Gothic Furniture

Wonderful print of St Louis 1X Illuminated Chromolithograph Published circa 1880 Unframed. Free shipping The measurement is the paper size

An Old Decorative Green Man Copper Lantern This very old Hall Lantern has 6 bevelled glass sides This very unusual Baroque light is wired for electricity, it has the mask of the gr...

Elegant Gothic style hand-hammered iron round gueridon table standing on a tripod base. Spain, 1940s. This wrought iron black painted table has twisted details at the steam and the t...

Add a touch of medieval mystique to your décor with this Vintage Gothic Figurative Brass Box. Crafted from solid brass, this striking box features intricate Gothic-inspired detailing...

Provenance : In the same private collection for several generations, Burgundy. The canonical Gospels describe briefly the episode of the Nativity. It comprises three parts : • The Preludes : the Journey to Bethlehem, the Census • The Nativity • The Announce to the Shepherds and the Adoration of the Magi Only the Gospel according to Matthew (2, 1-12) speaks about the Adoration of the Magi. Staying vague about their number it does say they brought the newborn gold, incense and myrrh. The apocryphals, the fathers of the Church and many other authors have filled in the gaps of the evangelic tale. The sobriety and symbolic of the story have been a huge inspiration to artists. Although one of the oldest depictions of the Adoration of the Magi dates from the 2nd century the theme became very popular in Christian art during the late 14th century. One of the reasons explaining this success is that it celebrates both the Virgin and Christ at the same time. This important walnut panel is carved in a strong relief and depicts the different steps of the story of Jesus’ birth. On the left, the donkey and ox that have accompanied Mary and Joseph from Bethlehem are depicted behind a trough. On the thatch roof appears the star that would guide the magi to the place of birth of Jesus. Mary is wearing a veil and is seating on a bed. She holds her baby at arm’s length to present him to the magi. Saint Joseph is by her side. The old man is holding a cane in his left hand while from the right hand he seems to uncover himself to greet the visitors. A woman assists to the scene. In front of the holy family the three magi stand behind one another to pay their homage to the newborn. The first magi has a pointed beard. He is already kneeling out of deference and has placed his crown to his feet. He gives the baby a hanap filled with gold coins. This is Melchior as the legend describes him with white hair and a long beard. Caspar, the second magi bears a cup of incense. He is looking at the third magi and with his right hand he points to the star that has guided them there. He has a short beard and wears crakow shoes, breeches and a wide sleeved doublet. Finally Balthazar, the elegant last magi proceeds proudly towards the holy family with his one hand on the saber’s hilt and the other holding a cup. He brings the divine child the myrrh. He probably just dismounted as the horse can be seen behind him. The scene is set in a very detailed and narrative decor. In the right part of the panel the shepherd receive the announce of Jesus’ birth. An angel comes down from heaven with a scroll bearing the good news in his hands. The herding dog sleeps peacefully while sheeps graze. At the top of the cliff we notice the gilded sheeps enclosure. The panel’s moulded frame is carved with a foliated decor. In it’s centre appears a coat-of-arms. It is the alliance of the three magi’s arms. Indeed as it was common for legendary figures the three of them received imaginaries coat-of-arms. Thus, on a field of azure stands a star for Melchior, a crescent for Caspar and a pennon for Balthazar. This high-relief panel is undeniably the work of a very skilled and imaginative artist. This key moment in the New Testament is transposed to a contemporary environment thanks to the figures’ clothing and the rural daily life scene. This way the universal dimension of the episode is highlighted allowing a better understanding for the contemporaries. The sculptor has represented the episodes of the Adoration of the Magi and the Announce to the Shepherd with great talent and numerous details giving life to a picturesque and narrative scene. The important traces of polychromy give those already very animated scenes a stronger pictorial power and a rich dynamism. Because of the picturesque and familiar realism so dear to the artists of the late Medieval era, of the didactic function of this type of panel as well as the quality of the sculpture this piece is an astounding example of Burgundian art of the 15th century. Literature Louis Réau, Iconographie de l’Art chrétien...

19th Century French Neogothic Oak Mirror was hand-crafted during the Arts & Crafts period, and features a sturdy, stoutly made framework with a stylized egg & dart trim carved all ar...

Absolute beautiful 18th century continental carved oak coffer. Fine quality continental carved oak coffer from Germany, Free of any inscription. Beautifully carved arcaded front, co...

