Gothic Furniture

Likely Spanish in origin, circa 1920. A pair of wrought iron floor standing candelabra. Each having 7 shaped candle holders that are adjustable in width from 14.5" to 39.75" extend...

Large solid oak chest from the 16th century Gothic period Very pretty French, Norman work. Decorated with Gothic motifs on 5 panels on the facade. Note reassembly in the 18th and 19...

Hand Made Bespoke Pillow Featuring extremely rare Medieval Orphrey Panel from what must have been a very important set of Vestments Dating from 15th Century. Upon antique Aubergi...

Gothic style carved oak, king size bed.

A Rare and Monumental Italian Carved Carrara Marble Model of a Cathedral, Rome, 19th century, circa 1840. Possibly a representation of Cathedral of Santa Maria del Fiore in Florence Italy. The Italian Renaissance is renowned for its magnificent works of art and architecture, which are admired to this day for their grandeur and intricate details. Among the most impressive examples of this era are the rare and monumental carved Carrara marble models of cathedrals...

19th Century French Gothic Hall Bench was hand-crafted from solid old-growth oak, and features a tailored classical architecture with design embellishments that are definitive of the...

"Christ on the Cross – Late 15th Century, La Rioja (Spain)" Important crucified Christ carved in polychrome wood, from the La Rioja region of Spain, and dating from the late 15th cen...

A gorgeous and extremely rare pair of Pugin-style gothic golden oak steeple back chairs in wonderful condition. Likely made around the Mid-20th Century, these beautifully crafted and...

Miniature "Iron Maiden" in blackened cast metal attached to its original round wood base. The front doors are pin-hinged and open to reveal pointed spikes. At base of doors is printe...

17th century French andirons made of wrought iron. The style of the andirons is Gothic. The andirons have spit hooks to grill food. They are in a good condition.

Wonderful print of St Matilda Illuminated Chromolithograph Published circa 1880 Unframed. Free shipping The measurement is the paper size

A towering pair of 19th century French brass altar candlesticks from a cathedral or church. The center of each bobeche is fitted with a spike, surrounded by a pierced brass crown of ...

19th century Italian carved alabaster head of a saint wearing a bishop's mitre in the Gothic style. Though a fragment, the intense gaze of this small carving gives it a lot of presence. Rendered by a master carver, this piece has a lot of personality. Likely an architectural fragment, the weathered surface and distressed condition only add to the appeal of this unique sculpture. Mounted on an ebonized walnut base. 10 inches high 3.5 square 5 7/8 inches high by 4 wide by 3.75 deep (head only)

This 16th century hand-carved wooden Virgin Mary polychrome statue comes from a church in Sint-Niklaas, Belgium (Europe), and was bought directly fr...

Pair of Antique Giltwood Angels Hand carved and gilded with silvered clouds to base. Made in France at the end of the 19th century, Very decorative architectural wall elements. ...

A rare and remarkable authentic nearly 300 year old early French Gothic hand carved oak tabouret (today use as a stool, end table or plant stand) Crafted in France in the 17th/18th ...

This exquisite Krone fountain pen showcases a dark brown celluloid barrel intricately marbled with subtle violet veins. Its sterling silver cap and endpiece are adorned with beautif...

Charming and withs tons of character, or patina or both. Gothic church pew with paneled sides in a smaller size, about 4.5 feet so its very manageab...

This unusual Spanish 1940s medieval style iron chandelier features a sturdy frame with eight torchiere arms suspended from an ornate hanger. The fixture has been recently wired to ac...

Carved Oak Open Bookcase. The bookcase is good quality, with attractive carving on the front It is in good original condition, the shelves are fixed and it stands on bracket feet ...

Exceptional Ornate unique Curry & Company Vintage Large Lantern pair. Gorgeous seeded glass panels. Original ceiling canopy and chain. The finish is slightly distressed but beautiful...

Gothic Style, Carved Oak Table, rectangular shaped top with decorative gadroon edge. Single fitted drawer to one side. Four barley twist turned legs with barley twist center stretc...

In true Gothic fashion, these lamps illustrate the style of light common to many cathedrals of the time yet devoid of any religious symbols. Lights are of grand scale consisting of s...

17th century French andirons made of wrought iron. The style of the andirons is gothic. The andirons have spit hooks to grill food. They are in a good condition.

Pair of impressively large hand forged sconces of iron and tole having 3 arms each for candles. Could be electrified.

