Rococo Revival Furniture

French Majolica oyster plate with green acanthus leaves, circa 1890.

Set of 3 swan form salts from the early half of the 20th Century. One large master salt with 2 smaller salts with crystal bases and 835 grade pierced silver wings decorated with rose...

An elegant and imposing late 19th century two-part Italian secretary bookcase cabinet or desk crafted in the Venetian and Rococo Revival period styles. The piece features a beautiful...

Sculpture of Large Poodle Dog Ceramic from the 1970s with Hand-Painted Details

A Beautiful Pair of antique solid silver "Grotto" style Rococo Revival master table salt cellars, Hannau, Germany, circa 1890. These very elegant cellars have a putti figure riding...

An exquisite gilt bronze chandelier from 19th century France with all the flourish of Rococo Revival. Eight scrolling arms rising from the ornate central column are emphasized by fo...

Love original paint! This is a turn-of-the-century hand painted Venetian bombe chest or commode. The drawers are paper lined, and the small bronze...

Italian Rococo style wrought iron wall-mounting console with marble-top. The base is scrolled serpentine iron frame with voluted front support legs with tapered feet, fitted with a v...

A fine antique German porcelain figurine. By Meissen. In the form of a barefoot young girl in a dirndl dress carrying a wicker basket full of many different flowers. Atop a Rococo-style gilt plinth. Marked to the base with Meissen's blue underglaze crossed swords mark / an impressed 9 / an incised 'No. 5'. Simply a wonderful antique Meissen figurine...

French Majolica oyster plate with green acanthus leaves, circa 1890.

German Rococo 800 silver coach-and-four, ca 1910. Exterior decorated with garlands and masks. Open windows with swags. Roof hinged. Harnessed to four galloping horses with two horn-b...

***Reduced In-House Delivery Rates - Click on “Ask Seller” to Request a Quote*** Antique Victorian Rococo Revival Carved Walnut Button-Back Sofa C1880 Measures- 31"H x 72.25"W x 33...

Elegant French Giltwood Rococo Wall Mirror This charming mirror is an exercise in sculptural fluidity, featuring a highly animated frame composed of sweeping C-scrolls, stylised acan...

Late 19th century heavy gauge 800 silver vase base with repousse and open work motifs. Motifs include putti, rams heads, bird and swags. The glass line...

Fabulous 3 piece set of Cast Iron garden seating with table. A bench a chair and a converted bench minus it's back that can be used as a table. All three in outstanding antique condition with no visible damage or missing pieces. Very ornate with a grape leaf and vine pattern. Not a repro, these are the real...

A Dutch walnut Rococo Revival bombé vitrine from the late 19th century, with glass doors and single drawer. Created in the Netherlands during the last decade of the 19th century, thi...

Rare and unique cabinet but in rough condition, without skeleton key.

Pair of Silver Candlesticks by C.G. Hallberg Rococo Style, Sweden 1937 A scarce and elegant pair of antique silver-plated Rococo-style candlesticks by the renowned Swedish silversmi...

Antique Italian Rococo Style Carved Giltwood Mirror, Late 19th Century. Wonderful large carved and gilded wall mirror in rococo/Louis XV style. Made in Italy in the last half of th...

Antique Silver Sugar Bowl with Lid Rococo Style, Gilt Interior, Collectible An exceptional antique silver box or decorative sugar bowl, exquisitely crafted in the Rococo style with o...

GORGEOUS Antique French Rococo Style Framed HIGHLY CARVED Oak Wall Mirror~~c. early 1900s Popular classic French hanging wall mirror~~beautifully carved framed mirror with wood ba...

A beautiful antique Rococo revival walnut chevalet artists easel, circa 1880 in date. The easel features a superb boldly carved crest with shell, leaf and scroll decoration wth a tu...

This is a pair of petite mid-century Italian mirrors with French rococo styling. Both mirrors are in very good condition and marked. The Italian artisans did a brilliant job of revi...

