Creamware Furniture

This unusual English creamware shell-shaped dish packs a visual punch. The rich yellow ground is hand-painted with brown flowers, scrolling stems, an...

Floral Finesse: A Mid-Victorian Wedgwood Botanical Specimen Plate This elegant Wedgwood creamware plate, manufactured in 1862, serves as a stunning example of the enduring appeal of...

Neoclassical Creil creamware plate. Antique black and white soup plate from the "An de Rome" series "Prise de Syracuse; Mort D'Archimide" with grapevin...

Green, pink and blue floral banded plate. Antique creamware plate with jewel-tone floral banding and monogram; with impressed marks for Giusti...

Rural Charm: Whieldon-Type Creamware Cow Creamer Whieldon-Type Creamware Cow Creamer and Cover Circa 1770 This delightful and historically important piece is an 18th-century cow cr...

An 18th century Wedgwood creamware double salt cellar. The form consisting of two basket (or pail-form) bowls joined at the rim and connected by ...

A French Neoclassical faïence transfer printed creamware plate produced by P&H Choisy, circa 1824-1836. A black transfer of an architectural image on a creamware body, depicting the Temple de Gloire...

Neoclassical Creil creamware plate. Antique black and white soup plate "Naissance de Romulus et de Remus" with grapevine border. Impressed and undergla...

Nature’s Jewel: A Set of Three Victorian Wedgwood Hummingbird & Flowers Plates This enchanting set of three Wedgwood creamware plates exempli...

Neoclassical Creil creamware plate. Antique black and white soup plate from "An de Rome" series, "Fierte de Popillius" with grapevine border. Underglaz...

The Neale & Co. puce-colored shell-edge plates are each decorated in a purple transfer with figures in the foreground amongst a landscape of Classic ruins. The rims, also with a feathered puce (purple) border, are highlighted with unusually strong remnants of the original gilding. Each is impressed with the Neale & Co. mark on the reverse. Marks: The impressed Neale & Co. mark was only used between 1778 and 1795. Reference: Neale Pottery & Porcelain: Its Predecessors and Successors 1763-1820, Diana Edwards, page 126, #100 for a large stand...

An assembled pair of Wedgwood cress or strawberry dishes, Two Piece; Footed Pierced Dish with Stand. Late 18th c. This would have been used to serve watercress or strawberries after ...

Creamware knife rests, Italian, Circa 1810-1820    The two rests are of similar form with a raised scroll terminal to each end. One with pierced stylized f...

Cupid neoclassical Creil creamware plate. Antique black and white soup plate "L'amour et l'Himen l'entrainent à leur autel" with grapevine border. Impr...

A French Neoclassical faïence transfer printed creamware plate produced by Montereau, Creil, circa 1824-1836. A black transfer of an architectural image on a creamware body, depicting Le Palais Royal...

Antiques of London A sophisticated pair of Lauren Ralph Lauren blue and white ceramic table lamps, featuring an intricate floral pattern and an elegant wooden base with brass deta...

Pair Wedgwood creamware floral banded sauceboats. Pair of English creamware sauceboats with green leafy band with flowers in purple, magenta, yellow and as...

A creamware column candle stick lamp, mid-20th Century. 6 ½ inches wide 28 ¼ inches tall to finial; shade 13 ½ inches wide

Set of eight Wedgwood creamware plates. Eight large creamware decorated dinner plates with a bold hand-painted floral border in orange and gre...

English creamware tankard, circa 1810-1820. The creamware tankard is decorated with a series of moulded engine-turned honeycomb designs separated w...

Neoclassical Creil creamware plate. Antique black and white plate "Naissance de Romulus et de Remus" with grapevine border. Impressed and underglaze ma...

Beautiful free form, mid century handcrafted catch all bowl or large vide poche from Apt, France with prominent beige and brown colors in an art brut form. The technique is known as "terre melee...

Neoclassical Creil creamware plate. Antique black and white plate "Battaile de Fontenal Année 841" with medallions border. Impressed markings for Creil...

Set of ten French creamware military plates. Charming individually painted luncheon or dessert plates with military scenes from the time of Napoleon I...

Cupid neoclassical Creil creamware plate. Antique black and white soup plate "L'Amour la punit de son indiference" with grapevine border. Impressed and...

Circa 1810-1828 pair of blue & white sauciers & undertrays, English. A charming Staffordshire District pair with quadrepeds motif. By John Richard Riley, Burslem, England, pa...

