Islamic Furniture

A find pair of Ottoman brass vases with enamel painted patterns and arab inscription on the surface. Both with old ink written numbers on the bottom. They are in good condition, alt...

Antique Moorish North Africa Silver Cuff Bracelet. Antique Tunisian, Algeria or Moroccan silver cuff. In good condition, sturdy and high quality design, Maker's mark on outer edge. A well made silver bracelet from North Africa from the French Colonial Times. The Arabic calligraphy is stylized Arabic script. This type of bracelet was produced for European rather than local consumption and were mentioned in the seminal work of Paul Eudel: Dictionnaire des bijoux de l'Afrique du Nord : Maroc, Algérie, Tunisie, Tripolitaine (1906). They were known as "Meqiâsat Tounès" or Tunis bracelets, because they mimic a style of bracelet that was originally made in Tunis after the Turkish Islamic design. Vintage Moorish Etruscan Style Silver Filigree Hinged bangle...

Copper containers of varying shapes and sizes have been used in Spanish homes and kitchens for many centuries. Copper and its alloys were particularly popular metals for storing and ...

Francesco Ballesio (Italian, 1860-1923). A fine orientalist pencil and watercolor heightened with gum Arabic on paper figure of "A Middle-Eastern Beauty at Rest" depicting a young maiden resting on a Persian rug laid down as a bed while holding a tambourine and next to a Moroccan ivory-inlaid octagonal table with a tea pot on top. Signed and inscribed 'Ballesio Roma Tivoli' (upper right). All within an ornate rococo gilt wood and gesso carved frame with a protective glass, Rome, circa 1890-1900, Frame height: 23 inches (58.4 cm). Frame width: 30 1/2 inches (30.5 cm). Frame depth: 2 1/4 inches (5.7 cm). Paper height: 15 inches (38.1 cm). Paper width: 21 1/2 inches (54.7 cm). Literature: A similar subject matter watercolor is catalogued and illustrated in Caroline Juler, "Les Orientalistes...

Orientalist Work, Pedestal in beech and bone circa 1900-1930 A few lacks of bones

Rare Moroccan chandelier in patinated and gilded openwork iron with eighteen lights, composed of a baluster shaft ending in a hexagonal crown surrounded by a gallery and decorated wi...

This wonderful collection of Bohemian glass objects was created in the late 19th Century for the Persian market. The set—which includes three vases, one huqqa base...

This Turkomen Ersari rug has been hand-knotted in the finest wool. The rug features an all-over repeating Gul design throughout the entirety of the rug, enclosed within a complementa...

1960s Moroccan Berber rug with pink and black and white cors.From the plains of Marrakech, one of a kind vintage hand woven Rehmana Berber rug.Clector piece vibrant cors and asymmetr...

This mid-19th-century silk chapan coat showcases the refined textile artistry of Central Asia. Its exterior is woven from a vivid sapphire-blue silk brocad...

This beautiful Copper Tinned Chest is hand tooled. It has heavy metal handles and hinges. A nice decorative item.

Large pair of Moroccan glazed polychrome ceramic jars tureen with cover. Hand painted ceramic Jubbana, handcrafted by skilled Moroccan artisans in Fez Morocco. Moorish designs in t...

Oriental “Bonheur du jour” in carved wood and marquetery , “Moucharabiehs” leaf late 19th century, small gaps in inlays

Beautiful modern Bidjar Style hand-knotted wool rug with a navy blue field. This piece has multicolor accents, featuring a gorgeous geometric floral pattern design with beige fringes...

Large Moroccan glazed ceramic vase from Fez. Moorish style ceramic handcrafted and hand-painted with Arabic calligraphy writing. This kind of Art Writing looks calligraphic is calle...

