Kingwood Furniture

An extremely fine late 19th century French kingwood and gilt bronze mounted bureau plat attributed to Zwiener. Original leather top

19th century French kingwood Bureau plat writing desk. Beautiful Louis XV Form. Lacquered Bronze Mounts are original. Grand proportion. Embossed Plum leather.

French Louis XV style kingwood veneer commode, the shaped marble top above a bombe case with ormolu bronze mounts, highly decorated throughout with marquetry inlay with three drawers...

French Régence Ormolu-Mounted Rosewood & Kingwood Inlay Rouge Marble Top Commode, sign. J.F. LAPIE (Jean François Lapie ) , with guild stamp, Paris ...

PRESENTING a BEAUTIFUL and ELEGANT 19C Louis XV Style Boudoir Display Vitrine . From circa 1890 and made in France. This is a tall legged vitrine and has beautiful ormolu mounts an...

Stunning Louis XVI style gilt bronze mounted, mahogany and fruitwood marquetry and parquetry, armorial commode with marble top, after a model by Jean-...

An Important Italian Kingwood and Patinated Bronze Figural Console Table. Indulge in the pinnacle of Italian craftsmanship with this extraordinary Italian Kingwood, Marble, and Patinated-Bronze Figural Console Table—an exquisite masterpiece resonating with the opulence of the late 19th century. The serpentine Breccia di Sciro marble top, cradled within an intricate ormolu and kingwood frame, serves as the crowning glory, setting the stage for an extraordinary display of artistry. The base, a testament to the visionary Ludovico Pogliaghi of Milan, elevates this console table to the realm of sculptural poetry. Departing from convention, a young triton assumes a dynamic pose, ready to gracefully spring forward, replacing the traditional supporting figures found in 17th-century Venetian serving tables. This reinterpretation not only defies expectations but introduces a kinetic elegance, with the triton standing proudly on a scrolling foliate base that seamlessly transitions into a shaped foot supported by dignified bun feet. This console table is a harmonious blend of historical homage and contemporary sophistication. In its design, one can discern echoes of Pogliaghi's prior work, such as a comparable table sold Christies London, 19 March 2009, lot 83 (GBP 205,250) featuring a kneeling river God supporting a silver tray—an exquisite piece of Milanese heritage. Beyond its aesthetic allure, this table encapsulates the essence of grandeur that once graced the noble households of Milan. 31" high x 47" wide x 25" in. deep Provenance: Private American Collection Solomon Treasure...

Louis XV1 Style French Writing Desk In the Manner of Francois Linke Finished on Both sides so could also serve as a Centre Table Decorated in lovely gilt Bronze Mounts We have left ...

A stunning and highly refined French Belle Époque Louis XV bombé commode of exceptional craftsmanship, richly adorned with finely chased ormolu mounts and exquisite kingwood parquetr...

An exceptional antique Victorian kingwood console and card table by G T Morant of Bond Street, London, dating to circa 1850. A magnificent example of mid-19th-century English cabinet...

Early 20thC Louis XVth Style Kingwood Bureau Plat with fine gilt bronze mounts applied to cabriole legs by - Lysberg & Hansen – Copenhagen - 56"w x 30"h x 30"d - The Copenhagen firm of Lysberg & Hansen and later Lysberg, Hansen & Therp A/S, was an important Danish furniture maker and upholstery company holding both Danish and Swedish Royal Warrants. Founded in 1841 by the saddler Arentz , it was taken over in 1879 by AJ Lysberg (1840-1901). The company became Lysberg & Hansen in 1911, when cabinetmaker Waldemar Hansen joined the company and later in 1933 Lysberg, Hansen & Therp. The company enjoyed continued success throughout the 20th century and was responsible for many important commissions including the decoration for the wedding of Princess Margrethe and Henri de Laborde...

