Gothic Furniture

Miniature "Iron Maiden" in blackened cast metal attached to its original round wood base. The front doors are pin-hinged and open to reveal pointed spikes. At base of doors is printe...

This magnificent 16th-century German two-hand sword is a rare and historically important ceremonial weapon, hand crafted by renowned blade-smith Christoph Stantler (active circa 155...

This pair of 19th century church doors date back to circa 1850. Made of sturdy English oak, these large scale doors are of exceptional quality. Ornate ir...

A towering pair of 18th century French forged, wrought iron andiron-chenets to watch over the hearth. They include a small basket at the top for warming, the rim impressed with a geo...

A rare and beautifully preserved 15th-century German crossbow, created as a true weapon of war or defense,.This piece is a remarkable survival from the Gothic period, with all of its...

Dramatic Gothic style aged mirror having central cherub at the top, ornate frame and two mask like faces on each side. Mirror has natural spiderwebs and mercury with fabulous moody ...

Antique Gustav Stickley Tobey School Oak Gothic Cut Out Taboret Stand C1900 Measures - 18"H x 12"W x 12"D This oak taboret stand, in the manner of Gustav Stickley Tobey, features a G...

An exceptional and rare Gothic-Renaissance memento mori, sculpted in marble and surmounted by an original iron cross, originating from Austria, 16th century. Carved from solid marble...

In true Gothic fashion, these lamps illustrate the style of light common to many cathedrals of the time yet devoid of any religious symbols. Lights are of grand scale consisting of s...

POLYCHROME CARVED WOOD VIRGIN AND CHILD FROM THE 15TH CENTURY   ORIGIN: SOUTH GERMANY, SWABIA, NUREMBERG REGION PERIOD: 15th CENTURY   Height: 94,6cm Width : 28 cm Depth : 18 cm   Lime wood Original Polychromy Good state of conservation     From 1430 onwards, sculpture underwent a profound stylistic renewal which continued until 1530, the so-called late Gothic period. In the Germanic countries, original sculptures flourished in an expressive and sensitive vein.
This renewal was inspired by the art of Nicholas of Leiden, who was active in Strasbourg in the 1460's. His style broke with the refined and delicate art of the international Gothic style in force throughout Europe around 1400. The figures became more authentic and realistic. The bodies became denser. Clothes are animated by deep, broken folds, the fabrics are heavy and have a great decorative value. In addition, the polychromy is intended to be illusionistic. The painting makes it possible to restore the texture of the materials, the richness of the textiles and the natural skin tone of the characters.   The dissemination of images through engraving and the great mobility of the artists led to the success of this style, which conquered the Upper Rhine, Swabian, Tyrolean and Franconian regions, contributing to the formation of a common stylistic identity in these regions. The economic boom in the flourishing German cities was conducive to the development of original production. Attracted by this prosperity, numerous workshops were set up in order to meet the orders of religious communities, the Church and the laity, including a clientele of middle-class rockers.      This precious Virgin and Child is depicted standing on a crescent moon, her head encircled by a crown of tall flowers. Her long wavy hair spreads over her shoulders, framing her beautiful oval face. Under fine eyebrows drawn with a brushstroke, her almond-shaped, slightly drooping eyes look at the Child with infinite softness. She is dressed in a long red dress with a rounded neckline, belted under the chest. The heavy fabric of her dress spreads out in broken folds at her feet. On her shoulders she wears a golden cloak. The drapery has deep folds. She holds out her right hand while she holds the Christ Child with her left.   Christ, with his well-defined hair, is naked. His cheeks are highlighted with red, he holds an apple in his left hand and with the other hand makes a sign of blessing towards the faithful.   Virgins with Child on a crescent moon were very popular in the second half of the 15th century, especially as the central subject of altarpieces in southern Germany and Austria. The crescent moon on which Mary is standing is reminiscent of the Woman of the Apocalypse. Often equated with the Virgin Mary.    This episode is taken from the Book of Revelation (12:1-6)   1 Then a great sign appeared in heaven: a woman clothed with the sun, with the moon under her feet and a crown of twelve stars on her head. ; 2 She was pregnant, and she cried out because she was in labor, in pain from giving birth. ; 3 Then another sign appeared in heaven: it was a great fiery red dragon, with seven heads and ten horns, and seven royal crowns on his heads. ; 4 His tail swept down a third of heaven's stars and threw them to the earth. The dragon stood in front of the woman who was about to give birth so that when she gave birth, he might devour her child. ; 5 She gave birth to a son, a male child who is to rule all the nations with an iron rod. Her child was snatched up to God and his throne. ; 6 Then the woman fled into the desert, where God has prepared a place for her. There she will be taken care of for one thousand two hundred sixty days.   Some theologians see in this woman a reference to the Virgin Mary and in the child, Jesus.    
This remarkable work is a very fine example of sculpture from Swabian workshops in the last decades of the 15th century. It presents all the characteristic stylistic elements: a highly girdled silhouette, an abundant drapery with angular folds, but also a great physical presence accentuated by the polychromy that restores the anatomical details. This group is made of a wooden log. The deep folds of the drapery highlight the movement of the Virgin holding the child.       Bibliography :   Sophie Guillot de Suduiraut, Dévotion et Séduction, Sculptures souabes des musées de France, vers 1460-1530, Paris musée du Louvre-Éditions somogy, 2015   “Revelation 12 -   Common English Bible...