POLYCHROME CARVED WOOD VIRGIN AND CHILD FROM THE 15TH CENTURY   ORIGIN: SOUTH GERMANY, SWABIA, NUREMBERG REGION PERIOD: 15th CENTURY   Height: 94,6cm Width : 28 cm Depth : 18 cm   Lime wood Original Polychromy Good state of conservation     From 1430 onwards, sculpture underwent a profound stylistic renewal which continued until 1530, the so-called late Gothic period. In the Germanic countries, original sculptures flourished in an expressive and sensitive vein.
This renewal was inspired by the art of Nicholas of Leiden, who was active in Strasbourg in the 1460's. His style broke with the refined and delicate art of the international Gothic style in force throughout Europe around 1400. The figures became more authentic and realistic. The bodies became denser. Clothes are animated by deep, broken folds, the fabrics are heavy and have a great decorative value. In addition, the polychromy is intended to be illusionistic. The painting makes it possible to restore the texture of the materials, the richness of the textiles and the natural skin tone of the characters.   The dissemination of images through engraving and the great mobility of the artists led to the success of this style, which conquered the Upper Rhine, Swabian, Tyrolean and Franconian regions, contributing to the formation of a common stylistic identity in these regions. The economic boom in the flourishing German cities was conducive to the development of original production. Attracted by this prosperity, numerous workshops were set up in order to meet the orders of religious communities, the Church and the laity, including a clientele of middle-class rockers.      This precious Virgin and Child is depicted standing on a crescent moon, her head encircled by a crown of tall flowers. Her long wavy hair spreads over her shoulders, framing her beautiful oval face. Under fine eyebrows drawn with a brushstroke, her almond-shaped, slightly drooping eyes look at the Child with infinite softness. She is dressed in a long red dress with a rounded neckline, belted under the chest. The heavy fabric of her dress spreads out in broken folds at her feet. On her shoulders she wears a golden cloak. The drapery has deep folds. She holds out her right hand while she holds the Christ Child with her left.   Christ, with his well-defined hair, is naked. His cheeks are highlighted with red, he holds an apple in his left hand and with the other hand makes a sign of blessing towards the faithful.   Virgins with Child on a crescent moon were very popular in the second half of the 15th century, especially as the central subject of altarpieces in southern Germany and Austria. The crescent moon on which Mary is standing is reminiscent of the Woman of the Apocalypse. Often equated with the Virgin Mary.    This episode is taken from the Book of Revelation (12:1-6)   1 Then a great sign appeared in heaven: a woman clothed with the sun, with the moon under her feet and a crown of twelve stars on her head. ; 2 She was pregnant, and she cried out because she was in labor, in pain from giving birth. ; 3 Then another sign appeared in heaven: it was a great fiery red dragon, with seven heads and ten horns, and seven royal crowns on his heads. ; 4 His tail swept down a third of heaven's stars and threw them to the earth. The dragon stood in front of the woman who was about to give birth so that when she gave birth, he might devour her child. ; 5 She gave birth to a son, a male child who is to rule all the nations with an iron rod. Her child was snatched up to God and his throne. ; 6 Then the woman fled into the desert, where God has prepared a place for her. There she will be taken care of for one thousand two hundred sixty days.   Some theologians see in this woman a reference to the Virgin Mary and in the child, Jesus.    
This remarkable work is a very fine example of sculpture from Swabian workshops in the last decades of the 15th century. It presents all the characteristic stylistic elements: a highly girdled silhouette, an abundant drapery with angular folds, but also a great physical presence accentuated by the polychromy that restores the anatomical details. This group is made of a wooden log. The deep folds of the drapery highlight the movement of the Virgin holding the child.       Bibliography :   Sophie Guillot de Suduiraut, Dévotion et Séduction, Sculptures souabes des musées de France, vers 1460-1530, Paris musée du Louvre-Éditions somogy, 2015   “Revelation 12 -   Common English Bible...

Wonderful print of St Scholastica Illuminated Chromolithograph Published circa 1880 Unframed. Free shipping The measurement is the paper size

Three tier oak Globe Wernicke bookcase with lift up leaded glass panel in the Gothic style Circa 1890 The Globe-Wernicke bookcase is a modular, stackable barrister bookcase known for...

***Reduced Delivery Rates - See Below or Click “Ask The Seller” to Request a Quote*** Antique Gothic Revival Flame Mahogany Step Back China Cabinet with Cathedral Glass doors C1930 ...