This elegant antique card case is a masterclass in Victorian-era aesthetic design. Crafted from fine sterling silver with a substantial weight of 2.6...

Hand carved and painted. Vintage Italian Silik Furniture end table. Carved, painted flowers accented with gold. This might be carved out of one piece...

This is a superb and very decorative French Rococo revival ormolu and mesh fire-screen, circa 1870 in date. The shaped rectangular screen features an acanthus crest handle and the s...

Exceptional ornate four fold wrought iron screen, room divider constructed of four sections each with a cathedral style top over rectangular panels. The iron is worked into repea...

Simple and very elegant bench seat with a rolled back cushion in all new fabric. Karges furniture which is the cream of the crop created this beauty and we had it reupholstered in a ...

Italian Rococo Revival Writing Desk, Late 19th Century This charming Italian Rococo Style painted writing desk, likely dating back to the late-19th century, showcases a delicate flor...

Late 19th Century Venetian Polychromed Chest/Commode with Marbleized Cartouche Top Measurements: Overall: 31.5" W × 15.5" D × 32" H Fitted with three center drawers, each approx. 17" W × 5" H A charming late 19th-century Venetian polychromed chest of drawers, richly decorated in the Rococo revival taste. The serpentine-fronted commode is topped with a faux-marble painted surface in warm terracotta tones, bordered with a gilt cartouche outline. The bombe-form case is painted in soft sage green with reserves of ochre and gilt scrollwork enclosing floral bouquets of roses, tulips, and garden blooms rendered in delicate polychromy. The three graduated drawers are fitted with cast brass rococo handles, their sinuous foliate forms complementing the painted ornament. The chest is raised on cabriole legs with gilt accents and painted floral sprays at the knees, terminating in scrolled feet. Techniques Polychrome decoration: multi-layered hand-painted surfaces typical of Venetian painted furniture...

Meissen, Germany. A pair of large antique Blue Onion pattern candlesticks in porcelain. 19th century. H 24.5 cm x D 16.0 cm. First factory quality. In perfect condition. Marked.

A fine antique Irish sterling silver footed bowl by William Egan, County Cork, 1911. The bowl having an everted rim above a stepped globular body which i...

An American Victorian Rococo Revival carved Walnut bedstead, mid-19th century, attributed to Prudent Mallard, New Orleans. The is antique has just been...

Pair of fishes ceramic sculpture garniture.  

Rococo Finely Carved Giltwood Mirror with Crest, Spain, 1930s Outstanding wall mirror with richly carved frame and gilt patina. This fine rococo mirror has a foliage design showing d...

This is a large pair of vintage display vases. An Italian, ceramic and gilt finished baluster urn, dating to the late 20th century, circa 1980. A bold and decorative pair, offering e...

We present you a mirror in a wooden frame in the Neo-Rococo style. The frame is covered with carved patterns with the rocaille motif, which is characteristic for Rococo. This ite...

If, like Elon Musk, you are frequently seen wearing a special edition watch designed to commemorate the 50th anniversary of the first Swiss watch in space, move along. Although harki...

Silver-Plated Cast Metal Greyhound Figure on Ebonized Wooden Base with Decorative Mounts Europe, late 19th century Cast metal, silver-plated; wood, ebonized Description: Finely mod...

A very fine and important pair of French 19th century Rococo Revival style giltwood carved pier mirrors. The elongated intricately carved frames with carvings of tropical flowers, sc...

A late 19th-century French Louis XV Revival chest of drawers, circa 1880, crafted from solid walnut with marble top. The gracefully serpentine façade houses four drawers, each fitted...

With lively interlacing foliate crest above a rectangular-form frame adorned with rocaille carving at the shoulder above meandering foliate vines.

An Antique French partial flatware service by Christofle in the Louis XV ‘Chrysanthemum’ pattern from the late 19th or very early 20th century. The service has a total of 131 pieces...

A charming example of mid‑century French decorative design, this 1950 wooden mirror combines elegant proportions with richly carved floral ornamentation. Its frame, shaped with soft ...

