Creamware Furniture

A French Neoclassical faïence transfer printed creamware plate produced by P&H Choisy, circa 1824-1836. A black transfer of an architectural image on a creamware body, depicting t...

English creamware tankard, circa 1810-1820. The creamware tankard is decorated with a series of moulded engine-turned honeycomb designs separated w...

A French Neoclassical faïence transfer printed creamware plate produced by P&H Choisy, circa 1824-1836. A black transfer of an architectural image on a creamware body, depicting the Temple de Gloire...

Rural Charm: Whieldon-Type Creamware Cow Creamer Whieldon-Type Creamware Cow Creamer and Cover Circa 1770 This delightful and historically important piece is an 18th-century cow cr...

Set of six Wedgwood yellow plates. Six vintage creamware shallow bowls/plates in "Cane" yellow with impressed and stamped marks for Wedgwood. England...

A rare group of wedgwood creamware bowls. In the neoclassical pattern no. 892 with a cobalt blue and gold border. Diameters: just under 9 in., just over 8 3/4 in., and just ove...

A French Neoclassical faïence transfer printed creamware plate from Stone, Coquerel et Le Gros, circa 1820-1830. A black transfer of an architectural image on a creamware body, de...

A set of four early Wedgwood creamware Neoclassical dessert dishes made circa 1780. Sir William Hamilton’s Collection of Etruscan, Greek and Roman an...

This Wedgwood creamware plate, made in England circa 1765, is hand-painted with a finely drawn purple flower at the center, surrounded by a delicate neoclassical garland border. This...

Beautiful free form, mid century handcrafted catch all bowl or large vide poche from Apt, France with prominent beige and brown colors in an art brut form. The technique is known as "terre melee...

A pair of plant pots covered in marbled brown glaze emulating agate gemstone encircled with checkered rims accented in gold, made circa 1770 by Wedgwood &...

Made by Wedgwood in England circa 1810, this pair of creamware dishes features a neoclassical border decorated with a band of green acanthus leaves separated by black darts. The bord...

A Neoclassical red transferware tile made by Spode 1806-1810, with the ‘Refreshments for Phliasian Horseman’ pattern. Sir William Hamilton’s Collection of Etruscan, Greek and Roman antiquities, first published in 1766 by Pierre d’Hancarville, was a landmark publication in English design. It intended to disseminate the Antique style through its engravings of Attic pottery. The catalog’s faithful reproductions of Classical vases led British potteries, including Spode, to adapt or even copy the ancient art for modern life. These Spode Greek pattern tiles reflect the major influence of Hamilton’s catalog on English Neoclassicism. The central scene was taken directly from the catalog. This tile can be dated to a narrow window of production in the Spode factory, 1806-1810. During that time, Spode used a technique known as the “Pluck and Dust” method to print in red transfer designs onto creamware. Using this method, source prints were transferred overglaze using tissue imprinted with a very faint rendition of the design outlined in sticky oil. The decorator applied the tissue to the object then carefully “plucked” or pulled it away, leaving the sticky oil design behind. Then, a finely-ground enamel color was “dusted” onto the surface, sticking to any areas that had the oil. A final firing at a low temperature in the enamel kiln made the pattern permanent. The Pluck and Dust technique improved upon bat-printing and enabled larger designers to be transferred. It was short-lived, however, as under-glaze transfer printing soon took over as the preferred method for producing transferwares. Dimensions: 5 in. x 5 in. x 1/4 in. Condition: Excellent. Slight chip to the upper left corner measuring approximately 0.9 cm. in length. Provenance: The Collection of Nancy and Andrew Ramage Jonathan Horne...

Late 19th Century French creamware pickling bath. A great shape, Circa 1880.

This creamware potpourri vase has a well-executed hand-pierced cover set over a well-proportioned bowl. The piercing is evenly spaced and cleanly cut, forming a repeating pattern of ...

Tortoiseshell Brilliance: Large English Whieldon-Type Creamware Dish Circa 1765–1775 This exceptional, large-scale English creamware dish is a stunning example of mid-18th-century "...

