Creamware Furniture

Neoclassical Creil creamware plate. Antique black and white soup plate from the "An de Rome" series "Prise de Syracuse; Mort D'Archimide" with grapevin...

Neoclassical Creil creamware plate. Antique black and white soup plate "Prudence fuit au fond du vèrre" with grapevine border. Impressed and underglaze...

English creamware tankard, circa 1810-1820. The creamware tankard is decorated with a series of moulded engine-turned honeycomb designs separated w...

Neoclassical Creil creamware plate. Antique black and white soup plate from "An de Rome" series, "Fierte de Popillius" with grapevine border. Underglaz...

A Neoclassical red transferware tile made by Spode 1806-1810, with the ‘Refreshments for Phliasian Horseman’ pattern. Sir William Hamilton’s Collection of Etruscan, Greek and Roman antiquities, first published in 1766 by Pierre d’Hancarville, was a landmark publication in English design. It intended to disseminate the Antique style through its engravings of Attic pottery. The catalog’s faithful reproductions of Classical vases led British potteries, including Spode, to adapt or even copy the ancient art for modern life. These Spode Greek pattern tiles reflect the major influence of Hamilton’s catalog on English Neoclassicism. The central scene was taken directly from the catalog. This tile can be dated to a narrow window of production in the Spode factory, 1806-1810. During that time, Spode used a technique known as the “Pluck and Dust” method to print in red transfer designs onto creamware. Using this method, source prints were transferred overglaze using tissue imprinted with a very faint rendition of the design outlined in sticky oil. The decorator applied the tissue to the object then carefully “plucked” or pulled it away, leaving the sticky oil design behind. Then, a finely-ground enamel color was “dusted” onto the surface, sticking to any areas that had the oil. A final firing at a low temperature in the enamel kiln made the pattern permanent. The Pluck and Dust technique improved upon bat-printing and enabled larger designers to be transferred. It was short-lived, however, as under-glaze transfer printing soon took over as the preferred method for producing transferwares. Dimensions: 5 in. x 5 in. x 1/4 in. Condition: Excellent. Slight chip to the upper left corner measuring approximately 0.9 cm. in length. Provenance: The Collection of Nancy and Andrew Ramage Jonathan Horne...

A Wedgwood Queensware bowl designed by Daisy Makeig-Jones in the Istria pattern after an ancient Greek vase from Sir William Hamilton’s collection. This ‘Istria’ pattern bowl by Wed...

A Neoclassical red transferware tile made by Spode 1806-1810, with the ‘Zeus in His Chariot’ pattern. Sir William Hamilton’s Collection of Etruscan, Greek and Roman antiquities, first published in 1766 by Pierre d’Hancarville, was a landmark publication in English design. It intended to disseminate the Antique style through its engravings of Attic pottery. The catalog’s faithful reproductions of Classical vases led British potteries, including Spode, to adapt or even copy the ancient art for modern life. These Spode Greek pattern tiles reflect the major influence of Hamilton’s catalog on English Neoclassicism. The central scene was taken directly from the catalog. This tile can be dated to a narrow window of production in the Spode factory, 1806-1810. During that time, Spode used a technique known as the “Pluck and Dust” method to print in red transfer designs onto creamware. Using this method, source prints were transferred overglaze using tissue imprinted with a very faint rendition of the design outlined in sticky oil. The decorator applied the tissue to the object then carefully “plucked” or pulled it away, leaving the sticky oil design behind. Then, a finely-ground enamel color was “dusted” onto the surface, sticking to any areas that had the oil. A final firing at a low temperature in the enamel kiln made the pattern permanent. The Pluck and Dust technique improved upon bat-printing and enabled larger designers to be transferred. It was short-lived, however, as under-glaze transfer printing soon took over as the preferred method for producing transferwares. Dimensions: 5 in. x 5 in. x 1/4 in. Condition: Excellent. Provenance: The Collection of Nancy and Andrew Ramage Jonathan Horne...

Cupid neoclassical Creil creamware plate. Antique black and white soup plate "L'amour preside a leur entretien" with grapevine border. Impressed and un...

An assembled pair of Wedgwood cress or strawberry dishes, Two Piece; Footed Pierced Dish with Stand. Late 18th c. This would have been used to serve watercress or strawberries after ...

