Copper Table Lamps

Two lamps available, price per item. Rare Amsterdam School table lamps by Winkelman & Van der Bijl, executed in dark patinated copper with a wonderful cut-out decoration. Their...

Ice Rectangular Table Lamp w/ Copper Base Smoked Crystal Hand Carved Repoussé Copper Antiqued Copper Silk Shade Shade Dimensions: Top 8"D/15"L Bottom 9"D/16"L 9"H Limited Edition

Large Helo table lamp with a very large shade and brass sections – a timeless classic from the 1950s, designed by Henry and Lothar Gerhard. Stylistically, the lamp's design is inspir...

A copper, marble acrylic and white fabric designed and produced in France, c. 1950s. Dramatic patina on copper. Wear consistent with age and use. Dimensions of Lamp with Shade (inc...

Classic Brutalist school table lamp designed by Harry Balmer and Harold Weiss, for the Laurel Lamp Co. circa 1960/70's. Known as the Ribbon Lamp, this piece features an exaggerated ...

An exceptionally rare, signed Conrad Fehn Amsterdam School desk lamp - identical to the example featured in the famous reference work 'Living in the Amsterdam School' (see in the vid...

Designed in collaboration with Commune design, the V-Lite doubles as a table lamp and a wall sconce. As a sconce, the fixture comes with a large brass b...

Heavy quality ceramic copper table or floor lamp, Bergboms 1970s. This lamp base brings refined elegance and rich visual appeal to any interior. With its beautiful shape, it offers ...

Wonderful quality antique Victorian copper and brass oil lamp, having a quality antique oil lamp having a glass chimney and etched glass globe above a double brass burner and a Krali...

Vintage Dirk van Erp Style Arts & Crafts Copper & Mica Table Lamp 20thC Measures - 20.75"H x 15"W x 15"D A vintage Arts & Crafts table lamp in the style of ...

A dark-stained wood and copper table lamp designed and produced in France, c. 1930s. Scuffs and wear present as illustrated. Dimensions of Lamp (inches): 12"H x 6.25"W x 6.25"D Di...

1950s Solid Copper Weather Vane Featuring a Horse above the Directions Table Lamp Height to top of socket: 24" Wood base with copper straps on it Perfect for any equestrian/mountain...

Shade Size: 18 1/4"Dia x 12 1/8"H Dong Shan Table Lamp Antiqued Copper Copper Metal Hand Repoussé Tan Linen Shade Limited Edition Each piece is individually crafted and is unique. ...

Table lamp made of red cupper lampshade, foot in yellow cupper. Inside lampshade 2 es50 lamps, available in 110v or 220 v. Led possible.

A masterfully hand-carved wooden lamp features a beautiful sculpture of a night watchman with a lantern and halberd. The lantern is made of glass and co...

The hand-hammered pattern on the bronze and copper surface of this lamps makes it quite memorable. It has an architectural feel and a geometric body shape. A vintage Art Studio hamme...

Unique, adjustable and rotational, stylized plant table lamp, from 1987. This rare and interesting table lamp is number 65 of a limited edition of only 100 and one of the others is in the famous Dutch "Museum Boijmans Van Beuningen". Illuminate your workspace with "Nightshade", the innovative desk lamp that blends functionality with botanical beauty. Crafted by hand this adjustable lamp brings a touch of artisanal charm to your desk or sidetable. Designers Ton Hoogerwerf en Gerwen van Vulpen must have been inspired by this particular group / family of plants (a family that grows particularly well in the night and in the shade, hence the name Night-shade) and the result of their design ideas has become a collector's item at home and abroad. Obviously for a lamp to have such a design and such a name makes this work of lighting art a true result of fresh creativity. The bottom part represents the flower pot, then the stem with the leaves and at the end the flower with the bulb as a stamen. Cubic 3 Design...

This exceptional table lamp was designed by Harald Notini in the late 1920s and produced by Arvid Böhlmark's Lampfabrik in Sweden. This rare model, numbered '6839', is documented in ...

This exceptional table lamp was designed by Harald Notini in the mid 1920s and produced by Arvid Böhlmark’s Lampfabrik in Sweden. The lamp is model 6834 and is pictured in Böhlmark’s...

Very well preserved table lamp from the 1960s by TEMDE in Scandinavian style with a wooden base and wooden glass holder. The structured opal glass shade gives a beautiful, glare-free...

