Gothic Furniture

Early 16th century carved oak fragment of Gothic tracery likely from a choir screen or other decorative element from the interior of a cathedral or chapel. Very fine organic carving ...

Pair of finely cast 18th Century Coade Stone gothic stoops. In super condition, stamped 'Coade London', these are glazed internally, for holding water which is an unusual design for...

Very good Gothic painted pine 8 drawer housekeepers cupboard. 1840 All eight drawer work and run smoothly Reference: 7405 Dimensions 74 inches (188 cms) Wide 20 inches (51...

antique French carved oak gothic vestment cabinet display bookcase 19th c ~Direct from France~ ~SUPER PETITE antique French oak vestment/sacristy ca...

2 English Gothic Revival style (19th Century) bronze faucets mounted on oak wall plaque. (PRICED EACH).  

Crystal centerpiece bowl with gilt bronze edge and footed paw base, featuring figural goat and man fauns, cut crystal Dore, Austrian. Very good to excellent condition. Dimensions: 9"...

Hand forged 17th century French andirons made of wrought iron. The style of the andirons is Gothic. The tops of the andirons have the shape of a bulls head. The andirons have spit ho...

Two in one, this 19th century recreation of a 15th century Medieval style great table has the unique feature that the top can be folded in half making it into a console or sofa table...

Eye-catching gold gilt hand-forged iron coat / hat rack in the form of a giant key. Spain, 1940s This large key shaped hat and coat rack has 3 large coat ha...

17th century French andirons made of wrought iron. The style of the andirons is gothic. The andirons have spit hooks to grill food. They are in a good condition.

French Victorian Gothic-style wrought iron double inkwell with (later) crystal wells and filigree back-rail. (with calendar stand) (PRICED AS SET).  

Hand-carved in Belgium, circa 1860, this 11 foot tall pair of doors (132.88 inches) were recently salvaged from a Belgian chapel. They can be considered of the Gothic style, which is sometimes referred to as “pointed architecture”, because of the prevalence of pointed arches in buildings. Each door is composed of six vertical planks constructed with mortise and tenon joinery. All planks have been adorned with iron pyramid protuberances, placed in a repeating pattern. The planks and iron retain their white paint, now naturally weathered over the years, perfect for those who appreciate original condition. At over 11 feet tall, these 19th century chapel doors...

Lovely pair of 1890s English chimney pots with great original patina. I use them as planters as you can see by the picture. I put a terra-cotta saucer on the bottom of each pot and p...

This elegant, antique Gothic pedestal table was crafted in Southern France, circa 1920. The intricate martini table stands on three forged curved legs ending with scrolled feet, over...

An English 19th-century Gothic gilt-bronze hall lantern. George IV period, circa 1820-1830. In superb condition. Later adapted with a 3-way center and wiring. A very smart Georgian addition to a hallway, entry or foyer. Measures: H 2’3” (69 cm) W 12 ½” (31 cm) D 12 ½” (31 cm). Nb: A very similar antique Gothic lantern...

This very pretty hand painted and gilded porcelain vase is attributed to Minton, from their "Gothic Pedestal Ornaments" range of the 1830's. It features a hand painted spray of a pro...

Pair of English Gothic-Style (19/20th Century) carved mahogany benches with a four-four point clover design on the sides and tops and a stretcher base. (PRICED AS PAIR).

These important Gothic cast iron fireplace chenets are close to 500 years old. Sometimes called fire dogs or andirons, chenets are fireplace accessories designed to elevate firewood....

A carved limestone fireplace in the English Gothic style. The diamond shaped frieze with shields and Tudor roses with moulded jambs. Moulded shelf above. A copy of an earlier piece. ...

Large pair of French brass andirons, fire dogs or chenets This is a Large globe shaped pair of Brass Andirons they are decorated with Gothic faces in the centre of the large scrol...

An early to mid 19th century Gothic style English limestone fireplace. Unusual in design, very well proportioned and a substantial piece. The castellated shelf which steps down to sit on a plain frieze with carved ends to meet the roundels carved at the top of the jambs, which are inverted with interior panels with outer mouldings. Areas of this surround with natural fossil and patterning adding to its charm. A superior quality Gothic surround...

Wrought Iron Gothic style scrolling base round glass top center table. Item features a ornate wrought iron scrolling gothic style base, round glass...

15th century French Gothic fire grate. Made of beautifully cast iron as well as wrought iron. The total width of the front of the grate is 66.5 cm (2...