Antiques of London A sophisticated pair of Lauren Ralph Lauren blue and white ceramic table lamps, featuring an intricate floral pattern and an elegant wooden base with brass deta...

Wedgwood black Ravenstone set Wedgwood Ravenstone small urn, vase and cache pot Matte black glaze wegwood, designed by Norman Wilson, 1960s England The measurements are for th...

Heading : Grand Old Duke of York Prince Frederick Creamware Mug Date :c1794 Period : George III Marks : None Origin : Staffordshire Colour : Transfer printed Features : Named depicti...

This hand built ceramic sculpture evokes many things, but mostly the game of "jacks" from my childhood, or of an abstracted image of the atomic energy symbol. Strange, evocative, pl...

English Plain Creamware Pounce Shaker or Sugar Castor, Circa 1775 This circular pounce shaker is a prime example of plain, undecorated creamware from the late 18th century. The piec...

Set of ten French creamware military plates. Charming individually painted luncheon or dessert plates with military scenes from the time of Napoleon I...

A rare antique English creamware pottery octagonal plate of Whieldon-type dating from around 1750. The lightly and finely potted plate has a deep round central reserve with a raised ...

This pair of small English pierced creamware baskets was handcrafted in England circa 1820. One basket is round, and the other is oval; together, they show two variations on the same...

"Peace, Plenty and Independence" - An Exceptional American Market Creamware Jug, Circa 1800 A profound piece of early American history and decorative art, this large Liverpool Creamware jug was specifically produced for the burgeoning United States market around 1800. This spectacular jug perfectly encapsulates the patriotic zeal and domestic aspirations of the post-Revolutionary era. Its historical...

This pair of Late Leeds creamware berry strainers was made in West Yorkshire, England, circa 1870. Originally used to wash and serve berries, they allowed excess liquid to drain away...

This large English creamware basket was made circa 1790 and stands out for both its generous size and exceptional quality. Thirty-six handmade openwork bands rise from the solid base...

Georgian Creamware Toy Hound, Whieldon-Type Circa 1765-75 This charming Antique Creamware Figure of a hound is a superb example of 18th-century pottery. The small figure sits on its...

English Creamware Cow Creamer and Cover Staffordshire, circa 1775–1780 Glazed earthenware This whimsical yet functional vessel exemplifies the charm of 18th-century Staffordshire po...

English Creamware Tureen, Cover & Stand, Wedgwood, Circa 1790-1800 The Wedgwood creamware soup tureen, cover and stand is of an oval form with dramatic handles with large molded...

Set of eight Wedgwood creamware grape leaf cups and saucers. Antique creamware cups and saucers with scrolling hand-painted grape vines with green grape leaves, purple grape clusters...

This rare six-piece set of antique English creamware, with elegant hand-painted brown trim, was made between the late 18th and early 19th centuries. The highlight of the group is a m...

A French Neoclassical faïence transfer printed creamware plate from Stone, Coquerel et Le Gros, circa 1820-1830. A black transfer of an architectural image on a creamware body, de...

Neoclassical Refinement: Hicks, Meigh & Co. Creamware Service: A Set of Simple Elegance: English Creamware, Circa 1822–1835. This extensive English Creamware Dessert Service, compri...

A Flourish of Flora: Wedgwood's Botanical Creamware Plate, 1862 This elegant piece is a Wedgwood creamware plate from 1862, a stunning example of ...

This antique American pitcher, dating to circa 1830, is a rare example of slip-decorated creamware that evokes the spirit of mochaware but diverges from its typical look. Rather than...

This hand built ceramic sculpture evokes many things, but mostly the game of "jacks" from my childhood, or of an abstracted image of the atomic energy symbol. Strange, evocative, pl...

French, 19th century. A fine quality creamware centerpiece in two parts having a polychrome decorated swaged garland to base, 3 figural cherub which not only support a wonderful pier...

This lovely set of seven creamware plates is decorated on the border with a band of brightly gilded leaves and berries within blue lines. The creamware has a rich, creamy color, whic...

This antique creamware plate was made in Liverpool, England, by Herculaneum Pottery, circa 1820. At the center, a transfer-printed scene title...

