Revival Slipper Chairs

Pair of Slipper, Fireplace or Lounge Chairs in dark green leather by French / Spanish designer, Pierre Lottier.The chairs are in a neoclasslical X frame form in wood with leather cov...

Pair of Spanish slipper chairs designed by Pierre Lottier for Valmazan, 1940s. Oak wood structure with curved and harmonious lines where the dark chocolate brown leather backrest sit...

Amazing pair of 1960's mid-century modern sabre legs mahogany slipper chairs, fully restored and re-upholstered in velvet, with minor wear and patina due to age and use.

Pair of slipper chairs by Edward Wormley for Dunbar. Chairs are reupholstered in a Maharam Mohair.

A pair of rattan and black-lacquered iron slipper lounge chairs designed by Maurizio Tempestini and produced by Salterini, Italy, 1950s. Stamped "Made in Italy". Seat height: 12.65”

One mid-century modern armless lounge chair designed by Jens Risom for Knoll originally in 1946. This early design has a hard maple frame with new linen upholstery.

Gerrit Rietveld (1888–1964) was a key figure in the De Stijl movement, known for his radical use of geometry, line, and primary colour. A trained cabinetmaker, he brought a sculptura...

This elegant slipper chair dates from the 19th century and reflects the refined taste of Napoleon III seating furniture. The chair features a generously cushioned seat and a graceful...

These Mid Century Ebonized Slipper Chairs are crafted in the iconic style of Robsjohn-Gibbings. The ebonized finish adds a touch of elegance and sophistication to any space. Its slee...

Florence Knoll for Knoll International, lounge chair, model '51', teak, fabric, United States, 1955 This slipper chair model 51 is designed by Florence Knoll. The teak frame of the chair is sleek in form. The angled seat is placed upon the squared-off frame. Maximum seating comfort is ensured by the wide seat and tilted backrest. Florence Knoll (1917-) was trained as an architect and had a sense of style from a very young age. In 1936 she met Alvar Aalto and was trained by Marcel Breuer, Walter Gropius and Mies van der Rohe. This meant that although she was barely out of her teens, she was educated by the best of the European modernists. When she arrived in New York Knoll worked on interior projects (being the only female) which is how she came to know Hans Knoll. When Florence joined Knoll, the planning unit started. Florence also made sure that the designs where more 'American Modernist' instead of Scandinavian, When Hans Knoll died she...

A large sized mid 19th century walnut slipper chair with a serpentine front rail. Raised on quality walnut turned front legs with splayed walnut legs to the rear and all with the ori...

A Louis XVI style 'Boudoir' chair.