Antiques of London A sophisticated pair of Lauren Ralph Lauren blue and white ceramic table lamps, featuring an intricate floral pattern and an elegant wooden base with brass deta...

The exquisite creamware oval basket with stand, shown here, reveals the artistry and sophistication of 19th century English table ware. Feat...

Majestic Beast: English Creamware Lion with Whieldon Glaze This exceptional English Creamware Pottery Model of a Seated Lion, dating to circa 1765–85, is a fine example of the highl...

This pair of Whieldon creamware plates has an immediate visual energy created by the freely flowing tortoiseshell glazes. The plates were thrown wit...

English creamware Chinoiserie teapot & cover with pierced galleried rim. Circa 1775. The circular English creamware teapot with two designs front ...

This rare six-piece set of antique English creamware, with elegant hand-painted brown trim, was made between the late 18th and early 19th centuries. The highlight of the group is a m...

English Plain Creamware Pounce Shaker or Sugar Castor, Circa 1775 This circular pounce shaker is a prime example of plain, undecorated creamware from the late 18th century. The piec...

This beautiful antique English creamware plate, dating back to 1785, features a hand-painted Neoclassical garland design around the border. Delicate green swags encircle small purple...

A set of four French faïence transfer printed creamware “assiette parlante” or talking plates, produced by P&H Choisy, Seine, France – circa 1824-1836. Transfer printed in black w...

Antique 18th century English Georgian creamware coffee pot with Chinoiserie landscape decoration in traditional Imari colors of blue and red enhanced by gilding. The baluster pot is ...

Antique Wedgwood creamware pottery plate with James Bakewell type enamel decoration, circa 1770. Raised relief border. Measures 7 5/8" diameter. Good condition. Unmarked.

English Creamware Gray Tortoiseshell Lead Glaze Pottery Teapot and Cover, Whieldon Type, Circa 1765. The creamware teapot and cover, of small circular f...

English Creamware Large Teapot with Puce Flower Painted Decoration, Circa 1770. This elegant, large-scale creamware teapot from Staffordshire is a beaut...

This is a rare Creamware pottery Chestnut Basket made by the SPODE factory, Stoke on Trent, Staffordshire, England, in the late Georgian, Regency period...

English Creamware Tureen, Cover & Stand, Wedgwood, Circa 1790-1800 The Wedgwood creamware soup tureen, cover and stand is of an oval form with dramatic handles with large molded...

English Creamware Pottery Teapot and Cover with Rare Fish Scale Design Origin: Probably Leeds, Yorkshire Date: Circa 1770s Description: This creamware teapot and cover exhibit a ...

A rare antique English creamware pottery octagonal plate of Whieldon-type dating from around 1750. The lightly and finely potted plate has a deep round central reserve with a raised ...

This hand built ceramic sculpture evokes many things, but mostly the game of "jacks" from my childhood, or of an abstracted image of the atomic energy symbol. Strange, evocative, pl...

Neoclassical Creil creamware plate. Antique black and white plate "Naissance de Romulus et de Remus" with grapevine border. Impressed and underglaze ma...

Decorate a dining table, kitchen island, or console with this charming pair of Italian creamware compotes crafted circa 1950. Each bowl is sculpted as a richly detailed cluster of gr...

Antique French Salins Creamware Cruet Set Oil and Vinegar Set Circa 1890, Beautiful. Unusual to find an original a set, in this condition and complete. This is truly a lovely piece ...

A fine, very large, 18th century English creamware pottery charger or wall plate. With a raised feather edge border. Simply a great antique English pottery...

This large English creamware basket was made circa 1790 and stands out for both its generous size and exceptional quality. Thirty-six handmade openwork bands rise from the solid base...

This antique English creamware horse was hand-painted at St. Anthony’s Pottery in Newcastle around the year 1800. This charming figure is modeled in a standing position on a green-gl...

