Gothic Furniture

An exceptional and rare Gothic-Renaissance memento mori, sculpted in marble and surmounted by an original iron cross, originating from Austria, 16th century. Carved from solid marble...

This antique oak panel from 17th‑century Belgium exemplifies the expressive depth of Gothic wood sculpture. The relief depicts a seated female fi...

17th century French gothic andirons - fire dogs made of wrought iron. They have spit hooks to grill meat or poultry.

Remarkable Monumental Antique Sideboard English Gothic and Elizabethan Revival Carved Oak Sideboard by Tiplady!! This antique sideboard in the English Gothic and Elizabethan Revival...

Transport yourself back to the sleek and sophisticated 1970s with this exquisite arch gothic armoire cabinet with interior mirror. The ultra rare cabinet exudes an air of luxury and ...

This extraordinary and remarkably well-preserved ensemble represents a complete set of late medieval German infantry armour, dating from the 15th to early 16th century. Forged entirely from high-quality steel plates and joined with traditional leather straps for proper articulation and fit, the armour embodies the superb craftsmanship and engineering of the German armourers of the period. The helmet is a finely made European bascinet, the classic combat helmet of the era. It features a gracefully pointed visor and hinged cheek plates, designed to provide both excellent facial protection and freedom of movement, while allowing sufficient ventilation and audibility during combat. The bascinet retains its original character and displays the subtle fluted detailing that became a hallmark of German armour-making in the transitional phase from the Gothic to the early Renaissance styles. The suit is mounted on an antique wooden mannequin stand measuring 175 cm in height and includes its original linen undergarment and chainmail shirt...

Early 18th century French Gothic period andirons made of wrought iron. The andirons are in a good condition and are fit for use in the fireplace.

European Gothic silver chalice, 18th century. Bowl mounted to faceted and fluted shaft with globular knop; gilt studs, faceted jewels, and gilt rondel engraved with cross. Raised mul...

An extraordinary and exceptionally rare medieval castle door, traditionally attributed to the 14th century, preserved within a medieval castle of 13th–14th century origin. Retaining ...

Imagine serving tomato soup or cherry tea in these fuckers... Le Cercueil in Brussels is Europes oldest horror bar and was established in 1974 or 76 in the Belgian capital. This set ...

This magnificent 16th-century German two-hand sword is a rare and historically important ceremonial weapon, hand crafted by renowned blade-smith Christoph Stantler (active circa 155...

A rare and historically significant Dutch brass candlestick of the Heemskerk type, dating to around 1525. This early 16th-century example features a pronounced mid-drip pan with slig...

Neo-Gothic style lamp. European; 20th century, made of art bronze and glass. Dimensions: (Height) 33.5 cm.

An exceptional early German crossbow dating to around 1540, crafted from antler, wood, and iron. This finely made piece exemplifies the late Gothic to early Renaissance period of Ger...

Julius Herz (1819-1911) founded a jewelry store in the lower Webergasse in 1843 and held the title of jeweler and goldsmith from 1854. His assortment ranged from household items such as sugar bowls and sauce boats to precious tiaras and fine jewelry. In 1886/87, he handed over the management of the company to his sons Adolf and Salomon Herz, who were appointed court jewelers shortly afterwards. Under the management of Bruno Netter, son-in-law of Adolf Herz, who had run the business since the late 1920s, the company merged with Joseph Herz Heimerdinger, another traditional Jewish company, and relocated to Wilhelmstraße 38, where Heimerdinger's business premises had been located since 1913. In 1938, the company still advertised under the name "Netter, Herz und Heimerdinger GmbH, Juweliere" before the business was looted and completely destroyed during the Reichspogromnacht on November 9/10, 1938. Outstanding rare Gothic German...

Stunning firescreen with a famous earth angle, two famous saint paintings and more. With meaningful 'religious art' from centuries-past being one of our specialities we were amazed, not only to find this rare and marvelous fire screen, but also because of its excellent condition. But then again, we think we see that more often, because true beauty, quality and meaningful antiques radiate something that was already there when it was created. This 'something' commands respect and this is why most people take very good care of very special pieces. Since much of what we know now about Christianity and about monastic life in its various 'forms' was given shape since the life of Christ, but possibly mostly so in Gothic / Medieval times, much of this is expressed in European Gothic Art of the past circa 8 centuries. This rare and beautiful fire screen from the early 1800s, which can also be used as a small room divider or a unique work of (decorative) art, is one of those unique Gothic antiques. The hand-carved knight sculptures are 'fun' and meaningful at the same time, because one of them looks a little desperate and the other looks more at piece and in prayer. The hand-carved winged angel in the middle/ on top seems to be overlooking this 'Gesamtkunstwerk'. What makes this antique really stand out and what also makes it complete are the three hand-painted panels inside this screen. Each of the figures portrayed here have dedicated their lifes to doing good, giving love and hope and thus healing people. In the centre is a glorious painting (in medieval style) of Earth Angel St. Raphael and the boy Tobias. The lady Saint on the right, we feel, is Elizabeth of Hungary (1207-1231) and the Saint on the left, we feel, is either Francis de Sales...

