Plastic Seating

Ico Parisi 875 Armchair For Cassina. Designed by Ico Parisi in 1960 and revisited by Cassina in 2020, 875 is an inviting, comfortable design armchair and...

Modern elegance. Sinuous, sculptural, surprising, our Maxime daybed hits all the right notes. A gleaming brass frame cradles a gracious and soft cushion upholstered in a Palermo Dove...

This is a Handkerchief Chair, Model 4901, designed by Lella and Massimo Vignelli for Knoll in 1983. The listed price includes one chair, and we have several available for purchase. These examples date to 1998. Their design features a wavy molded seat in black, perched atop a black powder-coated steel sled base. The Vignelli’s were some of the most influential designers of the 20th century, perhaps most famous for their work with the New York City subway maps...

Petit Four Stool by Munna Dimensions: D 52 x W 52 x H 48,5 cm. SH: 48,5 cm. Materials: Wood, foam, and upholstery. Finish: Upholstery: Cotton Velvet, ref. Lime, CV24. Available in a...

Remarkable midcentury floating bench by Swiss Architect Willy Guhl. circa 1960s. Perfect minimal design as is common with the Swiss designer. Light weight but sturdy. The electric bl...

The z.stuhl chair, designed by Ernst Moeckl (1931-2013) in the 1970s, is a cantilever chair made of polyurethane, which is available with and without armrests. In the vernacular, the chair is known by its geometry-related names such as "squatting man...

STUDIO sofa by Kristian Sofus Hansen & Tommy Hyldahl for Nor11 Outdoor Measures: Setup 4 (1x large, 1x corner, 1x medium, 2x armrest): L 230-190cm / P 96cm / H 70cm / Seating H 42cm...

Drifting in the ultra relaxing ambience of this luxe four seater sofa. Perfect in bringing your personal touch into the louging area. It features a beautiful velvety purple capitonne...

This is a ‘RAR’ Rocking Chair, designed by Charles & Ray Eames in 1950. This particular chair dates to around 1956. The piece features a molded fiberglass-reinforced plastic shel...

Darlington is an iconic modular sofa of the Roberto Cavalli Home Interiors collection, characterized by a refined capitonné finishing. In this new version, the sofa is presented with...

This is a Saarinen Armless Executive Chair, model 72, designed by Eero Saarinen for Knoll International in 1950. This particular example was produced ...

The classic crochet granny square takes a contemporary twist in this large floor cushion. One large square forms the cushion which is then sewn together with bespoke outdoor webbing....

Roda Network 130 outdoor teak sofa made in solid teak wood and grey polyester belts. The brilliant providence of the project has been to turn the teak ske...

Muller Van Severen's Pillow Sofa Velvet Sofa For Bd Barcelona Muller Van Severen’s Pillow sofa modular arrives at BD. Initially designed by MVS for KASSL Editions, the Pillow sofa ...

Rare ‘Papillon’ Lounge Chairs by Guido Maria Rosati for Giovannetti, 1972, Reupholstered in Luxurious Fabric, Set of Two Discover this iconic set of ‘Papillon’ lounge chairs, a testament to timeless design crafted by Guido Maria Rosati for Giovannetti in 1972. Upheld as a symbol of sophisticated elegance, these chairs encapsulate the essence of vintage modernism...

Ribbon chair, evoking an extraordinarily romantic world, is the feminine chair par excellence. A successful chair, with a strong identity and characterized by a bow designed as a bac...

Inspired by the intricate texture of a cherished 1970s lamp, these sculptural tables are made from coloured eco-resin. Resin has many desirable qualities, it is easily mouldable, mor...

1960s Dinette Set, 2 Fiberglass Chairs and a round Dining Table with a Formica Top. The table has a slightly different color, please see pictures. T...

Rabbit is a family of products with a strong media impact, one of Stefano Giovannoni's hat tricks, and immediately became a pop icon, a symbol of love and fertility, which brings goo...

