Native American Furniture

Native American Pueblo painted drum. Black hide on tops and bottom with faded coloring on sides and lattice woven hide straps securing drum top and bottom together. Carved out of a cottonwood tree...

Classical Navajo transition blanket tied on fringe both ends, stacked white diamonds with blue dark brown centers and bands. 4' x 6'8" Period: cir...

Joseph Bidzinski (American, active mid-20th century) Native American Ceremonial Procession, 1950 Oil on canvas A striking mid-century American figurative painting depicting a Native...

Ditidaht First Nation TOTEM by Rick Williams the brother of John T. Williams partnered with other Native carvers to create at tribute to John in the form...

Unknown Navajo picture writing on muslin Six Yeis With Two Water Creature Guardians Muslin, mineral pigments, sand. Navajo Medicine Man active 1947 - 1...

This remarkable 18th-century Northeastern Woodlands or Great Lakes region Native American burl ash bowl began as a wild growth on an ash tree, where the grain twisted and swirled int...

(1933-1988) This finely crafted wood totem pole is by Ditidaht/Nuu-Chah-Nulth master carver Raymond Williams, the father of the current generation of William's carvers. The carved totem pole features and eagle, frog, and an orca. Signed on back. Also marked "hand carved Indian made from the Ye Olde Curiosity Shoppe, Seattle, WA 1899." 19"H x 5" Raymond Williams was the son of Sam Williams...

A large polished blackware bowl by Santana and Adam Martinez. Signed on base.

This large pole was “donated to a church on the northern tip of Vancouver Island for a fundraiser” sometime around 1905. The pole is carved in a folk-art style that is correct for the period. The imagery on this pole is quite fascinating and includes a large bird whose wings form the face of a composite creature holding what appears to be a whale or fish. Below that is what appears to be a Sisiutl, or three-headed sea serpent. Under the Sisiutl is a pair of animal heads flanking the pole, perhaps wolves, over a colonial bald eagle. This pole is a large and early Nuu-chah-nulth totem carving...

Pair of Papago basketry dolls. Male and female, both with hats (one not photographed). With original sales tag “Arizona. Made by Sally Lopez at Santa Rosa Valley.” Ex. Dunning. Papag...

Pacific Northwest coast carved cedar killer whale rattle, by Coastal Salish - Squamish artist Stan Joseph, signed and dated 2012, a beautiful and deeply carved hollow cedar dance rattle in the form of a Killer Whale, with relief carved eyes and mouth, surface striations, and three human faces on the back and tale, with applied pectoral and dorsal fins. Mounted with simple whittled cradle on cedar block base (signed and dated on bottom of base). Hollow interior rattles with entrapped pebbles. The carving was never polychromed and remains in its original natural finish. Excellent condition. Stan Joseph is a Coastal Salish artist from North Vancouver. He began carving in 1962 at the age of twelve, and also ventured into painting and designing totem poles. In 1972 he carved an 80 foot and other huge poles which sold to Germany. In 1980 he carved a 60-foot pole for Sea Span and another one for the Chief Joe Matthias Centre, as well as the welcome figure on the West Vancouver Pier. Stan is now an outstanding master carver who teaches his craft to the next generation of young artists. Stan is also accomplished at making silver and gold jewelry, and teaches this art at the employment center. Stan has been interested in the spiritual dances of the Coast Salish...

SUPERB Pair of Native American "Pima" Baskets These are early Native American baskets. The are woven very tightly. Diameters of both are 6 inches and 3 inches.

Native American Cochiti drum with sides painted in black, white and turquoise. Made of a cottonwood log and hide. Period: Early 20th century Origin: So...

Polychrome Pueblo drum. From a private New York State historical society. Period: Last quarter of the 19th century. Origin: New York Size: 6" D x 6" H ...

Metis Cree bandolier with classic beading on red Stroud with white bead edging and black silk ribbon border. Period: Mid-19th century Origin: Metis Cree Si...

