Gothic Decorative Objects

An Early 16th Century Stone Carving with polychrome : 'The Death of a Prelate'. The enthroned figure of a Bishop surrounded by attendants and surmounted by celestial angels.

19th century Italian carved alabaster head of a saint wearing a bishop's mitre in the Gothic style. Though a fragment, the intense gaze of this small carving gives it a lot of presence. Rendered by a master carver, this piece has a lot of personality. Likely an architectural fragment, the weathered surface and distressed condition only add to the appeal of this unique sculpture. Mounted on an ebonized walnut base. 10 inches high 3.5 square 5 7/8 inches high by 4 wide by 3.75 deep (head only)

France / 1550 / statue Saint Eligius / Antique / reliques Religious statue of Saint Eligius from the 16th century in full wood found in France. This very rare find has a beautiful ...

A handsome pair of antique gothic style pedestal candelabra torcheres. Made of wrought iron. Contains 13 candle holders at three different levels. The upper level is supported by wav...

Brass and enamel multi-light standing candelabra in the Gothic style. The foot is bulbous scroll pattern with enamelled cartouches sitting on three mythical beasts. The candle holder...

Head of a crowned Virgin Île-de-France, first half of 14th century. H26 x 14 x 14 cm Provenance : - Private Collection, Paris France (1960) - Private Collection Tuscany, Italy (19...

Very rare, 19th century statuette of Victor Hugo's famous novel character. If you are a collector of rare novel and/or famous movie characters then this 19th century sculpture of Quasimodo, better known as the Hunchback of Notre Dame...

Cast bronze life size gothic skeleton / bone praying hands sculpture, titled on base Eternal Hope and signed Park '92. In the style of Blackman Cruz Workshop.

Hand carved wood antique statue of Mother Mary wearing a Gothic crown. This original and all hand carved sculpture of the mother of all mothers is anothe...

Early 17th century carved limewood figure of st michael circa 1640. Beautiful floor standing figure of the st michael the dragon slayer, also known as archangel michael.  Michael ha...

SMALL Antique French Cast Iron Cemetery Cross Crucifix Child Angel Garden Chapel. Direct from France, a beautiful antique French cast-iron cemetery cross, in a SMALL SIZE with fabul...

A pair of Gothic style candle wall sconces by Wilton. Solid cast iron, black in color, in a gathered sheaf of leaves design, with two arms and candleholders. Made in the USA, in the ...

Spanish sculpture "Pieta" 16th century sculpture in stone Nossa Senhora, is represented seated securing Jesus Christ. Measure: Height: 52 cm. Very good condition.

19th Century Carved Oak Correspondence, Post or Letter Box This very attractive Carved Box is made in Oak, it is carved on the top with 2 letter slots, one for UNANSWERED and the ot...

French Gothic Ormolu Cut Glass and Marble/Quartz Double Inkwell France, circa 1870s A magnificent French Gothic Ormolu Cut Glass and Marble/Quartz Double Inkwell, dating back to the...

A refined granite sculpture portraying the head of a young woman, believed to likely represent Saint Joan of Arc, crafted in France during the 1950s. It features a magnificent patina...