While the birth of Christ is briefly told in the Gospel of Luke (2, 7) it is in the apocryphal texts that we find most of the elements and details that have then inspired artists. As of the 14th century and even more of the 15th century the subject of the Adoration of the Child replaces in Western art the scene of the Birth, much favoured in Byzantine art. Instead of being depicted lying with the new-born swathed in the manger, the Virgin is now kneeling, her hands joined in prayer in front of the naked child. This change was probably hastened by the popularity of the visions of Saint Bridget of Sweden to whom the Virgin allegedly appeared to show how she had given birth to Jesus (Visions, VII, chap. 21). Sheltered by a thatch-roofed structure the Virgin is kneeling in front of the Child Jesus. She wears a magnificent red dress under a large gold cloak. Her curled blond hair is partially veiled. The newborn is lying on a straw mat. Joseph is depicted with a parted beard and stands opposite from the Virgin. He wears a tunic and a coat with a purse hanging from the belt. His costume reminds us of the long journey him and Mary have accomplished to reach Bethlehem. Two other women are present. One is looking through the stable’s window to observe the Holy Family while another one kneels in prayer in front of the divine child. The rich costume of the lady might indicate she is a donator. However they could also both represent the women who took part in the birth of Christ, Zelemi and Salome. Salome, incredulous did not believe in the virginal conception of Mary and she is represented far from the scene. The artist has depicted her with an expression of doubt on her face. Zelemi, on the contrary, is a believer. She is rewarded by a place of honour at the heart of the scene, close to Mary. To the left the donkey and ox that have accompanied Mary and Joseph to Bethlehem observe quietly the scene. On the foreground two angels hold a scroll reading an excerpt from the Gloria : “/Gloria/ in excelsis /Deo/.” One of the angels wears a blue cape while the other’s is red Those two colours are very significant as during Middle-Ages blue symbolises hope and red charity. Together they express the hope in redemption thanks to the advent of Christ and his sacrifice to come. Above the main scene, up a cliff, a small shepherd lets his herd of sheep graze amidst the trees. He is framed by two walled cities. This wood carving is the work of a very skilled and inventive artist. The piece bears witness to his exceptional talent. The realism of the scene is emphasised by the amount of details depicted. The refinement of the carving itself is highlighted by the well preserved polychromy. This key moment of the New Testament is set in a contemporary context thanks to the clothes of the characters and the scenes of rural life. The universal dimension of the scene is intensified while allowing contemporary viewers to grasp its meaning more easily. This care for details, the picturesque realism as well as the extraordinary rendition of the cloths suggest it was made by a Flemish artist during the late 15th century. This relief can be compared with the panel of the Nativity from the Saint-Vaast altarpiece made by Jacques Daret between 1433 and 1435, today in Madrid’s Thyssen-Bronemisza Museum. Literature Louis Réau, Iconographie de l’Art chrétien...

Heavy folding wrought iron fire guard for inglenook fireplace This is a heavy folding fireguard, it would suit a traditional Inglenook fireplace or ...

17th century French andirons made of wrought iron. The style of the andirons is gothic. The andirons have spit hooks to grill food. They are in a good condition.

Large scale gothic bronze candle sticks. Twist column on triangle base holds large sconce dish top. 30.75" tall , top sconce dish has 7" diameter.

17th Century German Gothic fireback with a rural scene. The fireback is made of cast iron and has a black / pewter patina. The condition is good, no cracks.

Exquisite antique French Gothic highly carved walnut console, sofa table or sideboard/server~~c. 1880s Highly carved antique French Gothic walnut console, sofa table, sideboard or server with winged figural supports ,"foo" dog or lion feet and lower half-shelf for storage or display~~gorgeous statement piece! Perfect for a foyer console table...

This chest stands on a high moulded plinth. It was made from a fine walnut wood and shows good traces of polychromy and gold leaf decor. The facade’s two panels, once colourful, ...

Heavily turned oak floor standing lamp This is an attractive piece in style of a Corinthian column with a stepped base and acanthus carvings at...

AHL3787 A vintage dome-topped hexagonal verdigris copper lantern glazed with seeded clear glass. With a hinged bottom door for re-lamping. Circa 1930s. Dimensions: Current height: ...

Wooden arched church window retaining old white paint with great balanced details. Salvaged from an old church in Montreal.

This Gothic walnut chest, with an exceptional patina, is a good example of furniture intended to be transported during the frequent journeys made by quality people in medieval times....