A pair of copper table lamps likely designed and produced in Argentina, c. 1980s. Dramatic patina on copper consistent with age and use. Dimensions of Lamp (inches): 13.15"H x 6.5"...

Poul Henningsen & Louis Poulsen - Mid-Century Modern Design A beautiful 5/ 3 'Millionaire' table lamp by Poul Henningsen (1894-1967). The lamp is rare due to its size and age - ...

These magnificent lamps are shipped as photographed and described in the narrative. They are custom built using materials of the highest quality and are shipped complete with the new shades, harps and finials shown in the photos. A majestic pair of vintage Asian Cloisonne vessels...

An extremely rare version of the Conrad Fehn Amsterdamse School fringed copper desk lamp. A one off with a different design than the more common ones like depicted in the ''Living in...

Art Deco Table Lamp in Patinated Copper, Brass and Satin Glass 1950s A beautiful art deco style table lamp in nicely patinated copper and brass with satin glass. Europe, 1950s. Thi...

Art Nouveau desk lamp, circa 1905. Brass and copper frame. Rare iridescent glass shade signed Quezal. Electrified and in very good condition. Height: 60.5 cm Width: 21 cm Depth: 35 cm Weight: 2.6 kg Quezal Art Glass Quezal Art Glass – The Journal of Antiques and Collectibles – April 2003 By Malcolm Mac Neil Some of the most beautiful and alluring art glass made in America during the early part of the 20th Century was made by the Quezal Art Glass and Decorating Company. Often in the shape of blossoming lilies with brilliant gold interiors and colorfully decorated with floral and other motifs inspired by nature, Quezal art glass ranks right alongside the iridescent glass of Louis Comfort Tiffany and Frederick Carder. Quezal artisans created an extensive range of decorative and useful items, including vases, compotes, finger bowls, open salts, candle holders, and shades for lighting fixtures, which are equivalent in terms of beauty and quality of craftsmanship to Tiffany’s Favrile and Carder’s Aurene glass. In recent years, glass collectors have discovered anew the special charms and appeal of Quezal art glass, and collector desirability for this lovely glassware has increased dramatically. The Quezal Art Glass and Decorating Company was incorporated a century ago, on March 27, 1902. It was founded by Martin Bach, Sr., Thomas Johnson, Nicholas Bach, Lena Scholtz, and Adolph Demuth. The factory was located on the corner of Fresh Pond Road and Metropolitan Avenue in Maspeth, Queens, New York. In October 1902, the trademark “Quezal” was successfully registered. By 1904, roughly fifty glassworkers were employed at the works. Martin Bach, Sr. was the president, proprietor, and guiding force behind this successful company. Born in 1862 in Alsace-Lorraine to German parents, he emigrated to the United States in 1891. Before his emigration, Bach worked in Saint-Louis, France, at the Saint-Louis Glass Factory. After Bach arrived in this country, he was hired by Louis C. Tiffany as the latter’s first batch-mixer or chemist at the newly established Tiffany Glass and Decorating Company, in Corona, Queens. After a period of about eight years, Bach left Tiffany and established his own glassworks. By this time, Bach had already started his small family. He and his German-born wife, Anne-Marie Geisser, whom he married in the fall of 1889, in Paris, France, had three children. Two daughters, Jennie and Louise, were born in France and a son, Martin, Jr., was born in Corona. Bach was assisted by Thomas Johnson, an English immigrant, and Maurice Kelly, a native of Corona, both of whom were gaffers or master glassblowers. Johnson and Kelly helped pave the way for Quezal’s early accomplishments and later recognition. Thomas Johnson, like Bach, was a founding member and also previously employed by Louis C. Tiffany. Johnson’s association with Quezal, however, was relatively short lived. Around 1907, Johnson left for Somerville, Massachusetts, where he became involved in making Kew Blas...

Poul Henningsen & Louis Poulsen, Mid-century Modern design This is the iconic Poul Henningsen (PH 4/3) table lamp with original copper shades. Stand, switch and socket house of bro...

A freeform copper table lamp designed by Tukiainen Aimo Ossi Kalevi and produced by Oy Moonlight, Finland, 1970s. Bulb Specifications: E-27 Bulb Number of Sockets: 1 All lighting w...

Stunning 1940's solid copper French flower table lamp, in vintage original condition with minor wear and patina due to age and use, newly rewi...

