Canvas Furniture

Large Vintage Russian Illustration for Alexander Pushkin’s Fairy Tale of Tsar Saltan Extraordinary Illustration of Pushkin’s Fairy Tale “Tsar Saltan” in oil on canvas. The large for...

A beautiful original tropical bird landscape painting after Martin Johnson Heade. Features a colorful array of hummingbirds bustling about in a woodland paradise setting. Forest, m...

Clarence Measelle (American, b. 1947) Green Apple, 1983 Acrylic on canvas, signed on verso Canvas 16 x 16 inches, Framed 17.5 x 17.5 inches Immerse yourself in the captivating allu...

Dive into the essence of Native Canadian culture with this Vintage Native Canadian "Killer Whale" Art Screenprint. This 20th-century masterpiece, rendered in...

An offset lithograph with foil embossing depicting the Munich Olympics by Austrian artist Fredensreich Hundertwasser. Printed in 1982. Published by GmbH, 1971. Limited edition 1007/3...

Beautiful reproduction Vermeer painting in a gilt frame. This piece is oil on canvas. Canvas is secured to a wood frame with nails. Craquelure throug...

Antique 19th century Italian Floral Painted 3 panel folding floor screen / room divider. The screen has been expertly painted by an Italian sch...

A very fine and Large Italian 18th-19th century oval-shaped oil on canvas titled "The Triumph of Venice" After the original work by Paolo Veronese (Venice, 1528-1588). The original of this painting hangs in the Palazzo Ducale, Venice. The 'Ricci' coloration suggests a late 17th-early 18th century date. In 1715 Charles de la Fosse advised Ricci to paint only "Veroneses and no more Riccis", Venice, circa 1800. Measures: Height: 45 1/4 inches (115 cm). Width: 29 inches (73.7 cm). Frame height: 58 1/4 inches (147.9 cm). Frame width: 43 1/4 inches (109.9 cm). Frame depth: 5 1/4 (13.3 cm). Provenance: Royal Academy of Scotland. Paolo Veronese (Born 1528, Verona, Republic of Venice - died April 9, 1588, Venice) was an Italian painter of the Renaissance in Venice, famous for paintings such as The Wedding at...

Pair of recently restored white and green rattan director’s chairs. Made in Vietnam. The white enamel paint finish looks new. The white and green canvas slings also look bright and clean, good as new. The rattan chairs have a lovely coastal vibe. They do collapse like typical directors chairs, making them easy to store if needed. Consider completing your coastal arrangement with our McGuire wheat sheaf...

Early 19th century French school featuring poet Homer and Glaucus' daughter after Francois Gerard's work, oil on canvas circa 1815 - 1820. The painting depicts the time when Homer ha...

Abstract painting by Ben Hanisch, 2022. 48” x 36” Acrylic on canvas, stretched on wood stretcher bars. Painted edges. Can be hung vertical or h...

A modernist wool woven tapestry designed by French artist and designer Mathieu Mategot (1910-2001) circa 1960s. The piece is signed with Matégot and monogrammed TMP fino (Manufactur...

LAI FONG OF CALCUTTA Hong Kong/India, active 1875-1910 Four-Masted Sailing Ship "County of Peebles" in Rough Seas (1900) Oil on canvas signed lower right "Lai Fong / Calcutta / 19...

A charming Louis Vuitton hard-sided case, late 20th century, the exterior finished in the famous monogram canvas with brass fittings. This beautiful example is in great condition, al...

Pierre Chapo, Pair of Armchairs Model 'S10' Elm, leather and canvas France 1960s This pair of 'S10' armchairs, crafted from elm, leather and canvas, dates back to France, circa 1960...

A matte-chrome plated steel and beige oil cloth armchair attributed to Donald Deskey, USA, c. 1939. Seat height: 17.25” All upholstered furniture can be reupholstered upon request ...

A charming Louis Vuitton hard-sided case, mid to late 20th century, the exterior finished in the famous monogram canvas with brass fittings. A great piece for use today or as a decor...

c. 1960s. Made in Japan. Extremely rare lounge chair version of the NY Folding chair. Tagged.