This hand-crafted armoire is constructed entirely from solid pine and showcases a beautifully scrolled pediment with central crest detail. The two large paneled doors feature flowing...

This is a beautiful hand painted Venetian chest with a pastoral landscape across the front. The chest is a blue/ gray with gilt accents. It has cabriole legs and original brass hardw...

Italian carved marble coffee table 1920s Stunning vintage Italian marble-top coffee table with a heavily carved base. Richly veined black marble...

Great pair of 19th century Italian Rococo style cream painted and parcel giltwood mirrors. Crafted of both wood and composition materials having ornate cartouche form frames with la...

Elevate your interior with this magnificent 19th-century Dutch Rococo / Louis XV fireplace mantel, masterfully carved from luxuriously rich white marble. This exceptional piece showc...

A Large and Impressive Pair of Italian Early 20th Century Rococo-Style Gilt-Bronze Center Tables or Wall Consoles with Marble Tops, attributed to Luigi Ciampaglia, renowned for his leadership at the esteemed Fonderia (Foundry) Chiurazzi di Napoli (Naples). These tables boast intricately cast serpentine gilt bronze frames featuring an ornate apron adorned with bearded male masks flanked by swaged floral garlands, C-scrolls, and acanthus motifs. They stand on four elegantly curved cabriolet legs joined by an 'X' stretcher, all terminating in floral sabots, supporting luxurious veined green Verde Antico marble tops. Both tables are elegantly engraved with "Ciampaglia" on the apron, suggesting they were likely a special private commission by Luigi Ciampaglia, possibly crafted by either the Fonderia Ciampaglia or the Fonderia Chiurazzi. Circa: Naples, 1920-1940. Note: Another example of this model is currently on display at The Miramar Mansion in Newport, R.I. The James Yates console table is part of the Victoria & Albert Museum's permanent collection of British metalwork. While the offered pair of tables are a gilt-bronze version of this model by Yates, the V&A museum holds the original 1840 cast-iron model (Design No. 1148), which is illustrated in Georg Himmelheber’s Cast Iron Furniture. A pair of Victorian cast iron console tables of this model but circa 1842, by James Yates of Rotherham, were sold at Sotheby's London, Sale L13302 on 3 December 2013, Lot 254 for £40,000 ($68,900) Luigi Ciampaglia held the position of head artisan at the Fonderia (Foundry) Chiurazzi di Napoli. Established by Gennaro Chiurazzi (1840–1906), the Fonderia Chiurazzi originated from a modest foundry founded in Naples in 1870. It swiftly gained renown, expanding into a workshop within the Albergo dei Poveri, where a team of skilled craftsmen, known as formatori, diligently produced casts of numerous statues. Over time, the foundry secured the privilege of taking molds from prestigious collections, including those of the Museo Archeologico Nazionale in Naples, the Capitoline Museums, the Vatican, the Borghese Gallery in Rome, and the Palazzo Pitti and the Uffizi Gallery in Florence. This resulted in the creation of over fifteen hundred plaster piece molds, embodying the century-long legacy of the company—a feat that remains unparalleled today. Chiurazzi bronzes...

Ebonized Carved Teak Cedar Lined Brass Latch c. 1920s Trunk Hope Chest CLEAN!

Early 20th century carved teak side table circa 1920. Circular top with molded edge, raised on 3 carved swan neck supports which link to a shaped base and plinth feet. Recently re-...

This upholstered bench is designed in a contemporary decorator style, referencing classic French Rococo and Louis XV design elements through its carved frame and cabriole legs. The ...

This 20th Century Swedish Rococo Revival dining chair showcases the graceful, sculptural lines characteristic of the style, enhanced by a beautifully aged, patinated finish. The carv...

Gorgeous pair of antique Venetian mirrors dating back to the 1800s, they are from a Venetian noble family. The mirrors have the speci...

French Majolica oyster plate with green acanthus leaves, circa 1890.

This rare pair of John Widdicomb Venetian style paint-decorated marble top commodes represents the pinnacle of refined American craftsmanship inspired by European tradition. Each dre...

