Islamic Furniture

Two copper candlesticks of typical ottoman form with turned stems on a stepped and tapered base. Each base rises to a flared bobèche (a drip tray to collect melted wax...

ancient oriental work, pair of carved wooden pedestals, bone inlay circa 1880 missing bones

Hand-knotted from high-grade natural wool, this authentic antique Turkmen Yamoud rug features a striking all-over diamond lattice design set against a deep rich mahogany ground. Intr...

This antique Indian Larestan rug features a rare Khashti (garden panel) design, beautifully preserved from the early 20th century. Woven with premium hand-spun wool, it showcases a g...

Monumental Mughal Brass and Copper Calligraphy Tray Table, India, circa 1920 A monumental early-20th-century Indian brass and copper tray table, attributed to Rajasthan and dating to approximately 1920. Impressive in both scale and craftsmanship, this extraordinary low table combines a richly worked antique metal tray with a newly custom-made iron base, creating a functional coffee table with the presence of a significant work of Islamic decorative art. The expansive rectangular tray is handcrafted in copper and embellished with applied brass decoration. Its recessed central field is densely worked with Arabic-script calligraphy, scrolling arabesques, geometric borders and finely chased ornamental bands. The calligraphic decoration is organized in the Indo-Persian and Mamluk Revival tradition, reflecting the historic exchange of artistic vocabulary between Mughal India, Persia, Ottoman workshops and the Islamic metalworking centers of Cairo and Damascus. A broad raised border surrounds the central field, articulated with a rhythmic sequence of rounded repoussé bosses. Large sculptural handles extend from both ends of the tray, giving the piece an imposing overall width of 66.5 inches. The aged copper and brass surfaces retain a warm, softly burnished patina with oxidation, rubbing and tonal variation that reveal the tray’s age and handcrafted construction. The elaborate metalwork has been described historically as Qur’anic or Koranic calligraphy. However, because the inscriptions have not been independently translated, they are identified conservatively here as Arabic-script calligraphic decoration, possibly devotional in nature. This more precise description preserves the table’s important Islamic artistic character without making an unverified claim about the specific text. The antique tray rests on a newly fabricated blackened iron base designed specifically to accommodate its substantial proportions. The restrained linear construction of the stand provides stable support while allowing the highly detailed metal surface and sculptural handles to remain the visual focus. At approximately 17.25 inches high, the completed piece functions beautifully as a monumental cocktail table, low coffee table or central salon table. Its generous 57-by-33-inch tray surface offers ample room for entertaining, books or decorative objects, although the intricate calligraphy and metalwork are striking enough to be displayed with minimal styling. The removable tray may also be appreciated separately as an oversized example of Indian Islamic metalwork. This antique Mughal-style tray table would be an exceptional focal point in a Spanish Colonial, Mediterranean, Moorish, Islamic, British Colonial, Indo-Persian, maximalist or sophisticated contemporary interior. It is especially well suited to a large living room, library, collector’s salon, hotel lobby or luxury hospitality setting where its monumental scale can be fully appreciated. Dimensions: Overall with handles and custom base: 66.5 in. W × 33 in. D × 17.25 in. H Tray without handles: 57 in. W × 33 in. D × 2 in. H Each handle: approximately 11 in. × 6 in. Origin: Attributed to Rajasthan, India Date: Circa 1920 Period: Early 20th century Style: Mughal Revival, Indo-Persian, Islamic and Mamluk Revival Materials: Copper, brass and iron Techniques: Handcrafted, chased, engraved, repoussé and applied metal decoration Creator: Unknown Base: Newly custom-made blackened iron base Condition: Good antique condition with wear consistent with age and use. The copper and brass retain oxidation, rubbing, surface variation and an aged patina. The iron base is a later custom addition. SEO keywords and attributes: monumental Mughal tray...

An unusual Pair of Iznik or Islamic Style Porcelain Vases Mounted as Lamps with French Ormolu mounts attributed to Theodore Deck, Paris, circa 1880 The pair is formed as bulbous porc...

Fine Late 19th-Century Turkish Panderma Rug – Finely Hand-Knotted A remarkable late 19th-century Turkish Panderma (Bandırma) rug, exceptionally finely hand-knotted and distinguished...

An Antique 19th Century Russian Uzbek Five-Color Pure Silk Wrapped Tribal Weaving Ikat, with Its Original Russian Roller-Printed Cotton Backing. The front displays a highly detaile...

A Large 19th Century French Ormolu Mounted Orientalist Vase, E. Lièvre This large 19th-century French Orientalist vase has a tall baluster form with curved sides, a narrow neck, and...