Bian Hu table lamp Black lacquer Antique copper Hand respoussé Silk shade Handmade Respoussé is the traditional art of hand-hammering decorative relief onto sheet metal. The techniq...

Designed in 1965 by Gae Aulenti for Martinelli Luce, the lamp is made with innovative techniques for the diffuser in methacrylate for the time in which it was designed. The shape of ...

French brazed-copper table lamp with a strong sculptural presence, dated 1975 and bearing an indecipherable signature. The hand-worked copper reveals a deeply textured patina, typica...

Rare early ’PH 3,5/2 table lamp’ with patinated browned brass frame and original red/golden copper shades. Designed 1926 and made at Louis Poulsen, 1927-1928. Stamped ‘PAT.APPL.’ Th...

Splendid Italian 1940s Four Light Copper Table Lamp with their original paper lampshades Measurements with shades 28.5 x H 37 cm.

Pair of Expressionist patinated bronze table lamp bases after Giacometti's 'Tête de Femme' (Head of a Woman) cast by Excalibur Bronze Foundry from the Rockefeller Collection...

Rare table lamp model PH 3½/2 designed by Poul Henningsen. Produced by Louis Poulsen in Denmark. Marked “PAT. APPL”.

1930's RARE PARCEL-SILVERED ART DECO BAUHAUS MUSHROOM STYLE DESK LAMP Probably American Visually satisfying high quality table lamp evoking Machine Age Era design patinated copper...

Bamboo Table Lamp 24K Gold Plated Copper Base Hand Repoussé Limited Edition Linen Shade Each piece is individually crafted and is unique. Repoussé is the traditional art of hand-ha...

An Arts and Crafts copper table lamp professionally rewired.

A stately Midcentury table lamp crafted in copper with a rich verdigris patina, mounted on a clear Lucite base. This American lamp features a classically inspired silhouette with a s...

Called a "lampe bouillotte" in French, this late eighteenth century Louis XVI period lamp was originally used for the card game of the same name, la bouillotte, which became popular ...

This exceptional table lamp was designed by Harald Notini in the mid 1920s and produced by Arvid Böhlmark’s Lampfabrik in Sweden. The lamp is model 6834 and is pictured in Böhlmark’s...

Art Nouveau lamp circa 1910 by General Electric France in bronze and copper. Opalescent uranium glass shade. Wired, B22 LED socket. In perfect condition. Total height: 50 cm Base di...

An elegantly shaped opaline glass lamp with copper gallery made in England by GEC. c.1920 Superbly shaped thick opaline glass shade of elegant oval form, supported by its original i...

1920s Art Déco onyx and brass table lamp by Comte with design attributed to Jean-Michel Frank, Argentina By: Jean-Michel Frank, Comte Material: onyx, stone, brass, copper, zinc, met...

An elegantly shaped opaline glass lamp with copper gallery, likely made in England by GEC. c.1930 Of oval form, heavy duty opaline glass with slight violet tint and original coppe...

Pair of Orient table lamps in brushed copper. Design by Jo Hammerborg in 1957 for Fog & Morup, Denmark. Jo Hammerborg has been the art director of Fog & Morup for over 20 years. ...

Pair 1960's Mid Century Floor (or tall table) Lamps in the manner of Stewart Ross James for Hansen or Paul Evans. Probably by Laurel Lamp Co. This interesting pair of lamps is each...

Hand hammered and bent copper and oak table lamp by Yasha Heifetz.

Pebble lamp Black lacquer Antique copper Hand repoussé Silk shade Limited edition Repousse´ is the traditional art of hand-hammering decorative relief onto sheet metal. The techniqu...

Brutalist table lamp designed by Tukiainen Aimo Ossi Kalevi. Produced by Moonlight Ltd., Finland, 1960s. The body of the lamp is made of ...

Art Nouveau lamp circa 1910, stamped WAS Benson. Lamp in bronze, brass, and red copper. Opalescent uranium glass shade. In perfect condition. Wired, B22 LED socket. Total height: 45...