A scarce fine quality antique silver-inlaid solid brass betel nut box (Lutuan), dating to the second half of the 19th / early 20th century, hand-crafted in Mindanao, Philippines. Boxes such as this were used to store the areca nut (also known as the betel nut) which would be wrapped in a betel leaf with lime paste and other ingredients, often tobacco, for chewing. Similar to the European tea caddy, these boxes often served as a way to impress while showing off ones wealth. Betel chewing was prevalent in the southern Philippines as in much of the rest of Southeast Asia. Wealthier Maranao families on Mindanao were able to afford elaborate silver-inlaid brass betel boxes such as this example. Such boxes were used to show off to guests and from which they were offered betel and the other component such as leaves and lime to make up the betel quid. Rare large size, most extant examples of such boxes tend to measure around 5 inches in length. At slightly more than 7.75 inches the example here is larger than most. The distinctive decorative box features a very heavy strong-box like rectangular shaped chest form with canted corners, copper handles, and a conforming hinged lid, lifting open to reveal an interior divided into three compartments covered by four hinged lids. Each of these doors is inlaid with silver in stylized orchid flower patterns. Exceptionally executed throughout, the arabesque silver inlaid exterior is decorated to the top with a large orchid motif within scrolling obid-obid (stylized rope) borders. The front, back and sides are inlaid with sets of stylized tail feathers of the sari-manok bird beneath which are unusual, highly stylized whimsical zoomorphic faces that appear like cat or tiger faces. (Such stylisation is accounted for by Southeast Asian Islamic preferences to avoid the overt and this potentially idolatrous representation of animal and human forms. Designs such as these are drawn from a local design repertoire that has its origins in wood carving. Although the spread of Islam in the Philippines began in the 14th century, mostly through the influence of Muslim merchants from the western Malay Archipelago, decorative arts in this design remain exceptionally rare. This lutuan represents a fine example of Islamic metalwork from the most eastern outreach of Islamic art and civilisation: Mindanao island being significantly further east than even China – artwork from Islamic Southeast Asia remains chronically under-represented in the world’s major collections of Islamic art. PROVENANCE / ACQUISITION Acquired from highly reputable auction house, Austin Auction Gallery, established 1983, Austin, Texas. References Brownrigg, H., Betel Cutters...

An Incredible and Rare Pair of 19th Century French Islamic Style Patinated Bronze Alhambra Vases, Stamped Tiffany & Co. The vases draw inspiration from Islamic design and the Nas...

Antique Turkish hand-knotted wool runner with the brown sienna field. This piece has red, yellow, and brown accents in an all-over geometric floral design. This rug measures: 3' ...

Du Maroc aux Indes - Voyages en Orient aux XVIIIe et XIXe siècles by THORNTON Lynne Published by Courbevoie, ACR Editions, 1998 Rare collector hardcover art book titled "Du Maroc aux...

An exquisite antique Baccarat Pink and clear crystal double overlay eleven-light chandelier with original hurricane shades. This magnificent chandelier has eleven arms that snake fir...

Monumental Mughal Brass and Copper Calligraphy Tray Table, India, circa 1920 A monumental early-20th-century Indian brass and copper tray table, attributed to Rajasthan and dating to approximately 1920. Impressive in both scale and craftsmanship, this extraordinary low table combines a richly worked antique metal tray with a newly custom-made iron base, creating a functional coffee table with the presence of a significant work of Islamic decorative art. The expansive rectangular tray is handcrafted in copper and embellished with applied brass decoration. Its recessed central field is densely worked with Arabic-script calligraphy, scrolling arabesques, geometric borders and finely chased ornamental bands. The calligraphic decoration is organized in the Indo-Persian and Mamluk Revival tradition, reflecting the historic exchange of artistic vocabulary between Mughal India, Persia, Ottoman workshops and the Islamic metalworking centers of Cairo and Damascus. A broad raised border surrounds the central field, articulated with a rhythmic sequence of rounded repoussé bosses. Large sculptural handles extend from both ends of the tray, giving the piece an imposing overall width of 66.5 inches. The aged copper and brass surfaces retain a warm, softly burnished patina with oxidation, rubbing and tonal variation that reveal the tray’s age and handcrafted construction. The elaborate metalwork has been described historically as Qur’anic or Koranic calligraphy. However, because the inscriptions have not been independently translated, they are identified conservatively here as Arabic-script calligraphic decoration, possibly devotional in nature. This more precise description preserves the table’s important Islamic artistic character without making an unverified claim about the specific text. The antique tray rests on a newly fabricated blackened iron base designed specifically to accommodate its substantial proportions. The restrained linear construction of the stand provides stable support while allowing the highly detailed metal surface and sculptural handles to remain the visual focus. At approximately 17.25 inches high, the completed piece functions beautifully as a monumental cocktail table, low coffee table or central salon table. Its generous 57-by-33-inch tray surface offers ample room for entertaining, books or decorative objects, although the intricate calligraphy and metalwork are striking enough to be displayed with minimal styling. The removable tray may also be appreciated separately as an oversized example of Indian Islamic metalwork. This antique Mughal-style tray table would be an exceptional focal point in a Spanish Colonial, Mediterranean, Moorish, Islamic, British Colonial, Indo-Persian, maximalist or sophisticated contemporary interior. It is especially well suited to a large living room, library, collector’s salon, hotel lobby or luxury hospitality setting where its monumental scale can be fully appreciated. Dimensions: Overall with handles and custom base: 66.5 in. W × 33 in. D × 17.25 in. H Tray without handles: 57 in. W × 33 in. D × 2 in. H Each handle: approximately 11 in. × 6 in. Origin: Attributed to Rajasthan, India Date: Circa 1920 Period: Early 20th century Style: Mughal Revival, Indo-Persian, Islamic and Mamluk Revival Materials: Copper, brass and iron Techniques: Handcrafted, chased, engraved, repoussé and applied metal decoration Creator: Unknown Base: Newly custom-made blackened iron base Condition: Good antique condition with wear consistent with age and use. The copper and brass retain oxidation, rubbing, surface variation and an aged patina. The iron base is a later custom addition. SEO keywords and attributes: monumental Mughal tray...

