Gothic Furniture

This extraordinary and remarkably well-preserved ensemble represents a complete set of late medieval German infantry armour, dating from the 15th to early 16th century. Forged entirely from high-quality steel plates and joined with traditional leather straps for proper articulation and fit, the armour embodies the superb craftsmanship and engineering of the German armourers of the period. The helmet is a finely made European bascinet, the classic combat helmet of the era. It features a gracefully pointed visor and hinged cheek plates, designed to provide both excellent facial protection and freedom of movement, while allowing sufficient ventilation and audibility during combat. The bascinet retains its original character and displays the subtle fluted detailing that became a hallmark of German armour-making in the transitional phase from the Gothic to the early Renaissance styles. The suit is mounted on an antique wooden mannequin stand measuring 175 cm in height and includes its original linen undergarment and chainmail shirt...

This very nice 7 lights candelabras floor lamp is made of wrought iron. This is a French work. Circa 1940.

An exceptional and rare 16th century Gothic wrought iron safe door, featuring an advanced three-key multipoint locking system, a testament to the high craftsmanship and security inno...

This very nice and unusual chandelier with 8 arms is made of wrought iron. This is a French work in the Gothic style. Circa 1920

An extraordinarily rare and important late medieval English orphrey panel, dating to circa 1480, executed in sumptuous sacred embroidery and remarkably preserved in untouched conditi...

A robust, solid oak extending dining table hand-crafted in 17th century France circa 1680. Gnarled knots, beautiful grain, and an incredible range of textures give the thick tabletop...

A pair of 19th century buff terracotta gargoyles. This set of well modelled and impactful statues were cast in the late 19th century. Formerly architectural decoration these statues ...

A handcarved 15th century gothic oak decorative panel affixed with hanging hook to the reverse, ready for hanging on a wall in your interior. Orig...

French Gothic fireback reproduction. With decorations in the style of the early days of casting firebacks. 20th century. The fireback has a black / pewter color. The fireback is in ...

Medieval floor tile from the Gravensteen Castle – Ghent, 14th–15th century Rare red earthenware floor tile decorated with a heraldic lion, incised and inlaid with yellow slip under ...

A 17th Century High Back Oak Box Settle The Settle has 3 carved back panels and further panels at the bottom the seat opens for storage The bench is a real country piece with very ...

An antique Italian wall mounted fountain basin in a late Gothic style with central sun in low relief or "bas relief" on a detailed pedestal in Rosso Verona marble with patina. Minor ...

Crafted in Italy circa 1750, this impressive antique walnut cassone offers both architectural presence and practical storage. The rectangular coffer showcases a richly carved façade ...

Rare Gothic Castle Limestone Chimney Mantle Chateau Fireplace Hand Carved Stone . A real museum / Chateau mantel fireplace piece. Perfect for a Rustic ...

A quite large 16th century Italian so called 'coffre fort' . Coffers or chest like these were specifically made for cities or large villages to safegueard the gold and valuables. The...

This nice pair of wrought iron wall lights with coat of arms and 2 light arms. This is a French work in the Gothic Style. Circa 1940 Additional Information: Material: Wrought iron S...

A 19th century gothic arched door, crafted from English oak. Dating back to circa 1820, this Victorian door comes on its original substantial iron hinges....

English Renaissance (Tudor-16th Century) oak carved linen fold design paneled room with a mantle, overmantle carving and a Pair of spindle design open doo...

A Georgian porphyry marble roundel of Dionysus. Also known as Bacchus, this ornate side profile is set into a roundel of highly prized porphyry marble inside a Carrara border. Dion...

This 1920s French Gothic oak cabinet presents an exceptional display of period craftsmanship, defined by its intricate carvings and richly textured ...

This pair of 19th century church doors date back to circa 1850. Made of sturdy English oak, these large scale doors are of exceptional quality. Ornate ir...

A. W. N. Pugin, in the style of. A Gothic Revival oak bracket or wall shelf with 45-degree chamfering throughout. The top provides an open display area, supported by a through-tenon ...

