Native American Furniture

Native American Cochiti drum with sides painted in black, white and turquoise. Made of a cottonwood log and hide. Period: Early 20th century Origin: So...

Metis Cree bandolier with classic beading on red Stroud with white bead edging and black silk ribbon border. Period: Mid-19th century Origin: Metis Cree Si...

Polychrome Pueblo drum. From a private New York State historical society. Period: Last quarter of the 19th century. Origin: New York Size: 6" D x 6" H ...

Simon Charlie "pole of wealth". Carved in Duncan, BC 1958 for Patrick Pryor who is in the timber business. Compared to the "pole of wealth" in Duncan, BC, you will see Simon's fingerprints. The adzed marks on the bear are identical to this totem. Also, the happy and sad faces are almost identical including their orientation left and right. This pole was carved by Simon in 1988. He used happy and sad faces in some of his work to notate good times and bad times. 9'2"H x 20" at base. Charlie was trained by famous Kwakwaka'wakw totem artist Henry Hunt, at the Provincial Museum of British Columbia, but though as Hunt he carved Totem poles, which was not traditionally used by the Coast Salish...

Very tightly woven polychrome Yokut. Golden patina. Period: 19th century Origin: Yokut Size: 9" H x 17" W. Family Owned & Operated Cisco’s Gallery deals in the rare, exceptional,...

Pair of Papago basketry dolls. Male and female, both with hats (one not photographed). With original sales tag “Arizona. Made by Sally Lopez at Santa Rosa Valley.” Ex. Dunning. Papag...

Beautiful hand turned vintage "Flaming Desert" pottery bowl by Anasazi tribe of the four corners region of the southwest United States, circa 1990. The piece has exquisite detail and...

Doll Cradleboard collection (Right to Left) 1. Ute cradleboard, 13”. Beaded edge with cross accents and brain tanned deer hide. 2. Umatilla doll cradleboard....

A beautiful vintage Mexican handwoven rug or blanket dating to circa 1940, featuring a classic Southwestern-inspired geometric design rendered in a warm, natural palette. This striking textile showcases a central stepped diamond motif, framed by balanced bands of stripes along each side, creating a harmonious and timeless composition. The field is woven in soft natural wool tones—creamy ivory and subtle gray—accented with rich brown, warm tan, and golden ochre. At the center, a serrated diamond medallion draws the eye, its layered geometry reflecting traditional design elements long associated with Mexican weaving traditions. The flanking striped panels add rhythm and structure while enhancing the overall symmetry of the piece. Handwoven using traditional techniques, the textile displays the character and craftsmanship typical of mid-20th-century Mexican weaving. The wool fibers give the rug a durable yet supple texture, and the fringed ends emphasize its authenticity as a loom-woven blanket or small rug. Measuring 2 feet x 3 feet 6 inches, this piece works beautifully as an accent rug, entryway textile, or decorative wall hanging. Its understated color palette and bold geometric center make it particularly versatile, complementing Southwestern, rustic, modern, or eclectic interiors. As both a functional object and a decorative textile, this vintage Mexican rug...

Jicarilla Apache lidded waste basket with handle cutout, quadrupeds (we think dogs), and geometric designs. Acquired by Charles Graves, Indian agent i...

SUPERB Pair of Native American "Pima" Baskets These are early Native American baskets. The are woven very tightly. Diameters of both are 6 inches and 3 inches.

