Gothic Furniture

The Good and the Bad Thief Brabantine workshop, c. 1480–1490
 Carved walnut with traces of polychromy
 56 x 42 x 11 cm 58 x 43 x 11 xm Provenance: 
Formerly in the collection of Ca...

MONUMENTAL CAST BRONZE EXTERIOR LANTERNS BY THE GENERAL ELECTRIC COMPANY Run of Four – Formerly Installed at the G.E.C Factory, Swinton, South Yorkshire An exceptionally rare survi...

A quite large 16th century Italian so called 'coffre fort' . Coffers or chest like these were specifically made for cities or large villages to safegueard the gold and valuables. The...

This 4 lights decorative floor lamp is made of wrought iron. This is a nice French work, circa 1950.

16th century French Gothic andirons made of cast iron. With faces on the spit hooks to discourage evil powers. This product has to be shipped as freight due to its size and/or (volu...

A large antique unusual Gothic arched oak exterior door, reclaimed from St Edith's church, Eaton Under Heywood. At over 170 years old, this exceptional door has kept its good qualit...

17th century Gothic bulls head fire dogs, andirons. These French andirons are called 'landiers' in France. This dates from the times the andirons were the main cooking equipment in t...

The large rectangular standing chest on stile feet, extensively mounted with wrought ironwork straps with stylised sixfoil motif. These are fixed with convex head nails: running vert...

Neo Gothic bronze architectural fragment mounted as lamp.

English Gothic-style carved oak bookend / book holder with interlocking slats that expand to accommodate a selection of books, ending in two folding uprights with a carved gothic sta...

18th Century Horseshoe Andirons, Firedogs, made of wrought iron. The style of the andirons is Gothic. The condition is good.

French Gothic-style (19/20th Century) oak coffer chest on stand with tracery carved panels and a domed lid with iron strap work

A Very Large Carved Oak Green Man Sideboard This superbly Gothic piece is decorated in a country house style, as there are many patterns to the car...

Exceedingly Rare English Yorkshire Wainscot High back corner armchair, circa 17th century. Made of oak with an impressive hand carved back that features a whimsical figure along the...

Dutch Gothic style (19th Century) oak and gilt filigree carved 4 section steeple (Provenance: a Dutch church 108 Utrechtsestraat St., Amsterdam).

Blacksmith made Gothic wrought iron floor lamp This is a very unusual Gothic Wrought Iron Floor Lamp the Stand is blacksmith made, it stands on 4 feet and takes a 2” diameter wa...

A carved, gilt-wood geometric Gothic design circular wall mirror inspired by the ceiling decoration by Robert Adam, from the formal drawing room set within Walpole’s Gothic villa. P...

Hallmarked in Birmingham in 1870 by George Unite this ornate Victorian antique sterling silver christening mug is of a cylindrical form, decorated with extensive hand-engraving in th...

This exquisite set of two carved walnut architectural panels from France showcases the evolution of artistic styles from the 16th to the 18th century. The 18th-century panel, adorned...

17th-18th century French Gothic fire dogs made of wrought iron. The condition is good.

Saint Peter with the key to the gate of heaven. German Gothic period fireback. Made of cast iron. It has a black / pewter patina. The condition is good, no...

Maderas De Santa Barbara Gothic Revival Jungle Room Dining Chairs - Set of 4. Item features tall backs, original red upholstery, solid wood construction, distressed finish, very nice...

