Canvas Furniture

Oil on canvas Three-quarter portrait of a gentleman wearing a blue cape with a red lapel and a large wig. French school of the late 17th century - 1690-1700. Later 19th century wo...

George SEHRING (German, active early–mid 20th century). German/American Oil on canvas depicting an Art studio scene, circa 1930s–1940s Measurements: 25” x 25” without the frame - 28...

A Large and Impressive 19th Century Continental Oil on Canvas "An Allegory of Love" after the original work by Titian - Tiziano Vecellio (Italian 1488-1576), within an ornate gilt-wo...

Triptych in acrylic of abstract geometric squares in cream and black in brushed metallic wooden frames, by Richard Rumi, "Asylum".     

Carezza Lake and Latemar Technical Information: Period: 1940s-1950s Technique: oil on canvas, palette knife and brush Artist: Bramberger Height: 60 cm Width: 80 cm Description: Pai...

Painting by Daniel Dupéchez 'The night ends' dated 1975 Daniel Dadzu, stage name of Daniel Dupéchez, born on August 18, 1926 in Paris where he died on July 16, 1999

19th century José Mirailles Darmanin (1850-1900) Spanish school the gentleman (and his servant) takes the meal. Genre scene.

Macchu Picchu Inca City Peru Vintage Photo Poster Rollable Wall Chart The vintage pull-down photo poster wallchart shows the mystical Macchu Picchu Inca ...

An offset lithograph with foil embossing depicting the Munich Olympics by Austrian artist Fredensreich Hundertwasser. Printed in 1982. Published by GmbH, 1971. Limited edition 1007/3...

19th Century Oil on Canvas Featuring 2 Whippets

This beautiful mid century painting of a handsome man was painted in the 1950s. The subject was the owner of a beautiful San Diego Estate. Artist was F Stanley Herring. Beautiful antique fold leaf frame with ruby color fillet trim. Subject is seated in a royal blue chair...

Stunning Norwegian National Romance Style Portrait Painting - "Fisherman with Pipe" by Øyvind August Olsen Heggtveit (Norway 1884-1961) A magnificent original oil on canvas by the f...

Imbue your space with the raw, kinetic energy characteristic of celebrated American outsider artist Purvis Young. Hailing from the rich artistic lineage of Miami’s Overtown district,...

The vintage countrylife pull-down wallchart by Jung-Koch-Quentell is depicting a duck mussel, (Anodonta anatina, Anodonta piscinalis) in water and its organs. Used as teaching materi...

Squero di San Trovaso, an old gondola boatyard on the Dorsoduro in Venice. A large Palladian style building rises above the rest, signifying a remarkable feat of Classic architectura...

Antique Tibetan Hand Painted Silk and Canvas Thangka with Figures C1920 Measures- 37.5''H x 31''W x .25''D This antique Tibetan Thangka, dating back to circa 1920, is a fine example ...

Vintage Italian Neo-Classic style four-paneled folding screens painted with an idyllic scene of women on either side of a river playing music, bathing and eating, a tower on a bridge...

Lovers by a fountain, painting oil on canvas, Signed left sight. Measures: cm 70 x 100 frame 118 x 145 Faustini Modesto. Brescia, 27 Maggio 1839 - Roma, 23 marzo 1891. Born i...

Offered is a "Phrabot" - an antique Thai Temple scroll painting depicting village life around the temple. The painting is attributed to the "Rattanakosin S...

American Realism Robert Bernard Robinson “The Hapless Fisherman” Oil on Canvas Circa 1910s-1920s DIMENSIONS 20 × 16 in (50.8 × 40.6 cm) ABOUT PAINTING A humorous rural/domestic scene — a man in overalls, holding a fishing rod in one hand and a small bucket with, in all likelihood, a meager catch in the other, caught mid-gesture, hides from his wife around the corner of his own house, remaining invisible to his wife, while the woman leans out the window calling for him. This painting is most likely was an interior (story) illustration or an unpublished/commissioned narrative canvas, rather than a Post cover. Robinson did a lot of slice-of-life interiors with similar humorous domestic setups in the 1910s–30s, but many were never reproduced. This is a very interesting and definitely original Robert Robinson oil...