Original hand-wrought Islamic ironwork from French North Africa serving as wall-mounted sculptures / decorative art panels. Sober, beautiful, timeless. 5 pieces. Priced and sold ...

Moroccan pierced brass shades / Red resin jewels / Aged brass finish Note : Height cannot be adjusted Quantity : (1) Materials : Aged Brass / Resin Color : Gold / Red Dimensions :...

Intended to hold paan or betel, the seamed cylindrical body flaring downward towards the base, the domed lid showing a lotus-bud final over a flattened and canted rim, both decorated...

Beautifully made oriental rug in a unique circular shape. At 70" across, this would make a perfect centerpiece on the floor of your home or office. The vibrant colors and elaborate d...

Vintage Turkish enameled Bohemian glass hookah base vase. Clear and gold enameled Bohemian glass hookah base, or flower vase. Bohemian glass hookah ...

20th Century Mamluk Style Green Glass Gold Gilded Mosque Lamp French, 20th Century Height 30cm, diameter 22cm This mosque lamp reflects the centuries-old tradition of illuminating ...

Wonderful set of 12 prints of the Middle East Steel engravings mainly after Allom and Bartlett Published by London Printing & Publishing Co. Unframed. The measurement below is th...

Very decorative mosque lamp in opalescent glass painted in green-blue and gold tones The frame and chains are in bronze Originally a small oil lamp was p...

An exquisite example of classic luxury design, this antique Persian-style Agra wool rug showcases an intricate, allover lattice lattice-and-palmette motif set against a rare, soft sa...

Antique 19th century oversized round shape Moroccan polished metal brass tray platter. Polished decorative metal round brass tray with very fine intricate geometric Moorish Islamic ...

Antique Hand Tooled Oversized Moroccan Metal Copper Tray 31 in. D. Circa 1920's. Antique hand tooled heavy huge collectible Moroccan metal copper tra...

A fine antique Persian papier machê snuff box. Consisting of a lacquered papier machê with decoration to the lid and all 4 sides. The lid...

A Orientalist watercolor picture of "A lady at the Bazaar" from the 19th century is a cacophony of colors and textures. The lady demurely lowers her gaze while sensuously caressing t...

A Fantastic and Quit Large 19th Century French Silvered Bronze Islamic Arabesque and Floral Motif Centerpiece/Decorative Bowl, Attributed to Édouard ...

An lavishly decorated Turkish coat likely from the Ottoman Empire period circa 19th century, presented in a shadow box gilt frame with dark blue fabric lining. The jacket was made fr...

A beautiful pair of French Porcelain Moon flask vases, made for the Islamic/Moorish Market. Each vase has a moon flask form with a gorgeous turquoise ground. The hand-painted enamels...

Beautiful Persian wooden chest with opening front. Lots of storage with wonderful ornamental design inside and out.

ancient oriental work, pair of carved wooden pedestals, bone inlay circa 1880 missing bones

Hand knotted in wool originating from the few remaining collaborations between renowned creators George Yevremovich and Teddy Sumner, this item is a contemporary rug between 20-25 ye...

Antique Mamluk Revival Brass and Silver Inlaid Tray Table Egyptian or Syrian, early 20th century Height: 45cm, width 82cm, depth 51cm This handsome tray-top table is a fine example ...