VIRGIN AND CHILD IN MAJESTY, ALSO KNOWN AS "SEDES SAPIENTIAE"   ORIGIN : SPAIN, CATALOGNE PERIOD: EARLY 13th CENTURY   Height :  95 cm Width : 32 cm Depth : 28 cm   Softwood No polychromy     In the middle of the 12th century, the Virgin took her place in churches, seated in Majesty, serving as a throne for her son Jesus. She is then called Sedes Sapientiae, meaning the Throne of Wisdom. At that time, she is not represented for herself and only exists because she has been designated as Theotokos, the mother of God, at the Council of Ephesus in 431, where the divine nature of Christ was proclaimed from his birth.   The upright and perfectly hieratic bust of this Virgin and Child in Majesty is seated on a throne-bench. She is dressed in a tunic with a rounded neckline and covered with a fine mantle placed on her narrow shoulders. The supple and natural drapery follows the lines of the body.   Large curls frame her face with delicate and regular features, a long straight nose, almond-shaped eyes, and small lips.   She supports the Infant Jesus with her left hand. Like his mother, he is dressed in a long tunic, and his little feet are visible in the folds. He holds a small sphere in his left hand, while with his right hand, he gestures in blessing. The face of Christ bears a strong resemblance to his mother’s one, and he gives a slight smile.   The position of the Child is no longer as hieratic, nor frontal or central as in the early 12th century, but his face still turns towards the faithful.   The 13th century indeed emerges as a period of transition in the artistic domain. The statuary, while retaining certain characteristics still belonging to the habits of the previous century, also develops new formal solutions.   As a result, Mary maintains a hieratic and frontal position, while her son shifts to place himself well to the left on her knee. Similarly, while the Virgin seems perfectly still, Jesus, on the other hand, appears much more animated, especially in the positioning of his hands. His left hand holds the orb, and judging by the raised right arm directed towards the faithful, one can easily imagine that he was making a gesture of blessing.   The influence of the Sedes Sapientiae from previous centuries still seems particularly prevalent in this work.   These few characteristics allow dating this Spanish Virgin...

Stunning and practical size, multi purpose Gothic chest / box from a monastery. This here Gothic chest is one of the smallest yet most stylish we ever had the pleasure of offering. ...

Gothic wrought iron candelabra style floor lamp.

A rare and one of a kind antique figural carved oak floor lamp, circa 1920s. Meticulously carved with amazing detail throughout. Features a swiss guard with torchiere staff atop a sq...

A spectacular 19th Century carved Oak Gothic Church settle. The rectangular back features panels are filled with intricate carvings of tracery, arches and crosses, surmounted by a ...

Wonderful print of St Margaret Illuminated Chromolithograph Published circa 1880 Unframed. Foxing to the margin Free shipping The measurement is the paper size

Wonderful print of St Dominic Illuminated Chromolithograph Published circa 1880 Unframed. Free shipping The measurement is the paper size

Fabulous small Georgian tropical hardwood side cabinet Elegant gothic arch door panels with amazing figure in the grain Recently bleached I particu...

Hand Forged Scrollwork Wrought Iron Pendant / Lantern, Spain, 1940s. Eye-catching hand forged lantern or hanging light with scroll and twisting details thorough. The lantern hangs from an iron chain accented by rhombus shaped links and it is topped by a wrought iron flower shaped canopy. Entirely made by hand. Outstanding design in the style of gothic with spanish colonial and baroque accents. Heavily detailed hand forged work. This piece will be a great choice for any main entry, hallway or foyer. It can be a nice addition to any contemporary, classical, Spanish colonial or Spanish revival home decor. It can be placed outdoor hanging on the porch or indoor in a entry hall / hallway. Newly wired with 1 E27 bulb holder Overall measures: 72 cm H x 30 cm diameter The lantern itself without the chain is: 30 cm diameter x 33,5 cm H We are specialists in lighting: A curated selection of iron ceiling light fixtures, chandeliers, pendants and wall lights is avaliable at our 1stdibs marketplace. We invite you to join our profile and check "more from this seller". Spanish Iron Lantern...

Wonderful print of St Julia of Corsica Illuminated Chromolithograph Published circa 1880 Unframed. Free shipping The measurement is the paper size

Introducing our cherished old chandelier, lovingly and professionally restored in Berlin! Its electrical wiring works seamlessly in the US, as it has been expertly re-wired and is re...

