lamp with Linen Shade This one-of-a-kind lamp is hand-thrown and hand-built in a combination of red and speckled stoneware clays, giving the bas...

This collection is shaped from clay sourced from the Sierra Madre mountains in Oaxaca. Local legend holds that the clay is blessed. Before firing, each piece is meticulously burnish...

Pair of one of a kind ceramic lamps, thrown on the potters wheel and assembled by hand. The lamp base is comprised of two different clay bodies and featu...

An early 20th century Turkish terracotta storage jar, hand-thrown and traditionally fired, now converted into a table lamp. The form is defined by its broad shoulder, tapering body ...

Sculptural Handcrafted Ceramic Graham Table Lamp with Linen Shade This one-of-a-kind ceramic lamp is entirely hand-built and assembled, embodying the artistry of traditional studio ...

One of a kind ceramic lamp, thrown on the potters wheel and assembled by hand. The lamp base is comprised of two different clay bodies and features a cop...

An organic and Brutalist style Butterly table lamp. No chips or cracks. Easily retired for all regions. Bernard Rooke (born 1938) is a British artist and studio potter. Rooke has exhibited his "Brutalist" ceramics and painting both in the UK and abroad with work in many collections both public and private including the Victoria and Albert Museum, Cleveland Museum of Art, Nuffield Foundation, Röhsska Museum in Sweden and the Trondheim Kunstmuseum in Norway. Bernard Rooke attended Ipswich School of Art studying painting and lithography before going on to study at Goldsmiths College of Art. It was while studying here that he decided to take up pottery. Although unfamiliar with this craft and tradition, he found that working with clay provided new opportunities for freedom of interpretation and creativity. In 1960 Rooke set up his first pottery in Forest Hill in South London along with Alan Wallwork. It was a very small room with enough space for a small electric kiln. He was initially using mainly hand building, coiling, blocking and slabbing techniques. While researching ideas, he was supporting himself by part-time lecturing at London University, Goldsmiths College and St Mary's College. In addition, Rooke's membership of 'The Craftsman Potters' Association' enabled him to show his work in a shop in Carnaby Street in London. In 1967, both the need for a larger working space and becoming disillusioned with living in London spurred Rooke into moving out of the city and to an old mill building in Swilland in Suffolk. Rooke wanted to widen the range of work so as to become more commercial. With the birth of his son, Aaron, and much needed work to be done on the mill, it was important to be able to make a living. In 1968, the Grand Metropolitan Hotel commissioned Rooke to make 120 standard lamps, 120 table lamps as well as a 24 foot long ceramic mural and another 9 foot high, which incorporated interior lighting. The money from the commission helped to pay for much needed restoration work on the mill. By the 1970s, a gallery space was opened in the windmill and run by Susan Rooke, Bernard's wife, selling work to locals and tourists as well as to American airmen based nearby. The vision for Mill Gallery was beginning to develop and alongside this a reputation was building bringing in a good source of income. Sons Aaron and Felix were becoming more involved with the running of the pottery, giving Bernard more time to develop new ideas and designs and more time to continue with his painting. In 2004, the Rooke family decided not to sell to the public through the gallery anymore and close the pottery to concentrate more on painting and printmaking. In 2017 Bernard's lighting was featured in the Exhibition: “Glass, Light, Paint & Clay” at the Peterborough Museum and Art Gallery. The exhibition featured four artists: Bernard Rooke, John Maltby...

Big Rio Clay Table Lamp by Harshita Jhamtani Designs Dimensions: D 30.5 x H 35.6 cm Materials: Stoneware clay. Available in Egg White, Blush Pink, and Charcoal Black. Please contact...

Medium Rio Clay Table Lamp by Harshita Jhamtani Designs Dimensions: D 22.9 x H 25.4 cm Materials: Stoneware clay. Available in Egg White, Blush Pink, and Charcoal Black. Please cont...

One of a kind set of ceramic lamps, thrown on the potters wheel and assembled by hand. The lamp base is comprised of two different clay bodies, tan speckle top with coppery green gla...

One of a kind ceramic lamp, thrown on the potters wheel and assembled by hand. The lamp base is comprised of two different clay bodies and features a cop...

Ceramic Table Lamp with Carstens Tönnieshof Base, Brass Detail, and Wicker Shade A refined table lamp composed of high-quality vintage elements, newly assembled with attention to de...

