Birch Sideboards

Weave 196 Oak natural oil Oak credenza, made of solid oak wood and laminated oak veneér. Modern yet classic, bold yet modest the cabinet serves as a great example of scandinavian contemporary design. Designed by Lukas Dahlén. The minimal yet expressive Weave credenza is made of solid oak wood and oak veneér. Inspired by the most common kind of wood and weed weaving the Weave credenza represents an enlarged version of the technique of weaving something soft around a more stable structure. The top and bottom plane of the credenza is held together by sticks kept together like a Windsor chair. Since first shown in Milan 2012, salone satellite, it has received a lot of attention worldwide. Standard sizes: Weave 196 Weave 133...

Weave frame Sideboard, made of solid wood and laminated veneér. Modern yet classic, bold yet modest the cabinet serves as a great example of scandinavian contemporary design. Designed by Lukas Dahlén. The minimal yet expressive sideboard weave is made of solid birchwood and birchveneér. Inspired by the most common kind of wood and weed weaving the Weave sideboard...

Weave bedside table Bedside table, made of solid birch wood and laminated birchveneér or solid oak wood and oak veneér. Modern yet classic, bold yet modest the bedside serves as a great example of Scandinavian contemporary design. Designed by Lukas Dahlén...

Weave frame Sideboard, made of solid wood and laminated veneér. Modern yet classic, bold yet modest the cabinet serves as a great example of scandinavian contemporary design. Designed by Lukas...

Weave Double sided Credenza, made of solid wood and veneér. Modern yet classic, bold yet modest the credenza serves as a great example of Scandinavian contemporary design. Designed...

Weave Double sided Credenza, made of solid birch wood and veneér. Modern yet classic, bold yet modest the Weave serves as a great example of Scandinavian contemporary design. Designed by Lukas Dahlén...

Weave 133 Birch wood, natural oil Credenza made of solid birch wood and birch veneér. Modern yet Classic, bold yet modest the cabinet serves as a great...

This unique copy of the Sumi nest of tables is exactly as shown in the pictures. If you have any questions, please don’t hesitate to contact us. The name Sumi comes from the Japanes...

Weave 196 Birch natural oil Birch credenza, made of solid birchwood and laminated birchveneér. Modern yet classic, bold yet modest the cabinet serves as a great example of scandinavian contemporary design. Designed by Lukas Dahlén. The minimal yet expressive Weave credenza is made of solid birchwood and birchveneér. Inspired by the most common kind of wood and weed weaving the Weave credenza represents an enlarged version of the technique of weaving something soft around a more stable structure. The top and bottom plane of the credenza is held together by sticks kept together like a Windsor chair. Since first shown in Milan 2012, salone satellite, it has received a lot of attention worldwide. Standard sizes: Weave 196 Weave 133...

Swedish mid century burr birch fitted cupboard circa 1940. Beautiful swedish cupboard which has just been re-finished in our workshop. 1 piece.  Stepped top with a carved edge belo...

Weave W133-Black Black sideboard, made of solid birchwood and laminated birchveneér. Modern yet Classic, bold yet modest the cabinet serves as a great example of Scandinavian contem...

Weave 196- Smoked oak, natural oil Credenza, made of solid smoked oak wood and laminated smoked oak veneér. Modern yet classic, bold yet modest the cabinet ...

“esme-ralda” is a sculpural modular sideboard, a sophisticated mix of technology and crafts, a true Made in Italy design jewel. It is a complex object, designed not only to contain, but also to display objects theatrically due to the open different configurations inspired by altarpieces. Each door infact is double-faced, with a positive and a negative side, result of an exclusive BOTTOS DESIGN ITALIA...

Weave Double sided Credenza, made of solid oak wood and veneér. Modern yet classic, bold yet modest the Weave serves as a great example of Scandinavian contemporary...

This rare pair of sideboards/ chests of drawers was designed by the Swedish designer Axel Larsson. They were produced by SMF Svenska Möbelfabriken in Bodafors, Sweden in the 1940s. T...

Weave Double sided Credenza, made of solid birch wood and veneér. Modern yet classic, bold yet modest the Weave serves as a great example of Scandinavian contemporary design. Designed by Lukas Dahlén...

