Creamware Serveware, Ceramics, Silver and Glass

Set of eight Audubon birds of America plates in cream with raised floral border centering on eight different birds. Alfred Meakin, Some crazing commensurate with age. England, circa ...

English Creamware Tureen, Cover & Stand, Wedgwood, Circa 1790-1800 The Wedgwood creamware soup tureen, cover and stand is of an oval form with dramatic handles with large molded...

Neoclassical Creil creamware plate. Antique black and white soup plate "Reproche l'Amour sur son indiférencel" with grapevine border. Underglaze markin...

Set of four Wedgwood Directoire pattern yellow banded cream cups and saucers. Cups and saucers in the Directoire pattern and style with characteristic handles of the post Revolutionary six year period of the French Directory...

English Plain Creamware Pounce Shaker or Sugar Castor, Circa 1775 This circular pounce shaker is a prime example of plain, undecorated creamware from the late 18th century. The piec...

This distinguished set of four creamware plates exemplifies the technical refinement and aesthetic sophistication of late eighteenth-century English pottery. Each plate is molded at ...

This lovely set of seven creamware plates is decorated on the border with a band of brightly gilded leaves and berries within blue lines. The creamware has a rich, creamy color, whic...

"Peace, Plenty and Independence" - An Exceptional American Market Creamware Jug, Circa 1800 A profound piece of early American history and decorative art, this large Liverpool Creamware jug was specifically produced for the burgeoning United States market around 1800. This spectacular jug perfectly encapsulates the patriotic zeal and domestic aspirations of the post-Revolutionary era. Its historical...

The Genesis of Elegance: A Creamware Tureen from the Georgian Table This exceptional creamware soup tureen, dating from the late 18th century (c. 1770–1800), is a magnificent exampl...

Late 19th Century French creamware pickling bath. A great shape, Circa 1880.

English Creamware Quintal Finger Vase 20th Century This English creamware quintal vase—also known as a finger or tulip vase—takes the classic fan-shape...

English Creamware Cow Creamer and Cover Staffordshire, circa 1775–1780 Glazed earthenware This whimsical yet functional vessel exemplifies the charm of 18th-century Staffordshire po...

Italian creamware lion mask cachepot.. Antique neoclassical creamware soup tureen cachepot with three ringed lion masks supported on tripod tapering legs with lion paw feet on circul...

Wedgwood Apprey celadon place-setting plates. Set of three pale celadon pieces for a single place-setting in the rare and charming chinoiserie pattern ...

Early 19th century creamware Liverpool jug of the American ship Caroline, circa 1800, with polychromed decorated image of the sea and the American flag ...

Set of Six English Creamware Soup Plates, Circa 1800-1830 This is a refined set of six English Creamware soup plates, dating from the early 19th century. Each plate features a clas...

Neoclassical Creil creamware plate. Antique black and white soup plate from "An de Rome" series, "Fierte de Popillius" with grapevine border. Underglaz...

Antique Wedgwood creamware pottery plate with James Bakewell type enamel decoration, circa 1770. Raised relief border. Measures 7 5/8" diameter. Good condition. Unmarked.

Large Neoclassical creamware tureen. Large neoclassical creamware zuppiera of tripod form with lion masks with rings supported on fluted monoped...

The Neale & Co. puce-colored shell-edge plates are each decorated in a purple transfer with figures in the foreground amongst a landscape of Classic ruins. The rims, also with a feathered puce (purple) border, are highlighted with unusually strong remnants of the original gilding. Each is impressed with the Neale & Co. mark on the reverse. Marks: The impressed Neale & Co. mark was only used between 1778 and 1795. Reference: Neale Pottery & Porcelain: Its Predecessors and Successors 1763-1820, Diana Edwards, page 126, #100 for a large stand...

Nature’s Jewel: A Set of Three Victorian Wedgwood Hummingbird & Flowers Plates This enchanting set of three Wedgwood creamware plates exempli...

Floral Finesse: A Mid-Victorian Wedgwood Botanical Specimen Plate This elegant Wedgwood creamware plate, manufactured in 1862, serves as a stunning example of the enduring appeal of...

More information coming soon… A stunning pair of creamware topiaries, measuring 28 inches tall. From Italy, the topiaries are comprised by numerous florets clustered together in a ...

Naturalistic Whimsy: Rare Staffordshire Creamware "Cauliflower" Tea Caddy (c. 1760) An exceptional mid-18th-century Staffordshire creamware tea caddy (or tea canister), brilliantly ...