Naturalistic Whimsy: Rare Staffordshire Creamware "Cauliflower" Tea Caddy (c. 1760) An exceptional mid-18th-century Staffordshire creamware tea caddy (or tea canister), brilliantly ...

A French Neoclassical faïence transfer printed creamware plate produced by P&H Choisy, circa 1824-1836. A black transfer of an architectural image on a creamware body, depicting t...

This hand built ceramic sculpture evokes many things, but mostly the game of "jacks" from my childhood, or of an abstracted image of the atomic energy symbol. Strange, evocative, pl...

More information coming soon… A stunning pair of creamware topiaries, measuring 28 inches tall. From Italy, the topiaries are comprised by numerous florets clustered together in a ...

This elegant pair of Wedgwood creamware baskets and stands has arcaded openwork along the borders. The pair was made at the Wedgwood Etruria factory in Stoke-on-Trent in Staffordshir...

Neoclassical Refinement: A Hicks, Meigh & Co. Creamware Service 1820s This extensive English Creamware Dessert Service, comprising twenty-one pieces, is a wonderful representation o...

Georgian Creamware Toy Hound, Whieldon-Type Circa 1765-75 This charming Antique Creamware Figure of a hound is a superb example of 18th-century pottery. The small figure sits on its...

Floral Finesse: A Mid-Victorian Wedgwood Botanical Specimen Plate This elegant Wedgwood creamware plate, manufactured in 1862, serves as a stunning example of the enduring appeal of...

This pair of antique Wedgwood creamware baskets and stands was made in England circa 1840. The baskets and their stands feature an impressed basketweave pattern and arcaded borders. ...

Rustic Charm in Refined Form: An 18th-Century Creamware Red-Printed Tea Caddy, Circa 1765–75 This charming 18th-century creamware tea caddy, also known as a teapoy, is a beautiful ...

Ascending to Glory: A Monumental Liverpool Creamware Jug Celebrating Washington's Apotheosis Historical Context: From Man to Myth George Washington's...

Green, pink and blue floral banded plate. Antique creamware plate with jewel-tone floral banding and monogram; with impressed marks for Giusti...

Amazing in design and execution, this Art Deco compote features three charming birds supporting a polychromed fruit bowl or sculpture. This bowl, acquired in a collectors home in Bel...

This pair of Late Leeds creamware berry strainers was made in West Yorkshire, England, circa 1870. Originally used to wash and serve berries, they allowed excess liquid to drain away...

Antique 18th century French creamware cruet bottle stand. Boat shaped tray with fine foliate handles and two pierced or reticulated guilloche round receptacles for glass bottles. Mea...

English Creamware Whieldon-type Gray Tortoiseshell Plate, Circa 1765-75 This color is unsual. The plates are more a tortoise-shell coloration. The ...

A pair of Wedgwood creamware sauce tureens with original attached underplates and spoons, made circa 1820 in the refined Neoclassical style popular during the Regency era. Each turee...

A pair of 18th-century English creamware plates in the tortoiseshell manner associated with Thomas Whieldon, circa 1760. Scalloped rims with mottled green and brown "tortoiseshell...

A French faïence neoclassical transfer printed plate from Creil ét Montereau, circa 1820-1830. A black transfer of an architectural image on a creamware body, depicting the École ...

"Clouded Perfection": 18th Century English Creamware Whieldon-type Tea Bowl & Saucer A superb example of mid-18th century English pottery, this Creamware Tea Bowl and Saucer displays the distinctive "clouded" or "tortoiseshell" glazing technique associated with Thomas Whieldon and his contemporaries in Staffordshire and Yorkshire. The set features a refined cream-colored earthenware body, decorated with sponged or applied metal oxides—specifically manganese for rich browns and copper for vibrant green splashes—creating a marbled, organic surface pattern. A defining feature of this particular model is the delicate band of molded pearl beading (relief dots) that encircles the exterior rim of the cup and frames the central well of the saucer, adding a tactile and geometric contrast to the fluid glaze. Provenance: Jonathan Horne...