A very large Victorian gothic style English oak fire surround with a dark stained oak finish, reclaimed from a private property in Sutton Coldfield. Dating from the mid-late 19th ce...

A rare and intricately carved Oak Lectern in original condition. In a very dark black-brown stain. The separately made top with a slant front opening to compartments and with a carve...

This nice and unusual pair of andirons representing dragons are made of wrought iron. This is a French work. Circa 1940

Gothic Side Table England, 1870 Oak and pine occasional table with an oval top, carved architectural supports, stretcher base, and small casters. 27.75”w x 18”d x 25”h ( overall) x 2...

Striking wall mirror with handcarved geometrical 'flowers' and trefoil symbols. Via one of our foreign contacts we recently purchased this perfectly fine and deeply handcarved, sc...

An antique Italian wall mounted fountain basin in a late Gothic style with central sun in low relief or "bas relief" on a detailed pedestal in Rosso Verona marble with patina. Minor ...

A fine antique 17th century French Gothic carved oak lidded chest or coffer, dated 1679. The chest was assembled in the mid 19th century with original carved panels from the 1600s. ...

German cast iron fireback of the 16th/17th century. Adam and Eve cast in Germany in the late sixteenth or early seventeenth century, in the gothic idiom of the early German foundries...

This antique oak panel from 17th‑century Belgium is a remarkable example of Gothic sculptural craftsmanship, capturing a pastoral allegory in deep relief. The composition depicts a...

A rare and highly compelling European hand-carved wood sculpture of a Madonna and Child, dating to the Late Gothic period, circa 1480–1520. Standing at a versatile total height of 46...

An exceptionally rare and important 15th century Gothic iron strongbox, weighing approximately 80 kg. This large strongbox retains its original mechanical locking system, which remai...

Wonderful 19th Century English Gothic painted bookcase. 1880

Very fine English early 19th century mahogany architectural model of a church, the multiple steeples flanking a faux carved slate shingled room, wh...

A fine English Georgian Gothic style tall case clock, its bonnet with a swan’s neck broken arch pediment with Battersea enamel oval polychrome urn accents surmounting scrolled fabric...

A one-of-a-kind room divider for the ages. Flowing curtains, melting wax. Constructed and forged in stainless steel and aluminum, this neo-gothic modesty screen is ideal for obscurin...

This remarkable windlass crossbow, dating from the late 15th to early 16th century, is a striking example of early European military craftsmanship, originating from Germany. Measurin...

Miniature depicting a Vanitas Memento Mori, painted in tempera on paper. The frame, made of ebonized fruitwood and finished with black wax, is oval in shape, with an internal oval bo...

An extraordinary and exceptionally rare monumental solid wrought-iron castle door, hand forged during the Late Gothic period and retaining its comple...

A truly exceptional pair of Memento Mori 'remember you must die' painted on board, these date to the 16th century and were originally housed in an North Italian Monastery, this incre...

A Rare and Monumental Italian Carved Carrara Marble Model of a Cathedral, Rome, 19th century, circa 1840. Possibly a representation of Cathedral of Santa Maria del Fiore in Florence Italy. The Italian Renaissance is renowned for its magnificent works of art and architecture, which are admired to this day for their grandeur and intricate details. Among the most impressive examples of this era are the rare and monumental carved Carrara marble models of cathedrals...

19th Century French Gothic Credenza is a remarkable work of the cabinet maker's art, featuring tailored architecture melded with the timeless intricacies of the style that dates back...

Beautiful and rare Gothic Revival treasure box with bronze handle. If you are a collector of antique boxes and/or if you are looking for an extraordinary jewelry box to grace your credenza or side table then this unique and top quality made specimen in the Gothic style could be perfect. Gothic Revival boxes are very hard to find and we have never seen one with such prodigious carvings on all sides. The unique and cat-like dragon gargoyles (with fangs) that look like they are carrying this casket, are just some of the stunningly carved and detailed sculptures that make this antique rarity even more artistic and impressive. Another great feature are the peacock sculptures. In Christianity the peacock is the symbol of purity. Christians believe that once someone has passed their soul rises and goes to heaven. This is why in earlier times Christians would spread the feathers of a peacock over the deceased since it symbolized a pure soul that was immune to corruption. The peacock also represents immortality, resurrection, and the spiritual teachings of Jesus Christ and the Christian church. Have you also noticed the top quality details on both ends of the bronze handle on top? The quality of that ornamental work is of the absolute highest standard also. There are many more incredibly beautiful, hand carved details and together they show that no expense was spared to create one of the most amazing Gothic caskets...