A lovely antique oil on linen painting from Spanish Colonial period late 18th-early 19th century. In the style of Classic Cuzco School, the painting depic...

W.S. Lacey (British, 19th-20th century) oil on canvas "Tall Ship at Sail" sailing by a lighthouse and next to two steam boats, within an ebonized fra...

70s, Swedish design by Ake Fribyter. Set of two Kroken lounge chair. Original upholstery in black leather. Removable headrest and seat with backrest...

A decorative 1960's geometric abstract painting - acrylic on canvas, which we have had mounted in an elegant giltwood tray frame. An attractive, whimsical picture, we particularly l...

Oil on canvas "colored fish" - Signed lower right - Latin America - 1998

Vintage still life painting features a large vase with bouquet of spring flowers, including lilacs, narcissi, tulips, and a peony, with a small flower posy placed next to it. Charmin...

Italian painting from the mid-20th century. Framework oil on canvas depicting a river landscape with eighteenth-century architecture, characters and animals. Lacquered and gilded woo...

One and only original French painting signed by Elisabeth Brainos, 2005, in a black wood frame. With her unique and colorful style, Elisab...

19th Century China Trade Ship Portrait of the American Clipper Ship ORIENTAL, under full sail on starboard tack leaving Hong Kong Harbor for Bost...

Pair of Triangular Lounge Chairs by Tony Paul, c. 1954, USA Enameled Steel with Canvas and Rattan Seats H 42" x W 20" x D 28" / Seat Ht 14.5" *Wear consistent with age and use.

A large oil-on-canvas painting, representing an exotic dreamy palm tree on a colourful pastel backdrop. Entitled ‘Palm’s Parade’, and dated 1980, the painting borders a palm tree with a snapshot of three palm trees on the top right. This painting is the epitome of 1980s American interiors, with its bold pastel shades and abstract shapes. A true 1980s Florida/Palm Beach and Miami artwork...

Still Life Oil On Canvas Painting of Garden Flowers in Table Top Vase, Giltwood Framed, 20thC Measures- 27''H x 31.5''D x 4.75''D; 23.5'' x 19.5''D

This very nice Louis Vuitton trunk features hand stenciled monogram canvas , light honey color lozine trim and Louis Vuitton stamped solid brass locks and clasps, Louis Vuitton stamp...

Countryside village oil on canvas France 19th century with minor losses.

"The Visual Experience of Art" delves into the intricate interplay between our eyes and the brain, exploring how our visual faculties engage with the diverse elements of various art ...

Pietro Gabrini (Italian, 1856-1926) a very fine and large oil on canvas "Three Singing Italian Beauties on The Road" depicting three cheerful Village young maidens walking through a ...

Vintage painting titled CACHITA from 1997 by Hector CATÁ, Cuban-American artist. Oil on canvas panel painting depicting a wide eye young girl with bows on the hair on a deep blue (almost black) background. Bows and ribbons in white, turquoise and terracota. Signed: CATÁ 97 lower right corner – On verso CACHITA Miami 97 CATÁ and CATÁ paper label Measurements: Art 24 inches high x 20 inches wide – Frame 28 inches high 24 inches wide Condition: Very Good. No issues. Hector Cata born in 1947 Havana, Cuba – died Miami 2024...

This beautiful Louis Vuitton trunk dates to around 1920. It features stenciled monogram canvas, black lozine and leather trims, black steel clasps, solid brass main lock and steel si...

A large abstract canvas with broad swaths of peach tones with yellow, blue and pink and black outlines. Unsigned. Titled "After Portugal, 2012)" Presented unframed in a supported str...

Painting by Caxing, circa 1940. Oil on canvas. Handsigned. After the style of Georges Braque and Pablo Picasso. In original condition, with some visible signs of previous use and a...

Kaare Klint for Rud Rasmussen, pair of safari chairs model 'KK47000', ash, canvas, metal, brass, leather, Denmark, designed in 1933 and produced in 1960s. The chair shows very eleg...