One of a kind ceramic lamp, thrown on the potters wheel and assembled by hand. This is a larger version of the original West lamp. The lamp base is comprised of two different clay bo...

This refined example of 1960s French Modernist lighting is defined by its clean, ovoid ceramic form. The sophisticated jade green celadon glaze features a fine, uniform 'craquelé' (c...

An antique early 20th century terracotta olive jar from Turkey, hand-thrown and traditionally fired, now converted into a sculptural table lamp. The form is clean and resolved — a b...

This is an unusual pair of lamps that have been created with antique 19th century Japanese storage jars and are attributed to Billy Haines. The ru...

Model DL/30 table lamp made by Annelise and Per Linnemann-Schmidt for Palshus in the 1960s. The colour of the handmade decorated base is Dark Chocolate Brown. It has impressed, geome...

A gorgeous table lamp from the mid 50's. The lamp is partially glazed and was created by hand. Incredible design! Comes with fiberglass shade pictured, shade is not original to the l...

A pair of Model DL/30 table lamps made by Annelise and Per Linnemann-Schmidt for Palshus in the 1960s. The colour of both handmade decorated lamps is Green with Blue details. They ha...

Wonderful pair of rustic style tables lamps, rustic olive oil jars with carrying handles. The lightly glazed clay jars date from the middle of the 20th Century and were originally us...

Grenat Foncé Table Lamp in Deep Burgundy Glazed Ceramic by Gazar Studio Unique Piece Dimensions: Ø 13 x H 37 cm. Materials: Clay with deep burgundy glaze. All our lamps can be wire...

Medium Sonora Rattan Table Lamp by NASSI Dimensions: W 30 x D 30 x H 45 cm. Materials: Lampshade: coated iron, Natural rattan, cotton trimmings Base: wood-fired clay with beeswax fi...

New Edition 2025 Medium Sonora Rattan Table Lamp by NASSI Dimensions: W 30 x D 30 x H 45 cm. Materials: Lampshade: coated iron, Natural rattan, cotton trimmings Base: wood-fired cla...

Set of 2 large handcrafted studio pottery table lamps, probably by Bo Borgstrom, sweden 1970s measurements: diameter 24 cm, height 45 cm Both unique and beautiful as a set, with a v...

White Medium Sonora Linen Table Lamp by NASSI Dimensions: W 35 x D 35 x H 58 cm. Materials: Lampshade: coated iron, warm white Cotton Lining. Base: wood-fired clay with beeswax fini...

An early 20th century Anatolian terracotta oil jar from Western Turkey, hand-thrown and heavily fired, now converted into a sculptural table lamp. This vessel was used for storing olive oil or water, with its rounded body and narrowing base designed for practical, everyday use. The surface is defined by dense firing and natural pitting, with small cratered marks and irregular texture formed through direct exposure to flame in the kiln. Darkened areas sit against warmer terracotta tones, creating a layered surface with depth and variation. The patina has built gradually over time, giving the piece a more textured, almost granular quality compared to smoother examples. The proportions are simple and grounded, with a fuller mid-body and a gently tapering base, allowing the surface to take focus. Now reworked as a vintage terracotta lamp...

Model DL/46 table lamp made by Annelise and Per Linnemann-Schmidt for Palshus in the 1960s. The colour of the handmade decorated base is Brown and Grey. The lamp comes with its original lampshade holder. The lampshade and the small vase are for display purposes only and are not part of the offer. Inside the shade there is a metal ring that can be placed on the lampshade holder. On top of our shade is a loose cover made of the same material. The height of the chamotte (texture clay) base of the lamp is 29 cm / 11,5 inch (excl. fitting and excl. lampshade holder). The lampshade holder is adjustable in height. The height of the lamp as shown on the first photo is 52 cm / 20,5 inch. The lampshade used for the photography is an original midcentury Danish lampshade...

STRIKHA / Ukrainian for straw roof / shelter and protect the warm energy of a home. The authentic lighting draws inspiration from roofs that ornate traditional Ukrainian dwellings (...

Scott Daniel Design, a Brooklyn-based studio headed by artist Scott Daniel Strickstein, offers contemporary lighting and furniture celebrated for its highly textural surfaces. Strick...

An antique early 20th century terracotta olive jar from Turkey, hand-thrown and traditionally fired, finished with a deep, aged glaze and now converted into a sculptural table lamp. ...

The Danke Galerie team is delighted to present the latest creation by self-taught Lyon ceramist Katia Mihaylova. This modern table lamp was created and...