POLYCHROME CARVED WOOD VIRGIN AND CHILD FROM THE 15TH CENTURY   ORIGIN: SOUTH GERMANY, SWABIA, NUREMBERG REGION PERIOD: 15th CENTURY   Height: 94,6cm Width : 28 cm Depth : 18 cm   Lime wood Original Polychromy Good state of conservation     From 1430 onwards, sculpture underwent a profound stylistic renewal which continued until 1530, the so-called late Gothic period. In the Germanic countries, original sculptures flourished in an expressive and sensitive vein.
This renewal was inspired by the art of Nicholas of Leiden, who was active in Strasbourg in the 1460's. His style broke with the refined and delicate art of the international Gothic style in force throughout Europe around 1400. The figures became more authentic and realistic. The bodies became denser. Clothes are animated by deep, broken folds, the fabrics are heavy and have a great decorative value. In addition, the polychromy is intended to be illusionistic. The painting makes it possible to restore the texture of the materials, the richness of the textiles and the natural skin tone of the characters.   The dissemination of images through engraving and the great mobility of the artists led to the success of this style, which conquered the Upper Rhine, Swabian, Tyrolean and Franconian regions, contributing to the formation of a common stylistic identity in these regions. The economic boom in the flourishing German cities was conducive to the development of original production. Attracted by this prosperity, numerous workshops were set up in order to meet the orders of religious communities, the Church and the laity, including a clientele of middle-class rockers.      This precious Virgin and Child is depicted standing on a crescent moon, her head encircled by a crown of tall flowers. Her long wavy hair spreads over her shoulders, framing her beautiful oval face. Under fine eyebrows drawn with a brushstroke, her almond-shaped, slightly drooping eyes look at the Child with infinite softness. She is dressed in a long red dress with a rounded neckline, belted under the chest. The heavy fabric of her dress spreads out in broken folds at her feet. On her shoulders she wears a golden cloak. The drapery has deep folds. She holds out her right hand while she holds the Christ Child with her left.   Christ, with his well-defined hair, is naked. His cheeks are highlighted with red, he holds an apple in his left hand and with the other hand makes a sign of blessing towards the faithful.   Virgins with Child on a crescent moon were very popular in the second half of the 15th century, especially as the central subject of altarpieces in southern Germany and Austria. The crescent moon on which Mary is standing is reminiscent of the Woman of the Apocalypse. Often equated with the Virgin Mary.    This episode is taken from the Book of Revelation (12:1-6)   1 Then a great sign appeared in heaven: a woman clothed with the sun, with the moon under her feet and a crown of twelve stars on her head. ; 2 She was pregnant, and she cried out because she was in labor, in pain from giving birth. ; 3 Then another sign appeared in heaven: it was a great fiery red dragon, with seven heads and ten horns, and seven royal crowns on his heads. ; 4 His tail swept down a third of heaven's stars and threw them to the earth. The dragon stood in front of the woman who was about to give birth so that when she gave birth, he might devour her child. ; 5 She gave birth to a son, a male child who is to rule all the nations with an iron rod. Her child was snatched up to God and his throne. ; 6 Then the woman fled into the desert, where God has prepared a place for her. There she will be taken care of for one thousand two hundred sixty days.   Some theologians see in this woman a reference to the Virgin Mary and in the child, Jesus.    
This remarkable work is a very fine example of sculpture from Swabian workshops in the last decades of the 15th century. It presents all the characteristic stylistic elements: a highly girdled silhouette, an abundant drapery with angular folds, but also a great physical presence accentuated by the polychromy that restores the anatomical details. This group is made of a wooden log. The deep folds of the drapery highlight the movement of the Virgin holding the child.       Bibliography :   Sophie Guillot de Suduiraut, Dévotion et Séduction, Sculptures souabes des musées de France, vers 1460-1530, Paris musée du Louvre-Éditions somogy, 2015   “Revelation 12 -   Common English Bible...

SAINT FLORIAN   ORIGIN: SOUTH GERMANY, SWABIA PERIOD: END OF THE 15th CENTURY   Height : 100,5 cm Width : 34 cm Depth : 17 cm 
Polychromed lime wood Good state of conservation   
Sin...

VIRGIN AND CHILD IN MAJESTY, ALSO KNOWN AS "SEDES SAPIENTIAE"   ORIGIN : SPAIN, CATALOGNE PERIOD: EARLY 13th CENTURY   Height :  95 cm Width : 32 cm Depth : 28 cm   Softwood No polychromy     In the middle of the 12th century, the Virgin took her place in churches, seated in Majesty, serving as a throne for her son Jesus. She is then called Sedes Sapientiae, meaning the Throne of Wisdom. At that time, she is not represented for herself and only exists because she has been designated as Theotokos, the mother of God, at the Council of Ephesus in 431, where the divine nature of Christ was proclaimed from his birth.   The upright and perfectly hieratic bust of this Virgin and Child in Majesty is seated on a throne-bench. She is dressed in a tunic with a rounded neckline and covered with a fine mantle placed on her narrow shoulders. The supple and natural drapery follows the lines of the body.   Large curls frame her face with delicate and regular features, a long straight nose, almond-shaped eyes, and small lips.   She supports the Infant Jesus with her left hand. Like his mother, he is dressed in a long tunic, and his little feet are visible in the folds. He holds a small sphere in his left hand, while with his right hand, he gestures in blessing. The face of Christ bears a strong resemblance to his mother’s one, and he gives a slight smile.   The position of the Child is no longer as hieratic, nor frontal or central as in the early 12th century, but his face still turns towards the faithful.   The 13th century indeed emerges as a period of transition in the artistic domain. The statuary, while retaining certain characteristics still belonging to the habits of the previous century, also develops new formal solutions.   As a result, Mary maintains a hieratic and frontal position, while her son shifts to place himself well to the left on her knee. Similarly, while the Virgin seems perfectly still, Jesus, on the other hand, appears much more animated, especially in the positioning of his hands. His left hand holds the orb, and judging by the raised right arm directed towards the faithful, one can easily imagine that he was making a gesture of blessing.   The influence of the Sedes Sapientiae from previous centuries still seems particularly prevalent in this work.   These few characteristics allow dating this Spanish Virgin...