While the birth of Christ is briefly told in the Gospel of Luke (2, 7) it is in the apocryphal texts that we find most of the elements and details that have then inspired artists. As of the 14th century and even more of the 15th century the subject of the Adoration of the Child replaces in Western art the scene of the Birth, much favoured in Byzantine art. Instead of being depicted lying with the new-born swathed in the manger, the Virgin is now kneeling, her hands joined in prayer in front of the naked child. This change was probably hastened by the popularity of the visions of Saint Bridget of Sweden to whom the Virgin allegedly appeared to show how she had given birth to Jesus (Visions, VII, chap. 21). Sheltered by a thatch-roofed structure the Virgin is kneeling in front of the Child Jesus. She wears a magnificent red dress under a large gold cloak. Her curled blond hair is partially veiled. The newborn is lying on a straw mat. Joseph is depicted with a parted beard and stands opposite from the Virgin. He wears a tunic and a coat with a purse hanging from the belt. His costume reminds us of the long journey him and Mary have accomplished to reach Bethlehem. Two other women are present. One is looking through the stable’s window to observe the Holy Family while another one kneels in prayer in front of the divine child. The rich costume of the lady might indicate she is a donator. However they could also both represent the women who took part in the birth of Christ, Zelemi and Salome. Salome, incredulous did not believe in the virginal conception of Mary and she is represented far from the scene. The artist has depicted her with an expression of doubt on her face. Zelemi, on the contrary, is a believer. She is rewarded by a place of honour at the heart of the scene, close to Mary. To the left the donkey and ox that have accompanied Mary and Joseph to Bethlehem observe quietly the scene. On the foreground two angels hold a scroll reading an excerpt from the Gloria : “/Gloria/ in excelsis /Deo/.” One of the angels wears a blue cape while the other’s is red Those two colours are very significant as during Middle-Ages blue symbolises hope and red charity. Together they express the hope in redemption thanks to the advent of Christ and his sacrifice to come. Above the main scene, up a cliff, a small shepherd lets his herd of sheep graze amidst the trees. He is framed by two walled cities. This wood carving is the work of a very skilled and inventive artist. The piece bears witness to his exceptional talent. The realism of the scene is emphasised by the amount of details depicted. The refinement of the carving itself is highlighted by the well preserved polychromy. This key moment of the New Testament is set in a contemporary context thanks to the clothes of the characters and the scenes of rural life. The universal dimension of the scene is intensified while allowing contemporary viewers to grasp its meaning more easily. This care for details, the picturesque realism as well as the extraordinary rendition of the cloths suggest it was made by a Flemish artist during the late 15th century. This relief can be compared with the panel of the Nativity from the Saint-Vaast altarpiece made by Jacques Daret between 1433 and 1435, today in Madrid’s Thyssen-Bronemisza Museum. Literature Louis Réau, Iconographie de l’Art chrétien...

Eclectic wardrobe, France, around 1890. Very good condition. Wood: walnut dimensions: height: 270 cm, width: 118 cm, depth: 57 cm

***Reduced In-House Delivery Rates - Click on “Ask Seller” to Request a Quote*** Pair Oversized Gothic Foliate Carved Oak & Upholstered Armchairs C1890. Measures - 61.5"H x 32.25"...

17th century monumental sized French Gothic firedogs made of wrought iron.

Unique and stunning 19th century copy of a 16th century Gothic art chandelier. With another year of selling rare and beautiful antiques almost over, we are proud to offer you one of...

Spanish Revival Hand Forged Wall Hanging Lantern / Wall Sconce in Gilt Iron Sculptural gilt iron wall sconce / lantern with amber blown glass cylinder lampshade, Spain, 1940s This spanish hanging...

Fantastic Gothic style cabinet made in the first decades of the 20th century. In solid oak wood. Characterized in the upper part by a majestic architectural decoration carved in wood...

Wonderful print of St Susanna of Eleutheropolis Illuminated Chromolithograph Published circa 1880 Unframed. Free shipping The measurement is the paper size

Gilded Age American settee with upholstered seat and carved mahogany frame with spindle detailing. Seat is reupholstered in a bold red wool blend fabric. Circa 1890-1910.

Wonderful print of Mary Magdalene Illuminated Chromolithograph Published circa 1880 Unframed. Free shipping The measurement is the paper size

Wonderful print of St Thomas Becket Illuminated Chromolithograph Published circa 1880 Unframed. Free shipping The measurement is the paper size

Charming and withs tons of character, or patina or both. Gothic church pew with paneled sides in a smaller size, about 4.5 feet so its very manageab...

Wonderful print of St Edward The Confessor Illuminated Chromolithograph Published circa 1880 Unframed. Free shipping The measurement is the paper size

HIGHLY CARVED Antique French RENAISSANCE REVIVAL Marble Top Highly Carved Walnut Console, Sofa Table, Sideboard or Server~~c. 1890s Original "rouge" marble top, two drawers with key...