This 19th-century Ottoman metallic embroidery tapestry is a magnificent representation of the empire’s rich textile heritage, crafted with exceptional skill and artistry. The use of ...

Islamic Celestial Globe by Arte International Furnishings. An exceptional large brass Islamic Celestial Globe. The hammered brass sphere constructed from two hemispheres with engra...

Elevate your living space with this exquisite Modern Bidjar Style Wool Rug. Hand-knotted with premium wool, this piece features a sophisticated transitional design that reimagines cl...

Elevate your interior architecture with the iron-clad elegance of this exceptional 19th-century Antique Bidjar Style wool runner rug. Renowned among collectors as for their legendary...

a mid-20th-century Turkish Kars floral room-size rug Details rug no. j5152 size 7' 9" x 9' 5" (236 x 287 cm)

A very good quality pair of 19th century marble and gilded ormolu urns, converted to lamps.

19th century Middle Eastern traditional Arabian tinned copper and brass Dallah coffee pot. Coffee pot hand-hammered and chased copper with riveted brass...

Antique cold-painted bronze of a pulled rickshaw by Bergman Austrian, c. 1910 Height 19cm, width 37cm, depth 20cm This unusual cold-painted bronze depicts a running Arab man, who p...

Antique Qajar Middle Eastern Islamic tile plaque. Asian Moorish glazed ceramic tile depicting an outdoor scene with musician and women serving food and da...

Vintage classic aged Moroccan silver plated tea pot. Handcrafted in Morocco. Vintage Moroccan teapot from the older areas of the brass market of ...

Beautiful modern Serapi style hand-knotted wool rug with a navy-blue field. This Square rug has a designed frame and brown and rust accents that feature a gorgeous geometric floral p...

These beautiful table lamps have been attributed to Joseph-Théodore Deck, one of the most important ceramicists of the 19th century. Deck was the director of a prestigious faience workshop which was based in France. He was well known for his high-quality ceramic wares, which were often designed in Islamic and Chinese styles. The lamps are designed in a Persian manner. Each lamp is fitted with a gilt bronze (ormolu) light fixture which holds two bulbs. The lamps' bodies are crafted from faience (tin-glazed earthenware) and feature cylindrical necks and bulbous lower bodies. These bodies are decorated with stylised flowers, leafy vines, and Persian script...

The carpet manufactory in Hereke, a city in western Turkey, was founded by the Ottoman Sultan Abdulmecid I in 1841 to produce all of the textiles for his palaces. He gathered the be...

Polychrome alloy bronze garniture. Orientalist style, 1860. Machine clock signed 1570.

Pair of late 19th century French painted porcelain lamps French, Late 19th Century Height 94cm, width 51cm, depth 51cm This elegant pair of hand-painted porcelain lamps captures t...

77218 Vintage Turkish Hereke Silk Prayer Rug, 04’00 x 06’00. Effortless beauty meets timeless appeal in this vintage Turkish silk Hereke prayer rug. The stylish levels of complexity and refined color palette woven into this piece work together evoking worldly sophistication. This hand knotted vintage Turkish silk Hereke prayer rug, inspired by the renowned Zareh Penyamin and the intricate artistry of Koum Kapi...

Handcrafted of one piece of solid wood, inlaid with silver, scrolling, decorative picture frame. This picture frame is easy to fold into a cross legged standing position and this ra...

Antique Persian Iznik Qajar Style Ceramic Pottery Tile Bearded Man and Woman C2. Item features original crackle glazed finish, heavy ceramic pottery construction, very impressive det...

An outstanding finely hand-knotted Persian Ghom room size wool rug Signed by master carpet-weavers Makhmalbaf Circa 1940s Beautiful floral design, with predominant colors in red, ...

A striking 19th-century Indo-Persian copper footed bowl from India, distinguished by its broad architectural form, warm red-copper surface and finel...

Elevate your space with this beautiful Modern Serapi-style wool rug, blending traditional Persian heritage with contemporary colors. Hand-knotted from premium wool, it features a gra...

Masterpiece of Ottoman Tradition – Rare Pure Silk Hereke Rug The Jewel of Turkish Silk Weaving Experience the pinnacle of textile art with this exceptionally fine Hereke silk rug. ...

Elevate your space with this stunning Modern Serapi Style rug, featuring a vibrant rust orange field and a traditional ivory border. Meticulously hand-knotted from high-quality wool,...

79815 Vintage Turkish Hereke Rug, 02'00 x 04'00. The Sacred Garden: A Vintage Turkish Hereke Masterpiece of Imperial Elegance. This hand-knotted silk vintage Turkish Hereke rug embod...