This unique and gorgeous modular sectional sofa from the 70ties is manufactured in germany by Dreipunkt International which are well known for a summary of modular Sofas. The design follows the pure shape of the wood and has slightly curved design. The Sling shape is made of leather and canvas. The loose and thick cushions made it so comfortable. It is a semianiline cognac brandy leather. The colour of the oak wood is stained in teak with matches so perfect with the leather colour. This Ensemble includes 6 chairs and 1 ottomane which made this set so unique. Everyhting is in original condition and in very good condition. It fits well with Piere Chapo...

This magnificent 18th-century Spanish Colonial oil painting is a remarkable example of religious art, showcasing a stunning depiction of the Dormition of the Virgin. Measuring grandl...

Roman School, 17th century Still Life Oil on canvas, 79 x 107 cm Framed, 93 x 121 cm The work under scrutiny, depicting a majestic still life of flowers, is ascribed to the 17th...

Oil on canvas with frame with missing varnish, Woman Thinking, 1980s. Country of production - Georgia

The painting "Country Cottage". Origin : Denmark, early XX century - 1909 Paintor : signed L. Kyhn Dimensions: Frame: height 64 cm / width 85 cm Image: height 41 cm / width 62 cm

Oil on canvas painting of geometric shapes signed Brink.

The Inheritance Chaise Lounge by Stephen Kenn is as comfortable as it is unique. The design features an exposed construction composed of three elements - a steel frame, plush upholstery, and supportive belts. The deep seating area is perfect for a relaxing lounge experience.  Every Stephen Kenn piece is made to order through our Los Angeles studio in partnership with a number of small businesses and fabricators in the LA area. With this highly customizable chaise lounge you can select from a wide range of finishes and materials to complement your home and lifestyle  - please message us to see our Customization Guide with all available options.   Since the development of the Inheritance Collection, Stephen Kenn has been inspired by the history inherent in vintage military-issue materials. This version of our Inheritance chaise lounge is upholstered with salvaged vintage...

A rare complicated music clock behind a fine oil on canvas painting of the Quai De Brancas In Nantes, France. The painting of the Quai at Brancas on the Ri...

Bouquet of Roses by Hermine David, oil on cardboard linen, signed. Framed. Hermine Lionette Cartan David (19 April 1886 in Paris – 1 December 1970 in Bry-sur-Marne) was a French painter and the wife of Jules Pascin, also a painter. She became one of the Ecole de Paris artists...

Örjan Wikström (born 1948), a Swedish artist, active in Stockholm and Paris. Oil on canvas. Abstract composition. From the 1960s/70s. In perfect condition. Artist's name on the back...

