Rococo Furniture

Sourced From an Estate in Saint-Malo, France, this is a Stunning 19th Century Petite Rococo Style Asian Dry Bar. It has Chinoiserie Hand Painted Scenes. This Chinoiserie-Style Liqu...

This exquisite pair of antique candelabra is a testament to the timeless elegance of French Louis XV design. Inspired by the opulence of the era, these candelabra feature intricate d...

A beautiful, small, French porcelain jewelry dish with hand-painted 'chintz' design, circa early-20th century, France. A great piece to hold jewelry (as d...

Finely Carved Gold Leaf Giltwood Florentine Wall / Console Mirror, Italy, 1930s-1940s The frame is richly adorned with carved acanthus leaves, scroll details. It wears its original g...

Exclusive penthouse liquidation from Berlin Mitte. Offered here is a large original old oil painting from around 1900 with a magnificent frame. It is a copy of the famous painter Ti...

An exceptional quality armoire with superior color and carving.  From the Bresse region of France with design and construction motifs and characteristics unique to this region. The b...

This 19th-Century French marble fragment is a charming piece of history as well as a striking standalone decorative accent. As found in a flea market on the Belgium border to France,...

Sculptural 18th century Italian mecca fragment candlestick with a fossil shell and wulfenite on a polished calcite base. The fragment was originally p...

Sculptural 18th century Italian distressed gold leaf angel wing with calcite crystals and mounted on an antique Italian metal pan drip tray. These calcite crystals are from Elmwood...

Antique Rococo drop-leaf table from Sweden, crafted around 1770. The table has one leaf, originally the table most likely had two but one has disappeared during the passage of time. ...

An important pair of Meissen Porcelain Groups depicting "Alexander The Great Concurring India". Modeled with Alexander the great's three warriors/soldiers riding on caparisoned eleph...

Having a classically serpentine shaped top and curved sides above a uniquely shaped apron, the cabriole legs gracefully appointed and ending in pad feet

Condition: Original Vintage Condition Materials: Giltwood, Original Mirror Glass Style: Italian Rococo This ornate Italian giltwood mirror embodies the graceful curves and lavish de...

This remarkable large painted canvas is from the mid 18th century, Rococo period. It portrays the rococo idealized image of life in Southern France. At over 11' wide and just under ...

Bing & Grondahl Oluf Poulsen in the role of Henrik, B&G 8001 Ludvig Holberg 1884 "Henrik" Masquerade (Limited Edition 500 pcs.) Measures 18.5 cm. In perfe...

This pair of large Dutch Delft plates, traditionally referred to as chargers, was hand-painted at the renowned De Porceleyne Bijl (The Axe) factory in Delft, circa 1780. Each plate measures 12.25 inches in diameter and is centered with a carefully balanced composition depicting a basket overflowing with flowers, rendered with assurance and clarity in rich cobalt blue. The surrounding border alternates between scrolling floral sprays and diamond-patterned panels, creating a rhythmic frame that guides the eye across the surface. Warm ochre-painted rims provide contrast against the white tin-glazed ground, lending definition and visual depth while neatly enclosing the decoration. The pair remains in excellent condition and reflects the confident workmanship and refined decorative control associated with late 18th-century production at The Axe factory. Dimensions: 12.25 inches diameter Condition: Excellent Price: $1,560 Decoration: Hand-painted floral basket with alternating border panels Material: Delft tin-glazed earthenware Style: Dutch Delftware Origin: Netherlands, De Porceleyne Bijl (The Axe) Date: Circa 1780 Notable Details: Produced at De Porceleyne Bijl (The Axe), active 1637–1803 Strong cobalt blue painting...

⸻ A beautifully detailed decorative pillow featuring an elaborate appliqué design on a natural linen ground. The front is adorned with scrolling acanthus and floral motifs rendered...

A very large and fine 19th century Italian Rococo style carved giltwood figural console table and matching mirror. The "D" shaped console table masterfully carved with foliate, masks...

