Gothic Furniture

19th Century French Gothic Credenza ~ Cabinet is a testament to centuries of talented artisans handing down their trade to successive generations. The original style was birthed in ...

Transport yourself back to the sleek and sophisticated 1970s with this exquisite arch gothic armoire cabinet with interior mirror. The ultra rare cabinet exudes an air of luxury and ...

A rare and beautifully preserved 15th-century German crossbow, created as a true weapon of war or defense,.This piece is a remarkable survival from the Gothic period, with all of its...

Rustic Antique Double Pedestal Banquet Table was literally designed to last for centuries! Utilizing thick planks and beams of solid old-growth elm wood, the artisans who crafted it...

19th Century French Gothic Hall Bench was hand-crafted from solid old-growth oak, and features a tailored classical architecture with design embellishments that are definitive of the...

Gothic style carved oak, king size bed.

A Gothic Oak Barley Twist Bergere Club Fender This is a very rare piece of country House Furniture, the fender has a high flat cane seat at either side and the and the seats are j...

A scarce antique ecclesiastical architectural hand carved and painted wooden church - cathederal tabernacle door. 18th century or earlier, early Medieval European Romanesque Gothic style, facade with elaborate arched header atop partial quartfoil, hinged tabernacle door panel which would have opened to important religious niche...

A beautiful set of 2 antique candelabras in Gothic style. The candelabras each have room for three candles. Estimated origin and age: France, circa 1900. The candelabras are made of ...

This Neo-Gothic marble mantel was reclaimed from a NYC townhouse in the Upper West Side near Central Park. This striking mantel draws clear inspiration f...

A towering pair of 19th century French brass altar candlesticks from a cathedral or church. The center of each bobeche is fitted with a spike, surrounded by a pierced brass crown of ...

HIGHLY CARVED Antique French RENAISSANCE REVIVAL Marble Top Highly Carved Walnut Console, Sofa Table, Sideboard or Server~~c. 1890s Original "rouge" marble top, two drawers with key...

Very beathiful set of Gothic revival Wall candle sconces . Hand forced ,Gilded Brass .very nice ornate . super rare to find a set of 4 . Comes with the hand made brackets . All in...

English Gothic Revival style (19th Cent) oak high back carved and filigree Bishops throne chair with griffin finials.  

This exceptional trunk was made in England, circa 1800. The antique coffer has an interior which has been lined with metal and would make a fantastic storage or blanket chest, as wel...

An exceptional and rare Austrian longsword, designed as a two-handed weapon with a classic cruciform hilt and straight, double-edged blade. This distinguished form bridges the morpho...

SPANISH CHEST WITH ARCADE DESIGN ORIGIN: SPAIN PERIOD: LATE 15TH – EARLY 16TH CENTURY DIMENSIONS: Height: 61 cm
 Length: 135 cm
 Depth: 48 cm Chestnut wood 
Good condition This H...

A Rare and Monumental Italian Carved Carrara Marble Model of a Cathedral, Rome, 19th century, circa 1840. Possibly a representation of Cathedral of Santa Maria del Fiore in Florence Italy. The Italian Renaissance is renowned for its magnificent works of art and architecture, which are admired to this day for their grandeur and intricate details. Among the most impressive examples of this era are the rare and monumental carved Carrara marble models of cathedrals...

In true Gothic fashion, these lamps illustrate the style of light common to many cathedrals of the time yet devoid of any religious symbols. Lights are of grand scale consisting of s...

Illuminate your dining room, library, or entryway with this striking antique French chandelier. Crafted in France circa 1870, the fixture is forged from hand-wrought iron and designe...

We present this beautiful and rare small trunk made in the early 20th century. Made entirely of iron with brass decorations, this trunk has a Gothic-inspired design. A unique decora...

Large solid oak chest from the 16th century Gothic period Very pretty French, Norman work. Decorated with Gothic motifs on 5 panels on the facade. Note reassembly in the 18th and 19...

Miniature "Iron Maiden" in blackened cast metal attached to its original round wood base. The front doors are pin-hinged and open to reveal pointed spikes. At base of doors is printe...

17th century French Gothic Period andirons made of wrought iron. The andirons are in good condition and are fit for use in the fireplace.