A Neoclassical red transferware tile made by Spode 1806-1810, with the ‘Refreshments for Phliasian Horseman’ pattern. Sir William Hamilton’s Collection of Etruscan, Greek and Roman antiquities, first published in 1766 by Pierre d’Hancarville, was a landmark publication in English design. It intended to disseminate the Antique style through its engravings of Attic pottery. The catalog’s faithful reproductions of Classical vases led British potteries, including Spode, to adapt or even copy the ancient art for modern life. These Spode Greek pattern tiles reflect the major influence of Hamilton’s catalog on English Neoclassicism. The central scene was taken directly from the catalog. This tile can be dated to a narrow window of production in the Spode factory, 1806-1810. During that time, Spode used a technique known as the “Pluck and Dust” method to print in red transfer designs onto creamware. Using this method, source prints were transferred overglaze using tissue imprinted with a very faint rendition of the design outlined in sticky oil. The decorator applied the tissue to the object then carefully “plucked” or pulled it away, leaving the sticky oil design behind. Then, a finely-ground enamel color was “dusted” onto the surface, sticking to any areas that had the oil. A final firing at a low temperature in the enamel kiln made the pattern permanent. The Pluck and Dust technique improved upon bat-printing and enabled larger designers to be transferred. It was short-lived, however, as under-glaze transfer printing soon took over as the preferred method for producing transferwares. Dimensions: 5 in. x 5 in. x 1/4 in. Condition: Excellent. Slight chip to the upper left corner measuring approximately 0.9 cm. in length. Provenance: The Collection of Nancy and Andrew Ramage Jonathan Horne...

Antique Wedgwood creamware pottery plate with James Bakewell type enamel decoration, circa 1770. Raised relief border. Measures 7 5/8" diameter. Good condition. Unmarked.

A set of four early Wedgwood creamware Neoclassical dessert dishes made circa 1780. Sir William Hamilton’s Collection of Etruscan, Greek and Roman an...

Antique early 20th century Italian creamware modular bough pot flower frog centerpiece. Made up of four distinct pieces; the exteriors a balustrade of urn shaped columns, the interio...

Antiques of London A sophisticated pair of Lauren Ralph Lauren blue and white ceramic table lamps, featuring an intricate floral pattern and an elegant wooden base with brass deta...

Pair antique 18th century Georgian Wedgwood & Bentley creamware urns with mottled faux stone glaze and mask handles circa 1780. Mounted on black basalt bases with lamb's tongue colla...

A French Neoclassical faïence transfer printed creamware plate produced by P&H Choisy, circa 1824-1836. A black transfer of an architectural image on a creamware body, depicting t...

A pair of plant pots covered in marbled brown glaze emulating agate gemstone encircled with checkered rims accented in gold, made circa 1770 by Wedgwood &...

A Neoclassical red transferware tile made by Spode 1806-1810, with the ‘Zeus in His Chariot’ pattern. Sir William Hamilton’s Collection of Etruscan, Greek and Roman antiquities, first published in 1766 by Pierre d’Hancarville, was a landmark publication in English design. It intended to disseminate the Antique style through its engravings of Attic pottery. The catalog’s faithful reproductions of Classical vases led British potteries, including Spode, to adapt or even copy the ancient art for modern life. These Spode Greek pattern tiles reflect the major influence of Hamilton’s catalog on English Neoclassicism. The central scene was taken directly from the catalog. This tile can be dated to a narrow window of production in the Spode factory, 1806-1810. During that time, Spode used a technique known as the “Pluck and Dust” method to print in red transfer designs onto creamware. Using this method, source prints were transferred overglaze using tissue imprinted with a very faint rendition of the design outlined in sticky oil. The decorator applied the tissue to the object then carefully “plucked” or pulled it away, leaving the sticky oil design behind. Then, a finely-ground enamel color was “dusted” onto the surface, sticking to any areas that had the oil. A final firing at a low temperature in the enamel kiln made the pattern permanent. The Pluck and Dust technique improved upon bat-printing and enabled larger designers to be transferred. It was short-lived, however, as under-glaze transfer printing soon took over as the preferred method for producing transferwares. Dimensions: 5 in. x 5 in. x 1/4 in. Condition: Excellent. Provenance: The Collection of Nancy and Andrew Ramage Jonathan Horne...