While the birth of Christ is briefly told in the Gospel of Luke (2, 7) it is in the apocryphal texts that we find most of the elements and details that have then inspired artists. As of the 14th century and even more of the 15th century the subject of the Adoration of the Child replaces in Western art the scene of the Birth, much favoured in Byzantine art. Instead of being depicted lying with the new-born swathed in the manger, the Virgin is now kneeling, her hands joined in prayer in front of the naked child. This change was probably hastened by the popularity of the visions of Saint Bridget of Sweden to whom the Virgin allegedly appeared to show how she had given birth to Jesus (Visions, VII, chap. 21). Sheltered by a thatch-roofed structure the Virgin is kneeling in front of the Child Jesus. She wears a magnificent red dress under a large gold cloak. Her curled blond hair is partially veiled. The newborn is lying on a straw mat. Joseph is depicted with a parted beard and stands opposite from the Virgin. He wears a tunic and a coat with a purse hanging from the belt. His costume reminds us of the long journey him and Mary have accomplished to reach Bethlehem. Two other women are present. One is looking through the stable’s window to observe the Holy Family while another one kneels in prayer in front of the divine child. The rich costume of the lady might indicate she is a donator. However they could also both represent the women who took part in the birth of Christ, Zelemi and Salome. Salome, incredulous did not believe in the virginal conception of Mary and she is represented far from the scene. The artist has depicted her with an expression of doubt on her face. Zelemi, on the contrary, is a believer. She is rewarded by a place of honour at the heart of the scene, close to Mary. To the left the donkey and ox that have accompanied Mary and Joseph to Bethlehem observe quietly the scene. On the foreground two angels hold a scroll reading an excerpt from the Gloria : “/Gloria/ in excelsis /Deo/.” One of the angels wears a blue cape while the other’s is red Those two colours are very significant as during Middle-Ages blue symbolises hope and red charity. Together they express the hope in redemption thanks to the advent of Christ and his sacrifice to come. Above the main scene, up a cliff, a small shepherd lets his herd of sheep graze amidst the trees. He is framed by two walled cities. This wood carving is the work of a very skilled and inventive artist. The piece bears witness to his exceptional talent. The realism of the scene is emphasised by the amount of details depicted. The refinement of the carving itself is highlighted by the well preserved polychromy. This key moment of the New Testament is set in a contemporary context thanks to the clothes of the characters and the scenes of rural life. The universal dimension of the scene is intensified while allowing contemporary viewers to grasp its meaning more easily. This care for details, the picturesque realism as well as the extraordinary rendition of the cloths suggest it was made by a Flemish artist during the late 15th century. This relief can be compared with the panel of the Nativity from the Saint-Vaast altarpiece made by Jacques Daret between 1433 and 1435, today in Madrid’s Thyssen-Bronemisza Museum. Literature Louis Réau, Iconographie de l’Art chrétien...

A 1960s candle sconce. Consists of a panel of iridescent glass framed by twisted iron. Seven fluted brass heads elevate to hold taper candles. Lovely patina throughout. Pair availabl...

Awesome vintage Gothic or Spanish Revival handmade solid wrought iron black painted candelabra wall hanging made in Mexico. Beautiful condition, keeping in mind that this is vintage ...

Stunning and practical size, multi purpose Gothic chest / box from a monastery. This here Gothic chest is one of the smallest yet most stylish we ever had the pleasure of offering. ...

Hallmarked in Birmingham in 1851 by John Gilbert, this exquisite antique Victorian sterling silver toast rack is in the gothic style. The rack will hold 6 pieces of toast and is fitt...

More information coming soon… Hand-carved in northern France during the 1900s, this large pine altar niche has a nook large enough to fit a 6 3/4 foot tall work of art. The wood ha...