Pacific Northwest coast carved cedar killer whale rattle, by Coastal Salish - Squamish artist Stan Joseph, signed and dated 2012, a beautiful and deeply carved hollow cedar dance rattle in the form of a Killer Whale, with relief carved eyes and mouth, surface striations, and three human faces on the back and tale, with applied pectoral and dorsal fins. Mounted with simple whittled cradle on cedar block base (signed and dated on bottom of base). Hollow interior rattles with entrapped pebbles. The carving was never polychromed and remains in its original natural finish. Excellent condition. Stan Joseph is a Coastal Salish artist from North Vancouver. He began carving in 1962 at the age of twelve, and also ventured into painting and designing totem poles. In 1972 he carved an 80 foot and other huge poles which sold to Germany. In 1980 he carved a 60-foot pole for Sea Span and another one for the Chief Joe Matthias Centre, as well as the welcome figure on the West Vancouver Pier. Stan is now an outstanding master carver who teaches his craft to the next generation of young artists. Stan is also accomplished at making silver and gold jewelry, and teaches this art at the employment center. Stan has been interested in the spiritual dances of the Coast Salish...

Native American Navajo crystal weaving. Featuring classic crystal design in colors of grey, black, white, and red. Bold and dark Great for floor or wall display in a Southwestern sty...

This striking 20th-century Native American tribal vessel showcases the artistry and cultural heritage of Native American craftsmanship. Made from terra cotta, it features intricate r...

Presentation pipe tomahawk with brass blade and cutouts. Noted on blade "A. Angstadt, Ohio, 1811." Hand engraved eagle, star and dove. Scalloped and keyhole design on stem. A beautif...

Puyallup Tribe (Tacoma, Washington) Powwow drum on stand with beaters. Used by Jumping Gray Squirrel. Animal hide over wood, hide attached with criss-cross lacing. Add glass and woul...

Northern Plains hair drop. Beaded blue with red accents. Quilled drops having tin cones and yellow feather fluffs with long black horsehair drop. Period: 19th century Origin: Great Plains - Northern Plains, Native American Size: 6" x 35" overall Family Owned & Operated Cisco’s Gallery deals in the rare, exceptional, and one-of-a-kind pieces that define the history of America and the Old West. Our pieces range from American Indian to Cowboy Western and include original items of everyday life, commerce, art, and warfare that tamed America’s frontier. Our 14,000 square foot gallery opened in 1996 in beautiful Coeur d’Alene, Idaho. Personal Service Cisco’s operates on old fashioned values – honesty and integrity, and all of our items are backed by our money back guarantee. We appreciate the opportunity to earn your business. Whether you desire assistance with a jewelry purchase, choosing a gift, identification, or even selling – we hope to be your trusted source. Native American, garments, Blackfeet, headdress, collectibles, antiques, Native American beadwork...

Native American Pueblo painted drum. Classic and colorful cottonwood drum with rawhide skin sides painted red, white and blue. Period: Mid 20th century Origin: Southwest, Cochiti ...

Lillooet lidded storage basket with polychrome imbricated design. Pedestal style. Traded for food in Washington, 5 miles from the Canadian border...

American Navajo with geometric diamond design in marigold, gray, black, and ivory. Keivan Woven Arts / rug X23-0301, country of origin / type: America / Navajo, circa 1970 Measures: ...

This Navajo-Style Bird Rug, dating to circa 1930, showcases a bold central bird motif framed by stepped geometric borders and earthy horizontal stripes in brown, cream, black, and ye...

Ron Aleck Wood Carving Plaque, Pacific North West Coast, 20th Century. Signed to the back.

This Polynesian Tiki figure, carved from dark hardwood, depicts a human-like spirit with both hands covering its mouth, symbolizing silence, secrecy, a...

Hand thrown and painted pictorial Acoma top rim with geometrics below. Hand thrown, thick walled, signed on bottom B. Concho, Acoma, N.M. Primitive and "folky." Period: Mid-20th century Origin: Acoma Size: 12" H x 11" W Family Owned & Operated Cisco’s Gallery deals in the rare, exceptional, and one-of-a-kind pieces that define the history of America and the Old West. Our pieces range from American Indian to Cowboy Western and include original items of everyday life, commerce, art, and warfare that tamed America’s frontier. Our 14,000 square foot gallery opened in 1996 in beautiful Coeur d’Alene, Idaho. Personal Service Cisco’s operates on old fashioned values – honesty and integrity, and all of our items are backed by our money back guarantee. We appreciate the opportunity to earn your business. Whether you desire assistance with a jewelry purchase, choosing a gift, identification, or even selling – we hope to be your trusted source.   Native American, Pottery, Acoma Olla...