Provenance : In the same private collection for several generations, Burgundy. The canonical Gospels describe briefly the episode of the Nativity. It comprises three parts : • The Preludes : the Journey to Bethlehem, the Census • The Nativity • The Announce to the Shepherds and the Adoration of the Magi Only the Gospel according to Matthew (2, 1-12) speaks about the Adoration of the Magi. Staying vague about their number it does say they brought the newborn gold, incense and myrrh. The apocryphals, the fathers of the Church and many other authors have filled in the gaps of the evangelic tale. The sobriety and symbolic of the story have been a huge inspiration to artists. Although one of the oldest depictions of the Adoration of the Magi dates from the 2nd century the theme became very popular in Christian art during the late 14th century. One of the reasons explaining this success is that it celebrates both the Virgin and Christ at the same time. This important walnut panel is carved in a strong relief and depicts the different steps of the story of Jesus’ birth. On the left, the donkey and ox that have accompanied Mary and Joseph from Bethlehem are depicted behind a trough. On the thatch roof appears the star that would guide the magi to the place of birth of Jesus. Mary is wearing a veil and is seating on a bed. She holds her baby at arm’s length to present him to the magi. Saint Joseph is by her side. The old man is holding a cane in his left hand while from the right hand he seems to uncover himself to greet the visitors. A woman assists to the scene. In front of the holy family the three magi stand behind one another to pay their homage to the newborn. The first magi has a pointed beard. He is already kneeling out of deference and has placed his crown to his feet. He gives the baby a hanap filled with gold coins. This is Melchior as the legend describes him with white hair and a long beard. Caspar, the second magi bears a cup of incense. He is looking at the third magi and with his right hand he points to the star that has guided them there. He has a short beard and wears crakow shoes, breeches and a wide sleeved doublet. Finally Balthazar, the elegant last magi proceeds proudly towards the holy family with his one hand on the saber’s hilt and the other holding a cup. He brings the divine child the myrrh. He probably just dismounted as the horse can be seen behind him. The scene is set in a very detailed and narrative decor. In the right part of the panel the shepherd receive the announce of Jesus’ birth. An angel comes down from heaven with a scroll bearing the good news in his hands. The herding dog sleeps peacefully while sheeps graze. At the top of the cliff we notice the gilded sheeps enclosure. The panel’s moulded frame is carved with a foliated decor. In it’s centre appears a coat-of-arms. It is the alliance of the three magi’s arms. Indeed as it was common for legendary figures the three of them received imaginaries coat-of-arms. Thus, on a field of azure stands a star for Melchior, a crescent for Caspar and a pennon for Balthazar. This high-relief panel is undeniably the work of a very skilled and imaginative artist. This key moment in the New Testament is transposed to a contemporary environment thanks to the figures’ clothing and the rural daily life scene. This way the universal dimension of the episode is highlighted allowing a better understanding for the contemporaries. The sculptor has represented the episodes of the Adoration of the Magi and the Announce to the Shepherd with great talent and numerous details giving life to a picturesque and narrative scene. The important traces of polychromy give those already very animated scenes a stronger pictorial power and a rich dynamism. Because of the picturesque and familiar realism so dear to the artists of the late Medieval era, of the didactic function of this type of panel as well as the quality of the sculpture this piece is an astounding example of Burgundian art of the 15th century. Literature Louis Réau, Iconographie de l’Art chrétien...

France / 1850 / settle / oak / Gothic / Antique / Mid-century A highly decorative hand carved oak settle crafted around 1850 in France. Nicely detailed carved and open worked panell...

18th Century French Gothic Period andirons made of wrought iron. The andirons have a natural brown patina. The condition is good.

79208 Late 19th Century Antique French Aubusson Tapestry, 06'00 x 08'10. A sanctuary of woven splendor and poetic artistry, this handwoven wool and silk French Aubusson tapestry from...

A very rare, fine large Edward F. Caldwell jeweled champleve enamel folio cover in the High Gothic Style. The central panel depicting a King on a white horse holding a large orb with a snake symbol, surrounded by exquisitely detailed Gothic heraldic elements and jeweled embellishments. Burgundy velvet lined interior, retaining original leather backing and spine, wear commensurate with age, ideal for a museum or private collection. Measurements: 13.63 inches high, 11 inches wide, 1 inch deep Condition: the enamel panel is in excellent condition, age appropriate wear to velvet, leather and interior pages. Please note, the enamel panel may be removed and mounted on a modern folio if desired. This piece may be framed or displayed as a decorative panel on a stand Edward F. Caldwell & Co was established in 1895 in New York City at 31 East 17th Street and quickly became one of the premier designers and manufacturers of fine lighting and decorative objects. Their commissions included J.P. Morgan's residence, Saint Patrick's Cathedral, Vanderbilt Mansion, Henry Clay Frick residence, Harvard Club...

