Native American Furniture

Tasaf Katsina Hopi 1940s 10 inches H. x 4.50 inches W. x 3.75 inches D. Cottonwood root, mineral pigments, dyed horsehair, feathers. Very good original condition overall. An wonderful example of the Hopi Tasaf Katsina circa early to mid 1940s. Katsina dolls...

This remarkable 18th-century Northeastern Woodlands or Great Lakes region Native American burl ash bowl began as a wild growth on an ash tree, where the grain twisted and swirled int...

A striking example of a vintage Zuni inlaid and sterling silver ranger buckle set, circa 1970s. This is classic Zuni ranger set consists of turquoise, je...

Pomo bowl with geometric flower design on bottom and sides. Shell beads and quill fobs. Late 19th century. Sie: 3 3/4" x 7 1/2" Under the name Pomo are some 30 small tribes. The tri...

Early 20th Century Navajo Rug ( 4'9" x 7'6" - 145 x 230 ) Antique Native American Navajo Small Scatter Size Wool Grey Rug, Country of Origin: Native American Rugs, Circa Date: 1920s...

19th Century circa 1870's Anishinaabe loom beaded bandolier bag with pocket. Beaded using a palette of soft colors to create a floral design on strap ...

Polychrome pictorial Panamint basket with stylized butterflies, very finely woven. Period: Last quarter 19th century Origin: Panamint Size: 4" x 6". Family Owned & Operated C...

Apache basketry tray with 12 point star design 1900 Willow and Devil's claw Measures: 2.50 inches Height. x 10 inches in Diameter An excellent e...

Matched pair of Plateau parfleche packets with diamonds and stylized flowers and brain tanned ties. Difficult to find a pair. Very nice, rare design. The term parfleche was first co...

Large Pima tray/bowl with geometric design and dark center. Very nice tray with little, if any wear. Period: First quarter 20th century Origin: Pima Size: ...

Salmon ladder/rattle maquette by Lillian Pitt (1943 Wasco). Made of copper tubing and hanging cut copper salmon. Maquette for public commission at the Uni...

American Indian Painting & Sculpture by Patricia Janis Broder. Hardcover book with dustjacket. First edition published in 1981 by Abbeville Press of New York. Printed in Japan, illus...

Lidded Alaskan Eskimo globular basket. Made of coiled beach grass, with geometric checkerboard and diamond designs. Beautiful piece, great for display or careful continued use. Early...

72" TOTEM by Doug Lafortune. Salish TOTEM pole of a raven and beaver cedar TOTEM pole. Carved TOTEM pole with abalone and shell inlays. Carved. .72” x 9...

Lakota Sioux child's dress quilled on buffalo hide; collected and entered into the Maryland Academy of Art and Science prior to 1880. It was deaccessioned...

ABOUT Edward S. Curtis (1868 - 1952). Photogravure on handmade Dutch "Van Gelder" paper stock. Numbered in plate, upper left: Plate 565. Titled in plate, lower left: Shuati-Sia. Ins...

Native American Pima Basket. Pima is a community of Native Americans that live in southern Arizona, famous for the weaving of baskets. Pima baskets are generally made from thin strip...

The image displayed is a vintage lithograph which portrays a Blackfoot Indian named "Big Wolf", known as " Makoena" is formally dressed in traditional wear with a colorful hand woven...

This large pole was “donated to a church on the northern tip of Vancouver Island for a fundraiser” sometime around 1905. The pole is carved in a folk-art style that is correct for the period. The imagery on this pole is quite fascinating and includes a large bird whose wings form the face of a composite creature holding what appears to be a whale or fish. Below that is what appears to be a Sisiutl, or three-headed sea serpent. Under the Sisiutl is a pair of animal heads flanking the pole, perhaps wolves, over a colonial bald eagle. This pole is a large and early Nuu-chah-nulth totem carving...

For your consideration, a vintage Native American handcrafted wooden miniature canoe and paddle, likely created as a tourist or folk art piece. Similar...

Black on black pottery vase with gunmetal finish, geometric band decorated shoulder; unusual style. Signed Marie. Collected circa 1930 by Clara Kingsley. 6" x 10". San Ildefonso Pue...

Vintage Cape Dorset Inuit stone carving of a screeching Ptarmigan - fine carving with articulated feathers and feet - signed TR (in Roman - unknown...

A nicely hand loomed Native American (likely Navajo) rug. Wonderfully designed with vivid colors and geometrical patterns. Would make for a nice addition to any collection or a perfe...

Feather Bundled Buffalo Fetish Ruby Zoisite, turquoise, spiny oyster, feathers, sinew. Amos Pino 2002 3 inches H. x 3 inches L. x 1.5 inches W. This buff...

Large soapstone puffin bird sculpture, simplistic in design, wings tucked in, standing with legs together and the head slightly cocked to one side. The soapstone puffin measures 9&qu...