Authentic mid-century Southwestern Trading Post era drum from the Cochiti Pueblo region, dating to circa 1950. This striking example of Native American folk art is constructed from s...

Makah TOTEM by Young Doctor (1851-1934). Neah Bay, Washington. This monumental pole is a significant piece of Northwest Coast art and Seattle history that was previously owned by Joseph Edward “Daddy” Standley, the founder of the iconic Ye Olde Curiosity Shop in Seattle, Washington. The pole was displayed for years on the grounds of Standley’s “TOTEM Place” estate in West Seattle, across the bay from his iconic ethnographic art and curio shop on the Seattle Waterfront. So popular amongst tourists was the TOTEM Place estate grounds, that the Southwest Seattle Historical Society has stated that “for decades... it was a place where tour buses stopped, and flashbulbs popped. It probably was the most gawked-at, talked-about residence in West Seattle.” This pole was even featured in situ at Standley’s West Seattle home on a postcard that was sold to visitors through Ye Olde Curiosity Shop. While there are multitudes of model poles and other artifacts available to collectors that were sold as souvenirs from Ye Olde Curiosity Shop, objects that were actually owned by Standley are virtually unknown in the art market. The vast majority of objects that Standley esteemed and considered his private collection have remained with his family and descendants and are on permanent display in the store. Among the objects owned by Standley to make their way into the Smithsonian was a Spirit Canoe sculpture by Makah master carver Young Doctor (1851-1934), the likely carver of this pole. It would appear that Standley and Young Doctor had a good working relationship as a number of pieces, including this TOTEM, an elaborate transformation mask, the aforementioned Spirit Canoe model at NMAI, and a full model set of a Makah whaling crew and canoe were made for Standley by the artist. This large-scale TOTEM pole is an exceptional example of turn-of-the-20th-century Northwest Coast carving...

Hopi Kwahu eagle katsina totem. Hand-molded terracotta painted with feathers, turquoise jewelry, beads, shells and other mixed media. Hospoa ro...

Early 20th Century Navajo Rio Grande Carpet ( 4'6" x 7'8" - 137 x 234 ) Antique Navajo rug with multi-color geometric design Antique Navajo - Rio Grande American Flat Weave Rug, Cou...

Tsonoqua/Dzunukwa, “The Wild Woman of the Woods,” is an important ancestor figure to the Kwakwaka’wakw people of British Columbia. A giantess that fills important cultural roles during the potlatch, she is best known as a wealth-bringing being to those who encounter her and as a creature that parents tell their children stories about to make them behave and not venture far from the village – as she is also a cannibal and has been known to snatch stray children from the woods. She is the female counterpart of the male Bak’was, the Kwakwaka’wakw “Wild Man of the Woods.” Tsonoqua is analogous to the Coast Salish Sasq’ets, better known as Sasquatch, the Nuxalk Sniniq (female) and Buks (male), the Tsimshian Ba’oosh, the Haida Gagiit, the Athabaskan Hairy Man (or Woman), and the Tlingit Tl’anaxéedáakw. She is also what a lot of folks would call Bigfoot. This pole is carved in a Coast Salish style but shows several Kwakwaka’wakw influences, so is perhaps better termed a female Sasq’ets pole. This pole shares a lot of stylistic elements with work by the Coast Salish Horne family and was perhaps carved by one of them. The features of the face that identify this pole as a Wild Woman are the tightly squinted eyes, the prominent cheekbones, and the pursed red lips that depict her making her telltale whistling call. Large breasts are created by “split-u” formline elements on her chest, motifs which are repeated (unpainted) on her arms and legs. Her hands and appropriately large feet are rendered naturalistically, and she is depicted in a kneeling position. A very fine example of Northwest Coast carving. Period: Last quarter 20th century Origin: Salish Size: 49"H x 17'W. Family Owned & Operated Cisco’s Gallery deals in the rare, exceptional, and one-of-a-kind pieces that define the history of America and the Old West. Our pieces range from American Indian to Cowboy Western and include original items of everyday life, commerce, art, and warfare that tamed America’s frontier. Our 14,000 square foot gallery opened in 1996 in beautiful Coeur d’Alene, Idaho. Personal Service Cisco’s operates on old fashioned values – honesty and integrity, and all of our items are backed by our money back guarantee. We appreciate the opportunity to earn your business. Whether you desire assistance with a jewelry purchase, choosing a gift, identification, or even selling – we hope to be your trusted source.  Native American, Carving, Totem, Pole, Painted, Cedar, Salish Indian