French school "Impressionist landscape" oil and pastel highlights on canvas representing a forest in a full moon night. France, XXth c.

This spectacular Louis Vuitton steamer trunk features stenciled monogram canvas, deep black color lozine trim, LV stamped solid brass locks and studs as well as leather side handles ...

Enchanting oil on canvas by Carl Emil Doepler, protected by a beautiful hand-carved giltwood frame with a metal label titled "Italian Renaissance Party", depicting a traditional Ital...

Large oil on canvas "Homage to Monet's House at Giverny". This bucolic and romantic scene is framed in a large gilded gold leaf frame. Muted pastel ton...

Michael Hedges "Farmhouse Revisited" oil on canvas 32" x 26" (outer frame size). dated 2022. Michael Hedges, born 1976. Michael's art connects on a c...

High Back Falcon lounge chair by Sigurd Ressell. Made by Vatne, Mobler, Norway. 1970’s Steel frame with suspended canvas and black leather cushion. Chair Unmarked.

A fine and large 19th century oil on canvas after Bartolomé Esteban Murrillo's (Spanish, 1617-1682) "Beggar Boys Playing Dice" (The original work by Murillo was painted in 1675). The impressive artwork depicts two young boys playing dice while another eats a piece of fruit as his dog watches on., within an ornate gildwood and gesso frame bearing a label from the faming company Bigelow & Jordan. The original work by Murillo is currently at the Alte Pinakothek Museum in Munich, Germany. The present work is signed: L. Rüber. Circa: Munich, Late 19th Century. Bartolomé Esteban Murillo (born late December 1617, baptized January 1, 1618 – April 3, 1682) was a Spanish Baroque painter. Although he is best known for his religious works, Murillo also produced a considerable number of paintings of contemporary women and children. These lively, realist portraits of flower girls, street urchins, and beggars constitute an extensive and appealing record of the everyday life of his times. Murillo was born to Gaspar Esteban and María Pérez Murillo. He may have been born in Seville or in Pilas, a smaller Andalusian town. It is clear that he was baptized in Seville in 1618, the youngest son in a family of fourteen. His father was a barber and surgeon. His parents died when Murillo was still very young, and the artist was largely brought up by his aunt and uncle. Murillo began his art studies under Juan del Castillo in Seville. There he became familiar with Flemish painting and the "Treatise on Sacred Images" of Molanus (Ian van der Meulen or Molano). The great commercial importance of Seville at the time ensured that he was subject to influences from other regions. His first works were influenced by Zurbarán, Jusepe de Ribera and Alonzo Cano, and he shared their strongly realist approach. As his painting developed, his more important works evolved towards the polished style that suited the bourgeois and aristocratic tastes of the time, demonstrated especially in his Roman Catholic religious works. In 1642, at the age of 26, he moved to Madrid, where he most likely became familiar with the work of Velázquez, and would have seen the work of Venetian and Flemish masters in the royal collections; the rich colors and softly modeled forms of his subsequent work suggest these influences. In 1645 he returned to Seville and married Beatriz Cabrera y Villalobos, with whom he eventually had eleven children. In that year, he painted eleven canvases for the convent of St. Francisco el Grande in Seville. These works depicting the miracles of Franciscan saints vary between the Zurbaránesque tenebrism of the Ecstasy of St Francis and a softly luminous style (as in Death of St Clare...

Alberto Carlieri (Italy-Roma 1672-1720), "Christ and the adulteress", Oil on canvas, with frame cm H 115 x L 151 x 6.5, only canvas H 98.5 x L 135 cm...

A Large oil on canvas painting of "The Brookins Family" American circa 1838. Acquired from the collection of Peter Tillou, exhibited at the William Benton Museum, Storrs, Connecticut...

A significant contemporary aboriginal painting by Kathleen Petyarre (1940-2018) in 2010. The painting was a rare oversize piece, exceptionally executed in earthy colors, showcasing m...