This 1920s French Gothic oak cabinet presents an exceptional display of period craftsmanship, defined by its intricate carvings and richly textured ...

This Neo-Gothic marble mantel was reclaimed from a NYC townhouse in the Upper West Side near Central Park. This striking mantel draws clear inspiration f...

An extraordinary and museum-worthy 15th century Gothic Corpus Christi, masterfully hand-carved in wood with exceptional anatomical detail and partially polychromed in white and royal...

An exceptional early German crossbow dating to around 1540, crafted from antler, wood, and iron. This finely made piece exemplifies the late Gothic to early Renaissance period of Ger...

Very well detailed and proportioned, carved Stone architectural spire of the gothic style. Made during the last quarter of the 19th century, origin is unknown. The carved detailing a...

Drawing influence from gothic architecture and design, the Oxalis collection encapsulates the studio's concept of medieval modern design. Likening our current era to the feudal dark ...

An exceptional and rare Austrian longsword, designed as a two-handed weapon with a classic cruciform hilt and straight, double-edged blade. This distinguished form bridges the morpho...

17th-18th century French andirons made of cast iron. The style of the andirons is Gothic. The andirons have spit hooks to grill food and a cup to keep drinks warm. They are in a good...

VIRGIN AND CHILD IN MAJESTY, ALSO KNOWN AS "SEDES SAPIENTIAE"   ORIGIN : SPAIN, CATALOGNE PERIOD: EARLY 13th CENTURY   Height :  95 cm Width : 32 cm Depth : 28 cm   Softwood No polychromy     In the middle of the 12th century, the Virgin took her place in churches, seated in Majesty, serving as a throne for her son Jesus. She is then called Sedes Sapientiae, meaning the Throne of Wisdom. At that time, she is not represented for herself and only exists because she has been designated as Theotokos, the mother of God, at the Council of Ephesus in 431, where the divine nature of Christ was proclaimed from his birth.   The upright and perfectly hieratic bust of this Virgin and Child in Majesty is seated on a throne-bench. She is dressed in a tunic with a rounded neckline and covered with a fine mantle placed on her narrow shoulders. The supple and natural drapery follows the lines of the body.   Large curls frame her face with delicate and regular features, a long straight nose, almond-shaped eyes, and small lips.   She supports the Infant Jesus with her left hand. Like his mother, he is dressed in a long tunic, and his little feet are visible in the folds. He holds a small sphere in his left hand, while with his right hand, he gestures in blessing. The face of Christ bears a strong resemblance to his mother’s one, and he gives a slight smile.   The position of the Child is no longer as hieratic, nor frontal or central as in the early 12th century, but his face still turns towards the faithful.   The 13th century indeed emerges as a period of transition in the artistic domain. The statuary, while retaining certain characteristics still belonging to the habits of the previous century, also develops new formal solutions.   As a result, Mary maintains a hieratic and frontal position, while her son shifts to place himself well to the left on her knee. Similarly, while the Virgin seems perfectly still, Jesus, on the other hand, appears much more animated, especially in the positioning of his hands. His left hand holds the orb, and judging by the raised right arm directed towards the faithful, one can easily imagine that he was making a gesture of blessing.   The influence of the Sedes Sapientiae from previous centuries still seems particularly prevalent in this work.   These few characteristics allow dating this Spanish Virgin...