Set of three rare, antique late 19th century original offering vessel lacquered ornate gilded betel boxes in the shape of a sacred goose, Hintha bird from Mandalay, Myanmar bird...

Enhance your space with this elegant hand-knotted wool rug in the Modern Bidjar style. It features a luminous ivory field with oversized botanical palmettes and geometric motifs in v...

Late 19th century Mughal Indian Raj Style Silvered Traditional Anklet Bracelet from India repurposed as a vide poche, catchall, bowl ashtray or just as a beautiful collectible decorative object from India. Antique silver coin and brass heavy metal Dhokra ethnic tribal ankle bracelet that has been repurposed with a brass inner plate that was later added to use the bracelet as a small ashtray or decorative vanity jewelry bowl. The closure was a push pin mechanism that was closed. Dhokra art old ethnic tribal brass traditional ankle bracelet from India, handcrafted of a hollow band of heavy brass decorated with chevron repoussé banding and lost wax granulation. Measures: Height : 1.5 inches. Length : 7.5 inches. Width : 7.5 inches. Diameter: 7.5 inches Brass silver plated. Rare collectible decorative bowl, catchall, ashtray, Mughal Raj style, North India, Rajasthan. Circa 1900's Weight= 2 Lb 6.9 oz Anklets were important components in a suite of jewels worn by women in India. These very heavy examples are fabricated in two pieces, and tightly secured with a near-invisible pin. Some legends suggest that heavy anklets like these could weigh up to 20 pounds and were used to prevent brides from running away from their new families. How it is made: "Dhokra is an ancient folk art tradition prevalent in India in the eastern states of West Bengal, Odisha, Jharkhand and Chhattisgarh. Dhokra craft objects are made through the process of non-ferrous metal casting using the lost-wax casting technique, which is one of the earliest and most advanced methods of metal casting known to human civilization. Its roots can be traced back 4500 years to the ancient city of Mohenjodaro in the Indus Valley Civilization. The name Dokra or Dhokra was used to indicate a group of craftsmen of nomadic type from the Dhokra Damar tribe, scattered over the regions of Bengal, Orisa and Madhya Pradash, whose wares were identified by their beautifully shaped and decorated metal products. The enchanting Dhokra art objects have motifs inspired by indigenous folk...

A fine antique Persian papier machê snuff box. Consisting of a lacquered papier machê with decoration to the lid and all 4 sides. The lid...

Wonderful image of the Qutb Minar minaret in Delhi Fine steel engraving after Prout Published by Fisher. Dated 1832 The measurement given is the paper size Unframed.

Oriental work from the 19th century, 2 large shelves in carved wood and bone marquetry. missing bones price is for one two are available

Dallah Coffee Pot: A Masterpiece of Arab Hospitality and Art The "Dallah" coffee pot we see here is a magnificent piece representative of Arab culture. Likely made of copper, it fea...

Extremely rare antique 18th-century Islamic Mughal Indian painted and lacquered hide shield Dhal. It has a domed circular form and is superbly hand-painted...

Exuding under-stated luxury, this exceptional antique Indian Agra rug balances grand scale with an ethereal, highly coveted color palette. Woven in the early 20th century, the hand-k...

This fine vintage Turkish Hereke natural silk tapestry showcases an elegant Tree of Life composition rising from a decorative vase and surrounded by intricate floral sprays, scrollin...

This culinary masterpiece, designed for the preparation of rice, transcends its utilitarian purpose and becomes a work of art in its own right. The entire surface of the rice pan is adorned with intricately engraved calligraphy, adding a touch of elegance and cultural significance. The brass rice pan is substantial, reflecting its purpose as a tool for large-scale cooking. Its sheer size and sturdy construction make it a standout piece in any kitchen or culinary setting. The brass material provides a warm and lustrous backdrop for the detailed engravings that grace its surface. The calligraphy on the rice pan is a testament to the artistry and precision of the craftsman. Delicate Arabic or Persian script, characterized by flowing lines and elegant curves, covers the entire exterior of the pan. The calligraphy may feature verses from poetry, blessings, or traditional sayings related to food, hospitality, and prosperity. Each inscription is meticulously engraved, creating a visually striking contrast between the polished brass and the finely detailed letters. The combination of the monumental size, brass material, and engraved calligraphy transforms this rice pan into a cultural artifact that goes beyond its culinary function. It becomes a symbol of tradition, craftsmanship, and the importance of communal gatherings around food. Whether displayed as a piece of art or used in the preparation of meals, this monumental brass rice pan stands...

Fibula, or item of clothing, in filigree silver, Egypt, Ottoman Empire, 19th c. The filigree is a kind of metal lace, made of silver or gold thread (or gold or silver metal), compone...