Weave 86 Birch cabinet, made of solid birchwood and laminated birchveneér. Modern yet classic, bold yet modest the cabinet serves as a great example of Scan...

Viennese Secessionist Sideboard, Attributed to Koloman Moser Austria, circa 1905 Presenting a remarkable piece of Viennese Secessionist design,...

A rare rustic Swedish serving table with a sculptural feel. Generously sized top extending over a painted shelved base. Two end drawers with escutcheons in the form of hearts and a m...

Art deco Scandinavian birch and elm cabinet circa 1930. We are pleased to offer this cabinet which is of the highest quality from the art deco period. Stained birch outer frame wit...

We have the pleasure to present to you a STUNNING and IMPORTANT Late 18th century American Sheraton Sideboard, made circa 1788/89, in New Y...

A remarkable interplay of architectural form and masterful joinery lies at the heart of this ‘Scaligera’ sideboard by Franco Poli for Bernini, crafted in Italy during the 1980s. Des...

Italian 1950s one of a kind BAR / SIDEBOARD attributed to Vittorio Dassi birch root veneer - solid birch "feet" - stained glass top - mirrored bar compartment - carved upper orna...

Weave bedside table Bedside table, made of solid birch wood and laminated birchveneér or solid oak wood and oak veneér. Modern yet classic, bold yet mo...

Weave 196-Black oil Black sideboard, made of solid birchwood and laminated birchveneér. Modern yet classic, bold yet modest the cabinet serves as a great example of scandinavian contemporary design. Designed by Lukas Dahlén. The minimal yet expressive sideboard weave is made of solid birchwood and birchveneér. Inspired by the most common kind of wood and weed weaving the Weave sideboard represents an enlarged version of the technique of weaving something soft around a more stable structure. The top and bottom plane of the cabinet is held together by sticks kept together like a Windsor chair. Since first shown in Milan 2012, salone satellite, it has received a lot of attention worldwide. Different standard sizes: Weave 196 Weave 133...

Weave 86 Birch cabinet, made of solid birchwood and laminated birchveneér. Modern yet classic, bold yet modest the cabinet serves as a great example of Scan...

Weave bedside table Bedside table, made of solid birch wood and laminated birchveneér or solid oak wood and oak veneér. Modern yet classic, bold yet modest the bedside serves as a great example of Scandinavian contemporary design. Designed by Lukas Dahlén...

Weave frame Sideboard, made of solid wood and laminated veneér. Modern yet classic, bold yet modest the cabinet serves as a great example of scandinavian contemporary design. Designed by Lukas Dahlén. The minimal yet expressive sideboard weave is made of solid birchwood and birchveneér. Inspired by the most common kind of wood and weed weaving the Weave sideboard...

Weave bedside table Bedside table, made of solid birch wood and laminated birchveneér or solid oak wood and oak veneér. Modern yet classic, bold yet modest the bedside serves as a great example of Scandinavian contemporary design. Designed by Lukas Dahlén...

Rare sideboard three-doors designed by Vittorio Dassi in the 1950s. It's a very fine item made using precious materials as well as the three-doors made of birch briar root, finished ...

Mid century Swedish inlaid elm sideboard circa 1940. Swedish sideboard very much in the art deco taste.  High board with rounded ends, veneered in elm. Below the top surface the pi...

Weave frame Sideboard, made of solid wood and laminated veneér. Modern yet classic, bold yet modest the cabinet serves as a great example of scandinavian contemporary design. Designed by Lukas Dahlén. The minimal yet expressive sideboard weave is made of solid birchwood and birchveneér. Inspired by the most common kind of wood and weed weaving the Weave sideboard...

Beautiful sideboard by the renowned designer Axel Einar Hjorth and produced by Nordiska Kompaniet during the 1930s and 1940s. Model is called 'OK' and was a part of a series of furn...

Weave bedside table Bedside table, made of solid birch wood and laminated birchveneér or solid oak wood and oak veneér. Modern yet classic, bold yet modest the bedside serves as a great example of Scandinavian contemporary design. Designed by Lukas Dahlén...

This unique copy of the Sumi nest of tables is exactly as shown in the pictures. If you have any questions, please don’t hesitate to contact us. The name Sumi comes from the Japanes...