Neoclassical Creil creamware plate. Antique black and white plate "Naissance de Romulus et de Remus" with grapevine border. Impressed and underglaze ma...

This beautiful antique English creamware plate, dating back to 1785, features a hand-painted Neoclassical garland design around the border. Delicate green swags encircle small purple...

A pair of 18th-century English creamware plates in the tortoiseshell manner associated with Thomas Whieldon, circa 1760. Scalloped rims with mottled green and brown "tortoiseshell...

English Creamware Large Teapot with Puce Flower Painted Decoration, Circa 1770. This elegant, large-scale creamware teapot from Staffordshire is a beaut...

A French Neoclassical faïence transfer printed creamware plate produced by P&H Choisy, circa 1824-1836. A black transfer of an architectural image on a creamware body, depicting t...

Staffordshire Whieldon-type creamware teapot and cover, circa 1765-1775 The Whieldon-type cream earthenware teapot has a moulded design of grape vines and large grape leaves to t...

English Creamware Pottery Teapot and Cover with Rare Fish Scale Design Origin: Probably Leeds, Yorkshire Date: Circa 1770s Description: This creamware teapot and cover exhibit a ...

Green, pink and blue floral banded soup plate. Antique creamware soup plate with jewel-tone floral banding and monogram; with impressed marks for Giustiniani Naples, Italy, late 18th...

A set of four French faïence transfer printed creamware “assiette parlante” or talking plates, produced by P&H Choisy, Seine, France – circa 1824-1836. Transfer printed in black w...

Made by Wedgwood in England circa 1810, this pair of creamware dishes features a neoclassical border decorated with a band of green acanthus leaves separated by black darts. The bord...

A French faïence neoclassical transfer printed plate from Creil ét Montereau, circa 1820-1830. A black transfer of an architectural image on a creamware body, depicting the École ...

This charming small creamware tureen showcases the "Brown Grapes" pattern, a refined Neoclassical design. Crafted at the Spode factory in Stoke-upon-Trent, Staffordshire, England, ci...

A fine antique English soft paste porcelain or creamware plate. With a blue willow underglaze blue transfer decoration. Attributed to L...

Green, pink and blue floral banded plate. Antique creamware plate with jewel-tone floral banding and monogram; with impressed marks for Giusti...

This is a rare Creamware pottery Chestnut Basket made by the SPODE factory, Stoke on Trent, Staffordshire, England, in the late Georgian, Regency period...

This antique creamware mustard pot was made in England around 1810. The pot features an elegant, barrel-shaped, rounded body with an integrated stand, a gracefully shaped handle, and...

A French neoclassical faïence transfer printed creamware plate produced by P&H Choisy, circa 1824-1836. A black transfer of an architectural image on a creamware body, depicting t...

A French faïence transfer printed creamware “assiette parlante” or talking plate, produced by P&H Choisy, Seine, France – circa 1824-1836. A black tr...

English Creamware Whieldon-type Gray Tortoiseshell Plate, Circa 1765-75 This color is unsual. The plates are more a tortoise-shell coloration. The ...

Neoclassical black and white creamware plate. French transfer creamware plate with "Vue des ruines du temple d’Hercule sur les bordes du Tibre" ...

Neoclassical Creil creamware plate. Antique black and white plate "Battaile de Fontenal Année 841" with medallions border. Impressed markings for Creil...

This pair of antique Wedgwood creamware baskets and stands was made in England circa 1840. The baskets and their stands feature an impressed basketweave pattern and arcaded borders. ...

English creamware Chinoiserie teapot & cover with pierced galleried rim. Circa 1775. The circular English creamware teapot with two designs front ...

Creamware Large Dishes with Chinoiserie Decoration, Circa 1775-85. The large creamware dishes have a shaped rim with a slightly molded raised rim. The center has a Chinoiserie desi...

The Liverpool creamware openwork dishes were made at the Herculaneum factory. The charming dishes have an outer band of openwork attached to a bask...

Rustic Charm in Refined Form: An 18th-Century Creamware Red-Printed Tea Caddy, Circa 1765–75 This charming 18th-century creamware tea caddy, also known as a teapoy, is a beautiful ...

Set of 10 French (19th Century) black and white transfer creamware plates of historic French landmarks. (PRICED AS SET)