A pair of Moroccan stools with octagonal leather-upholstered tops and kilim centers. The hinged lift-top seats open to compartment interiors. The sides are decorated with raised meta...

This refined wool rug features a timeless navy blue backdrop paired with a contemporary Serapi-inspired design. The piece showcases a red-accented frame and a breathtaking all-over f...

This exceptional 19th-century antique Caucasian Karabagh runner features a striking, dense all-over composition of stylized geometric palmettes, rosettes, and traditional tribal moti...

This wool and silk rug boasts a striking contemporary design featuring a captivating tribal motif in an elegant grey hue. The exquisite blue and tan accents perfectly complement the ...

Enhance your space with the Modern Serapi Style Wool Rug. Its deep navy blue field and vibrant rust-orange border blend 19th-century Persian aesthetics with contemporary design. Hand...

Great image of an Arab Sheikh Copper-plate engraving by T.Clerk Published by Mackenzie And Dent. 1817 Unframed.

Immerse yourself in Near Eastern elegance with this stunning and rare antique game table, a masterpiece of traditional craftsmanship from Damascus, Syria, dating back to the early 20...

Cold painted bronze lamp with Orientalist subject by Bergman Austrian, circa 1910 Height 46cm, width 21cm, depth 12.5cm The Bergman Foundry, ...

This is an exceptional and rare Damascene-style living room, a complete set featuring elaborate inlay work with mother-of-pearl and exotic woods. These pieces are typical of Syrian o...

A scarce fine quality antique silver-inlaid solid brass betel nut box (Lutuan), dating to the second half of the 19th / early 20th century, hand-crafted in Mindanao, Philippines. Boxes such as this were used to store the areca nut (also known as the betel nut) which would be wrapped in a betel leaf with lime paste and other ingredients, often tobacco, for chewing. Similar to the European tea caddy, these boxes often served as a way to impress while showing off ones wealth. Betel chewing was prevalent in the southern Philippines as in much of the rest of Southeast Asia. Wealthier Maranao families on Mindanao were able to afford elaborate silver-inlaid brass betel boxes such as this example. Such boxes were used to show off to guests and from which they were offered betel and the other component such as leaves and lime to make up the betel quid. Rare large size, most extant examples of such boxes tend to measure around 5 inches in length. At slightly more than 7.75 inches the example here is larger than most. The distinctive decorative box features a very heavy strong-box like rectangular shaped chest form with canted corners, copper handles, and a conforming hinged lid, lifting open to reveal an interior divided into three compartments covered by four hinged lids. Each of these doors is inlaid with silver in stylized orchid flower patterns. Exceptionally executed throughout, the arabesque silver inlaid exterior is decorated to the top with a large orchid motif within scrolling obid-obid (stylized rope) borders. The front, back and sides are inlaid with sets of stylized tail feathers of the sari-manok bird beneath which are unusual, highly stylized whimsical zoomorphic faces that appear like cat or tiger faces. (Such stylisation is accounted for by Southeast Asian Islamic preferences to avoid the overt and this potentially idolatrous representation of animal and human forms. Designs such as these are drawn from a local design repertoire that has its origins in wood carving. Although the spread of Islam in the Philippines began in the 14th century, mostly through the influence of Muslim merchants from the western Malay Archipelago, decorative arts in this design remain exceptionally rare. This lutuan represents a fine example of Islamic metalwork from the most eastern outreach of Islamic art and civilisation: Mindanao island being significantly further east than even China – artwork from Islamic Southeast Asia remains chronically under-represented in the world’s major collections of Islamic art. PROVENANCE / ACQUISITION Acquired from highly reputable auction house, Austin Auction Gallery, established 1983, Austin, Texas. References Brownrigg, H., Betel Cutters...

This Modern Bidjar Style Rug seamlessly combines traditional Persian motifs with a contemporary aesthetic. Crafted from high-quality wool, it features a rich golden ochre field that ...

Middle Eastern style gilt and red velvet framed print of Middle Eastern or North African horsemen bearing rifles.(as is) Condition: (Previously punctured, repair slighly visable)

Apadana's Artisan line is an elegant way to inject a striking antique aesthetic into a space. This line of rugs is decidedly unique and reimagines what an antique rug look can be. Ev...

71986 antique Afghan Kizil Ayak Mosque Prayer rug. Warm and inviting with a dark, rich color palette, this antique Afghan Kizil Ayak Mosque prayer rug beaut...

Antique Islamic Repoussé Lidded Copper Vessel 9 h x 12 Original vintage condition Refer to all images