Weave bedside table Bedside table, made of solid birch wood and laminated birchveneér or solid oak wood and oak veneér. Modern yet classic, bold yet modest the bedside serves as a great example of Scandinavian contemporary design. Designed by Lukas Dahlén...

Axel Einar Hjorth, Nordiska Kompaniet, Swedish Mid-Century Modern, Root Wood, Rare "Birka" Sideboard, Sweden, 1937 A rare example of the “Birka” model sideboard, designed by renowne...

Sideboard attributed to the Swedish designer Axel Einar Hjorth. Produced by Bodafors as part of the series 'Borgholm' during the 1920s. Elegant design in stained birch.

orgeous Italian Mid-Century sideboard made of elegant birch wood that gives the piece a warm and welcoming honey color. This exquisite piece features a refined design with a softly c...

Rare sideboard designed by Otto Schulz. Produced by Boet in Sweden.

Stunning Karelian birch sideboard made by SMF Bodafors. Beautiful colour and burr birch veneers used on this piece. 3 doors to the front providing a double door and a single door cu...

Oak sideboard with carved inlays, Italian craftsmanship from the 1940s, designed by Pier Luigi Colli. This piece has a fantastic character, which our restorers brought back to light...

Elegant functionalist sideboard by Otto Schulz, with bold lines and contrasting birch and darker colored wood. Large round drawer handles with decorative ...

This mid century modern compact credenza by Heywood Wakefield features hardwood construction, original champagne finish, one dovetailed drawer, two cabinet doors with adjustable shel...

American mid-century modern rarely seen eight drawers to left and right laterals cabinet. Central push door opening with drawer and open shelves. The ...

A rare and important American Art Deco Century of Progress Sideboard by iconic designer Wolfgang Hoffmann (Austrian, 1900-1969) for Romweber Company, Batesville, Indiana. circa 1933-1936 Created for the 1933 Chicago World's Fair, fine quality craftsmanship and construction, having a rectangular exotic rosewood veneered top over conforming solid wood case fitted with four drawers affixed with horizontal pulls, the top drawer opening to reveal felt lined divided interior for silverware, flanked by cabinet doors opening to shelved interior, subtle geometric lines add interest. Rosewood, mahogany, richly figured blonde - golden birch or primavera. Signed, top drawer interior, featuring 1933 World's Fair mark impressed. **Please note, at the time of writing this, a matching display case - vitrine cabinet (shown in last photo) is currently available separately** Provenance / Acquisition: Property from the important and iconic Collection of Mr. James I. Rafftesaeth Jr., Dallas, Texas Acquired from highly reputable auction house, Heritage Auctions, Dallas, Texas. 2022 Design Signature Auction catalog #8091 History: Wolfgang Hoffmann was born in Vienna, Austria in 1900. He is the son of famous architect, pedagogue and Wiener Werkstatte cofounder, Joseph Hoffmann (1870-1956). Early on, following his father’s s interests, he was trained in the decorative arts and design. Wolfgang Hoffmann once reminisced, “I spent eight years at the Realschule, then three years went to a special architectural school, where I perfected my technical knowledge of architecture and general construction. From this school, I was graduated to the Kunstgewerbeschule [Studying under Oskar Strnad and Josef Frank in Vienna]. After finishing this school, I had one and a half years of practical in a well known architect’s office. Thereafter I worked in my Father’s office for two years”. Hoffmann met his future wife, Polish immigrant Pola (1902-1984) when they were both studying at the Kunstgewerbeschule. Joseph Urban (1872-1933) was needing an assistant for his architectural business in New York and contacted his friend and colleague, Joseph Hoffmann in Vienna. Hoffmann recommended his son Wolfgang. Urban hired him and sent a first class passage ticket to Vienna for Wolfgang to travel to New York. Wolfgang married Pola and traded his ticket for two tickets to America in steerage, arriving in New York City in December of 1925. Leaving the Urban office after nine months, Wolfgang and Pola formed an independent design practice with offices on Madison Avenue in Manhattan with the purpose of creating contemporary interiors and industrial designs. Early work included theaters, stores, and apartments mostly in New York City. During the late 1920’s and early 1930’s the Hoffmanns designed custom furniture for private clients. Some of these examples were shown in the February 1929 issue of House and Garden. Curiously, the examples’ design was attributed to Urban and the production to Pola Hoffmann, Inc. Established in the fall of 1928, the American Designers’ Gallery was “devoted exclusively to showing objects and interiors for practical use… by fourteen American architects and designers”. Its members included the Hoffmans and Urban as well as ceramist Henry Varnum Poor (1888-1971), architect Raymond Hood (1881-1934), artist designer Winold Reiss (1886-1953), graphic designer Lucien Bernhard (1896-1981), decorator Donald Deskey (1894-1989), and architect Ely Jacques Kahn (1884-1972). The Hoffmanns’ work was included in the American Designers’ Gallery’s two showcase events, its 1928 and 1929 exhibitions. Their dining alcove at the 1929 event featured a bench with a dinette table and two chairs in American walnut designed by Wolfgang and a rug by Pola. Lucien Bernhard, fellow Austrian immigrant who settled in New York a year before the Hoffmanns, operated the gallery and decorating service Contempora with Munich resident Bruno Paul (1874-1968). The Hoffmanns, occasionally participating with Contempora, designed a number of outstanding interiors, including the constructivist living room of 1930 for Mrs. O.R. Sommerich at 40 East 66th street. In 1934, Donald Deskey commissioned Wolfgang to design birchwood furnishings for the eclectic apartment at 625 Park Avenue belonging to Helena Rubinstein. In 1931, Wolfgang exhibited his work at the Pennsylvania Art Museum and the Museum of Modern Art in New York City. The same year, with Kem Weber (1889-1963) he organized the second and final exhibition of AUDAC- “Modern Industrial and Decorative Arts”- at the Brooklyn Museum. At this event, the Hoffmanns showed the dining room previously included in the American Designer’s Gallery’s 1929 exhibition in the Chase Bank Building lobby at 145 West 57th Street in Manhattan. In 1932 Wolfgang was asked to assist Urban in developing the color scheme for the 1933-34 Chicago World’s Fair “A Century of Progress”. He was also commissioned to design the interior and furniture for the fair’s lumber industries house. There he executed its living and dining rooms furnished by Kroehler Manufacturing Company of Chicago; the boys’ room by Shower Brothers...