An evocative vintage original colored pencil and graphite drawing depicting a dramatic Native American horseback scene, presented in its original giltwood frame. The composition captures several mounted Indigenous figures riding spirited horses across an open landscape, with one central rider dramatically raising a rifle overhead while wearing a feathered headdress. Executed in graphite with selective colored pencil highlights, the artist creates remarkable movement and energy while allowing the warm toned paper to become an integral part of the composition. The drawing has a wonderful illustrative quality reminiscent of early twentieth-century Western book and magazine illustrations. While unsigned, the work demonstrates confident draftsmanship and thoughtful composition, making it an appealing decorative artwork for collectors of Western Americana and Native American-inspired art. Its neutral palette of warm tans, ivory, brown, black, and muted yellow allows it to blend beautifully into both traditional and contemporary interiors. Presented in a vintage giltwood frame with a decorative molded border. Minor age-appropriate wear to the frame consistent with age. Paper displays an attractive warm patina. Glass and frame are in good vintage condition. Historical Context Throughout the early and mid-20th century, artists remained captivated by imagery of the American West and Native American life. Publishers, illustrators, and independent artists frequently produced drawings celebrating equestrian culture, frontier history, and Indigenous traditions. Works like this bridged fine art and illustration, often emphasizing movement, storytelling, and heroic composition rather than strict documentary accuracy. Today, original vintage Western drawings have become increasingly desirable among designers furnishing ranch homes, mountain retreats, Santa Fe interiors, and Americana collections because they offer authentic age and character while layering beautifully with antique furniture and contemporary design. This drawing would look exceptional: Above an antique campaign chest Over a leather Chesterfield sofa In a Santa Fe adobe home Layered with Navajo textiles Beside antique Native American pottery...

Navajo Red Mese wool weaving. Exceptional bright colors in tones of red, orange, blue, yellow, grey and cream. Having repeating geometric crystal patterns with serrated border. Brigh...

Beautiful tanned elk hide dress. The yoke with underlying rows of larger red, white, green and blue beads. Shoulder strips lazy stitched with 20/0 cut seed ...

Native American Pueblo Indian cottonwood trunk drum - it's old. Pueblo drum made from a hollowed out cottonwood trunk, old milk paint, - this one's been us...

Sioux child's moccasins. 5 1/2" brain tanned elk. Classic Sioux buffalo hoof design with yellow crosses with red faceted beads and commercial tanned elk hide. Period: circa 1940. Or...

Lillooet lidded storage basket with polychrome imbricated design. Pedestal style. Traded for food in Washington, 5 miles from the Canadian border...

Measures: 2'10 x 6'0 Vintage American Navajo Flat Weave with Geometric Red and Black Design 2'10 x 6. Keivan Woven Arts / rug /C26-0519-1216, country of origin / type: United Stat...

J.B. Moore - style Navajo Crystal weaving. Very bright and visual with natural browns, creamy whites and hand-dyed reds. Heavy floor weight. Origin: Navajo, Southwest Period: circa...

ABOUT A geometric narrative of form and heritage, this original 1925 photogravure by Edward S. Curtis presents a masterful still life of traditional Pueblo vessels. Titled "Cochiti ...

A magnificent American folk art headdress mask by P.J. Stover, signed, titled "Visions", circa 2008. Remarkably executed, the eclectic, sculptural mixed media wall hanging display is...

Eiteljorg Museum of American Indians and Western Art. Softcover book, stated first edition published in 2014. Printed in the United States, illustrated, 232 pages.

This fantastic rarity is in all original painted surface with the original handmade drum stick attached. The top of the drum has a painted eagle (Possibly added later) and the base h...

Pair of bookends featuring a Native American chief and his horse. These were made by the Armor Bronze Corporation and designed in 1928. These are in nice vintage condition. One has s...

Hupa/Yurok polychrome basketry bowl/ Twined basket with stacked linear motifs in red and brown. 5.5" H x 9.5" D Family Owned & Operated Cisco’s Gallery deals in the rare, exceptiona...

A pair of round Acoma pueblo pottery vessels. Each is decorated with intricate geometric designs and natural pigment paints of black, brown, and orange on white clay. They are handmade from native Acoma clay, and pit fired in the traditional fashion. The Acoma Pueblo is a Native American pueblo approximately 60 miles west of Albuquerque, New Mexico. Four communities make up the village of Acoma Pueblo: Sky City, Acomita, Anzac, and McCartys. Maker: Reyes Pino of the Zia Pueblo...

This striking double‑chamber ceramic vessel features intricate hand‑painted geometric motifs in black and red on a warm tan body, showcasing mid‑century craftsmanship and cultural ar...

Enoch Kelly Haney's framed signed print captures the essence of Native American artistry, blending traditional themes with contemporary expression. The piece showcases Haney's master...

A high decorative one of a kind room size reproduction rug derived from an American Navajo rug with an all-over geometric large scale tribal design. The flat-weave technique used sim...