An unusual, modernist painting by Hilda Altschule, 1950. Entitled "Orpheus and Euridyce", oil on canvas. A quick note about the artist "Hilda Coates Altschule (New York, Russian, 190...

The 9602 Floor Lamp, also known as “Chinese Hat” was designed by Paavo Tynell in 1935 for the hotel Aulanko. Characterized by its elegant and airy lampshade and rattan-covered stem, ...

Hand-painted in France, this handsome grisaille overdoor painting is from the neoclassical period, circa 1815. Grisaille is a monochromatic painting ...

1960s abstract modern painting original oil on canvas art. In the style of Francis Bacon. Dominant colors red and black. Unframed. Unsigned. 43.5 l x 29.75 x 1.75 Original unrestored...

Procession banner from the German pilgrimage site Kevelaar (near the Dutch boarder). The banner, in blue, red and beige silk with brocade, hangs from a wood carved and gilded pendant...

Pair of Falcon Chairs by Sigurd Ressell for Vatne Møbler, 1970s. Chrome-plated steel frame. Original vintage dark brown leather with patina.

Vintage 1970’s Scandinavian Loveseat styled after the Inca by Arne Norell. Outfitted in the original dark brown leather on beechwood frames with canvas back. High back with headrest ...

Ancient Ethiopian painting imported to Italy by a diplomat during the Italian occupation of Ethiopia, in the late 1930s. This genre scene painting is divided into eighteen squares bordered by a black frame and divided into three lines. The scene depicts the story of a couple with three children through the stories of their domestic life and their rural activity; each box has a caption written in the Amharic language. In the first line: they grind; they drink; …illegible… while they spin; they bring water. In the second line: comb, cut your hair; treats your teeth; grind; they bring the wood; they bring water. In the third section: they prepare beer; they prepare bread; they cook bread; they prepare lunch; while they eat; while they drink. This canvas is painted in shades of ocher and is mounteed on a ebonized frame. Dates back to the late 1930s. The canvas show minimal tears and signs of wear but we can customize a restoration. The human figures are characterized by unrealistic proportions of the head and body and depicted in static positions. This sense of fixity and the narration in successive chapters in domestic environments make the paintings easily intelligible and suggestive. A particularly fascinating aspect of Ethiopian art...