Dutch Gothic style (19th Century) oak and gilt filigree carved 4 section steeple (Provenance: a Dutch church 108 Utrechtsestraat St., Amsterdam).

Elegant 19th-century French cigar cabinet in the Gothic style. This beautifully crafted piece features a tambour roll-top door that opens to reveal compartments for cigars and two sm...

19th Century Gothic Brass Jardiniere with Shields This is a very old piece it is decorated with Lions and Shields and it has a Latin Motto inscribed on both sides which means ‘Virt...

Keep your valuables and documents in this important antique hobnail safe. Manufactured by Magaud de Charf in Clermont, France, the monumental wrought iron safe is decorated with nail head motifs on all four sides and has an all-original, working mechanism. The front door is further decorated with two large hinges on the sides, and further embellished with a bronze plaque on the top which reads: "Doumaux Jeune a Clermont 1838". The inside opens to reveal an amazing lock mechanism and a large storage compartment. To open the safe, you first need to find and locate the nail which will activate and open the key latch on the right. Next, place the two large keys in each key hole one at a time and turn them in a certain order to open the safe; when opened, the inside reveals three wooden drawers over a bottom shelf which lifts up for underneath storage. (A video will be sent to the buyer if needed). The large and heavy hobnail studded safe...

A Pine Carving of Virgin and Child signed E. Lechner. Carved in 15th Century style, a high relief with a hollowed back and depicting the crowned Virgin standing on contrapose with lo...

19th Century Farmhouse Gothic Oak Refectory Table This is a large piece, made in solid Oak, the table has hefty 6” bulbous carved oak legs and a solid Oak top, it will seat 8 din...

Particular Gothic style chandelier made of wrought iron and wood. Made in France in the 1940s.Please watch the video and photos carefully, thank you. Weight: 10 Kg Bulbs: 4 E14 ligh...

An exceptional early German crossbow dating to around 1540, crafted from antler, wood, and iron. This finely made piece exemplifies the late Gothic to early Renaissance period of Ger...

Stunning and practical size, multi purpose Gothic chest / box from a monastery. This here Gothic chest is one of the smallest yet most stylish we ever had the pleasure of offering. ...

English Gothic Revival style (19th Cent) walnut Prie-dieu with fretwork design and needlepoint upholstery.

VIRGIN AND CHILD IN MAJESTY, ALSO KNOWN AS "SEDES SAPIENTIAE"   ORIGIN : SPAIN, CATALOGNE PERIOD: EARLY 13th CENTURY   Height :  95 cm Width : 32 cm Depth : 28 cm   Softwood No polychromy     In the middle of the 12th century, the Virgin took her place in churches, seated in Majesty, serving as a throne for her son Jesus. She is then called Sedes Sapientiae, meaning the Throne of Wisdom. At that time, she is not represented for herself and only exists because she has been designated as Theotokos, the mother of God, at the Council of Ephesus in 431, where the divine nature of Christ was proclaimed from his birth.   The upright and perfectly hieratic bust of this Virgin and Child in Majesty is seated on a throne-bench. She is dressed in a tunic with a rounded neckline and covered with a fine mantle placed on her narrow shoulders. The supple and natural drapery follows the lines of the body.   Large curls frame her face with delicate and regular features, a long straight nose, almond-shaped eyes, and small lips.   She supports the Infant Jesus with her left hand. Like his mother, he is dressed in a long tunic, and his little feet are visible in the folds. He holds a small sphere in his left hand, while with his right hand, he gestures in blessing. The face of Christ bears a strong resemblance to his mother’s one, and he gives a slight smile.   The position of the Child is no longer as hieratic, nor frontal or central as in the early 12th century, but his face still turns towards the faithful.   The 13th century indeed emerges as a period of transition in the artistic domain. The statuary, while retaining certain characteristics still belonging to the habits of the previous century, also develops new formal solutions.   As a result, Mary maintains a hieratic and frontal position, while her son shifts to place himself well to the left on her knee. Similarly, while the Virgin seems perfectly still, Jesus, on the other hand, appears much more animated, especially in the positioning of his hands. His left hand holds the orb, and judging by the raised right arm directed towards the faithful, one can easily imagine that he was making a gesture of blessing.   The influence of the Sedes Sapientiae from previous centuries still seems particularly prevalent in this work.   These few characteristics allow dating this Spanish Virgin...