Fabric Frank Sofa Bed by Amura Lab Dimensions: W 247 x D 95 x H 80 cm Materials: FRAME: solid wood and multiply SUSPENSIONS: Elastic belts in rubber and polypropylene SEATS: Polyuret...

This vintage lounge chair from the 1970s draws inspiration from Wendell Castle's iconic castle chair, showcasing his mastery of organic, sculptural design. Crafted in vibrant orange ...

Vintage four seater sofa designed and manufactured in Italy by B&B Italia. The sofa is part of the "Ottomama" collection and manufactured for the American branch of B&B Italia that ...

This model is called Z-chair. Designed in 1968 in the GDR by Ernst Moeckl and Siegfried Mehl, German Version of the Panton chair. Also called kangaroo chair or variopur chair. Produc...

This is a Saarinen Executive Arm Chair, Model 71A, designed in 1950 by Eero Saarinen and produced by Knoll. The listed price includes one chair, and we have two chairs available for ...

Camaleonda, Mario Bellini, vintage; modular camaleonda, newly reupholstered in bouclé wool; white; Postmodern; Lounge chair; Sofa; Seating element; Italian design classics; Postmod...

Dublin couch in plastic, metal and fabric by Marco Zanini for Memphis Milano collection Additional information: Couch in plastic laminate, metal and no...

These are Eames Time Life Executive Desk Chairs, model 3474 , initially designed in 1961 by Charles and Ray Eames for Herman Miller. The listing price includes one executive chair, a...

These chairs are attributed to Friso Kramer, the famous Dutch Industrial designer. Highly stylish design with acrylic armrests and enameled metal frames. Newly upholstered in brick r...

Pair of Amanta modular sofas designed by Mario Bellini Original fabric in perfect conditions Made in Italy in the 70s

Design and inspiration The Cielo Bar Stool is a light and versatile design by Sebastian Herkner. It’s ready for indoor and outdoor use and will spruce up bar counters at home or in h...

The Yareta Aluminum Stool, designed by Erik Olovsson, is a striking fusion of industrial strength and playful expression. Crafted with precision, the stool features a solid 8mm thick...

The distinctive, reassuringly chunky lines of Faye Toogood’s Roly-Poly furniture collection become even more inviting in her new collaboration with Driade. The latest line for the It...

A pair of Dr Glob chairs for Kartell by Philippe Starck. Vintage 1980s. In good condition but age and use related scuffs and marks. These are two different com...

Contemporary upholstered garden sofa with armrests. Frame and legs are made of thermally treated Ash wood. Upholstered seat and back cushions are removable and made of high density p...

Italian modern Green plastic Chairs Gaudi by Vico Magistretti for Artemide, 1970s Set of 6 iconic and fantastic chairs mod. Gaudi in green plastic ...

Set of 6 stackable Boston dining chairs by Pierre Paulin inspired by Piet Mondriaan and Charles Rennie Mackintosh. These dining chairs can be used in a...

McGuire Bamboo and lucite Sofa.

Mid-Century three seat sofa in a sandy beige and white woven upholstery. Three down-filled back cushions and three foam seat cushions make this a comfortable and good looking sofa. A...

c. 1980s. Price is for the set. Contact us if you’d like to purchase a single item. Plastic frame, Made in Italy.

1970s Marius & Marius Leather Sofa and Pouf Set by Mario Marenco for Arflex - Set of 3 A rare vintage seating set designed by Mario Marenco for Arflex in the 1970s, featuring two lux...

Melody Counter Stool by Munna Dimensions: D 50 x W 50 x H 95 cm. SH: 70 cm. Materials: Solid wood, foam, and upholstery. Finish: Upholstery: Cotton Velvet, ref. Mustard, CV 10. Legs:...

This round, low pouf is the nonchalant seat you’ve been looking for. 100% handmade from UV protected acrylic, this pouf is suitable for both indoor and outdoor, complete with a handl...