Gothic Country Solid Oak Welsh Dresser This is a late Victorian piece it is constructed in solid Oak including the panelled back boards, the dresser top has a classic styled top with...

Medieval Knights Chess Set - Metal Brass & Silver Nickel Plated Crusaders Game.Made in Florence, Italy, this stunning chess set features intricately cast metal pieces in antiqued sil...

An exceptionally rare and important 15th century Gothic iron strongbox, weighing approximately 80 kg. This large strongbox retains its original mechanical locking system, which remai...

An extraordinary and museum-worthy 15th century Gothic Corpus Christi, masterfully hand-carved in wood with exceptional anatomical detail and partially polychromed in white and royal...

Late 19th Century Wooden Door with Gothic Style Arch Detail

Unique and stunning 19th century copy of a 16th century Gothic art chandelier. With another year of selling rare and beautiful antiques almost over, we are proud to offer you one of...

exceptional late 15th century/early 16th century carved oak Gothic period chest from Northern of France. Very fine example of a flamboyant Gothic style chest with a superb carved f...

This rare and beautiful ceiling lamp is a true gem for anyone looking to create the perfect ambiance. Crafted in the 1920s, this unique Gothic Revival pendant showcases a geometric ...

Antique crucifix with stunning hand carved details and an amazing patina. This remarkable and good size crucifix with a sculpture of a suffering Christ on the cross is another one...

Pair of gothic mahogany tabourets or end tables circa 1910, with superbly carved arches to each panel. Believed to be of English origin. Older restoration, holds up nicely. The tops ...

WE HAVE THE PLEASURE TO PRESENT an Exceptionally Rare (Late Medieval) 16th Century German Wrought Iron Oak Chest or Stollentruhe. This is an Early...

A mid century French attributed sofa. Angular gothic silhouette. Iron base frame. Cream vinyl upholstery with brass brad detail. Previous owner added bolts with caps to adjust feet h...

More information coming soon… The half-octagonal form of this Gothic-style cabinet allows the amazing carved panels to be seen from all sides. Hand-carved circa 1870, the golden oa...

"Rare Gothic Oak Panel Carved With Vine And Grape Cluster Motif, Circa 1320–1400" Rare Gothic Carved Oak Panel with Vine & Grape Motif, c. 1320–1400 This exceptional carved oak panel is a fine example of pure Gothic design, originating from Northern Europe—most likely Flanders, northern France, or England—and dating to the early–mid 14th century. The panel is richly carved in openwork with an interlacing vine scroll bearing clustered grapes, a motif strongly associated with medieval Christian symbolism, representing the Eucharist and the “True Vine” of Christ. The design is entirely Gothic in conception, free of any later Renaissance influence, with flowing, organic tracery rather than strict symmetry. A rectangular mortise is present to one side, indicating that the piece originally formed part of a cabinet or small door—possibly from a church sacristy...

This large chest stands on high legs prolonging the lateral jambs. Presenting a sober and severe appearance the chest still belongs to the Medieval tradition. The piece is made from very high quality Hungarian wood. The jambs are joined to the facade and the lateral sides thanks to pegged mortise and tenon securing a great stability and squareness between each parts. The upper lid is made of two joined parts and so is the facade. The ironwork is present all over the surface of the chest and brings both an additional stability to the construction as well as a rich decor. The lid is secured with hinges. Hinges also run all over the chest in horizontal and vertical lines, ending in a floral motif. The hasp lock is also very ornamental. Those chests always present important proportions especially when they are made early in the period. This model was very popular in Germany and stayed in vogue until the 16th century. However the feet Gothic decor...

A Victorian Green Man Carved Oak Bureau The bureau is superbly carved with acanthus leaves and faces of the green man from solid oak, it has a carved fall front, one long drawer an...

18th century, French Gothic style fire dogs made of wrought iron. The andirons have spit hooks. They are in a good condition.  

Gothic wrought iron candelabra style floor lamp.

Dutch Gothic style (19th Century) oak and gilt filigree carved 4 section steeple (Provenance: a Dutch church 108 Utrechtsestraat St., Amsterdam).

English Renaissance (Tudor-16th Century) oak carved linen fold design paneled room with a mantle, overmantle carving and a Pair of spindle design open doo...