A fine antique Indian or Indo-Persia Moghul Islamic Illustrated manuscript folio. Depicting monkeys gathering fruit at the base of the tree. ...

Large Middle Eastern Brass Tray Table on Carved Hardwood Folding Stand A fine and generously sized early to mid twentieth century brass tray table The heavy circular brass tray is ...

Large oriental-style sideboard in carved wood, with mother-of-pearl inlay; wrought iron handles; pewter wire inlay small losses of mother-of-pearl. Provenance the Old Palace Saint G...

Crafted from early 20th-century Ottoman embroidered towels, this vibrant pillow pair celebrates the artistry of domestic textile traditions. The embroidery features bold floral motif...

Antique cold-painted bronze of a pulled rickshaw by Bergman Austrian, c. 1910 Height 19cm, width 37cm, depth 20cm This unusual cold-painted bronze depicts a running Arab man, who p...

This exceptional hand-embroidered textile is inspired by the rich tradition of Ottoman embroidery from the 16th to 19th centuries, reimagined for the present. Created as a unique cen...

We are delighted to offer for sale this pair of Arabic framed frames. Gorgeous and decorative pair of Arabic frames. Dimension: W 39 x D 4 x H 44 cm Please carefully look at...

Hanukkah lamp shaped like a palace, surmounted by Islamic crescent. Made in Laghouat, Algeria. The Hanukkah lamp is made of two parts: a pierced and engraved brass in the shape of ...

Carrara marble sculpture signed Prof. Bastiani Firenze, Italy, circa 1890. By Ildebrando Bastiani.

Solid wood with various inlays. Beautifully turned.  

This beautiful porcelain huqqa (or hookah) is of Continental, possibly Russian, origin and was created in the late 19th Century. The item is finely painted and decorated with photo-r...

A unique antique Moroccan Islamic style octagonal form reticulated brass and green gilt decorated glass multi light lantern chandelier of fine detailed embellished with Islamic writing and gilt decorated blown green glass shades...

Persian Qajar Dynasty Glazed Pottery Vase. Antique Middle Eastern Persian Qajar Dynasty hexagonal, polychrome glazed pottery vase, circa early 1900's or before. The hand painting dep...

1960s Vintage Moroccan Tribal African Rug in Indigo and Burnt Orange cors.Authentic 1960s vintage Moroccan tribal African rug.For centuries the tribal people of Morocco's Atlas Mount...

This beautifully crafted and decorated porcelain huqqa (or hookah) base is of Continental, possibly Russian origin. It was created in the late 19th century for the Persian market. The huqqa base...

19th century Middle Eastern traditional Arabian tinned copper and brass Dallah coffee pot. Coffee pot hand-hammered and chased copper with riveted brass...

Persian orange and blue velvet table cover with red center, fringe, and border

Royal blue opaque enameled Bohemian glass hookah base, or vase. Bohemian glass hookah base with overlay enameled in yellow, amber, green, red, and white with additional gilt. The elegant bell shape bowl huqqa’s base...

This exceptionally beautiful and rare silver-inlaid brass tray stand dates from the medieval period, when the Mamluks ruled Egypt and Syria (1250-1517). The Mamluks originated as slave-soldiers, who served the Muslim caliphs and Ottoman Empire. With time, the Mamluks became a powerful military caste, and they managed to take control and establish themselves as rulers of certain areas within the Abbasid caliphate. The Mamluk dynasty commissioned great works of art and architecture, particularly in Cairo, the capital city of Egypt, which was described in the 14th Century as ‘the centre of the universe and garden of the world’ (Ibn Khaldun, 1382). This tray stand is of biconical form, with a raised central band and flared base and rim. It is decorated with scrolling vines, overlaid with Thuluth inscriptions and roundels. On the lower body, the roundels contain floral motifs, and in the upper, stylised depictions of birds. The Thuluth inscriptions praise the patron, referring to him as ‘The High authority, the Lordly, the Possessor’, and ‘the learned’. The underside of the rim is engraved with a heraldic medallion, possibly the patron’s symbol. In the middle ages, when this piece was made, this item would have stood in a grand interior, supporting a tray full of fruit and fine food. The owner of this lavish piece which still bears traces of its original silver inlay would likely have been an Amir (prince) or some other important figure who was close to the Sultan in the Mamluk court. Mamluk tray...