Art nouveau lamp circa 1910. Brass and copper base. Iridescent glass tulip signed Quezal. In perfect condition and electrified. Total height: 38.5 cm Base diameter: 15.5 cm Width: 30 cm Quezal Art Glass Quezal Art Glass – The Journal of Antiques and Collectibles – April 2003 By Malcolm Mac Neil Some of the most beautiful and alluring art glass made in America during the early part of the 20th Century was made by the Quezal Art Glass and Decorating Company. Often in the shape of blossoming lilies with brilliant gold interiors and colorfully decorated with floral and other motifs inspired by nature, Quezal art glass ranks right alongside the iridescent glass of Louis Comfort Tiffany and Frederick Carder. Quezal artisans created an extensive range of decorative and useful items, including vases, compotes, finger bowls, open salts, candle holders, and shades for lighting fixtures, which are equivalent in terms of beauty and quality of craftsmanship to Tiffany’s Favrile and Carder’s Aurene glass. In recent years, glass collectors have discovered anew the special charms and appeal of Quezal art glass, and collector desirability for this lovely glassware has increased dramatically. The Quezal Art Glass and Decorating Company was incorporated a century ago, on March 27, 1902. It was founded by Martin Bach, Sr., Thomas Johnson, Nicholas Bach, Lena Scholtz, and Adolph Demuth. The factory was located on the corner of Fresh Pond Road and Metropolitan Avenue in Maspeth, Queens, New York. In October 1902, the trademark “Quezal” was successfully registered. By 1904, roughly fifty glassworkers were employed at the works. Martin Bach, Sr. was the president, proprietor, and guiding force behind this successful company. Born in 1862 in Alsace-Lorraine to German parents, he emigrated to the United States in 1891. Before his emigration, Bach worked in Saint-Louis, France, at the Saint-Louis Glass Factory. After Bach arrived in this country, he was hired by Louis C. Tiffany as the latter’s first batch-mixer or chemist at the newly established Tiffany Glass and Decorating Company, in Corona, Queens. After a period of about eight years, Bach left Tiffany and established his own glassworks. By this time, Bach had already started his small family. He and his German-born wife, Anne-Marie Geisser, whom he married in the fall of 1889, in Paris, France, had three children. Two daughters, Jennie and Louise, were born in France and a son, Martin, Jr., was born in Corona. Bach was assisted by Thomas Johnson, an English immigrant, and Maurice Kelly, a native of Corona, both of whom were gaffers or master glassblowers. Johnson and Kelly helped pave the way for Quezal’s early accomplishments and later recognition. Thomas Johnson, like Bach, was a founding member and also previously employed by Louis C. Tiffany. Johnson’s association with Quezal, however, was relatively short lived. Around 1907, Johnson left for Somerville, Massachusetts, where he became involved in making Kew Blas glass, under William S. Blake at the Union Glass Company. Maurice Kelly’s tenure with Quezal was also brief. Kelly worked at Quezal from January 1902 until July 1904, but by November 1904, he was making Favrile glass at Tiffany Furnaces, where he would happily remain until 1918. To this day, the belief still exists that there once existed a man named Quezal, who worked for Louis C. Tiffany, and it is after him that Quezal glass is named. In truth, however, the founders of the Quezal Art Glass and Decorating Company named the company and its products after one of the world’s most beautiful birds, the elusive and rare quetzal, which dwells in the treetops of the remote tropical forests of Central America. A rare company promotional brochure provides a vivid description of the quetzal: Of all the birds of the America’s, it is the most gorgeous. No more splendid sight is to be seen in all the world than a quezal, flying like a darting flame through the depths of a Central American forest. Its back is of a brilliant metallic green, so vivid it shines even in the twilight of the woods like a great emerald and its breast is a crimson so deep and bright that every motion of the wonderful creature is a flashing of rubies among the trees and giant creepers. It bears a true golden crown upon its head – a helmet of bright yellow and green, shaped just as the helmet of old Aztec kings were shaped. Its tail is composed of lacelike plumes, extending more than two and one-half feet beyond its body. The quezal was certainly an appropriate designation for the company’s resplendent glassware. One of the most prized characteristics of Quezal art glass is the shimmering and dazzling brilliance reflected in the iridescent surfaces on the interior as well as exterior of the glass. The radiant rainbow colors in metallic hues, including gold, purple, blue, green, and pink, to name only a few, were certainly inspired by the quetzal and its feathers. Not surprisingly, lustrous feathers, in shades of opal, gold, emerald, and