SAINT WOMAN IN POLYCHROME CARVED WOOD   ORIGIN : ITALY PERIOD : late 13th century   Height : 103 cm Length : 28  cm Width : 16 cm  Remains of polychromy   ...

Pair of eight-light antique vintage Italian candelabrum in wrought gilded iron Anonymous Probably early 20th century; Italy Iron A distinctive pa...

We mounted this Gothic architectural fragment on a custom iron stand. In this new context it becomes a sculpture with a almost abstract f...

An exquisite French Gothic style jewelry box or small chest, a testament to the timeless allure of craftsmanship. Adorned with intricate brass inlay ...

This antique patinated gilt casket was created in France, circa 1890. Built with brass and copper, the miniature trunk-shaped box with bombe top, stands on...

RARE CENTER CHAPEL COUNTER 16th Century Lusíada - Portuguese in teak, Partial sissoo coating with ivory inlays, with 9 drawers simulating 10. Micromosaic in different materials, bac...

An American Gothic Revival bronze and enamelled box/humidor. By Edward F. Caldwell & Co. Inc., New York, first quarter of 1900s. The rectangul...

Sizeable crucifix with a finer quality carved corpus of Christ. Looking at Christ like this and thinking about the gruesome way in which He lost His earthly life, the crucifix (in our view) is a symbol of what 'telling people the truth' can lead to. 'The truth does not have many friends' is something I once read. Looking at what is going on in the world today, in most countries that still is the case. However, we feel that we (humans), nevertheless, are still becoming more loving, civilized, empathetic and self-conscious. Mind you, this good size wall crucifix dates from the early 1900s and the cruelties that people did to one another for acting or being different than 'normal' in those days, in most cases were far worse than what we see in this day and age. Looking at Christ on the cross with this in mind, we have come along way and we are slowly, but surely evolving in the right direction. Maybe it is just some of our 'leaders' who are lacking behind. Christ on the cross should therefor also be a reminder of someone who has lived and foreseen all this and who should therefor always be a beacon of hope and light when things are not going our way, yet. What attracted us most in this work of religious art are the quality details of His anatomy and the warm patina of this finely carved corpus. The facial features of this superb corpus of Christ reveal...

SICILIAN MASTER OF THE 17TH CENTURY "Christ on the Cross" Wooden sculpture Christ Sculpture in carved and carved cypress wood 71 x 18 cm Height 97 good condition for the time

This unique, interesting fruit wood "Brasero" table was crafted in Spain, circa 1780. Round in shape, the antique table stands on four chestnut barley twist legs, and is dressed with...

Decorate a shelf or a counter with this elegant antique decorative trunk. Crafted in Spain circa 1880, the strong box is decorated with pierced and engraved geometric motifs througho...

Pair of impressively large hand forged sconces of iron and tole having 3 arms each for candles. Could be electrified.

Beautifully and expertly hand made in Austria, finest quality Swarovski Crystal Jet Hematite faceted crystal skull with ruthenium finish metal accents on the face and base. Skull fea...

A great pair of bronze gothic style candles. The set dates from circa 1890. Origin: France The candlesticks are in good condition with minor signs of use. One of the candles has ...

Introducing the exquisite Antique Bronze Inkwell - a mesmerizing piece that blends artistry and functionality flawlessly. Crafted with utmost precision, this inkwell showcases intricately carved devils...

Eighteenth century iron candelabra from France with four candleholders. Comes with a rope to hang from mount. Perfect for hanging in a garden tree.