Francesco Aviani (Italy - Venice, 25-11-1662 / 1715) att. Couple of paintings depicting Capricci Oil on canvas, 135 x 183 cm, without frame The two large and fine paintings depict two illusionistic architectural renderings, with views of colonnades and arched buildings, animated by figures. The compositions are characterized by the harmony with which the painter introduces the sumptuous architectural monuments, the mirrors of water, the buildings in the distance and the views of the landscape. Dominates with a color on the tones of brown and ochre that stands out on the blue sky, marked by some cloud of steam. The insertion of the figures to enliven the architectural views also balances with the set. The Capriccio, an artistic genre that has made its way into Italian painting since the 17th Century, is characterized by the representation of fantastic architectures or prospective inventions, sometimes combined with elements drawn freely from reality. The two paintings are an example of this type and they are a very interesting and Fine artwork. The remarkable pictorial quality emerges both from the composition of the ensemble and from the way in which the artist describes the views with great attention to detail, highlights and refined, perfectly realistic, chiaroscuro. The same must be recognized for the figures: these are described with a wise brushstroke, quick and quick touches give the dynamism of the moment that is captured, as if time had stopped to show and narrate what is happening. The painting on the right represents a large Baroque building in stone and paved with marbles, two floors, with moving façade, large columns with corinthian columns, a large portal with a staircase with large footsteps, a balustrade with string, from which some figures appear, and two equestrian monuments in bronze. The sumptuous building overlooks a large POOL of water, with a gushing fountain, around which some characters sit. In the second floor is described a white palace from which rises a tower crowned by a structure with wrought iron loggia. In addition there is a bridge and some architectural ruins behind which some mountainous reliefs fade towards the horizon. On the staircase is described a particular scene. The people seem to be part of a very precise story. A woman, in the shadow of a parasol supported by a servant, would seem to drive out of the palace a man, who, taken under his arm by two maidens with a determined attitude, is led to a boat. The scene could be identified with the biblical episode of the parable of the prodigal son (Luke 15,11-32), at the moment when the prodigal son is robbed and driven away by the harlots. The episode tells of a man with two children. The youngest said to his father: “Father, give me the part of my inheritance”. And the father divided the substances. After not many days, the youngest son, collected his things, left for a far country and there he lost his substances with prostitutes and living as a debaucher. When he had spent everything, there came a great famine in that country and he began to find himself in need. Reduced to hunger, he was forced to be a pig herder to survive. He therefore meditated in his heart to go to his father and ask for his forgiveness and to be welcomed anew, even as a servant. While still on the road, however, the father saw him and ran towards him, receiving him with open arms. He then ordered his servants to prepare a great feast for the occasion, killing for the purpose the "fatty calf". The firstborn did not understand why his brother was given such treatment, and reminded the parent that he, who had always obeyed him, had never received a single kid to celebrate with his friends. The father answered him: «Son, you are always with me and everything that is mine is yours; but it was necessary to celebrate and rejoice, because this brother of yours was dead and came back to life, was lost and was found». The parable of the prodigal son was often portrayed in painting and the scene he finds most is certainly that of returning home in his father’s arms. Among the many is a canvas by the famous painter Giovanni Paolo Pannini (or Panini) (Italy – Piacenza, 1691– Rome, 1765) kept at the Hallsborough Gallery in London. Rather rare, however, is the scene of the prodigal son driven and robbed by harlots. There is an engraving by Hans Collaert II (1561-1620) in which this moment is described in the background compared to the moment, narratively later, in which he is penitent among the pigs. The second painting, certainly pendant of the first, represents a similar palace, with some characters overlooking the balustrade marcapiano and other figures around the large bathtub quadrilobata. In the foreground is described a monument with two large stone sculptures. In the distance some architectural elements and, beyond, the mountains are lost on the horizon. The studies related to the numerous painters of architectural views and caprices, active in Italy, and the archival documents found, which could better clarify commissions, biographies and certain works, are scarce and sporadic. Therefore there are still many difficulties in reconstructing a catalogue of autograph works for each author. Through paintings in private collections, in museums and paintings passed on the antique market it is however possible to advance some attributions in order to better delineate the various artistic figures. The style of the works studied here leads to a dating that runs between the 17th and 18th Centuries, with obvious influences dictated by the perspectives of the brothers Galli Bibiena. The analysis of the architectures and the chromatic palette suggests that we are in the presence of a northern Italian and Venetian author. Observing the decorations and the volutes, the brightness and the perspective disposition in fact, we find several analogies with those used by the Vicenza painter Francesco Aviani, excellent in pictorial perspective and architectural views. The biographical profile of Francesco Aviani (Italy - Vicenza, 1662-1715) was essentially traced in 1956 by Andreina Ballarin, then re-visited by Federica Spadotto in 2014 and Giancarlo Sestieri in 2015. Certain documents about his life are scarce, as are the documented works. He was born in Venice, probably on 25 November 1662, to Bernardo and a Magdalene whose surname is unknown, and was baptized on 3 December 1662. Between 1701 and 1703 he worked, together with his brother MarCo, sculptor, for the fresco decoration (now illegible) of the church villa in Soella (Vicenza). On October 16, 1703 he married Isabella Carcano. On March 26, 1715 he made a will and died on April 3 of the same year, in Vicenza. The frescoes in the refectory of the sanctuary of Monte Berico in Vicenza are considered authentic works by Aviani, probably made in 1708; the paintings preserved in the Civic Museum of Vicenza: “Landscape with Lazzaro and the rich Epulone”; “Christ among the doctors”; “The miraculous fishing”, works not datable but with attribution corroborated by style. In addition, the frescoes in the east and west corridors of the Villa La Rotonda, near Vicenza; the fresco in the apse basin of the chapel of the church S. Croce, Vicenza, now destroyed; the frescoes of the central hall of Villa Camerini a Montruglio (1714) and a painting of a “Porto Regio”, of which we have a print engraved by Dall'Acqua. From his works emerges the artistic background that animated the Venetian culture in the early eighteenth century. The scenic grandeur with which Aviani treats the architecture also suggests a stay in Emilia of the painter, in which he could have come into contact with the environment of the Bibiena. These contacts would be confirmed by the press of Cristoforo Dall'Acqua (Vicenza 1734-1787), “Il porto regio”, after a painting of Aviani. The press was part of a group of engravings, representing royal buildings, reproducing paintings of the Bibiena. In the eyes of Dall’Acqua, therefore, Aviani’s work was not foreign among those of the Emilians. Inside the sumptuous architectural whims, Aviani often depicts biblical scenes, in which the characters share the space and the narrative rhythm, along with figures drawn from everyday scenes, memories of the Veronese and Bassano heritage. Also in the works covered by this study the author does not seem to want to give up a biblical subject, though the purpose of the paintings appears to be clearly a staging scenography-architectural within which the characters are relegated to the role of extras. From the examination of the architectural Capriccio gathered under the name of Aviani then emerge common elements. The comparison between these works and the works in question highlights the proximity of the compositions. The imposing and scenic architectures are in fact equally characterized by the perspective-scenographic ability diffused in emilian “quadraturisti” and in Bibiena work. In fact, you can see the spectacular slender architecture in the lower part, the loggias that create chiaroscuro games with arches and binate columns placed on massive bases and overhung by projecting cornices. Significant also the comparison with two paintings with architectural whims in a night vision attributed to Francesco Aviani. In Aviani’s works it is possible to find a certain knowledge of the Roman Codazzi paint nd its early development of the eighteenth century, developed with the Locatelli, the Pannini and the less known Domenico Roberti. To Roberti have been recently attributed two works that have some compositional affinity with the canvases in question. The same can be done for a work on the antique market, attributed to Pietro Francesco...