Rural Charm: Whieldon-Type Creamware Cow Creamer Whieldon-Type Creamware Cow Creamer and Cover Circa 1770 This delightful and historically important piece is an 18th-century cow cr...

This is a rare Creamware pottery Chestnut Basket made by the SPODE factory, Stoke on Trent, Staffordshire, England, in the late Georgian, Regency period...

This unusual English creamware shell-shaped dish packs a visual punch. The rich yellow ground is hand-painted with brown flowers, scrolling stems, an...

Pearlware Wedgwood Creamware pottery Orange or Chestnut basket ,cover and stand. Very wall decorated in a underglaze blue Mared design. The basket and stand impressed under base "we...

Staffordshire Whieldon-type creamware teapot and cover, circa 1765-1775 The Whieldon-type cream earthenware teapot has a moulded design of grape vines and large grape leaves to t...

An assembled pair of Wedgwood cress or strawberry dishes, Two Piece; Footed Pierced Dish with Stand. Late 18th c. This would have been used to serve watercress or strawberries after ...

Elegant 18th-Century Staffordshire Creamware Cauliflower Milk Jug and Cover This exquisite Milk Jug and Cover is a superior example of Cauliflower Ware, a distinctive and highly col...

Antique 18th century Wedgwood creamware Rococo sea shell form dish with feathered edge and rising on three small snail feet. Measures 8 7/8" x 8" x 1 3/4". Good condition - wear and ...

This antique American pitcher, dating to circa 1830, is a rare example of slip-decorated creamware that evokes the spirit of mochaware but diverges from its typical look. Rather than...

This charming small creamware tureen showcases the "Brown Grapes" pattern, a refined Neoclassical design. Crafted at the Spode factory in Stoke-upon-Trent, Staffordshire, England, ci...

A French Neoclassical faïence transfer printed creamware plate produced by P&H Choisy, circa 1824-1836. A black transfer of an architectural image on a creamware body, depicting the Temple de Gloire...

Set of seven Wedgwood Apprey celadon saucers. Seven saucers/small plates in the rare Apprey pattern of the early 20th century in pale celadon featuring...

Beautiful free form, mid century handcrafted catch all bowl or large vide poche from Apt, France with prominent beige and brown colors in an art brut form. The technique is known as "terre melee...

This mochaware bowl measures 11.25 inches in diameter and was produced in Staffordshire, England in the early 19th century. Bowls of this scale are unco...

A French Neoclassical faïence transfer printed creamware plate produced by Montereau, Creil, circa 1824-1836. A black transfer of an architectural im...

A rare group of wedgwood creamware bowls. In the neoclassical pattern no. 892 with a cobalt blue and gold border. Diameters: just under 9 in., just over 8 3/4 in., and just ove...

A French Neoclassical faïence transfer printed creamware plate produced by Montereau, Creil, circa 1824-1836. A black transfer of an architectural image on a creamware body, depicting Le Palais Royal...

"The Enigmatic Standard": Wedgwood Creamware Soup Plate with Ship & Eagle, 1775-90 A handsome Wedgwood Queen's Ware (creamware) soup plate modeled in the "Royal" shape, dating to th...

Set of six Wedgwood yellow plates. Six vintage creamware shallow bowls/plates in "Cane" yellow with impressed and stamped marks for Wedgwood. England...

Neoclassical Creil creamware plate. Antique black and white plate "Naissance de Romulus et de Remus" with grapevine border. Impressed and underglaze ma...

Creil Faience Fine Creamware Dish, Circa 1800-20 This charming French creamware dish is decorated with a molded design of bullrushes encircling the dish. The crisp design display...

Cupid neoclassical Creil creamware plate. Antique black and white soup plate "L'amour et l'Himen l'entrainent à leur autel" with grapevine border. Impr...

Antique early 20th century Italian creamware modular bough pot flower frog centerpiece. Made up of four distinct pieces; the exteriors a balustrade of urn shaped columns, the interio...

Set of ten French creamware military plates. Charming individually painted luncheon or dessert plates with military scenes from the time of Napoleon I...

English creamware tankard, circa 1810-1820. The creamware tankard is decorated with a series of moulded engine-turned honeycomb designs separated w...

Neoclassical Creil creamware plate. Antique black and white plate "Battaile de Fontenal Année 841" with medallions border. Impressed markings for Creil...