A tall antique gothic arched oak door dating to circa 1900, sourced from a grade II listed building in Bristol’s old city. Once used in an established gentlemen’s club, the text 'Ge...

English Gothic Revival style (19th Cent) oak high back carved and filigree Bishops throne chair with griffin finials.  

English Renaissance (Tudor-16th Century) oak carved linen fold design paneled room with a mantle, overmantle carving and a Pair of spindle design open doo...

Antique Vanitas Oil Painting, Antique Memento Mori Oil Painting, Antique Skull Oil Painting, Gothic Antique Painting, 19th Century Vanitas Still Life Oil Painting. Early 19th Century French Vanitas Oil Painting on Canvas. The Old Master Vanitas Still Life Painting depicts a skull, book and rosary. Oil on canvas, lined. Unsigned. In gold gilt period frame. Very well painted, attractive & highly decorative Vanitas skull...

Rare late 15th century or early 16th century Gothic Corpus Christi wood sculpture. Probably North German or South Sweden. This large Christ sculpture...

Antique print entitled ‘the neophyte (first experience of the monastery)’ by Gustave Dore, 1832 -1883 A captivating, somewhat creepy and darkly humorous take on someone’s first day r...

Description: This exquisite bleached oak chest blanket, crafted in France during the 1940s, is a stunning example of Gothic-inspired design. The chest combines the timeless elegance...

Absolute beautiful 18th century continental carved oak coffer. Fine quality continental carved oak coffer from Germany, Free of any inscription. Beautifully carved arcaded front, co...

Beautiful weathered hand carved stone medieval statue depicting a Saint . Italy 16th century. Weathered, small losses and old repair. H:51cm W:18cm D:13cm

Spanish hand forged iron four-piece fireplace tools set stand with scrolls ornamentation, dragon motif and gilt patinated finish. Spain, 1940s. This sculptural tools set hangs on a t...

Gothic Style, very detailed crafted antique bronze box. Marked underneath, made in Belgium. In original good condition. A-444-335

Wonderful print of St Leo The Great Illuminated Chromolithograph Published circa 1880 Unframed. Free shipping The measurement is the paper size

Hand-forged in France circa 1960, this elegant vintage screen features a scrolling wrought iron frame centered by a boldly stylized fleur-de-lis motif. The symmetrical design is comp...

Recently discovered in a secluded private chapel nestled within the enchanting Loire Valley in central France, this remarkable pair of mid-19th century polychrome terra cotta archite...

A Victorian Green Man Carved Oak Bureau The bureau is superbly carved with acanthus leaves and faces of the green man from solid oak, it has a carved fall front, one long drawer an...

A rare and unusual pair quality late Regency period open work spill vases of Gothic style cast in bronze dating from circa 1820. The spill vases are supported on a weighted quatrefoil base with open trellis work spill holders...

Antique Gothic Spanish Renaissance Style Hammered Iron Scrolling Fireplace Screen. Circa Early 20th Century. Measurements: 31.5" H x 39" W x 9" D.

Spanish Revival magazine rack, wrought iron, gold leaf, Spain, 1940s-1950s. Wrought iron magazine rack with gold leaf finish and Gothic accents. This hand-hammered magazine or news...

Pair of English Gothic Revival-style (19th Century) gilt bronze 9 arm candelabras (PRICED AS PAIR).  

A Flemish carved oak panel in reliëf from the Gothic period, 14th - 15th century 21.2 x 38.5 cm

Good size and hand-carved Gothic Revival chandelier. This handcrafted medieval chandelier comes with four arms and on the end of each arm there is a mean looking and well carved dr...

A double-sided illuminated manuscript on parchment hand-written and coloured from the Gothic period (15th century) This is a page from a liturgical book such as the Psalters and cour...

Spanish or Italian 17th century bis chest. Chest structure in solid walnut, entirely hand-carved. Exceptional craftsmanship. Very naive vintage conduction with a nice patina on the...

Unique and stunning 19th century copy of a 16th century Gothic art chandelier. With another year of selling rare and beautiful antiques almost over, we are proud to offer you one of...

Belgium / 17th century / sculpted panel / oak / Gothic / Rustic / Antique A rare Belgian 17th century grotesque sculpted panel. Hand-carved with floral and foliage decorations with ...

Decorate a private chapel, a staircase or hallway with this important and complete antique set of "The stations of the cross", or "Chemin de Croix" in French. Hand crafted in France...