Stained glass trilogy Depicting Christ shining a torch after a quote from Oscar Wilde ‘Religion is like a blind man looking in a black room for a black cat that isn’t there, and fi...

A striking pair of 15th–16th century antiphonal leaves, executed on vellum (animal skin), originating from a large-format choir book used in ecclesiastical settings. These manuscript...

Belgium / 16th century / wooden sculpted panel / oak / Gothic / Rustic / Antique A panel in oak wood enriched with Gothic graphic carvings. Hand carved in Belgium in the 16th centur...

Wooden coffret, call minnekästchen, engraved with a dog, a hare and foliage with polychromy remains. During the Middle Age, the hare is a symbol of fertility, joy and represents the Christ...

17th Century French Gothic Period andirons made of hand forged wrought iron. With cups to keep drinks or soup warm. Also with spit hooks at different heights for grilling food. The ...

This exceptional 19th-century chimney pot is a magnificent find for collectors of architectural salvage and garden antiquities. Expertly crafted from durable terracotta, the piece fe...

Set of 4 wrought iron wall lights. French work (Indicated height without candles). Circa 1940 Additional Information: Material: Wrought Iron Period: Circa 1940 Dimensions: W: 4.13 x...

A stately and architectural set of six Belgian oak dining chairs from the 1960s, crafted from stripped wood with angular frames and high backs. The tall, panel-style backrests featur...

Stunning Spanish hand forged iron four-piece fireplace tools set stand with scrolls ornamentation, dragon motif and original gold leaf gilt finishing. Spain, 1920s-1930s. This sculpt...

Late 19th Century Wooden Door with Gothic Style Arch Detail

A 19th century Victorian terracotta model of a gothic font. An English architectural model of a font in the ecclesiastical style dated to circa 1850. The octagonal design has a repeating trefoil design on all sides. A pleasing object modelled after an unknown church font...

3 English Gothic Revival style (19th Century) pink and green painted architectural castle steeples with gold trim. (PRICED EACH).

16th century / Belgium / Letter Panel / Oak / Gothic A finely carved Gothic oak panel from 16th-century France. This architectural fragment features graceful vertical fluting framed...