Neoclassical Creil creamware plate. Antique black and white soup plate from the "An de Rome" series "Prise de Syracuse; Mort D'Archimide" with grapevin...

Cupid neoclassical Creil creamware plate. Antique black and white soup plate "L'Amour la punit de son indiference" with grapevine border. Impressed and...

Neoclassical Creil creamware plate. Antique black and white soup plate "Naissance de Romulus et de Remus" with grapevine border. Impressed and undergla...

Antique early 19th century George III creamware pierced dome circa 1800. Exceptional quality and detail. Measures 9 3/8" diameter x 6 1/4" tall. Good condition - minor hairline on th...

A Neoclassical red transferware tile made by Spode 1806-1810, with the ‘Refreshments for Phliasian Horseman’ pattern. Sir William Hamilton’s Collection of Etruscan, Greek and Roman antiquities, first published in 1766 by Pierre d’Hancarville, was a landmark publication in English design. It intended to disseminate the Antique style through its engravings of Attic pottery. The catalog’s faithful reproductions of Classical vases led British potteries, including Spode, to adapt or even copy the ancient art for modern life. These Spode Greek pattern tiles reflect the major influence of Hamilton’s catalog on English Neoclassicism. The central scene was taken directly from the catalog. This tile can be dated to a narrow window of production in the Spode factory, 1806-1810. During that time, Spode used a technique known as the “Pluck and Dust” method to print in red transfer designs onto creamware. Using this method, source prints were transferred overglaze using tissue imprinted with a very faint rendition of the design outlined in sticky oil. The decorator applied the tissue to the object then carefully “plucked” or pulled it away, leaving the sticky oil design behind. Then, a finely-ground enamel color was “dusted” onto the surface, sticking to any areas that had the oil. A final firing at a low temperature in the enamel kiln made the pattern permanent. The Pluck and Dust technique improved upon bat-printing and enabled larger designers to be transferred. It was short-lived, however, as under-glaze transfer printing soon took over as the preferred method for producing transferwares. Dimensions: 5 in. x 5 in. x 1/4 in. Condition: Excellent. Slight chip to the upper left corner measuring approximately 0.9 cm. in length. Provenance: The Collection of Nancy and Andrew Ramage Jonathan Horne...

A pair of plant pots covered in marbled brown glaze emulating agate gemstone encircled with checkered rims accented in gold, made circa 1770 by Wedgwood &...

A French Neoclassical faïence transfer printed creamware plate produced by P&H Choisy, circa 1824-1836. A black transfer of an architectural image on a creamware body, depicting t...

Pair antique 18th century Wedgwood creamware green feather edge sea shell dishes in the Rococo taste. Each dish marked on the base. Measure 7 3/4" x 5 1/2" x 2 1/8" tall. Good condit...

A Neoclassical red transferware tile made by Spode 1806-1810, with the ‘Zeus in His Chariot’ pattern. Sir William Hamilton’s Collection of Etruscan, Greek and Roman antiquities, first published in 1766 by Pierre d’Hancarville, was a landmark publication in English design. It intended to disseminate the Antique style through its engravings of Attic pottery. The catalog’s faithful reproductions of Classical vases led British potteries, including Spode, to adapt or even copy the ancient art for modern life. These Spode Greek pattern tiles reflect the major influence of Hamilton’s catalog on English Neoclassicism. The central scene was taken directly from the catalog. This tile can be dated to a narrow window of production in the Spode factory, 1806-1810. During that time, Spode used a technique known as the “Pluck and Dust” method to print in red transfer designs onto creamware. Using this method, source prints were transferred overglaze using tissue imprinted with a very faint rendition of the design outlined in sticky oil. The decorator applied the tissue to the object then carefully “plucked” or pulled it away, leaving the sticky oil design behind. Then, a finely-ground enamel color was “dusted” onto the surface, sticking to any areas that had the oil. A final firing at a low temperature in the enamel kiln made the pattern permanent. The Pluck and Dust technique improved upon bat-printing and enabled larger designers to be transferred. It was short-lived, however, as under-glaze transfer printing soon took over as the preferred method for producing transferwares. Dimensions: 5 in. x 5 in. x 1/4 in. Condition: Excellent. Provenance: The Collection of Nancy and Andrew Ramage Jonathan Horne...

A set of four early Wedgwood creamware Neoclassical dessert dishes made circa 1780. Sir William Hamilton’s Collection of Etruscan, Greek and Roman an...