Presentation pipe tomahawk with brass blade and cutouts. Noted on blade "A. Angstadt, Ohio, 1811." Hand engraved eagle, star and dove. Scalloped and keyhole design on stem. A beautif...

Very tightly woven polychrome Yokut. Golden patina. Period: 19th century Origin: Yokut Size: 9" H x 17" W. Family Owned & Operated Cisco’s Gallery deals in the rare, exceptional,...

Puyallup Tribe (Tacoma, Washington) Powwow drum on stand with beaters. Used by Jumping Gray Squirrel. Animal hide over wood, hide attached with criss-cross lacing. Add glass and woul...

Ball headed war club of walnut with carved panther effigy. The panther is rare and a powerful warrior symbol that has different interpretations "He ...

Doll Cradleboard collection (Right to Left) 1. Ute cradleboard, 13”. Beaded edge with cross accents and brain tanned deer hide. 2. Umatilla doll cradleboard....

From an old western Wyoming estate and dated 1941. Four unique Old West Native American panel works of art, circa 1941. This is a rare and beautiful mid century set of four (4) han...

Large format wall-hanging artisan sculpture, handmade of 100% raw cotton thread that comes from agave plant. It has natural dyed thread details. Its a reinterpretation of traditional...

Native American Pueblo painted drum. Classic and colorful cottonwood drum with rawhide skin sides painted red, white and blue. Period: Mid 20th century Origin: Southwest, Cochiti ...

A beautiful vintage Mexican handwoven rug or blanket dating to circa 1940, featuring a classic Southwestern-inspired geometric design rendered in a warm, natural palette. This striking textile showcases a central stepped diamond motif, framed by balanced bands of stripes along each side, creating a harmonious and timeless composition. The field is woven in soft natural wool tones—creamy ivory and subtle gray—accented with rich brown, warm tan, and golden ochre. At the center, a serrated diamond medallion draws the eye, its layered geometry reflecting traditional design elements long associated with Mexican weaving traditions. The flanking striped panels add rhythm and structure while enhancing the overall symmetry of the piece. Handwoven using traditional techniques, the textile displays the character and craftsmanship typical of mid-20th-century Mexican weaving. The wool fibers give the rug a durable yet supple texture, and the fringed ends emphasize its authenticity as a loom-woven blanket or small rug. Measuring 2 feet x 3 feet 6 inches, this piece works beautifully as an accent rug, entryway textile, or decorative wall hanging. Its understated color palette and bold geometric center make it particularly versatile, complementing Southwestern, rustic, modern, or eclectic interiors. As both a functional object and a decorative textile, this vintage Mexican rug...

Lillooet lidded storage basket with polychrome imbricated design. Pedestal style. Traded for food in Washington, 5 miles from the Canadian border...

Hand thrown and painted pictorial Acoma top rim with geometrics below. Hand thrown, thick walled, signed on bottom B. Concho, Acoma, N.M. Primitive and "folky." Period: Mid-20th century Origin: Acoma Size: 12" H x 11" W Family Owned & Operated Cisco’s Gallery deals in the rare, exceptional, and one-of-a-kind pieces that define the history of America and the Old West. Our pieces range from American Indian to Cowboy Western and include original items of everyday life, commerce, art, and warfare that tamed America’s frontier. Our 14,000 square foot gallery opened in 1996 in beautiful Coeur d’Alene, Idaho. Personal Service Cisco’s operates on old fashioned values – honesty and integrity, and all of our items are backed by our money back guarantee. We appreciate the opportunity to earn your business. Whether you desire assistance with a jewelry purchase, choosing a gift, identification, or even selling – we hope to be your trusted source.   Native American, Pottery, Acoma Olla...

This striking 20th-century Native American tribal vessel showcases the artistry and cultural heritage of Native American craftsmanship. Made from terra cotta, it features intricate r...