- Oil on canvas - Unframed.   

This evocative oil on canvas, signed and dated "W. H. Cox 1931," is the work of William Cox, an American artist whose paintings capture the romanticized grandeur of architectural and...

Colorful and impressionist depiction of a woman with hat and scarf. A friend of the artist in Paris. Unframed.

The Inheritance Barstool by Stephen Kenn is comfortable, stackable, and extensively customizable. It has been designed to withstand the rigors of a bar or restaurant environment, while still elegant enough to fit well in a residential home. Every Stephen Kenn piece is made to order through our Los Angeles studio in partnership with a number of small businesses and fabricators in the LA area. The design is highly customizable, so you can select from a range of metal finishes and upholstery materials that will complement your space and durability needs - please message us to see our Customization Guide with all available options. Since the development of the Inheritance Collection, Stephen Kenn has been inspired by the history inherent in vintage military-issue materials. This version of our Inheritance Barstool is upholstered with salvaged vintage military canvas...

Primitive Oil on Canvas Springer Spaniel in liver and white. wonderfully posed "on point", walking along a cobbled street. Some losses to frame. Signed A Taillieu Dated 1914 France, ...

Antique French sage green & gold carved trumeau mirror with oil on canvas floral painting, Circa 1890.

Oil painting on wooden canvas, accompanied by a carved and gilded wooden frame, decorated with geometric and floral motifs. In the center, the scene depicts a battle, with two main c...

A Post-Impressionism Portrait painting depicting a young girl with striking blue eyes and a delicate pink and white ruffle dress adorning her head, which appears to be a Communion dr...