Pier Francesco Cittadini (Milan, 1616-Bologna, 1681) "Jacob and his family go to Egypt" Oil on canvas, cm 109 x 190 (canvas only) The valuable painting, made in oil on canvas, depicts Jacob and his family go to Egypt and we believe it can be, given the high quality painting, autograph work of Italian Pier Francesco Cittadini (Italy Milan, 1616 - Bologna, 1681) made after 1647. The work, in excellent condition is accompanied by a coeval frame in wood finely carved and golden. The scene depicted, which was confused with the Flight to Egypt in the past years, is instead identified with the biblical episode of Jacob’s journey. In the foreground, reading the painting from left to right, we see a caravan composed of animals, including donkeys, dromedaries, goats, dogs and horses and people, women, men and slaves, who carry on their journey along the banks of a river, following a path that to the right, would seem to lead to the through of a bridge. In addition to the watercourse is described an environment characterized by large rocks and impervious come far to cover the entire verticality of the canvas. On the left, in the distance, we see the tail of the caravan that runs along the steep path. Large trees enliven and harmonize the environment, as well as white and grey clouds characterize the predominantly clear sky and illuminated on the right by sunlight. The story is told in the Bible, Book of Genesis, 30, 25, passage in which is described the flight of Jacob from Haran after the contrasts with Laban, father of his wife Rachel. Jacob is the third great patriarch of the Bible. From his descendants originate the twelve generations of the people of Israel. He is the son of Isaac and Rebekah, who led him to flee from the wrath of Esau to Haran to seek refuge from his brother, Laban. At his uncle’s house Jacob met his daughter Rachel. As soon as he saw his cousin, Jacob was taken. Jacob will stay seven years in the service of Laban to marry his beloved Rachel. But Laban, with a deception, will give him in marriage first Lia, the least beautiful eldest daughter, and only after another seven years the splendid Rachel. From his first wife he will have several children, while Rachel will give birth to the beloved son, Joseph, who will become viceroy of Egypt. After years of service, Jacob asked to be paid with every dark-coloured garment among the sheep and every spotted and dotted garment among the goats. Laban accepted and sent away from his sons all the leaders of that kind. So Jacob took fresh branches of poplar, almond and plane tree, and flayed them, and put them in the troughs. The optical suggestion induced the goats and the sheep to conceive and give birth to dark, striped and dotted garments. He also ensured that all the strongest and healthiest leaders of the flock of Laban would drink near the barked branches, thus assuring a genetic superiority to his part of the flock. His flocks grew numerous and strong and he became richer than his relative, arousing envy. It was clear that Laban would not respect him much longer. At the suggestion of the Lord, Jacob decided to return to Canaan. Trying to avoid any possible dispute, he left with his family while Laban was absent for shearing sheep. But when, three days later, his uncle returned home, he became angry, feeling offended because Jacob had gone secretly and had not allowed him to greet his daughters and grandchildren. In addition, his teraphim, statuettes, or idols, which depicted the family deities, had disappeared. After 7 days of pursuit, Laban and his men reached Jacob’s group on Mount Gilead, in the mountainous region west of the Euphrates River, where his uncle and grandson had a stormy conversation. The younger man was outraged at being accused of stealing idols and told Labano to rummage through his family’s tents at will. Neither of them could know or even imagine that it was Rachel who took the idols and hid them in the saddle of the camel. During the search, she sat down firmly on the saddle, apologizing for not being able to get up, «because I usually have what happens to women» (Gen 31:35). So the loot wasn’t discovered. The author of this work was inspired by the composition of an engraving by Stefano Della Bella (1610-1664) of circa 1647. The engraving by Stefano della Bella bears the title "Iacob sur ses vieux jours quitte sans fascherie pour voir son filz Ioseph, sa terre et sa patrie" and is signed on the bottom left "Stef. of the Beautiful In. et fe." while on the right it is declared "Cum privil. Regis", that is with license of the king. Stefano Della Bella (Italy - Florence, May 18, 1610-Florence, July 12, 1664) was born in a family of painters, sculptors and goldsmiths and was left early orphan of his father sculptor, he dedicated himself first to the art of goldsmith at the school of Giovanni Benedetto Castiglione and Gasparo Mola, then turning his attention to drawing and engraving. He soon began drawing figures and copying the etchings of Jacques Callot, which inspired his early works. Under the protection of the Medici, in particular of Don Lorenzo, cadet son of Grand Duke Ferdinand I, Della Bella has the opportunity to make study trips to Rome, where he stayed from 1633-1636; In Rome he met French engravers and publishers of prints such as Israël Henriet and François Langlois, who influenced his decision to move to Paris in 1639, four years after the death of Callot. In Paris he soon reached, thanks to the engravings commissioned by Cardinal Richelieu, the success also worldly; he frequented courtiers, theatre artists and writers, while refusing too oppressive honors. In 1646-1647 he continued his travels in the Netherlands to Amsterdam, Antwerp and Dordrecht. He returned to Florence in 1650 and resumed working under the protection of the Medici court, working for his patrons. In 1656 he became a member of the Academy of Apatists. The painting object of this study is reasonably attributable to Pier Francesco Cittadini, or Pierfrancesco Cittadini, called the Milanese or the Franceschino (Italy - Milan, 1616-Bologna, 1681) as some exemplary stylistic comparisons proposed to follow can prove. Pier Francesco Cittadini was an Italian baroque painter, mainly active in Bologna. His artistic training first took place with the painter Daniele Crespi...

Jules René Hervé (1887-1981) was a French painter known for his depictions of Paris and the French countryside. Undeterred by the developments of 20th-century avant-garde movements, ...

Antique 19th century Austrian painting. Oil on canvas artwork depicting a female portrait, a young noblewoman in a pose of good pictorial quality. Pai...