Provenance : - Kunsthaus Heinrich Hahn, Frankfurt am Main, sale 16, June 17, 1930, lot 16. - Sotheby's, Amsterdam, Feb. 26, 2006, lot 201. HISTORIC Located between Moselle valley and Meuse valley, framed by the Vosges Mountains on the south side and the duchy of Luxembourg on the north side, the duchy of Lorraine is the result of several partitions. It starts with the 9th century when the Carolingian empire is divided, with Lothar 1st inheriting Lotharingia. In 959 this territory was in turn divided in two; Lower and Upper Lotharingia, the latter being the forebear of the duchy of Lorraine. This duchy was under the rule of the Holy Roman Germanic Empire until 1736 when it was absorbed by the kingdom of France. All along its history the duchy of Lorraine has found itself in the midst of many conflicts. Alliances and feuds marking European history were always particularly sensible in Lorraine where instability was frequent. Because of its geographic position the duchy of Lorraine was also an artistic crossroad. Hence the duchy of Lorraine becomes from the 13th century onwards an important artistic centre where a particular type of Virgin and Child appears. According to professor J. A. Schmoll the characteristics of Lorraine sculpture burgeon around 1280-1300 in the Aube region. It presents “vigorous volumes, restrained movements, rare but solemn gestures and a strong interiorised and stern expression”. Those Virgins look similar with a wide forehead, a shield- or oval-shaped face, large neck, small lips and a cleft chin. This model is particularly in favour during the 13th century because of the revival for Marial worship and for the theme of the Virgin and Child. It bears witness to a new religious sensibility with a more intimate vision of religious practice. DESCRIPTION The important 14th century Virgin we present to you is one of the most beautiful examples of sculptural art from Eastern France, with her fascinating distant gaze. Her contrapposto posture is induced by the weight of the child she carries high on her left side. The child has a chubby face framed by blond hair with well defined curls and he wears a long red V-collared tunic from which emerge his feet. The fabric is animated by long folds. The position of the right foot turned to the back is a detail we can notice on several Virgins from Lorraine. He holds a bird that seems to be pecking his thumb. “The bird /held by the child in his hands/ has been read as a reference to an episode from Christ’s childhood when he has moulded sparrows with clay before giving them life. It appears in the apocryphal gospel of Pseudo-Matthew (ch. 27) and later in the Quran (III, 43, v. 110). However the iconography seems to be more influenced by the concept of Redemption or of Eucharist, the bird symbolising the soul of the Christian about to be redeemed or revitalised.” Mary wears a long dress with two rock crystal cabochons remaining from the original five. She is covered by a red cloak enriched with old-gold motifs draped as an apron falling in long pleats along her left hip. The relief treatment and the volume of the cloak developing a network of concentric pleats contrast with the the flat pleating of her dress. They nevertheless suggest the curve of her bent right leg. She wears a floret crown securing a short thin veil carved in very low relief. From it emerges her blond curled hair characteristic of the 13th century. The large face with almond-shaped eyes, straight nose, small lips and cleft chin casts its gaze afar in a fashion typical of 13th century Virgins. In her right hand she holds a lily flower. In a very refined manner the artist has carved a band on her right ring-finger. In the back, carefully sculpted, spreads the minutely detailed short veil. COMPARATIVE STUDIES This sculpture of great quality presents obvious similarities with Virgins from Lorraine, designated by William Forsythe...

Drawing influence from baroque and rococo design, the Obsidian Seraphim console table takes Ezekiel’s description of the seraphim and twists it into a biomorphic sculpture that undul...

Pair of 19th Century gothic English lights Dimensions: H 10.5” x W 5.5” x D 5.5” Chain drop 20” Weight: 5kg pair Date: Late 19th Century Origin: English Material: Metal and glass ...

Spanish drinks table on a tripod base, Spain, 1950s Entirely made in hand forged iron, gilt finish. It has a clean design with Gothic style acce...

Rustic Antique Double Pedestal Banquet Table was literally designed to last for centuries! Utilizing thick planks and beams of solid old-growth elm wood, the artisans who crafted it...

An exceptional and rare Austrian longsword, designed as a two-handed weapon with a classic cruciform hilt and straight, double-edged blade. This distinguished form bridges the morpho...

Striking 18th century oak cabinet, executed in a rich Gothic Revival style with strong architectural presence. The piece features a solid oak construction with a deep, warm patina an...

Gothic Medieval cathedral oak Misericord bench, circa 15th-17th Centuries. This beautiful small bench or chair stall was often found in Medieval Cat...

Spanish or Italian 17th century bis chest. Chest structure in solid walnut, entirely hand-carved. Exceptional craftsmanship. Very naive vintage conduction with a nice patina on the...

Wonderful print of St Patrick Illuminated Chromolithograph Published circa 1880 Unframed. Free shipping The measurement is the paper size

Vintage 20th century carved mahogany table top Bible / book stand / lectern - Gothic inspired styling with a reticulated pommy cross (croix pommée) at the center. Dimensions: 13.75"...

Mid 17th century Northern European carved figure of a saint. This striking statue depicts a saint who is dressed in robes, whilst holding his hand over his heart. This figure is freestanding and is stood within a leaning position which makes him stand out. It has been beautifully carved from oak and has remnants of its original paintwork. Likely to have stood within a church for many years and would have been removed due to renovation reasons. This historical figure...

Intricate wrought iron, Gothic style chandelier with foliate and floral motif.

This nice and unusual pair of andirons representing dragons are made of wrought iron. This is a French work. Circa 1940