A sensational and most impressive pair of Italian 18th century Louis XVI st. Tulipwood and Kingwood commodes. Each highly detailed three drawer rectangular commode is raised on four ...

A Louis Napoleon Bonaparte ( Napoleon III) mid 19th-century Kingwood and various exotic species marquetry card table featuring gilt bronze ormolu mounts in the Louis XVI Style. This ...

Excellent quality commode with three drawers having beautiful bronze pulls And a lovely bronze doré plaque inset into the top drawer depicting Angels and a country motif. The cente...

A Pair of 19th Century Louis XV style Ormolu Mounted and Galleried Kidney Two-Tier Table Ambulante in Tulipwood And Kingwood construction and fine marquetry. Feature a Single dra...

A Fine French 19th Century Louis XV Style Kingwood and Tulpwood Gilt-Bronze Mounted Vernis Martin Style Serpentine Meuble d'Appui (Side cabinet) with Marble Top. The triple-bombé single door body fitted with a Spanish Brocatelle marble top, the single front door centered with a painting depicting a park scene with a man seated across two ladies and a young man standing between them playing violin, the upper apron painting section depicting a lake scene with coastal trees, all surmounted with floral and acanthus ormolu mounts and raise on cabriolet legs with gilt-bronze sabots. Two interior wooden shelves. The lockplate stamped: "V.F. (Crossed keys...

Impressive 18th Century Louis XV bureau plat handcrafted in classic style with mahogany and kingwood, featuring the original tooled oxblood leather top on a brass bound case with thr...

An exquisite French antique chest showcasing a breakfront design, featuring its original Marquina Marble top elegantly positioned above three drawers. The superb craftsmanship of the...

A pair of small Napoleon III kingwood display cabinets on stands, each of rectangular form with a single glazed cupboard set on a base with two disguised frieze drawers flanking a la...

A very fine example of French 19th century Louis XV style Bombe two drawer chest commode. The oak carcass is veneered in kingwood and amaranth and inlaid with floral designs on the f...

Louis XV Style Marquetry And Parquetry Kingwood and Satinwood Corner Cupboard / Cabinet. Features two shelves lined with felt clothes and a bottom drawer. Comes with key. Measures 31...

A very fine and large French 19th century Louis XV style ormolu-mounted mahogany and kingwood three-drawer bureau plat attributed to Paul Sormani (French-Italian 1817-1877). The shaped rectangular top enclosing a gilt tooled brown leather writing surface within a molded border above a long central drawer enclosing a fine modeled mask of Hercules wearing the Nemean lion pelt centered by flat cast encadrements and rosewood veneered a quatre faces flanked by two short drawers with reticulated escutcheons of scantly clad frolicking putti and doves over gadrooned "C" scrolls, trellis patterned panels on a stylized shell within similarly framed encadrements raised on elegant cabriole legs surmounted by bearded satyr masks ending in acanthus case hairy paw feet beneath sides centering bacchic masks. Lock mechanism stamped W S M, 6068, a key (lacking skeleton key), and 148. Veuve Paul Sormani Et Fils was the widow of the highly esteemed furniture maker Paul Sormani (French-Italian 1817-1877). After his death around 1877 she and her son took over the management of the company continuing the tradition of producing fine French furniture of the highest calibre. An escutcheon and several mounts were examined on the reverse, and each was found to have the bronze master model initials "SJ:. Blue chalk inscription on underside Glle 117, Paris, circa 1880. Paul Sormani (1817-1877): Born in Venice, Paul Sormani set up in Paris in the middle of the 19th century. He specialized in creating furniture and works of art and was known for his high quality reproductions of Louis XV and XVI furniture...

French Louis XV style (19th Century) kingwood veneer desk with 5 drawers and gold tooled leather top with bronze sabot feet and escutcheons.

Dutch Regency Kingwood one drawer marquetry library table with satinwood foliage and butterfly inlays, central inlaid foliage medallion, flanking drop leaves with foliage urn baskets...