While the birth of Christ is briefly told in the Gospel of Luke (2, 7) it is in the apocryphal texts that we find most of the elements and details that have then inspired artists. As of the 14th century and even more of the 15th century the subject of the Adoration of the Child replaces in Western art the scene of the Birth, much favoured in Byzantine art. Instead of being depicted lying with the new-born swathed in the manger, the Virgin is now kneeling, her hands joined in prayer in front of the naked child. This change was probably hastened by the popularity of the visions of Saint Bridget of Sweden to whom the Virgin allegedly appeared to show how she had given birth to Jesus (Visions, VII, chap. 21). Sheltered by a thatch-roofed structure the Virgin is kneeling in front of the Child Jesus. She wears a magnificent red dress under a large gold cloak. Her curled blond hair is partially veiled. The newborn is lying on a straw mat. Joseph is depicted with a parted beard and stands opposite from the Virgin. He wears a tunic and a coat with a purse hanging from the belt. His costume reminds us of the long journey him and Mary have accomplished to reach Bethlehem. Two other women are present. One is looking through the stable’s window to observe the Holy Family while another one kneels in prayer in front of the divine child. The rich costume of the lady might indicate she is a donator. However they could also both represent the women who took part in the birth of Christ, Zelemi and Salome. Salome, incredulous did not believe in the virginal conception of Mary and she is represented far from the scene. The artist has depicted her with an expression of doubt on her face. Zelemi, on the contrary, is a believer. She is rewarded by a place of honour at the heart of the scene, close to Mary. To the left the donkey and ox that have accompanied Mary and Joseph to Bethlehem observe quietly the scene. On the foreground two angels hold a scroll reading an excerpt from the Gloria : “/Gloria/ in excelsis /Deo/.” One of the angels wears a blue cape while the other’s is red Those two colours are very significant as during Middle-Ages blue symbolises hope and red charity. Together they express the hope in redemption thanks to the advent of Christ and his sacrifice to come. Above the main scene, up a cliff, a small shepherd lets his herd of sheep graze amidst the trees. He is framed by two walled cities. This wood carving is the work of a very skilled and inventive artist. The piece bears witness to his exceptional talent. The realism of the scene is emphasised by the amount of details depicted. The refinement of the carving itself is highlighted by the well preserved polychromy. This key moment of the New Testament is set in a contemporary context thanks to the clothes of the characters and the scenes of rural life. The universal dimension of the scene is intensified while allowing contemporary viewers to grasp its meaning more easily. This care for details, the picturesque realism as well as the extraordinary rendition of the cloths suggest it was made by a Flemish artist during the late 15th century. This relief can be compared with the panel of the Nativity from the Saint-Vaast altarpiece made by Jacques Daret between 1433 and 1435, today in Madrid’s Thyssen-Bronemisza Museum. Literature Louis Réau, Iconographie de l’Art chrétien...

19th Century French Gothic Petite Trunk ~ Blanket Chest was purpose-built for a cozy niche, and its size makes it very versatile to use in any capacity! ...

This 16th-century French Gothic fireback features an unknown coat of arms. The fireback is made of cast iron and has a brown patina. Upon request, it can be made black/pewter colored...

Mid Century Modern Medieval Knight in armor.

Carved Oak Open Bookcase. The bookcase is good quality, with attractive carving on the front The bookcase is in good original condition and the shelves are adjustable This excellen...

A captivating reinterpretation of Venetian Gothic, the Ducale BZ Chair by Enrico Girotti infuses contemporary form with medieval grace. The sculptural metal frame, crafted from solid...

Pair of English Gothic Architectural Valences with Baroque Carvings Unsigned 17thC Measures - 12.75"H x 62.5"W x 7.25"D This pair of English Gothic architectural valences dates back ...

Large French Decorated Gothic Hall Lantern Ceiling Light This is a Large and Very Heavy Hall Lantern it is a Classic Elaborate Gothic Design decorated with animals Caryatid and symb...

This very nice cage chandelier with 7 lights is all made of wrought iron. This is a French work in the Gothic style. Circa 1950

Virgin and Child Jesus. Carved and polychrome wood. Spanish School, 14th century. A polychrome wooden carving with gold highlights depicting the Virgin Mary seated on a low throne, ...