Intricate wrought iron, Gothic style chandelier with foliate and floral motif.

Dutch Gothic style (19th Century) oak and gilt filigree carved 4 section steeple (Provenance: a Dutch church 108 Utrechtsestraat St., Amsterdam).

Rare Gothic Castle Limestone Chimney Mantle Chateau Fireplace Hand Carved Stone . A real museum / Chateau mantel fireplace piece. Perfect for a Rustic ...

Antique spanish door fence pediment / crest in iron, hand forged, Spain, Early 20th century. This eye-catching wall fence was entirely made by hand in forged iron. A master work of t...

Late 19th Century Wooden Door with Gothic Style Arch Detail

19th Century French Gothic Hall Bench with Trunk is a stately example of the genre which dates back to the middle of the 12th century in France! Hand-crafted from solid oak, it feat...

GOTHIC CHEST WITH LINENFOLD PANELS   ORIGIN : ILE DE FRANCE PERIOD : CIRCA 1500   Height : 78 cm Length : 167 cm Depth : 61 cm           Walnut   Simple in the structure, this chest ...

Hand Forged Scrollwork Wrought Iron Pendant / Lantern, Spain, 1940s. Eye-catching hand forged lantern or hanging light with scroll and twisting details thorough. The lantern hangs from an iron chain accented by rhombus shaped links and it is topped by a wrought iron flower shaped canopy. Entirely made by hand. Outstanding design in the style of gothic with spanish colonial and baroque accents. Heavily detailed hand forged work. This piece will be a great choice for any main entry, hallway or foyer. It can be a nice addition to any contemporary, classical, Spanish colonial or Spanish revival home decor. It can be placed outdoor hanging on the porch or indoor in a entry hall / hallway. Newly wired with 1 E27 bulb holder Overall measures: 72 cm H x 30 cm diameter The lantern itself without the chain is: 30 cm diameter x 33,5 cm H We are specialists in lighting: A curated selection of iron ceiling light fixtures, chandeliers, pendants and wall lights is avaliable at our 1stdibs marketplace. We invite you to join our profile and check "more from this seller". Spanish Iron Lantern...

An exceptionally rare and important 15th century Gothic iron strongbox, weighing approximately 80 kg. This large strongbox retains its original mechanical locking system, which remai...

A mid-19th century gothic style arched oak plank door with original wrought iron strap hinges and hardware. Suitable for exterior use, this antique oak door features a beautiful pat...

An exceptional and rare 16th century Gothic wrought iron safe door, featuring an advanced three-key multipoint locking system, a testament to the high craftsmanship and security inno...

Unique pair of large 1960's Italian Gothic Dragons andirons, in vintage original condition with minor wear and patina due to age and use, amazing craft...

A very special and stunning pair of Italian brass or bronze, glass, and travertine marble end or side tables with detailed Italian Gothic architecture bronze/brass frame, circa mid-2...

This large chest stands on high legs prolonging the lateral jambs. Presenting a sober and severe appearance the chest still belongs to the Medieval tradition. The piece is made from very high quality Hungarian wood. The jambs are joined to the facade and the lateral sides thanks to pegged mortise and tenon securing a great stability and squareness between each parts. The upper lid is made of two joined parts and so is the facade. The ironwork is present all over the surface of the chest and brings both an additional stability to the construction as well as a rich decor. The lid is secured with hinges. Hinges also run all over the chest in horizontal and vertical lines, ending in a floral motif. The hasp lock is also very ornamental. Those chests always present important proportions especially when they are made early in the period. This model was very popular in Germany and stayed in vogue until the 16th century. However the feet Gothic decor...