This Navajo-Style Bird Rug, dating to circa 1930, showcases a bold central bird motif framed by stepped geometric borders and earthy horizontal stripes in brown, cream, black, and ye...

Unframed canvas by Oklahoma artist Jean Richardson known for her wonderful abstract western inspired works of art. Credits and museums include: Thoma...

Hopi Kwahu eagle katsina totem. Hand-molded terracotta painted with feathers, turquoise jewelry, beads, shells and other mixed media. Hospoa ro...

Miniature horsehair Papago plaques. Exceptionally fine weave. Featuring polychrome pictorials and geometrics. Tohono O'odham; Arizona. Attributed to accompanying card: Adeline Manuel...

Tsonoqua/Dzunukwa, “The Wild Woman of the Woods,” is an important ancestor figure to the Kwakwaka’wakw people of British Columbia. A giantess that fills important cultural roles during the potlatch, she is best known as a wealth-bringing being to those who encounter her and as a creature that parents tell their children stories about to make them behave and not venture far from the village – as she is also a cannibal and has been known to snatch stray children from the woods. She is the female counterpart of the male Bak’was, the Kwakwaka’wakw “Wild Man of the Woods.” Tsonoqua is analogous to the Coast Salish Sasq’ets, better known as Sasquatch, the Nuxalk Sniniq (female) and Buks (male), the Tsimshian Ba’oosh, the Haida Gagiit, the Athabaskan Hairy Man (or Woman), and the Tlingit Tl’anaxéedáakw. She is also what a lot of folks would call Bigfoot. This pole is carved in a Coast Salish style but shows several Kwakwaka’wakw influences, so is perhaps better termed a female Sasq’ets pole. This pole shares a lot of stylistic elements with work by the Coast Salish Horne family and was perhaps carved by one of them. The features of the face that identify this pole as a Wild Woman are the tightly squinted eyes, the prominent cheekbones, and the pursed red lips that depict her making her telltale whistling call. Large breasts are created by “split-u” formline elements on her chest, motifs which are repeated (unpainted) on her arms and legs. Her hands and appropriately large feet are rendered naturalistically, and she is depicted in a kneeling position. A very fine example of Northwest Coast carving. Period: Last quarter 20th century Origin: Salish Size: 49"H x 17'W. Family Owned & Operated Cisco’s Gallery deals in the rare, exceptional, and one-of-a-kind pieces that define the history of America and the Old West. Our pieces range from American Indian to Cowboy Western and include original items of everyday life, commerce, art, and warfare that tamed America’s frontier. Our 14,000 square foot gallery opened in 1996 in beautiful Coeur d’Alene, Idaho. Personal Service Cisco’s operates on old fashioned values – honesty and integrity, and all of our items are backed by our money back guarantee. We appreciate the opportunity to earn your business. Whether you desire assistance with a jewelry purchase, choosing a gift, identification, or even selling – we hope to be your trusted source.  Native American, Carving, Totem, Pole, Painted, Cedar, Salish Indian

Beautiful hand turned vintage "Flaming Desert" pottery bowl by Anasazi tribe of the four corners region of the southwest United States, circa 1990. The piece has exquisite detail and...

American Navajo with geometric diamond design in marigold, gray, black, and ivory. Keivan Woven Arts / rug X23-0301, country of origin / type: America / Navajo, circa 1970 Measures: ...

Athabaskan snowshoe pair with wood frames having finely woven sinew front and back with heavy rawhide centers. String wrapped toes and wonderful golden patina. Ex. James B. Scoville ...

Hidatsa Sioux work bag from Fort Berthold, North Dakota. Properly referred to as a woman's work bag that was used for holding sewing materials, sinew, awls and beads. Sinew sewn on brain tanned...

Pair of bookends featuring a Native American chief and his horse. These were made by the Armor Bronze Corporation and designed in 1928. These are in nice vintage condition. One has s...