This exceptional 19th-century chimney pot is a magnificent find for collectors of architectural salvage and garden antiquities. Expertly crafted from durable terracotta, the piece fe...

Meaningful and a monumental masterpiece: “La Vierge d'Albert” piece of the golden Virgin) by ), cast by Barbedienne, 1916. Step into the poetic depths of history with this extraordi...

19th Century Brass Wall hanging Shield A Decorative Gothic wall hanging Shield hand made in brass, the shield is decorated with mythical Warriors and beasts, there are 2 images of t...

Large wrought iron bed, dating from the mid-20th century. Beautifully crafted from hammered and forged iron, entirely hot-riveted. The posts are topped with bronze vases. ...

17th-18th century French andirons made of wrought iron. The style of the andirons is Gothic. The andirons have spit hooks to grill food. They are in a good condition.

A striking and authentic pair of Tuscan antiphonal manuscript leaves, dating from the late 15th to early 16th century, beautifully preserved on vellum. These rare liturgical pages or...

A gorgeous antique Gothic or Renaissance Revival bar cabinet Belgium, Circa 1880s Oak, with ornate carvings including shields and knight figures, and original iron hardware. Measu...

Material: Premium Calacatta Viola Marble Dimensions: 82" W x 35" D x 30" H (208 cm x 90 cm x 75 cm) Base: Solid Calacatta Viola Marble Condition: New; Made to Order Shipping & Hand...

Reclaimed Fragments of Religious Artworks After Matteo di Pacino. A pair of reclaimed fragments of religious artworks after Matteo di Pacino, originally part of a triptych. Painted ...

This compelling 20th-century oil painting captures the haunting beauty of a classic memento mori subject. Rendered on canvas with confident, academic brushwork, the skull emerges fro...

Housing one light each. These will be newly rewired with certified US UL sockets for the USA and appropriate sockets for all other countries. Standing winged dragons with lots of det...

English Renaissance (Tudor-16th Century) oak carved linen fold design paneled room with a mantle, overmantle carving and a Pair of spindle design open doo...

French cast iron fireback of the 15th/16th century. Gothic ornament from the early days of casting iron, with a brown patina left as found. A fireback stands against the back wall of...

Keep your valuables and documents in this important antique hobnail safe. Manufactured by Magaud de Charf in Clermont, France, the monumental wrought iron safe is decorated with nail head motifs on all four sides and has an all-original, working mechanism. The front door is further decorated with two large hinges on the sides, and further embellished with a bronze plaque on the top which reads: "Doumaux Jeune a Clermont 1838". The inside opens to reveal an amazing lock mechanism and a large storage compartment. To open the safe, you first need to find and locate the nail which will activate and open the key latch on the right. Next, place the two large keys in each key hole one at a time and turn them in a certain order to open the safe; when opened, the inside reveals three wooden drawers over a bottom shelf which lifts up for underneath storage. (A video will be sent to the buyer if needed). The large and heavy hobnail studded safe...

Reclaimed Fragments of Religious Artworks After Matteo di Pacino. A pair of reclaimed fragments of religious artworks after Matteo di Pacino, originally part of a triptych. Painted ...

Among the rarest survivals of medieval architectural ironwork, this monumental pair of Gothic castle doors (one door-two wings) represents an extraordinary achievement in the art of the medieval blacksmith. Entirely hand forged from wrought iron and assembled with individually forged rivets, the doors embody the engineering skill, defensive requirements, and uncompromising craftsmanship of late medieval France. Unlike the overwhelming majority of surviving castle doors- which rely on heavy oak cores reinforced with iron straps- these remarkable examples are constructed almost entirely of wrought iron plates, braces, and structural members. Such an approach demanded immense quantities of iron, exceptional technical expertise, and hundreds of hours of skilled labor, making doors of this type exceptionally costly to produce and reserved only for the most important fortified spaces. Their bold Gothic silhouette, terminating in a pointed arch, corresponds to the original medieval stone opening from which they originate. Massive diagonal reinforcing members, broad riveted iron plates, forged hinge assemblies, and individually hand-worked rivets form a powerful architectural composition that is as sculptural as it is functional. Every surface tells the story of more than five centuries of existence. The wrought iron retains its rich historic patina, displaying centuries of oxidation, forge textures, hammer marks, laminated iron surfaces, and evidence of traditional forge-welding techniques. The irregular rivet heads, overlapping iron plates, and subtle variations in thickness reveal unmistakable hand craftsmanship impossible to reproduce through modern industrial methods. Architecturally, these doors were almost certainly created for one of the most secure areas of a medieval fortress or château. Their all-iron construction suggests installation within a treasury, armoury, prison, fortified vault, strong room, or other location where maximum security and resistance to fire were essential. Such commissions were reserved for castles of considerable importance and required the work of master blacksmiths operating at the highest level of their craft. Stylistically and technically, the doors date most convincingly to the late 15th to early 16th century (circa 1480–1530). However, the conservative nature of medieval architectural ironwork, together with the Gothic form and traditional forging methods, leaves open the possibility that portions of the construction- or the original commission itself- may extend into the 14th century, making these doors potentially even earlier than their generally accepted dating. Authentic medieval all-wrought-iron castle doors...