A beautiful mid-century Japanese porcelain vase by L’Amour China, featuring an exquisite sculptural pair of cupped hands adorned with delicate hand-painted pink roses and soft green ...

We present you this mirror, circa the late 19th century, closed in a wooden frame in the Neo-Rococo style. The shape of the mirror is similar to a square. The frame is topped with a...

Bistro dining table in bentwood and cane designed by Michael Thonet. Originally designed in the 1860s and produced by Thonet in the 20th century by multiple factories. Size: chairs: 57x49x96.5 seat height 46 Arm height 67 centimeter table: ø85.5 height 75 centimeter Condition: used. The lacquer has worn out on some places. The stained beech wood has discoloration. Cane in the table top is good. The cane in two seats is damaged. The cane in one back is damaged. One arm has a crack in a curve. Some small wood details are missing. The cane can be repaired or replaced professionally on request. Michael Thonet The development of bentwood for use in furniture is one of history’s most significant innovations in design. A range of renowned mid-century modern designers such as Alvar Aalto, Arne Jacobsen, and Charles and Ray Eames drew heavily on this technological advancement, and the success of their enduring works owes to the efforts of pioneering German-Austrian industrialist and designer Michael Thonet — founder of Thonet and widely considered the father of bentwood furniture. Bentwood furniture dates as far back as the Middle Ages, but it is the 19th-century cabinetmaker and master of parquetry Michael Thonet who is most often associated with this now-classic technique. Thonet in 1856 patented a method for bending solid wood through the use of steam, and from there, the bentwood look skyrocketed to furniture fame. He experimented with bending birch rods into rounded shapes — forming delicately seductive, curving Art Nouveau creations that were a daring departure from the heavy, hand-carved designs attributed to his contemporaries. The Boppard-born Thonet honed his carpentry skills in his father’s workshop, where he carried out experiments with plywood and modified the Biedermeier chairs that populated the studio. He received an invitation from Austrian Chancellor Prince Metternich to contribute Neo-Rococo interiors to the Liechtenstein City Palace in Vienna. From there, the cabinetmaker gained international recognition, including at London’s Great Exhibition of 1851, which featured works created by members of the Arts and Crafts movement as well as industrial products. Thonet showed a range of furniture at the fair and won the bronze medal for his bentwood chairs. He ​​incorporated his family’s company, the Thonet Brothers — or Gebrüder Thonet — with his sons in 1853. Considered the world’s oldest mass-produced chair, Michael Thonet’s ubiquitous Chair No. 14 demonstrated that his patented bentwood technology made it possible to efficiently produce furniture on an industrial scale. Often called the Coffee House chair — the company’s first substantial order was for a Viennese coffeehouse — the No. 14 remains an icon. Thonet originally designed the chair in 1859, and it is considered the starting point for modern furniture. Composed of just six parts, the chair, with its simple, lightweight design, belies its durability. The No. 14 was followed by the No. 18, or the Bistro chair, in 1867, and the 209, or the Architect’s chair, of which Le Corbusier was a fan. (The influential Swiss-French architect and designer used Thonet furniture in his Pavillon de l’Esprit Nouveau at the 1925 International Exposition of Decorative Arts in Paris.) The business began mass-producing furniture. By the end of the 1850s, there were additional Thonet workshops in Eastern Europe and hundreds of employees. Michael Thonet’s reputation attracted the attention of notable architects including Otto Wagner, Marcel Breuer and Ludwig Mies van der Rohe. Thonet’s patented bentwood technology also yielded an improvement to rocking chairs for his company — in the middle of the 19th century, Michael produced a series of rockers in which the different curved parts were integrated into fluid, sinuous wholes. Thanks to Thonet, the humble rocker acquired something unexpected: style. And bentwood furniture was embraced by a series of design greats — the innovation can be found in the seating that Josef Hoffman designed for Thonet, in the elegant Superleggera chair created by Gio Ponti and Alvar Aalto’s expressive Paimio armchair...