Ron Aleck Wood Carving Plaque, Pacific North West Coast, 20th Century. Signed to the back.

Lakota Sioux child's dress quilled on buffalo hide; collected and entered into the Maryland Academy of Art and Science prior to 1880. It was deaccessioned...

It is truly rare to find a one-of-a-kind antique that survived in the excellent condition as this rug has. The talented Navajo weaver wove this chief blanket with wool yarns that wer...

Colorful Plateau cornhusk sally bag with geometric designs of green, blue and red linen. Canvas reinforced. Period: First quarter of the 20th century Origin: Plateau Size: 6" D x 10...

Authentic mid-century Southwestern Trading Post era drum from the Cochiti Pueblo region, dating to circa 1950. This striking example of Native American folk art is constructed from s...

Native American Pueblo painted drum. Made of hide stretched over log in crisscross pattern. Accent paint of red and blue around edges of stitching. Nice patina. Great for display in ...

Native American Pueblo Indian painted drum. Made of hide stretched over log and painted black. Geometric design in colors of brown, white, and black with remnants of blue paint. Some...

Exceptional fully imbricated Native American Klickitat basket. Tall gathering basket with a diamond motif in medium, dark and light shades of brown. Tightly woven with decorative rim...

Native American Pueblo painted drum. Made of hide stretched over wooden log. Brightly painted in colors of red, blue, pink, and black. In great condition for continued display in a s...

Lutz Whitebird (Cherokee 1938- 2017), sterling silver pipe tomahawk with peyote beading, feather drops, and natural untreated Cerillos turquoise stones. Solid sterling silver blade ...

Salish Thompson River imbricated basket. With zig-zag design in red-brown and dark brown colors on two-tone base. Well-crafted and in good condition for continued display in a Southw...

Handmade Native American Pueblo painted drum. Made of hide stretched over log. Painted with geometric designs in colors of white, red, and blue. Great patina. Perfect for display in ...

Native American Northern Plains skull cracker club. With banded beaded handle in colors of white, green, yellow, orange, and blue with polished and dyed red horn head. Great for disp...

Native American Sioux skull cracker club. With beaded wooden handle in colors of salmon, teal, blue, white, and yellow. Steatite head. In good condition for continued display in a So...

19th Century Kwakiutl Gaxala Intruder Mask. A character who enters the dance house and disrupts the ceremonial activities. Usually depicts obnoxious, strange or foreign individuals. ...

4'3 X 6'2. Navajos are usually in scatter sizes and larger, room size pieces are both extremely rare and highly desirable . As perpetually fashionable as they are collectible, tradit...

Early 20th Century Navajo Rio Grande Carpet ( 4'6" x 7'8" - 137 x 234 ) Antique Navajo rug with multi-color geometric design Antique Navajo - Rio Grande American Flat Weave Rug, Cou...

Native American Pueblo Indian drum. Featuring blackened stretched hide on top and bottom. Sides with red strip across center framed my complementar...

Condition: Vintage Circa: 1970s Origin: America Indian Design:  Navajo Flatweave Actual size:  2.7x4.11 Thickness: 1/8" - 1/4" Colors:  Ivory, Grey, Red, Black ...

Plateau painted parfleche envelope painted in green, blue, orange, yellow and red. Period: circa 1900 Origin: Plateau Size: 28" L x 12" W. Family ...

Native American Pueblo Indian pictorial drum of cottonwood log with rawhide. One side having horse and rider hunting buffalo with teepees in the background. The reverse with a Native...

PIERRETTE VILLENEUVE (b.1944 - Aboriginal Metis Huron Wendat) - 'Les Patineurs - Canal Rideau' (The Ice Skaters - Rideau Canal) - Vintage watercolor painting on paper - original meta...

Finely woven Miwok bowl with multiple geometric designs on side and bottom. Period: Last quarter of the 19th century. Origin: Miwok. Size: 5" x 9". Family Owned & Operated Cisco’...