"Rare Gothic Oak Panel Carved With Vine And Grape Cluster Motif, Circa 1320–1400" Rare Gothic Carved Oak Panel with Vine & Grape Motif, c. 1320–1400 This exceptional carved oak panel is a fine example of pure Gothic design, originating from Northern Europe—most likely Flanders, northern France, or England—and dating to the early–mid 14th century. The panel is richly carved in openwork with an interlacing vine scroll bearing clustered grapes, a motif strongly associated with medieval Christian symbolism, representing the Eucharist and the “True Vine” of Christ. The design is entirely Gothic in conception, free of any later Renaissance influence, with flowing, organic tracery rather than strict symmetry. A rectangular mortise is present to one side, indicating that the piece originally formed part of a cabinet or small door—possibly from a church sacristy...

A quite large 16th century Italian so called 'coffre fort' . Coffers or chest like these were specifically made for cities or large villages to safegueard the gold and valuables. The...

Gothic Country Solid Oak Welsh Dresser This is a late Victorian piece it is constructed in solid Oak including the panelled back boards, the dresser top has a classic styled top with...

This nice and unusual pair of andirons representing dragons are made of wrought iron. This is a French work. Circa 1940

Fabulous small Georgian tropical hardwood side cabinet Elegant gothic arch door panels with amazing figure in the grain Recently bleached I particularly like the simplicity of thi...

This exceptional trunk was made in England, circa 1800. The antique coffer has an interior which has been lined with metal and would make a fantastic storage or blanket chest, as wel...

This antique gothic style arched and panelled oak door dates back to circa 1900, sourced from a grade II listed building in Bristol’s old city. With a beautiful warm oak patina, thi...

Provenance : - Kunsthaus Heinrich Hahn, Frankfurt am Main, sale 16, June 17, 1930, lot 16. - Sotheby's, Amsterdam, Feb. 26, 2006, lot 201. HISTORIC Located between Moselle valley and Meuse valley, framed by the Vosges Mountains on the south side and the duchy of Luxembourg on the north side, the duchy of Lorraine is the result of several partitions. It starts with the 9th century when the Carolingian empire is divided, with Lothar 1st inheriting Lotharingia. In 959 this territory was in turn divided in two; Lower and Upper Lotharingia, the latter being the forebear of the duchy of Lorraine. This duchy was under the rule of the Holy Roman Germanic Empire until 1736 when it was absorbed by the kingdom of France. All along its history the duchy of Lorraine has found itself in the midst of many conflicts. Alliances and feuds marking European history were always particularly sensible in Lorraine where instability was frequent. Because of its geographic position the duchy of Lorraine was also an artistic crossroad. Hence the duchy of Lorraine becomes from the 13th century onwards an important artistic centre where a particular type of Virgin and Child appears. According to professor J. A. Schmoll the characteristics of Lorraine sculpture burgeon around 1280-1300 in the Aube region. It presents “vigorous volumes, restrained movements, rare but solemn gestures and a strong interiorised and stern expression”. Those Virgins look similar with a wide forehead, a shield- or oval-shaped face, large neck, small lips and a cleft chin. This model is particularly in favour during the 13th century because of the revival for Marial worship and for the theme of the Virgin and Child. It bears witness to a new religious sensibility with a more intimate vision of religious practice. DESCRIPTION The important 14th century Virgin we present to you is one of the most beautiful examples of sculptural art from Eastern France, with her fascinating distant gaze. Her contrapposto posture is induced by the weight of the child she carries high on her left side. The child has a chubby face framed by blond hair with well defined curls and he wears a long red V-collared tunic from which emerge his feet. The fabric is animated by long folds. The position of the right foot turned to the back is a detail we can notice on several Virgins from Lorraine. He holds a bird that seems to be pecking his thumb. “The bird /held by the child in his hands/ has been read as a reference to an episode from Christ’s childhood when he has moulded sparrows with clay before giving them life. It appears in the apocryphal gospel of Pseudo-Matthew (ch. 27) and later in the Quran (III, 43, v. 110). However the iconography seems to be more influenced by the concept of Redemption or of Eucharist, the bird symbolising the soul of the Christian about to be redeemed or revitalised.” Mary wears a long dress with two rock crystal cabochons remaining from the original five. She is covered by a red cloak enriched with old-gold motifs draped as an apron falling in long pleats along her left hip. The relief treatment and the volume of the cloak developing a network of concentric pleats contrast with the the flat pleating of her dress. They nevertheless suggest the curve of her bent right leg. She wears a floret crown securing a short thin veil carved in very low relief. From it emerges her blond curled hair characteristic of the 13th century. The large face with almond-shaped eyes, straight nose, small lips and cleft chin casts its gaze afar in a fashion typical of 13th century Virgins. In her right hand she holds a lily flower. In a very refined manner the artist has carved a band on her right ring-finger. In the back, carefully sculpted, spreads the minutely detailed short veil. COMPARATIVE STUDIES This sculpture of great quality presents obvious similarities with Virgins from Lorraine, designated by William Forsythe...