blue, are among the most common decorative motifs encountered on Quezal glass. The enduring hallmark of Quezal art glass is its unique expression of the Art Nouveau style, based on organic shapes and naturalistic motifs coupled with technical perfection in the execution. Vases, compotes, drinking vessels, and shades for lighting fixtures were often fashioned to resemble flowers such as crocuses, tulips, calla lilies, casablanca lilies, and jack-in-the-pulpits. Variously colored inlaid threads of glass, pulled and twisted by hooks, simulate naturalistic floral and leaf patterns, lily pads, clover leafs, and vines. Opal, gold, and green colors prevail and the glass is generally opaque. Red is the rarest color of all. Compared with Tiffany’s Favrile glass, the crisp, vivid, and colorful decoration of Quezal art glass is distinctively precise, symmetrical, and restrained. Other Quezal wares recall shapes and styles favored in ancient Egypt, Persia, Greece, and Rome, as well as the Italian Renaissance and the Georgian period in England. This is especially true of classic-shaped vases and bowls of translucent amber glass, which have a single surface color such as iridescent gold or blue. Still, others were inspired by traditional Chinese and Japanese forms. The Gorham Manufacturing Company in Providence, Rhode Island, and the Alvin Silver Manufacturing Company in Sag Harbor, Long Island, purchased Quezal art glass, which they in turn embellished in their shops with silver overlay decoration in the fashionable Art Nouveau style and later resold. Gorham’s silver overlay designs mostly include stylized floral motifs. Alvin’s silver designs are wonderfully organic. One sumptuous design is of a group of sinuous iris blossoms with carefully articulated petals surrounded by attenuated meandering vines. Collectors should note that not all silver-deposit pieces are marked with a maker’s mark since the silversmith had to be quite careful not to damage the glass underneath. A rare 1907 retail catalog survives from Bailey, Banks, and Biddle Company, a luxury goods retailer in Philadelphia, which reveals original retail prices of Quezal art glass. A surprising revelation provided by this catalog is that Quezal art glass was nearly twice as expensive as comparable French imported glass made by such renowned firms as Gallé and Daum. Hock glasses, a stemmed glass used primarily for drinking German white wine, were sold by the dozen and retailed between $50 and $75. Fingerbowls were also sold by the dozen and retailed between $50 and $100. These high retail prices were nearly the same as those charged for Tiffany’s Favrile glass, and suggest Quezal art glass was also marketed towards the high-end or luxury market. Electricity was a brand new invention in the late 1800s and American glass manufacturers developed novel approaches for concealing the electric light bulb, which was rather harsh to the eye and perhaps unflattering to the domestic interior. Tiffany, Steuben, and Quezal responded to this need with the most extraordinary and beautiful art-glass shades, all of which were  hand-made and exquisitely fashioned. Many other companies also made art glass shades for table and floor lamps, electroliers, hallway fixtures, and wall sconces, but it was Quezal that excelled in this area and was the most prolific. Quezal art glass shades were available in an infinite variety of shapes, sizes, colors, and decorations. Some shades are formed and decorated as lilies while others are bell-shaped and have ribbed or textured decoration. Rims are usually plain but sometimes are notched or ruffled. Common motifs include feather or hooked feather, leaf and vine, applied flowers, drape, fishnet, King Tut, and spider webbing. The workmanship shown on most Quezal shades...

A very fine and decorative copper lamp featuring a copper and mica shade. Dimensions: H 25", D 25", 4 lights. NI520.

Already designed in 1938, this "seashell" lamp is considered as one of the first modernist table lamps by Paavo Tynell. A lamp that broke the earlier borders of the Art Deco and Bauh...

Presenting a lovely early 20th century American hand beaten copper table lamp. From circa 1900 and probably made in Connecticut. Unmarked but of very fine quality. It is a 2 ha...

Fabulous simple yet elegant dancing nude woman from the Art Deco period. Copper over iron and cast precisely. Amber glass is flawless and fits perfectly. Electric components are all ...

A rare Antique Art Deco woven copper wire table lamp from the 1920s with great craftsmanship. Standing 48cm tall this copper wire table lamp has a beautiful soft relaxing appearance ...

Unique sculptural table lamp, second half of the 20th century, executed in hand-worked and patinated copper. This one-of-a-kind piece stands out for its strong brutalist character co...

Adorable Art Deco table lamp in copper with inlaid red blue and green glass beads in the shade. Such a delicately designed table lamp in original condition and with new wiring. Lov...