A Fine French 19th-20th century Louis XV style ormolu-mounted tulipwood vitrine with marble top, in the manner of François Linke (1855-1946). The slender single door cabinet fitted w...

Victorian marquetry shaped dressing table and combined jewellery cabinet, with hinged top to fitted interior with turned and fluted legs with two lower shelves - 23"w x 14"d x 29.5"h

A very elegant large French Kingwood Ormolu mounted casket of very generous proportions and of outstanding Museum quality, firmly attributed to Alphonse Tahan Paris (1830-1880), offi...

19th Century glossy ebonized Louis XV style bureau plat with lovely bronze ormolu and black leather top with gilded embossing.

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine - display case, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...

A handsome and most impressive French 19th century Louis XVI st. Tulipwood, Kingwood, Ebony and Ormolu Bureau Plat desk. This exceptionally detailed three drawer Mazarin style desk, ...

A Very Fine French 19th-20th Century Louis XV Style Ormolu and Jasperware-Mounted Rosewood, Mahogany and Kingwood Single Door Vitrine, in manner of François Linke (1855-1946). The u...

PRESENTING a GORGEOUS late 19th Century French Louis XVI STyle Cabinet in the Manner of Grohe Freres. From circa 1880. ABSOLUTELY FABULOUS Ormolu mounts...

The French antique transformation furniture chest of drawers, originates from Paris and dates back to around 1800. The special feature of this...

An Absolutely gorgeous late 19th Century Lombard Italian Rococo style Marquetry Kingwood, Tulipwood and Satinwood Bombé Commode in great antique condition. Three drawers with Frenc...

A very fine 19th century French Louis XV style Kingwood, Walnut and ormolu mounted Bonheur Du Jour, the superstructure fitted with twin panel door applied w...

Louis XV Style Gilt Metal Mounted Kingwood Parquetry Marble Top Bombe Commode, 20th century, the molded pink and grey serpentine marble top above two drawers, on cabriole legs and sa...

Living room cabinet, 1950s, Made in Italy. Ash and Indian rosewood living room cabinet with walnut veneered drawers. The upper part of the cabinet consists of three flap doors with a...

French cabinet in a curved shape with a cupboard base and nine drawers. It is adorned with tulipwood and kingwood inlay veneers, and ormolu mounts. A pill-out slide is covered with t...

A fine French 19th-20th century Régence style gilt bronze mounted kingwood and tulipwood parquetry regulator longcase clock, after the 18th century model by Julien Le Roy (French, 16...

This is a 19th century, French antique sofa table in kingwood. A drop flap occasional side table dating to circa 1880. First class craftsmansh...

A centre table attributed to Holland and Sons related to a table in Clarence House, this exceptional table has a circular top decorated with six radiating amboyna veneers with a border of concentric marquetry rings. The decoration comprising kingwood bands within boxwood stringing, a continuous boxwood laurel wreath with ivory berries on a satinwood ground and further amboyna borders. The frieze has amboyna crossbanding and applied ormolu sunburst medallions. The support is composed of purpleheart columns inlaid with kingwood, terminating in low splayed feet, which encircle a classical urn on a plinth. The superb ormolu mounts include acanthus leaves, classical masks and patera. English, circa 1860. A table with a similar base and particularly fine ormolu mounts was exhibited by Holland and Sons in the International Exhibition in 1862 and illustrated as plate 40 in J. B. Waring’s book (see pages 100-103 for further references to this exhibition). A further closely related piece was in the collection of the late Queen Elizabeth the Queen Mother and is shown in the Morning Room in Clarence House in the Daily Mail’s article ‘Inside the private world of Prince Charles’, November 2018. Originally founded by Stephen Taprell and William Holland...

Refined pair of antique French Louis XV style stands with rouge marble tops having a brass gallery over a three drawer case with brass hardware, c...