Large Haida argillite totem pole by Jay Simeon (Haida/Blackfoot, b. 1976) 29"H, base 3 3/4" x 3 3/4". Jay Simeon is among the most sought-after conte...

Pair of bookends featuring a Native American chief and his horse. These were made by the Armor Bronze Corporation and designed in 1928. These are in nice vintage condition. One has s...

Late 19th century classic Moki style Navajo wearing blanket. The Moki pattern is one of the oldest designs in Navajo weaving and can be traced ...

78663 Antique New Mexico Chimayo Rug, 01'02 x 02'04. Chimayo rugs are traditional handwoven textiles from Chimayo, a charming village in northern New Mexico, renowned for their intri...

Condition: Vintage Circa: 1970s Origin: America Indian Design:  Navajo Flatweave Actual size:  2.7x4.11 Thickness: 1/8" - 1/4" Colors:  Ivory, Grey, Red, Black ...

Polychrome Papago basket. Having six large eagles around body of basket with chevron designs interspersed. 15" x 18". Estimate 1930's. Note bottom and rim wear from use as a wastebas...

4'3 X 6'2. Navajos are usually in scatter sizes and larger, room size pieces are both extremely rare and highly desirable . As perpetually fashionable as they are collectible, tradit...

Hidatsa Sioux work bag from Fort Berthold, North Dakota. Properly referred to as a woman's work bag that was used for holding sewing materials, sinew, awls and beads. Sinew sewn on brain tanned...

Miniature horsehair Papago plaques. Exceptionally fine weave. Featuring polychrome pictorials and geometrics. Tohono O'odham; Arizona. Attributed to accompanying card: Adeline Manuel...

Navajo crystal banded pictorial with "Milk & Eggs" along with letters and numbers off of grocery boxes. Appears to have been used as a double saddle. Gre...

Lakota Sioux child's dress quilled on buffalo hide; collected and entered into the Maryland Academy of Art and Science prior to 1880. It was deaccessioned...

Athabaskan snowshoe pair with wood frames having finely woven sinew front and back with heavy rawhide centers. String wrapped toes and wonderful golden patina. Ex. James B. Scoville ...

Colorful Plateau cornhusk sally bag with geometric designs of green, blue and red linen. Canvas reinforced. Period: First quarter of the 20th century Origin: Plateau Size: 6" D x 10...

A set of three framed Woodland School pen and ink drawings by Roland Kakegamic, Canadian First Nations artist (b.1958). Scenes depict families of loons, and a bird man with a bird an...

Native American Pueblo Indian drum. Featuring blackened stretched hide on top and bottom. Sides with red strip across center framed my complementar...

Plateau painted parfleche envelope painted in green, blue, orange, yellow and red. Period: circa 1900 Origin: Plateau Size: 28" L x 12" W. Family ...

78746 Antique Ganado Southwestern-Style Kilim, 04'00 x 05'07. Fashioned by skilled weavers in the Ganado region of northeastern Arizona, Ganado Southwestern-style kilims are meticulo...

Southern Plains decorated pony bow. Buffalo hide, beads and red ochre. Original string of twisted horse hair. Period: Mid-19th century Origin: Southe...