Wonderful print of St Elizabeth of Hungary Illuminated Chromolithograph Published circa 1880 Unframed. Free shipping The measurement is the paper size

Wonderful print of St John Chrystostom Illuminated Chromolithograph Published circa 1880 Unframed. Free shipping The measurement is the paper size

Wonderful print of St Ignatius of Antioch Illuminated Chromolithograph Published circa 1880 Unframed. Free shipping The measurement is the paper size

A tall antique gothic arched oak door dating to circa 1900, sourced from a grade II listed building in Bristol’s old city. Once used in an established gentlemen’s club, the text 'Ge...

This unique, interesting fruit wood "Brasero" table was crafted in Spain, circa 1780. Round in shape, the antique table stands on four chestnut barley twist legs, and is dressed with...

Vintage 5-Tier Carved Walnut Etagere Shelf/Bookcase Offered is a beautiful vintage Etegere shelf. This piece is made of Walnut, features five shelves/tiers ...

An elegant pair of French hand-wrought iron fireplace andirons, made in the 18th century if not earlier. They are Gothic in style with a reddish brown patina from oxidation of the ir...

This unusual cocktail table would make an interesting addition to any living room, sitting area, office, or den. Square in shape, the elegant table stands on four cabriole legs, embe...

Wonderful print of St Vincent De Paul Illuminated Chromolithograph Published circa 1880 Unframed. Free shipping The measurement is the paper s...

This exquisite Krone fountain pen showcases a dark brown celluloid barrel intricately marbled with subtle violet veins. Its sterling silver cap and endpiece are adorned with beautif...

A quite large 16th century Italian so called 'coffre fort' . Coffers or chest like these were specifically made for cities or large villages to safegueard the gold and valuables. The...

16th - 17th century Gothic style German fireback depicting Joab and Abner. After King Saul’s death, his army commander Abner supported Saul’s son Ish-bosheth as king over Israel, w...

Housing one light each. These will be newly rewired with certified US UL sockets for the USA and appropriate sockets for all other countries. Standing winged dragons with lots of det...

Wonderful print of St George Illuminated Chromolithograph Published circa 1880 Unframed. Free shipping The measurement is the paper size

17th century gothic carved oak green man buffet, serving table This is an elegant example of furniture carved in the Gothic style of Green Man Oak, w...

Wonderful print of St Joseph Illuminated Chromolithograph Published circa 1880 Unframed. Free shipping The measurement is the paper size

Wonderful print of St Matthew Illuminated Chromolithograph Published circa 1880 Unframed. Free shipping The measurement is the paper size

Drawing influence from gothic architecture and design, the Oxalis collection encapsulates the studio's concept of medieval modern design. Likening our current era to the feudal dark ...

Wonderful print of St Matilda Illuminated Chromolithograph Published circa 1880 Unframed. Free shipping The measurement is the paper size

Wonderful print of St Teresa of Avila Illuminated Chromolithograph Published circa 1880 Unframed. Free shipping The measurement is the paper size

Wonderful print of St Francis of Sales Illuminated Chromolithograph Published circa 1880 Unframed. Free shipping The measurement is the paper size

Wonderful print of St Rosa of Lima Illuminated Chromolithograph Published circa 1880 Unframed. Free shipping The measurement is the paper size

A rare and unusual pair quality late Regency period open work spill vases of Gothic style cast in bronze dating from circa 1820. The spill vases are supported on a weighted quatrefoil base with open trellis work spill holders...

Wonderful print of St Patrick Illuminated Chromolithograph Published circa 1880 Unframed. Free shipping The measurement is the paper size

Spanish or Italian 17th century bis chest. Chest structure in solid walnut, entirely hand-carved. Exceptional craftsmanship. Very naive vintage conduction with a nice patina on the...

Transport yourself back to the sleek and sophisticated 1940s with this exquisite carved wood and yellow velvet armoire. The ultra rare cabinet exudes an air of luxury and refinement....

19th century Italian carved alabaster head of a saint wearing a bishop's mitre in the Gothic style. Though a fragment, the intense gaze of this small carving gives it a lot of presence. Rendered by a master carver, this piece has a lot of personality. Likely an architectural fragment, the weathered surface and distressed condition only add to the appeal of this unique sculpture. Mounted on an ebonized walnut base. 10 inches high 3.5 square 5 7/8 inches high by 4 wide by 3.75 deep (head only)

Sourced from a cathedral in the south west of England, this arched gothic front door dates from the mid 1800s. On the front, it features vertical oak...