Elegant and sophisticated antique French Louis XV style kingwood parquetry marble-top commode sauteuse. Born in France in the 19th century, exquisitely hand-crafted in luxurious 18...

Lovely French Vitrine in the Louis Xv style This Vitrine is Bombe Shaped and Extremely Elegant with Gilt Bronze Ormolu Mounts and Very Finely Painted Panels Dates C1880s.

Impressive pair of French 19th century Louis XV style gilt bronze-mounted Kingwood and mahogany marquetry Encoigneurs, corner cabinets or vitrines, attributed to Paul Sormani. The upper section with molded cornice and shell cresting and enclosed by a bowed glazed panel door, the lower section surmounted by a marble top of arc-en-arbalète outline above two frieze drawers and cupboards below enclosed by tambour shutters, raised on short cabriole legs ending in foliate sabots, lock plates engraved 'Sormani PARIS.' Circa: Paris, 1875. Height: 90 1/2 inches (230 cm). Width: 44 inches (112 cm). Depth: 29 inches (74 cm). Sormani, Paul (1817-1877): Born in Venice, Paul Sormani set up in Paris in the middle of the 19th century. He specialized in creating furniture and works of art and was known for his high quality reproductions of Louis XV and XVI furniture...

French Louis XV–XVI Transitional Style Rosewood & Kingwood Marble-Top Commode A beautifully figured French commode whose warm parquetry veneers and shaped marble top bring colour, t...

Rococo style gilt bronze and Vernis Martin vitrine cabinet French, 19th Century Height 194cm, width 120cm, depth 50cm This large and exquisite vitrine cabinet is a true statement pi...

Magnificent antique English Secretaire cabinet with satinwood, hare wood, tulipwood, and kingwood marquetry, of monumental form, in two parts. The upper section with molded cresting ...

A superb and finely crafted pair of very unusual large antique French Neoclassical style gilt bronze mounted and elegantly mounted marble top mahogany triple drawer console tables. ...

A pair of Italian antique matched kingwood nightstands. circa 1920 Finely hand-crafted in Italy in the early 20th century, high quality construction, craftsmanship and materials, fe...

A rare and very fine quality 19th century French bureau plat by renowned Parisian ébéniste Maison Forest. Maison Forest is one of the most famous french cabinetmakers of the 19th a...

A very fine French 19th century Louis XV style Ormolu Mounted Kingwood, Satinwood and Vernis Martin Decorated Single-Door Vitrine, in the manner of François Linke (1855-1946). The wh...

One of Italy's premier furniture makers were a group of skilled craftsmen from Cantu (near Milan) that formed the Consorzio La Permanete Moblili Cant...

***Reduced In-House Delivery Rates - Click on “Ask Seller” to Request a Quote*** Four Antique French Empire Kingwood & Figural Ormolu Classical Dining Chairs with Shield Form Backs ...

A very fine and palatial French 19th century Regence style figural ormolu-mounted kingwood and tulipwood floral marquetry long-case regulator, after a Model by Charles Cressent (Fren...

Measures 23.25 x 23.25 wide x 29.25 tall and 31.5 wide x 31.5 when open. There are tables made for cards, and there are tables made for legacy. This signed François Linke games tabl...

Late 19thC French Kingwood and Mahogany Bedside Cabinet - with variegated marble top with single drawer and cupboard modelled as drawers and raised on reeded tapering legs - 18" x 14...

French Louis XV period (18th century) "Tric Trac" or Backgammon table stamped by the maker, "P. Roussel," and the guild "JME" (Jurande des Menuisiers et Ebenistes --translated as the...

This elegant French Napoleon III bureau plat, crafted in richly figured king wood veneer and embellished with finely chased gilt-bronze mounts throughout. The rectangular top is in...

This exquisite French Louis XV bronze-mounted commode is attributed to Louis Pelletier, one of the distinguished 18th-century ébénistes of Paris. With its serpentine front, bombe sid...