Southwestern Zuni Pueblo Katsina, circa 20th Century. The figure is carved from antler over a tripod base with cloth carving. The Mudhead Katsina, or Koyemsi (Zuni) / Tachukti (Hop...

Finely woven Miwok bowl with multiple geometric designs on side and bottom. Period: Last quarter of the 19th century. Origin: Miwok. Size: 5" x 9". Family Owned & Operated Cisco’...

Native American Pueblo Indian pictorial drum of cottonwood log with rawhide. One side having horse and rider hunting buffalo with teepees in the background. The reverse with a Native...

A blackware charger decorated with a repeating feather motif. The charger is signed on the base Maria and Santana, circa 1943-1954.

This circa 1900 Navajo rug is an exceptional early example of Navajo weaving from the turn of the 20th century—a period known for powerful geometric d...

Unknown Navajo picture writing on muslin Six Yeis With Two Water Creature Guardians Muslin, mineral pigments, sand. Navajo Medicine Man active 1947 - 1...

This exceptional antique Crow (Apsáalooke) beaded knife sheath, dating to circa 1870, is a rare and highly collectible artifact from the Classic Period of...

A beautifully composed and colored (the burnt orange is quite amazing), intricately woven Navajo Yei pictorial rug/blanket/wall hanging featuring three Navajo dancers portraying a Yei (Yeibichai) characters. Yei is the Navajo name for benevolent, holy beings who possess supernatural healing powers. From a Los Angeles, Southern California Native American...

Native American bear paw snowshoes with tassels and black bear silhouettes. Early 20th Century excellent sample complete with yellow and fluffs on...

An early 20th Century American Navajo tribal blanket weaving. T Details rug no. j3922 size 2'11'' x 4' 6"

Northern plains purple dyed porcupine guard hair surrounded by white and blue deer tail, twisted yellow cotton centre. Period: First quarter of the 20th century Origin: Northern Plains Size: 18 1/2" Family Owned & Operated Cisco’s Gallery deals in the rare, exceptional, and one-of-a-kind pieces that define the history of America and the Old West. Our pieces range from American Indian to Cowboy Western and include original items of everyday life, commerce, art, and warfare that tamed America’s frontier. Our 14,000 square foot gallery opened in 1996 in beautiful Coeur d’Alene, Idaho. Personal Service Cisco’s operates on old fashioned values – honesty and integrity, and all of our items are backed by our money back guarantee. We appreciate the opportunity to earn your business. Whether you desire assistance with a jewelry purchase, choosing a gift, identification, or even selling – we hope to be your trusted source. Headdresses, bustles and lances native american indian hair roaches headdresses...

A sculptural hand-coiled and stone-burnished blackware pottery vessel by Adelphia Martinez of San Ildefonso Pueblo. The rounded body rises to a softly flared neck and is decorated with deeply carved relief motifs encircling the lower register. #5184 The carved imagery depicts stylized bighorn sheep (ram) heads with spiral horns alternating with arrow motifs, rendered in low relief against the lustrous black surface. In Pueblo symbolism, the bighorn sheep represents strength, endurance, and the natural world of the surrounding mountains and desert landscapes, while the arrow traditionally signifies protection, direction, and hunting skill. The pairing of these motifs creates a rhythmic narrative band around the vessel while emphasizing its sculptural form. The vessel displays the rich, reflective black surface characteristic of San Ildefonso pottery, achieved through careful stone burnishing and traditional reduction firing techniques developed in the early twentieth century by master potters including Maria Martinez. The contrast between the polished surfaces and matte carved areas adds depth and visual movement to the piece. Signed on the underside: “Adelphia / San Ildefonso / Pueblo.” About the Artist Adelphia Martinez was a potter working within the celebrated San Ildefonso Pueblo pottery...

Vintage Cape Dorset Inuit stone carving of a screeching Ptarmigan - fine carving with articulated feathers and feet - signed TR (in Roman - unknown...