This very nice and unusual chandelier with 8 arms is made of wrought iron. This is a French work in the Gothic style. Circa 1920

This is an antique Glastonbury chair. An English, oak armchair in Gothic Revival taste, dating to the Victorian period, circa 1880. A superb example of the traditional Glastonbury fo...

This remarkable windlass crossbow, dating from the late 15th to early 16th century, is a striking example of early European military craftsmanship, originating from Germany. Measurin...

Provenance : In the same private collection for several generations, Burgundy. The canonical Gospels describe briefly the episode of the Nativity. It comprises three parts : • The Preludes : the Journey to Bethlehem, the Census • The Nativity • The Announce to the Shepherds and the Adoration of the Magi Only the Gospel according to Matthew (2, 1-12) speaks about the Adoration of the Magi. Staying vague about their number it does say they brought the newborn gold, incense and myrrh. The apocryphals, the fathers of the Church and many other authors have filled in the gaps of the evangelic tale. The sobriety and symbolic of the story have been a huge inspiration to artists. Although one of the oldest depictions of the Adoration of the Magi dates from the 2nd century the theme became very popular in Christian art during the late 14th century. One of the reasons explaining this success is that it celebrates both the Virgin and Christ at the same time. This important walnut panel is carved in a strong relief and depicts the different steps of the story of Jesus’ birth. On the left, the donkey and ox that have accompanied Mary and Joseph from Bethlehem are depicted behind a trough. On the thatch roof appears the star that would guide the magi to the place of birth of Jesus. Mary is wearing a veil and is seating on a bed. She holds her baby at arm’s length to present him to the magi. Saint Joseph is by her side. The old man is holding a cane in his left hand while from the right hand he seems to uncover himself to greet the visitors. A woman assists to the scene. In front of the holy family the three magi stand behind one another to pay their homage to the newborn. The first magi has a pointed beard. He is already kneeling out of deference and has placed his crown to his feet. He gives the baby a hanap filled with gold coins. This is Melchior as the legend describes him with white hair and a long beard. Caspar, the second magi bears a cup of incense. He is looking at the third magi and with his right hand he points to the star that has guided them there. He has a short beard and wears crakow shoes, breeches and a wide sleeved doublet. Finally Balthazar, the elegant last magi proceeds proudly towards the holy family with his one hand on the saber’s hilt and the other holding a cup. He brings the divine child the myrrh. He probably just dismounted as the horse can be seen behind him. The scene is set in a very detailed and narrative decor. In the right part of the panel the shepherd receive the announce of Jesus’ birth. An angel comes down from heaven with a scroll bearing the good news in his hands. The herding dog sleeps peacefully while sheeps graze. At the top of the cliff we notice the gilded sheeps enclosure. The panel’s moulded frame is carved with a foliated decor. In it’s centre appears a coat-of-arms. It is the alliance of the three magi’s arms. Indeed as it was common for legendary figures the three of them received imaginaries coat-of-arms. Thus, on a field of azure stands a star for Melchior, a crescent for Caspar and a pennon for Balthazar. This high-relief panel is undeniably the work of a very skilled and imaginative artist. This key moment in the New Testament is transposed to a contemporary environment thanks to the figures’ clothing and the rural daily life scene. This way the universal dimension of the episode is highlighted allowing a better understanding for the contemporaries. The sculptor has represented the episodes of the Adoration of the Magi and the Announce to the Shepherd with great talent and numerous details giving life to a picturesque and narrative scene. The important traces of polychromy give those already very animated scenes a stronger pictorial power and a rich dynamism. Because of the picturesque and familiar realism so dear to the artists of the late Medieval era, of the didactic function of this type of panel as well as the quality of the sculpture this piece is an astounding example of Burgundian art of the 15th century. Literature Louis Réau, Iconographie de l’Art chrétien...

Spanish or Italian 17th century bis chest. Chest structure in solid walnut, entirely hand-carved. Exceptional craftsmanship. Very naive vintage conduction with a nice patina on the...

Decorate a study of office with this elegant wrought iron floor fixture. Crafted in southern France, circa 1860, the candelabra lamp stands on a four-leg base ending with small feet....