Drawing influence from baroque and rococo design, the Obsidian Seraphim console table takes Ezekiel’s description of the seraphim and twists it into a biomorphic sculpture that undul...

Spanish hand forged iron four-piece fireplace tools set stand with scrolls ornamentation, dragon motif and gilt patinated finish. Spain, 1940s. This sculptural tools set hangs on a t...

A double-sided illuminated manuscript on parchment hand-written and coloured from the Gothic period (15th century) This is a page from a liturgical book such as the Psalters and cour...

19th century French gothic enfilade with a plank top which has a beveled edge, following down to lovely hand paneled sides and four drawers ...

Belgium / 16th century / wooden sculpted panel / oak / Gothic / Rustic / Antique A panel in oak wood enriched with Gothic graphic carvings. Hand carved in Belgium in the 16th centur...

19th Century Farmhouse Gothic Oak Refectory Table This is a large piece, made in solid Oak, the table has hefty 6” bulbous carved oak legs and a solid Oak top, it will seat 8 din...

A beautiful set of 2 antique candelabras in Gothic style. The candelabras each have room for three candles. Estimated origin and age: France, circa 1900. The candelabras are made of ...

Rustic Antique Double Pedestal Banquet Table was literally designed to last for centuries! Utilizing thick planks and beams of solid old-growth elm wood, the artisans who crafted it...

Transport yourself back to the sleek and sophisticated 1970s with this exquisite arch gothic armoire cabinet with interior mirror. The ultra rare cabinet exudes an air of luxury and ...

Vintage 5-Tier Carved Walnut Etagere Shelf/Bookcase Offered is a beautiful vintage Etegere shelf. This piece is made of Walnut, features five shelves/tiers ...

exceptional and very rare Gothic 4 doors buffet or wardrobe in oak, 15th century period from the north of France. This rare gothic piece open with 4 stylized plant decoration door, each with its original entrance, lockand hinges each in their original condition. The sides of the cupboard have carved pannels typical of gothic style furniture...

Fabulous vintage Gothic style solid cast brass tiered floor standing candelabra with tripod bases, a pair. Beautiful condition, keeping in mind that these are vintage and not new so ...

Large French Decorated Gothic Hall Lantern Ceiling Light This is a Large and Very Heavy Hall Lantern it is a Classic Elaborate Gothic Design decorated with animals Caryatid and symb...

An exceptionally rare and authentic 14th-century or earlier Gothic French oak door, originating from a medieval French castle in the Côtes du Rhône -wine region of south of France. C...

Description: This exquisite bleached oak chest blanket, crafted in France during the 1940s, is a stunning example of Gothic-inspired design. The chest combines the timeless elegance...

Elegant wrought iron low round coffee table or occasional table drinks table. Spain, 1940s This drink table stands up on four scrolled legs supported on iron balls . The top is heavi...

The item on sale is an original Gothic candelabra that dates back to the 1500s. It was expertly handcrafted from brass and consists of two parts that...

English Gothic-style carved oak bookend / book holder with interlocking slats that expand to accommodate a selection of books, ending in two folding uprights with a carved gothic sta...

This 16th century Tzedakah Charity Box is an incredibly rare and unique museum quality piece. It’s made out of walnut wood and has an original 16th century silk material all over it from outside as well as in the inside, bronze plug in the front and the Star of David with two lions from the left and right side of the Star. There are also two round bronze handles to lift the box from both sides. The Tzedakah Box...