Provenance : In the same private collection for several generations, Burgundy. The canonical Gospels describe briefly the episode of the Nativity. It comprises three parts : • The Preludes : the Journey to Bethlehem, the Census • The Nativity • The Announce to the Shepherds and the Adoration of the Magi Only the Gospel according to Matthew (2, 1-12) speaks about the Adoration of the Magi. Staying vague about their number it does say they brought the newborn gold, incense and myrrh. The apocryphals, the fathers of the Church and many other authors have filled in the gaps of the evangelic tale. The sobriety and symbolic of the story have been a huge inspiration to artists. Although one of the oldest depictions of the Adoration of the Magi dates from the 2nd century the theme became very popular in Christian art during the late 14th century. One of the reasons explaining this success is that it celebrates both the Virgin and Christ at the same time. This important walnut panel is carved in a strong relief and depicts the different steps of the story of Jesus’ birth. On the left, the donkey and ox that have accompanied Mary and Joseph from Bethlehem are depicted behind a trough. On the thatch roof appears the star that would guide the magi to the place of birth of Jesus. Mary is wearing a veil and is seating on a bed. She holds her baby at arm’s length to present him to the magi. Saint Joseph is by her side. The old man is holding a cane in his left hand while from the right hand he seems to uncover himself to greet the visitors. A woman assists to the scene. In front of the holy family the three magi stand behind one another to pay their homage to the newborn. The first magi has a pointed beard. He is already kneeling out of deference and has placed his crown to his feet. He gives the baby a hanap filled with gold coins. This is Melchior as the legend describes him with white hair and a long beard. Caspar, the second magi bears a cup of incense. He is looking at the third magi and with his right hand he points to the star that has guided them there. He has a short beard and wears crakow shoes, breeches and a wide sleeved doublet. Finally Balthazar, the elegant last magi proceeds proudly towards the holy family with his one hand on the saber’s hilt and the other holding a cup. He brings the divine child the myrrh. He probably just dismounted as the horse can be seen behind him. The scene is set in a very detailed and narrative decor. In the right part of the panel the shepherd receive the announce of Jesus’ birth. An angel comes down from heaven with a scroll bearing the good news in his hands. The herding dog sleeps peacefully while sheeps graze. At the top of the cliff we notice the gilded sheeps enclosure. The panel’s moulded frame is carved with a foliated decor. In it’s centre appears a coat-of-arms. It is the alliance of the three magi’s arms. Indeed as it was common for legendary figures the three of them received imaginaries coat-of-arms. Thus, on a field of azure stands a star for Melchior, a crescent for Caspar and a pennon for Balthazar. This high-relief panel is undeniably the work of a very skilled and imaginative artist. This key moment in the New Testament is transposed to a contemporary environment thanks to the figures’ clothing and the rural daily life scene. This way the universal dimension of the episode is highlighted allowing a better understanding for the contemporaries. The sculptor has represented the episodes of the Adoration of the Magi and the Announce to the Shepherd with great talent and numerous details giving life to a picturesque and narrative scene. The important traces of polychromy give those already very animated scenes a stronger pictorial power and a rich dynamism. Because of the picturesque and familiar realism so dear to the artists of the late Medieval era, of the didactic function of this type of panel as well as the quality of the sculpture this piece is an astounding example of Burgundian art of the 15th century. Literature Louis Réau, Iconographie de l’Art chrétien...

Early 19th Century Oak Green Man Dresser Base This is a superb and stunning piece, the dresser has 2 drawers and 2 cupboards with a shelved compartment at the centre known as a Dog ...

Italian antique fountain spout carved from a solid granite block from the 13th century with a zoomorphic appearance in the shape of a fish's head.

19th century cross Nice xix century cross in olive wood. Measures: 23 x 12 cm. In good condition.

We mounted this Gothic architectural fragment on a custom iron stand. In this new context it becomes a sculpture with a almost abstract f...

This nice gothic style chandelier is made of wrought iron with 4 lights. This is a French work. Circa 1940

French Gothic Revival-style (19th Century) wrought iron roll blotter with X design and nailheads (Related items: 035057A, 035057B, 048571D)

Gothic Brass Jardiniere with Lions Mask Handles and Liner This is a very old piece and it has its original lead liner The pot is oval and ...

Virgin with Child. Carved and polychrome wood. Spanish school, 13th century. It has faults. Polychrome wood carving that shows the Virgin sitting on a throne, with her right hand r...

A richly detailed Gothic Revival armchair from mid-19th century France, featuring a hand-carved oak frame and original needlepoint upholstery. This stately piece embodies the grandeu...