Soriana living room set, designed by Afra and Tobia Scarpa, and produced by the Italian manufacturer Cassina in 1969. The set is composed of a three-seater sofa, a lounge chair and a...

The Pillow Sofa is designed by Muller Van Severen and presented by BD. This sofa has been improved into a new playful and modular system. The independent pillows are crisp and richly...

"Elevate furniture aesthetics to an artistic level" with this MW02 "Bronze Cannage". High-end designer armchair, custom-made in France. This MW02 "Bronze Cannage" combines vintage ...

The refined manufacturing of the seatback, enriched with decorative studs, is the main feature of this original armchair which combines experimentation in the design of the shapes with the taste of sophisticated decoration. Sharpei Armchair...

Iconic F598 ‘Groovy’ chair in vibrant purple upholstery. Designed by the legendary Pierre Paulin in the early 1970s for Dutch manufacturer Artifort. The design was an evolution from ...

Fabulous spun fiberglass fan back lounge chair by Russell Woodard. Part of a whole set but sold separately. Tables in another listing. Dining tab...

A hint of ornament. Americana at its Brutalist functional extreme. Dimensions: Width 50 in. (127 cm), depth 14 in. (36 cm), height 18 in. (46 cm). Weight 45 lbs. (20 kg). Finish color options: white stone natural stone aged stone (shown) keystone coal stone Materials: resin, stone aggregate, fiberglass. Durable and designed to be used outdoors in all four seasons and in residential or hospitality environments. Designed by: Zachary Bitner Made-to-order in Chicago, Illinois. About Zachary A. Design: Founded by Zac Bitner, Zachary A. Design is a furniture brand based in Chicago...

Chair with chromed metal, plastic structure and metal mesh shell. Very good condition.

Faye Toogood Roly-Poly dining chair raw Manufactured by Faye Toogood London, 2018 Fiberglass Measurements 68cm wide x 50cm deep x 75cm hight 26.77in wide x 19.68in deep x 29...

Behind its sleek appearance, the MW01 reveals a sophisticated design, perfectly adapted for outdoor use. Its ultra-resistant PMMA panels (acrylic glass), subtly proportioned, provide...

Cornaro two-seater sofa, designed by Carlo Scarpa and manufactured by Studio Simon in 1974. Made of Iroko wood, foam, and azure chenille velvet. Excellent vintage condition. Born in Venice on June 2nd, 1906, Carlo Scarpa began working very early. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa was constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most incredible ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti Award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovating and restoring the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he worked on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began building a villa in Udine for the Veritti family. To shed some light on how much his work evolved over the years, it may be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, plenty of other episodes can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen in 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he carried out simultaneously on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, arising out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea,” followed by a cloister that ends by a small chapel, with an arcosolium bearing the family sarcophagi, the central pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways, teamed with the luminosity of these harmoniously blended spaces, shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all his many skills to come up with this truly magnificent space. As well as an outstanding commitment to architectural work, with the many projects we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added a couch and armchair, “Cornaro,” to the collection and the “Toledo” bed...

This fabulous armchair was designed in Italy circa 1970s. The structure is made from moulded white fibreglass upholstered in fine black nappa leather . The chair is inserted on a cast iron plate...

A set of 3 Eraly 20th Century Duncan Phyfe carved Mahogany and vinyl Upholstered Seat. Two side chairs measuring 18.5" in width, 18.5" in depth and standing 33.5" in height. One capt...

Set of 3 orange and purple fabric armchairs with fibreglass shell. Designed by Mario Bellini for C&B Italia. Seat height: 44 cm. Stamped C&B Italia. They can be modular or attached t...

"Dialogo" brown fiberglass and pale wood chair by Tobia Scarpa for B&B, Italy 70s The ‘Dialogo’ chair was designed by Afra and Tobia Scarpa in the 1970s and convinces with its tw...

The Adri Chair is a unique take on a statement chair that brings timeless materials together in a new way. The Chair is made using two marble slabs, connected with brass hardware and elegant details to hold the recycled rubber...