Large monumental handled Popago basket featuring nine eagles. Period: Mid-20th century. Origin: Papago, Southwest. Size: 12" x 20". Family Owned & Operated Cisco’s Gallery deals ...

Tsonoqua/Dzunukwa, “The Wild Woman of the Woods,” is an important ancestor figure to the Kwakwaka’wakw people of British Columbia. A giantess that fills important cultural roles during the potlatch, she is best known as a wealth-bringing being to those who encounter her and as a creature that parents tell their children stories about to make them behave and not venture far from the village – as she is also a cannibal and has been known to snatch stray children from the woods. She is the female counterpart of the male Bak’was, the Kwakwaka’wakw “Wild Man of the Woods.” Tsonoqua is analogous to the Coast Salish Sasq’ets, better known as Sasquatch, the Nuxalk Sniniq (female) and Buks (male), the Tsimshian Ba’oosh, the Haida Gagiit, the Athabaskan Hairy Man (or Woman), and the Tlingit Tl’anaxéedáakw. She is also what a lot of folks would call Bigfoot. This pole is carved in a Coast Salish style but shows several Kwakwaka’wakw influences, so is perhaps better termed a female Sasq’ets pole. This pole shares a lot of stylistic elements with work by the Coast Salish Horne family and was perhaps carved by one of them. The features of the face that identify this pole as a Wild Woman are the tightly squinted eyes, the prominent cheekbones, and the pursed red lips that depict her making her telltale whistling call. Large breasts are created by “split-u” formline elements on her chest, motifs which are repeated (unpainted) on her arms and legs. Her hands and appropriately large feet are rendered naturalistically, and she is depicted in a kneeling position. A very fine example of Northwest Coast carving. Period: Last quarter 20th century Origin: Salish Size: 49"H x 17'W. Family Owned & Operated Cisco’s Gallery deals in the rare, exceptional, and one-of-a-kind pieces that define the history of America and the Old West. Our pieces range from American Indian to Cowboy Western and include original items of everyday life, commerce, art, and warfare that tamed America’s frontier. Our 14,000 square foot gallery opened in 1996 in beautiful Coeur d’Alene, Idaho. Personal Service Cisco’s operates on old fashioned values – honesty and integrity, and all of our items are backed by our money back guarantee. We appreciate the opportunity to earn your business. Whether you desire assistance with a jewelry purchase, choosing a gift, identification, or even selling – we hope to be your trusted source.  Native American, Carving, Totem, Pole, Painted, Cedar, Salish Indian

"Lazy Boy" was a Blackfeet medicine man and revered elder member of the tribe whose Indian name was "Pachkap Sachkumapi". He is neatly dressed with a blue shirt, grey vest, with comp...

Three generations of maternal Native American Blackfeet Women (Grandmother, Mother, and Child) are portrayed in this 1930's image of a painting created by Winold Reiss in 1927. All t...

Few American ceramic traditions feel as instantly recognizable as Acoma Pueblo pottery. Hand built, stone polished, and painted in graphic mineral pigments, these vessels carry centu...

Ron Aleck Wood Carving Plaque, Pacific North West Coast, 20th Century. Signed to the back.

Cheyenne fully beaded buffalo hide moccasins with buffalo hoof design. Sinew sewn and beaded using colors of cobalt, red white heart, white, pea green and greasy yellow. Fully beaded...

Distinctive hand-crafted blackware pottery vessel by Jaime Dominguez of Mata Ortiz, Mexico, modeled in an abstract zoomorphic or bird-like form. The rounded body is accented by an el...

Native American Pueblo painted drum. Classic and colorful cottonwood drum with rawhide skin sides painted red, white and blue. Period: Mid 20th century Origin: Southwest, Cochiti ...

Finely woven apache tray with stacked triangles heading towards center circle. Great condition, little if any wear. Period: circa 1900 Origin: Apache Size...

ABOUT Edward S. Curtis (1868 - 1952) The Potter Santa Clara. Photogravure on handmade Dutch "Van Gelder" paper stock. Numbered in plate, upper left: Plate 602. Titled in plate, lower...

Native American mother and child painted ceramic sculpture by Manuel Felguerez.

Unknown Navajo picture writing on muslin Four corn maidens with four lizard guardians Muslin, mineral pigments, sand. Navajo Medicine Man active 1947 -...

A beautifully composed and colored, intricately woven Navajo Yei pictorial rug/blanket/wall hanging featuring three Navajo dancers portraying a Yei (Yeibichai) characters. Yei is the...

This vintage Navajo handwoven Ganado rug features a striking geometric composition inspired by traditional Southwestern weaving patterns. Bold stepped motifs, central diamond medalli...

An early 20th-century American Navajo Blanket Rug Details rug no. j4787 size 2'11" x 3' 9"

Mid 20th Century American Navajo Twill Saddle Blanket ( 2'6" x 4'4" -76 x 132 ) This exceptional example of mid-century American weaving represents the enduring geometric tradition ...