Crafted in Italy circa 1750, this impressive antique walnut cassone offers both architectural presence and practical storage. The rectangular coffer showcases a richly carved façade ...

A monumental 15th century sandstone Gothic fireplace mantel. Finely sculpted with a moulded beam and column supports.   

Long Gothic Carved Oak Wall Shelf with storage This charming long shelf has a geometric carved panel at the back of the centre pigeon hole with smaller shelves at each side, the s...

Hand Forged Iron 4 Candle Candelabra Designed in the brutalist Gothic style, the candlestick is very heavy, and stable it is 6” tall, 12” in long and 6L wide TZX143

Antique English Gothic Arts & Crafts Hand Wrought Iron Balance Beam Scale. Circa Mid 19th Century. Measurements: 31" H x 29" W x 11.25" D. Plate approx 11.25" Diameter. Base 7x5.

Substantial 19th Century ‘Country House’ elm hall bench. The arched back with angled panels and flanked with carved finials, above scroll arms with pierced carved trefoils and soli...

French Arts and Crafts Gothic Style Coat Hooks Hand Made in Iron with a gilt finish, the Coat Rack has 2 large curving coat hooks The bracket is 9” tall, 19” long and stands out 5” ...

16th century / Belgium / Letter Panel / Oak / Gothic A finely carved Gothic oak panel from 16th-century Belgium. This architectural fragment features graceful vertical fluting frame...

A fine antique limestone carving. Modeled as a Madonna. With her head slightly tilted, holding an orb in one hand, and with her other hand resting on her breast. By repute ...

Mid 17th century Northern European carved figure of a saint. This striking statue depicts a saint who is dressed in robes, whilst holding his hand over his heart. This figure is freestanding and is stood within a leaning position which makes him stand out. It has been beautifully carved from oak and has remnants of its original paintwork. Likely to have stood within a church for many years and would have been removed due to renovation reasons. This historical figure...

Hallmarked in Sheffield in 1894 by Henry Wilkinson, with pieces also made by Walker & Hall, this handsome, Victorian, Antique Sterling Silver Travelling Communion Set, is in the Goth...

Transport yourself back to the sleek and sophisticated 1940s with this exquisite carved wood and yellow velvet armoire. The ultra rare cabinet exudes an air of luxury and refinement....

A handcarved 15th century gothic oak decorative panel affixed with hanging hook to the reverse, ready for hanging on a wall in your interior. Orig...

Set of Three Vintage Paintings with People in Rococo Costumes A set of three paintings depicting two noble ladies and a noble man in Rococo costumes. Handpainted with enamel paint o...

A Fine Mid 19th Century Hand Carved Gothic Style Oak Wood Mirror The large and excellent quality beveled mirror of oval form, the top center with a large putti holding a scroll, sur...

An unusual mid-19th century Victorian pine fire surround with natural York stone foot blocks and slips. Providing a complementary contrast of materials, this antique fireplace has a ...

Pair of eight-light antique vintage Italian candelabrum in wrought gilded iron Anonymous Probably early 20th century; Italy Iron A distinctive pa...

Decorative English Oak "Food" or Aumbry Cabinet inspired by 16th Century examples, but of 19th Century manufacture. (See Victor Chinnery, Oak Furniture, the British Tradition...

Vault keys such as these were used where the vault ribs came together, as a finishing touch. These particular ones depict the four Evangelists. The Angel for St Matthew...

Pair of antique Gothic style lantern sconces made of verdigris bronze and opaque textured glass. One pane is missing and will be replaced when purchased. The lights are cleaned and r...

A Georgian porphyry marble roundel of Dionysus. Also known as Bacchus, this ornate side profile is set into a roundel of highly prized porphyry marble inside a Carrara border. Dion...

Gothic style free standing tall fire basket, Grate for Inglenook This is a Quirky and decorative piece, it is blacksmith made with 2 large Ornamental Dragon’s Heads at each side,...