Parchment Paper Chairs

Midcentury style chair in a black lacquered wooden frame with gold feet finish adorned with graphic velvet back and seat. Around the dining table,...

Midcentury Danish modern style side chair, made in Sweden for JOC, designed by Karl Erik Ekselius. The chair has a leather seat, and backrest, on a solid wood (probably dark stain te...

Black lacquered woven wicker cane and black lacquered wooden frame with gold feet and velvet lounge armchair.

The Meco chair is one of our latest product, designed by the spanish designer Sergio Prieto. Its geometric and rounded shapes remind us in some way of Japanese purity and elegance, b...

Many of Carlo Bugatti's superior pieces were commissioned by a number of the Royal Houses of Europe, many of the Great Estates of America and some of the most successful families fro...

This hand-carved and blackened reclaimed oak chair, designed by Rooms Studio (from their 2018 Wild Minimalism collection), is inspired by the legacy of traditional Georgian craftsmanship. The Sculptural Chair is meticulously handcrafted of ancient wood, and features a diamond shape cut-out on the top rail, which is curved gently, cradling the back, with a round seat and circular cross stretcher. About the Design Studio: Works of Rooms Studio refers to the sculptural forms and abundant materials in juxtaposition with the feminine instincts. Born and raised in Tbilisi, Georgia, the duo behind the Rooms, Nata Janberidze and Keti Toloraia, lean towards preserving the inherited craftsmanship techniques unique to the region. Massive wood and stone objects are hand-crafted using traditional techniques to create raw and symbolic forms often rooted in the designers' childhood memories. Growing up in a culturally diverse environment, where the two worlds - Western and Eastern collide, remarkably influenced their design language. Over the years, Rooms has created eight independent collections and collaborations equally memorable and representative of the duo's perpetual mission to bring life to omitted elements of a former life. Through their series of works, Janberidze and Toloraia try to examine the boundaries between the public and private. Experiencing adolescent years in the 90s - a significant decade of cultural and societal shifts - their work is a narrative of personal experiences of womanhood. By contrasting the new feminine monumental shapes with architectural brutality, Rooms challenges the status quo and also bridges the conventional and contemporary design with a confluence of female energy. The work of Rooms Studio has concerned itself with questions of nomenclature since the Tbilisi-based design atelier was co-founded by Nata Janberidze and Keti Toloraia in 2007. Take, for instance, the studio’s name: in adopting the basic unit of interior space as the title of their practice, Janberidze and Toloraia also emphasized the emotional force of interiority and inner life in determining their creative output. The studio’s largest U.S. exhibition to date, "Distant Symphony," expands upon this impulse to focus inward. The title is again a chief concern—some of the objects included here were designed during the global pandemic, under a regime of forced isolation that made the studio’s typically collective work process untenable. The pieces shown here are the results of Rooms’ search for a way forward. The first room, an antechamber of sorts, evokes the intimate quality of a private home. Shown here are trinkets and personal effects chosen by Janberidze and Toloraia for their emotive qualities; a low background noise emphasizes the climate of urban domesticity. The ensuing gallery space features highlights of Rooms’ recent design output. Here, the subtle scent of organic materials provides a sensory indication of the atelier’s interest in dichotomies: natural and man-made, personal and collective, local and cosmopolitan.   In light of the global circumstances, Janberidze and Toloraia felt it was especially important to pursue collaborative work. Rooms invited three artists—Shotiko Aptsiauri, Salome Chigalashvili and Mariana Chkonia—to conduct a dialogue and shared design process. As such, this exhibition is a kind of polyphonic meditation on a need for solitude and desire for companionship. The practice of polyphonic singing, essential to Georgian folk culture, is reinterpreted here as a design endeavor. Chigilashvili, working with unprocessed yarn, interpreted folk motifs by adapting embroidery to the scale of furniture with expansive stitches applied to painted boards...

Black lacquer wooden structure with brass finish adorned with deep green forest and graphic velvet lounge armchair Mid-Century Modern style.

A pair of stackable chairs designed by Pascal Mourgue and manufactured by Artelano in Paris in the early 1990s. Simple and understated yet curvy and sexy, the Rio chairs...

In leopard or cheetah velvet. Both in hand carved and peg constructed. Directoire frames and of slight Klismos form. Pretty well untouched (other than new leo...

Victorian walnut armchair A Victorian walnut armchair of good proportions. Fully restored and covered in calico. Loose cover made in 'Old Flax, Ivory' by ...

A brushed aluminum framed armchair with curved arm rests and upholstered seat and back. The fabric is a textured dark greenish leatherette and came from the barber shop at Cincinnati's inconic Union Terminal Art Deco train...

The "Xitle" chair is part of ADN Studio´s Volcan collection. This collection seeks to go back to basics. It is a subtle and refined interpretation of the archytypical modern furnitur...