A charming Continental 19th century oil on canvas painting of a young maiden. The wonderfully executed painting is set within a charming giltwood frame with a fine mottled design and...

A richly textured oil painting on canvas depicting a floral still life accompanied by fruit and small birds, arranged with a remarkable sense of balance and abundance. The scene incl...

Original 1961 abstract oil painting on canvas in a vintage Boho style. A unique, bold expression of mid-century creativity.

Exceptional Louis Vuitton wardrobe trunk features stenciled monogram canvas; brown loziné LV stamped solid brass locks and studs. Customized yellow and black stripes give a lot of ch...

George Morland (1763-1804), a well-listed British artist. Oil on canvas. A pastoral scene with shepherds by a woodland bonfire, accompanied by a donkey. Signed G. Morland 1792. Condi...

Afra & Tobia Scarpa "Monk" chairs for Molteni, ivory canvas and walnut, Italy, 1974, set of eight. The particular feature of this model is the support structure composed of two ...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. 20th...

Antal Berkes (1874-1938) Antal Berkes (1874–1938) was a Hungarian painter, born in Budapest, Hungary. He lived in Paris for some time and produced cityscapes there as well as simi...

18th century Italian spolvero fresco pattern printed onto canvas and framed with a custom frame and red phantom quartz crystals. Spolvero is an artistic method of transferring a des...

Monique Beucher (1934), French artist. Gouache on canvas. Abstract composition. Colorful palette. From the 1980s. Perfect condition. Exhibited at "La Galerie" 67 rue Saint André des ...

Artist: Kim Dorland (Canadian, b. 1974) Title: The Walk Home Year of Creation: 2006 Medium: Oil and acrylic on canvas Mark: signed K Dorland, titled and dated (verso as shown) Measur...

Large mid-century original oil on canvas abstract painting by Patricia Sloane, circa 1960s. Sloane was an American painter, author, and professor of Fine Arts at NYC Technical Colleg...

Adam Sherriff Scott was born in Perth, Scotland and began his art education in 1903 at the Edinburgh School of Art. He was awarded the Allen-Fraser Scholarship to continue his studies for four years at the Allen-Fraser institute, which was a finishing school for talented young artists, and studied under George Harcourt A.R.A. After this, he continued his studies at the Slade School under Henry Tonks as well as at the National Gallery and the Tate Gallery. In 1912, he moved to Canada. He worked for an American who commissioned him to paint large scenes of the Canadian West to sell to real estate agents. Scott moved to Montreal in 1915 He became a member of the Beaver Hall...

Paris Street Scene Oil Painting on Canvas, Arc de Triumphe, by Jean Salabet. Circa 1950's. Fall street scene in Paris with Arc de Triom...

Beautiful framed wooden canvas from the end of the 19th century. The reference narrative is the one found in the Acts of the Apostles (Acts 2:14-42) in which Saint Peter starts pre...

French three panel decorative painted canvas folding screen with dogs playing in landscape scenes, perched musical monkeys, and foliage motif. Early 19th century.

A winter scene, depicting two Russian soldiers resting at sunset with their horses on a snow covered, well tracked road.

nr. 688 - An interesting antique French Aubusson tapestry, with non-binding sizes, therefore easy to fit into a modern home: perhaps a sliding door (wh...

The oil painting on canvas is of a young boy 'hugging' his dog, which lies on the boy's lap. It is very much in the style of the Scottish painter Henry Raeburn. The boy is dressed in...

Antique Tibetan Hand Painted Silk and Canvas Thangka with Figures C1920 Measures- 36''H x 30.75''W x .25''D This antique Tibetan Thangka, dating to circa 1920, is a stunning example ...

Late 18th Century French Romantic Landscape Painting, oil on Canvas Charming vertical rectangle ideal french landscape painting, painted in oil on canvas depicting a small village at the banks of a river, the forefront showing wooden brigde which is crossed by a peasant and his dog who is heading towards a midieval abbey on the left bank of the river. On the right edge of the painting a large oak tree...