19th/20th Century Gothic style German fireback. The fireback is made of cast iron and has a black / pewter patina. The fireback is in a good condition and does not have cracks.

A stunning antique Victorian Gothic brass fire companion set. The superb set is solid brass, with beautiful motifs and design. The spade is engraved...

19th century Italian giltwood mirror. This unusually shaped Italian gilt wood beveled sunburst mirror has an almost gothic look to it. Perfect for an entrance hall above a console, c...

Exhibition Museum Cantini, 1952, The art of the Middle Ages in the Marseille collections, n°101 Provenance Former collection Louis Bresset (before 1952) Former collection Profe...

Gothic Style, very detailed crafted antique bronze box. Marked underneath, made in Belgium. In original good condition.

Beautiful and rare Gothic Revival treasure box with bronze handle. If you are a collector of antique boxes and/or if you are looking for an extraordinary jewelry box to grace your credenza or side table then this unique and top quality made specimen in the Gothic style could be perfect. Gothic Revival boxes are very hard to find and we have never seen one with such prodigious carvings on all sides. The unique and cat-like dragon gargoyles (with fangs) that look like they are carrying this casket, are just some of the stunningly carved and detailed sculptures that make this antique rarity even more artistic and impressive. Another great feature are the peacock sculptures. In Christianity the peacock is the symbol of purity. Christians believe that once someone has passed their soul rises and goes to heaven. This is why in earlier times Christians would spread the feathers of a peacock over the deceased since it symbolized a pure soul that was immune to corruption. The peacock also represents immortality, resurrection, and the spiritual teachings of Jesus Christ and the Christian church. Have you also noticed the top quality details on both ends of the bronze handle on top? The quality of that ornamental work is of the absolute highest standard also. There are many more incredibly beautiful, hand carved details and together they show that no expense was spared to create one of the most amazing Gothic caskets...

Gothic style antique bed made from walnut on an oak frame, with fielded panels, flower carvings and scroll design on the foot panel. This bed accepts a 3ft wide by 6ft 32in base ...

Victorian Golden Oak Green Man desk The Desk stands on chunky barley twist turned legs with a long stretcher. The Desk has one drawer in the centre ...

Curious pair of andirons in patinated bronze and iron, in the Gothic style, with spooky animal heads and dragons Period 19th century Measures: Height 73 cm 62 x 35cm.

French Sarreguemines style glazed ceramic urn with griffin handles. Handsome French sarreguemines style glazed ceramic urn, vase vessel with grif...

San Antonio Abad, Castilian school of the 15th century (1440-1501) Carving in polychrome wood, measures: 45 x 15 cm good vintage conditions.

Gilded Age American settee with upholstered seat and carved mahogany frame with spindle detailing. Seat is reupholstered in a bold red wool blend fabric. Circa 1890-1910.