A Pair of Late 15th or Early 16th Century Oak Saints carved in high relief and raised on polygonal bases. The female depicted standing in contrapose with low...

Alligator candleholders by Maitland Smith. In beautiful condition and great conversational decor.

An exceptional Early 20th Century two tier 27 Light Gothic Cast Brass Floor CandleStick Torchere. Measures 9.5" in width, 9.5" in depth and stands 40" tall . Lower tier had 17 light...

small Jerusalem stone stoup, transformed into a sculpture by master Valter berni. the bowl was originally chipped and ruined, Valter's intervention made it possible to derive a small...

Keep your jewelry or important documents locked up in this fine, antique safe from the Champagne-Ardenne region of France. Crafted, circa 1880, the safe is cast iron and has a chic two-tone black and silver paint finish. The travel safe features a heavy handle on the top and is decorated with studded hobnails throughout. The front door is decorated with a plaque which reads "Incombustible Systeme Bauche Brevete SGDG Usine a Gueux Marne" engraved on the surface. The decorative box is in excellent condition commensurate with age and use and adorns a rich two-tone black and silvered patinated finish. Place the unique, secure safe in your office, study or even a men's dressing room for a display of strength and heritage. Original key included. In 1879, Bauche demonstrated the efficacy of his fire safes...

An exceptional Early 20th Century two tier 27 Light Gothic Cast Brass Floor Lamp Candelabra Torchere. Measures 10" in width, 10" in depth and stands 66" tall to the top of the finia...

Hand Carved Stone Vide poche Basin Jardinière bowl planter vessel sink Antiques . 17th C. Possibly earlier Gothic Container . A Water Trough Benitier in a ...

17th Century German hand-carved oak religious sculpture. Possibly a saint or a bishop. The bearded man is cloaked in draped fabric with only left ...

A small antique bust of Jesus Christ. Made of gilded spelter (zinc alloy). On a black marble plinth. No signature. Minor wear to the gilt patina. Dimensions: 14 (h) x 6 x 6 cm Free...

Antique crucifix with stunning hand carved details and an amazing patina. This remarkable and good size crucifix with a sculpture of a suffering Christ on the cross is another one...

Early 19th century Gothic brass skeleton clock on wood base with glass dome. Bell on peak with steeple design and halberd hammer. Painted metal fa...

Large heavy 18th century or earlier carved oak corbel. The corbel depicts a large male open-eyed smiling face with broad features. Finly carved details with wonderful old patina.

Gothic canopy France, 15th century Alabaster, some traces of polychromy 33 x 23 x 20 cm Provenance: - Private collection Genève, Switzerland ...

A 16th Century Giltwood and Polychromed Carved Group depicting God and Mary seated on a plinth.

Elegant table / desk lamp in wrought iron, figuring a winged dragon holding a torch / torchiere. Beautiful metal work: subject well done, beautiful verdigris patina. Neo-Gothi...

A Pair of 16th Century Oak Saints: One being a male depicted wearing a long hooded cloak held together with a brooch over a flowing tunic tied at the ...

15th Century Oak Wood Sculpture of the Virgin of the Annunciation beside a lectern supporting an opened book, the Virgin with both hands upraised ( one repaired) turning slightly to the left, her demeanour redolent of strength, compassion and benignity. Franco Flemish origin, circa 1480, 56 inches in height x 26 inches wide. Provenance : Lot 347, The Notable Art Collection, New York, April 1949, Joseph Brummer Collection Part 1

A Late 15th/Early 16th Century Oak Sculpture depicting ‘The Grief of Mary’, carved almost in the round with Mary wearing a head scarf, neckerchief and...

ITALIAN PROCESSIONAL CROSS 17th Century in cut brass and bronze. Mounted on a wooden back base. Usage signs. Dec. Height: (total) 50 cm; (Ch...

A 1960s candle sconce. Consists of a panel of iridescent glass framed by twisted iron. Seven fluted brass heads elevate to hold taper candles. Lovely patina throughout. Pair availabl...

English Gothic Revival-style (19th Century) bronze dore altar stick.  

Gothic architectural fragment representing vine leaves France, 15th century Sandstone H 21 x 21 x 17 cm mounted on a modern metal pe...

Saint Ambrosius Italian sculpture 17th century in painted and gilded wood. The figure is represented standing up blessing with the hand. Faults and defects. Dimensions. Heigh...