An exceptional mid-century Swedish Modern black lacquered birch sideboard, credenza, or bar cabinet By Edmond Spence Sweden, 1950s Measures: 72"W x 20"D x 31.63"H. Newly ...

This modernist sideboard was produced in Scandinavia during the 1960s. It was finished with birch wood with irregular, strong graining with visible unevenness and grain variations. W...

Introducing a captivating blend of contemporary design and vintage aesthetics, this pair of sideboards effortlessly combines modern craftsmanship with timeless charm. Crafted from ex...

Beautiful Italian mid-century sideboard made of birch wood that gives the sideboard a warm honey color. The sideboard has a shaped front design, as well as rounded sides. It is notab...

Weave 86 Oak cabinet, made of solid oak wood and oak veneér. Modern yet classic, bold yet modest the cabinet serves as a great example of Scandinavian conte...

Mid 19th century Swedish birch buffet sideboard circa 1840. We are pleased to offer this stunning piece of mid 19th century craftsmanship found on our travels around Scandinavia. L...

Good quality Scandinavian birch sideboard in the rococo taste circa 1940. Comprising of a single door and a double door compartment.  Top surface with decorative carved edge leads t...

Art Deco large sideboard ebene de macassar birch inlay and mirror front.

Swedish mid 19th century birch buffet sideboard circa 1860. Fine quality Swedish buffet of grand proportions.  Top surface with shallow gallery on the back. 2 lockable drawers below...

A stylish Mid-Century Modern credenza sideboard unit in a fabulous high-gloss maple finish. Produced by Meredew, England, this was part of its 1960s Tol...

Pair of contemporary Italian sideboards designed in refined midcentury style. Handcrafted in solid birch wood, each piece is clad in golden mirror with elegant cylindrical glass deta...

This is the extremely rare, modernist sideboard. Probably produced in only one copy. It strongly refers to Italian works from the 60s. It was made of high-quality birch wood, stained...

Italian Mid-Century (1950s) sideboard with a burled birch veneer, having two exterior cabinet doors with ribbon design brass door pulls and a scalloped carved edge, centering three d...

Cees Braackman, sideboard for Editions Pastoe, circa 1950 varnish to redo.