Provenance : - Kunsthaus Heinrich Hahn, Frankfurt am Main, sale 16, June 17, 1930, lot 16. - Sotheby's, Amsterdam, Feb. 26, 2006, lot 201. HISTORIC Located between Moselle valley and Meuse valley, framed by the Vosges Mountains on the south side and the duchy of Luxembourg on the north side, the duchy of Lorraine is the result of several partitions. It starts with the 9th century when the Carolingian empire is divided, with Lothar 1st inheriting Lotharingia. In 959 this territory was in turn divided in two; Lower and Upper Lotharingia, the latter being the forebear of the duchy of Lorraine. This duchy was under the rule of the Holy Roman Germanic Empire until 1736 when it was absorbed by the kingdom of France. All along its history the duchy of Lorraine has found itself in the midst of many conflicts. Alliances and feuds marking European history were always particularly sensible in Lorraine where instability was frequent. Because of its geographic position the duchy of Lorraine was also an artistic crossroad. Hence the duchy of Lorraine becomes from the 13th century onwards an important artistic centre where a particular type of Virgin and Child appears. According to professor J. A. Schmoll the characteristics of Lorraine sculpture burgeon around 1280-1300 in the Aube region. It presents “vigorous volumes, restrained movements, rare but solemn gestures and a strong interiorised and stern expression”. Those Virgins look similar with a wide forehead, a shield- or oval-shaped face, large neck, small lips and a cleft chin. This model is particularly in favour during the 13th century because of the revival for Marial worship and for the theme of the Virgin and Child. It bears witness to a new religious sensibility with a more intimate vision of religious practice. DESCRIPTION The important 14th century Virgin we present to you is one of the most beautiful examples of sculptural art from Eastern France, with her fascinating distant gaze. Her contrapposto posture is induced by the weight of the child she carries high on her left side. The child has a chubby face framed by blond hair with well defined curls and he wears a long red V-collared tunic from which emerge his feet. The fabric is animated by long folds. The position of the right foot turned to the back is a detail we can notice on several Virgins from Lorraine. He holds a bird that seems to be pecking his thumb. “The bird /held by the child in his hands/ has been read as a reference to an episode from Christ’s childhood when he has moulded sparrows with clay before giving them life. It appears in the apocryphal gospel of Pseudo-Matthew (ch. 27) and later in the Quran (III, 43, v. 110). However the iconography seems to be more influenced by the concept of Redemption or of Eucharist, the bird symbolising the soul of the Christian about to be redeemed or revitalised.” Mary wears a long dress with two rock crystal cabochons remaining from the original five. She is covered by a red cloak enriched with old-gold motifs draped as an apron falling in long pleats along her left hip. The relief treatment and the volume of the cloak developing a network of concentric pleats contrast with the the flat pleating of her dress. They nevertheless suggest the curve of her bent right leg. She wears a floret crown securing a short thin veil carved in very low relief. From it emerges her blond curled hair characteristic of the 13th century. The large face with almond-shaped eyes, straight nose, small lips and cleft chin casts its gaze afar in a fashion typical of 13th century Virgins. In her right hand she holds a lily flower. In a very refined manner the artist has carved a band on her right ring-finger. In the back, carefully sculpted, spreads the minutely detailed short veil. COMPARATIVE STUDIES This sculpture of great quality presents obvious similarities with Virgins from Lorraine, designated by William Forsythe...

This Virgin and Child is wearing clothes with a limited number of folds and showing a thickness characteristic of the Burgundy region. As a result of the presence in the region of th...

Place your Bible or music book on this tall antique stand; crafted in France circa 1880, the Gothic "Lutrin" (French for lectern), stands on a central square stem ending with four sc...

A stunning antique Victorian Gothic brass floral motif fire companion set. The superb set is solid brass, with beautiful floral motifs. The spade is engraved with floral design, matc...

Seating on a bench-like throne the Virgin carries her child on her left knee. She bears an important crown high on her head .The Virgin has an ovoid face with bulging eyes, straight long nose and thin lips. The hair parts in the middle and are carved as thick horizontals parallel hair strands...

A fine antique limestone carving. Modeled as a Madonna. With her head slightly tilted, holding an orb in one hand, and with her other hand resting on her breast. By repute ...

Pair of 12' polychromed plaster angel 14-light candelabra / lamps on pedestals Subtle and dramatic, impressive in size and well executed. Each angel sta...

This fine amber sculpture depicting Jesus Christ is a very rare object. Exemples of this sort can only be found in Germanic countries. Already used during Prehistoric times, amber have always fascinated people. Because of the virtues associated with this material amber was carved as amulets and prophylactic ornaments. As an expression of luxury and means amber was also used for adornments and small figures collected by the upper classes. This fossilized resin was picked on the Baltic Sea shores and soon entered a intense trade system. From the 14th century onwards knights of the Teutonic Order...

A large, rare and well used Dutch iron fire grate. These amazingly crafted grate are a pleasure to have in you hearth and ae perfect for a real large log fire. We have replaced th...

This large chest stands on high legs prolonging the lateral jambs. Presenting a sober and severe appearance the chest still belongs to the Medieval tradition. The piece is made from very high quality Hungarian wood. The jambs are joined to the facade and the lateral sides thanks to pegged mortise and tenon securing a great stability and squareness between each parts. The upper lid is made of two joined parts and so is the facade. The ironwork is present all over the surface of the chest and brings both an additional stability to the construction as well as a rich decor. The lid is secured with hinges. Hinges also run all over the chest in horizontal and vertical lines, ending in a floral motif. The hasp lock is also very ornamental. Those chests always present important proportions especially when they are made early in the period. This model was very popular in Germany and stayed in vogue until the 16th century. However the feet Gothic decor...

Palatial silver distressed rustic metal chandelier by Schonbek. A wonderful rustic silver metal chandelier by one of Germany's finest crystal ...

Small carved oak chest or shoe box coffer The chest has 2 carved panels to the front and and decorative nailed and scalloped corners, inside is clean and it has blacksmith made hinges This small oak...