19th century creamware drainer originally used for draining glasses. A rare piece to source and in good condition

Cupid neoclassical Creil creamware plate. Antique black and white soup plate "L'amour preside a leur entretien" with grapevine border. Impressed and un...

Rare antique English Yorkshire or Staffordshire creamware pierced basket with intricate reticulated body. Lovely color no damage or repairs.

Pair antique 18th century English George III Ralph Wood creamware lions. Wonderful mottled brown glaze with cream plinths. Large size - measure 11 1/4" wide x 4 1/2" x 8" tall. Go...

More information coming soon… Traditional Italian creamware in the form of a lidded bowl. The removable top consists of an abundance of fruit, including grapes, apples, and other n...

A fine antique English creamware or soft paste porcelain pot de creme stand. In the Blue Willow pattern. With a raised, scalloped pedestal with 6 embossed circles and a raised cent...

Pair antique early 19th century English Georgian Leeds Pottery creamware reticulated vases, circa 1800. Hexagonal shape with flared rim. Each measures 6 1/2" tall x 3 7/8" across. Si...

Antique early 19th century George III creamware pierced dome circa 1800. Exceptional quality and detail. Measures 9 3/8" diameter x 6 1/4" tall. Good condition - minor hairline on th...

This pair of Late Leeds creamware berry strainers was made in West Yorkshire, England, circa 1870. Originally used to wash and serve berries, they allowed excess liquid to drain away...

This beautiful antique English creamware plate, dating back to 1785, features a hand-painted Neoclassical garland design around the border. Delicate green swags encircle small purple...

Set of twelve Paris Exhibition plates. Twelve Sarraguemines creamware souvenir plates from the Universal Exposition of 1889 in Paris Twelve different...

This large creamware tray or platter is made by Wedgwood depicting everything "Punch". Transfer outlines of whimsical 19th century characters are hand-painted in polychrome enamels w...

Whieldon Creamware Tortoiseshell Glaze Teapot, Staffordshire, Circa 1765 This Whieldon-type creamware teapot and cover is a superb example of mid-18th-century English pottery, its g...

A French Neoclassical faïence transfer printed creamware plate from Stone, Coquerel et Le Gros, circa 1820-1830. A black transfer of an architectural image on a creamware body, de...

Wedgwood Chinoiserie charger plate. Wedgwood chinoiserie shallow-bowled plate with lobed peach slip edge. Fantastical rose apricot, peach and pale...

Herculaneum Creamware Yellow-Ground Openwork Dessert Dishes, Pair Circa 1810–1815 This pair of English creamware dessert dishes, very probably made by the Herculaneum Pottery in Liv...

Georgian Creamware Toy Hound, Whieldon-Type Circa 1765-75 This charming Antique Creamware Figure of a hound is a superb example of 18th-century pottery. The small figure sits on its...

A set of four French faïence transfer printed creamware “assiette parlante” or talking plates, produced by P&H Choisy, Seine, France – circa 1824-1836. Transfer printed in black w...

Tortoiseshell Brilliance: Large English Whieldon-Type Creamware Dish Circa 1765–1775 This exceptional, large-scale English creamware dish is a stunning example of mid-18th-century "...

Set of twelve French military plates. Twelve unique and individual French creamware military scene from the first world war. Each plate numbered Sarra...

Marked Minerva on the verso.

This antique creamware plate was made in Liverpool, England, by Herculaneum Pottery, circa 1820. At the center, a transfer-printed scene title...

"Clouded Perfection": 18th Century English Creamware Whieldon-type Tea Bowl & Saucer A superb example of mid-18th century English pottery, this Creamware Tea Bowl and Saucer displays the distinctive "clouded" or "tortoiseshell" glazing technique associated with Thomas Whieldon and his contemporaries in Staffordshire and Yorkshire. The set features a refined cream-colored earthenware body, decorated with sponged or applied metal oxides—specifically manganese for rich browns and copper for vibrant green splashes—creating a marbled, organic surface pattern. A defining feature of this particular model is the delicate band of molded pearl beading (relief dots) that encircles the exterior rim of the cup and frames the central well of the saucer, adding a tactile and geometric contrast to the fluid glaze. Provenance: Jonathan Horne...

English Creamware Gray Tortoiseshell Lead Glaze Pottery Teapot and Cover, Whieldon Type, Circa 1765. The creamware teapot and cover, of small circular f...

This antique English creamware horse was hand-painted at St. Anthony’s Pottery in Newcastle around the year 1800. This charming figure is modeled in a standing position on a green-gl...