Oil painting on iron plate, depicting a Vanitas with skull and fruit. Octagonal frame in interlocking ebonized wood with flaring to match the painting and gold profiling on lead. Ita...

A stunning salt cellar, made by famous Norwegian artist Magnus Aase in 925 Sterling silver (hallmarked). The makers mark being Magnus Aase, Norway, from the 1940s. The salt cellar ...

Spanish hand forged iron five-piece fireplace tools set stand with scrolls ornamentation and dragon motifs, wrought iron. Spain, 1920s-1930s. This sculptural tools set hangs on a tri...

An exceptional and remarkably rare Late Gothic solid wrought iron castle door, hand forged in Central Europe during the second half of the 15th centu...

While the birth of Christ is briefly told in the Gospel of Luke (2, 7) it is in the apocryphal texts that we find most of the elements and details that have then inspired artists. As of the 14th century and even more of the 15th century the subject of the Adoration of the Child replaces in Western art the scene of the Birth, much favoured in Byzantine art. Instead of being depicted lying with the new-born swathed in the manger, the Virgin is now kneeling, her hands joined in prayer in front of the naked child. This change was probably hastened by the popularity of the visions of Saint Bridget of Sweden to whom the Virgin allegedly appeared to show how she had given birth to Jesus (Visions, VII, chap. 21). Sheltered by a thatch-roofed structure the Virgin is kneeling in front of the Child Jesus. She wears a magnificent red dress under a large gold cloak. Her curled blond hair is partially veiled. The newborn is lying on a straw mat. Joseph is depicted with a parted beard and stands opposite from the Virgin. He wears a tunic and a coat with a purse hanging from the belt. His costume reminds us of the long journey him and Mary have accomplished to reach Bethlehem. Two other women are present. One is looking through the stable’s window to observe the Holy Family while another one kneels in prayer in front of the divine child. The rich costume of the lady might indicate she is a donator. However they could also both represent the women who took part in the birth of Christ, Zelemi and Salome. Salome, incredulous did not believe in the virginal conception of Mary and she is represented far from the scene. The artist has depicted her with an expression of doubt on her face. Zelemi, on the contrary, is a believer. She is rewarded by a place of honour at the heart of the scene, close to Mary. To the left the donkey and ox that have accompanied Mary and Joseph to Bethlehem observe quietly the scene. On the foreground two angels hold a scroll reading an excerpt from the Gloria : “/Gloria/ in excelsis /Deo/.” One of the angels wears a blue cape while the other’s is red Those two colours are very significant as during Middle-Ages blue symbolises hope and red charity. Together they express the hope in redemption thanks to the advent of Christ and his sacrifice to come. Above the main scene, up a cliff, a small shepherd lets his herd of sheep graze amidst the trees. He is framed by two walled cities. This wood carving is the work of a very skilled and inventive artist. The piece bears witness to his exceptional talent. The realism of the scene is emphasised by the amount of details depicted. The refinement of the carving itself is highlighted by the well preserved polychromy. This key moment of the New Testament is set in a contemporary context thanks to the clothes of the characters and the scenes of rural life. The universal dimension of the scene is intensified while allowing contemporary viewers to grasp its meaning more easily. This care for details, the picturesque realism as well as the extraordinary rendition of the cloths suggest it was made by a Flemish artist during the late 15th century. This relief can be compared with the panel of the Nativity from the Saint-Vaast altarpiece made by Jacques Daret between 1433 and 1435, today in Madrid’s Thyssen-Bronemisza Museum. Literature Louis Réau, Iconographie de l’Art chrétien...

An exceptional and rare Austrian longsword, designed as a two-handed weapon with a classic cruciform hilt and straight, double-edged blade. This distinguished form bridges the morpho...