A Pair of Magnificent Giltwood Armchairs. Each magnificent throne chair with oval padded back encircled by an elaborate cresting carved with flowering acanthus, oak branches, and fleurs-de-lis. The top rail with two putti holding an armorial star-shaped cartouche with the interlaced L's of Louis XVIII, King of France, titled ‘Bordeaux 12 Mars 1814’, beneath a crown. This armourial cartouche is the Order of the Armband of Bordeaux. The open arms with padded armrests above exuberantly carved sculptural terminals depicting dragons with human faces. The shaped seat rail with ribbon and rocaille ornament and to the front with a star representing the Décoration du Lys. On cabriole legs. Upholstered in flower pressed blue velvet. France, Circa 1820/30. These magnificent throne chairs commemorate an important event in the Bourbon Restoration precipitating the fall of Napoleon I. They celebrate the surrender of the city of Bordeaux to royal power and to King Louis XVIII (1755-1824), heralding the fall of the first Empire (1804-1815). The Duc d'Angoulême (1775-1844), nephew of Louis XVIII and elder son of Charles X, entered the city of Bordeaux to the acclaim of the crowd on 12th March 1814. Louis XVIII later called it ‘the happiest event of my life’ and on the 29 September 1820 named the heir to his throne, not—like previous Bourbon heirs—Duc de Bretagne, or de Bourgogne, but the Duc de Bordeaux. This armourial cartouche to the top rail of these chairs is the Ordre du Brassard de Bordeaux (The Order of the Armband of Bordeaux). It was adopted for the Royal Guard and volunteers who accompanied the Duc d'Angoulême when he entered Bordeaux on 12th March 1814. It was officially called the Brassard de Bordeaux, or Brassard Vert. At first it consisted of a silk band of green with white borders, worn, as the name signifies, on the arm, but was later adapted as a medal with oval gilt sunburst on which is superimposed an oval medallion of white enamel bearing the royal monogram ‘L.L.’, and surrounded by a green enamelled band with the words ‘BORDEAUX 12 MARS 1814’. The whole is surmounted by the royal crown. In 1824 the issue of the Brassard de Bordeaux was controlled by the Royal Order of...

A Pair of 19th Century Meissen Porcelain Models of Swans, After J.J. Kandler. The models are based on designs by Johann Joachim Kandler, the chief modeler at Meissen in the mid-18th ...

This elegant pair of hand-carved and decorated wooden rococo Lounge Chair from the mid-18th century embody that timeless French elegance. They are reminiscent of a classic French arm...

A Magnificent Pair of George II Style English Carved Giltwood ‘Rococo’ Wall Mirrors After A Design By Thomas Johnson. Of large proportions, each mirror having a cartouche-shaped plate within a profusely carved and pierced branch-entwined frame with stylised acanthus foliate rocaille and ‘C’-scroll decoration, architectural motifs and running dogs, surmounted by an asymmetrical pagoda form cresting with rockwork spires and a seated rustic couple holding a basket, flanked by confronted Ho-Ho birds, with a conforming asymmetrical apron of acanthus and waterwork icicles centred by a perching bird. This magnificent and ornate pair of English wall mirrors or ‘pier glasses’ are refined and reduced from a design by Thomas Johnson (1723–1799) first published in 1756 and included in his ‘Collections of Designs’ (1758), plate 4, and republished in his ‘One Hundred and Fifty New Designs" (1761) as plate 22. Pier Glasses were designed to be placed on the wall or 'pier' between windows; as well as forming part of a decorative scheme they provided an important functional use, creating a reversal of dynamic with the windows at night, reflecting and maximising the light given off by candles or oil lamps. Johnson’s asymmetrical design creates a sense of fluidity and lightness to the mirrors, employing ‘contraste’ in the placing or absence of elements, to create a stylised form, which through the dynamic tension of its constituent parts instils the mirrors with a sense of playfulness and vitality. In London throughout the 1740s and 1750s there developed a great enthusiasm for the whimsical Rococo style, and it rapidly became the height of fashion, popularised, and disseminated throughout the country and further afield by cabinetmakers’ 'Books of Prices', and 'Directories'. The second half of the 19th century saw a revival of the Rococo style in England and many designers and furniture makers turned once again to Chippendale’s ‘Director’ and designs by Matthias Lock and Thomas Johnson for inspiration, with fine examples based on modified designs or specific plates. Thomas Johnson’s designs, executed in a vigourous picturesque manner, are often inspired by the work of earlier French designers, transposing motifs taken from engraved ornament by Jean Bérain, Daniel Marot, William de la Cour, J. B. Toro and Francis Barlow...

Pair of petite Florentine wall brackets/shelves in giltwood with rocaille flourish and hand-painted details (ca. 1950s, Italy). Each bracket has two hooks for hanging. Rich, naturall...

Dutch Delft blue and white 'Peacock' platter, second half 18th century, with ochre rim, the center decorated in cobalt with a vase containing an arrangement of peacock feathers and flowers. The rim decorated with stylized flower heads against a scrolling ground. Marked factory 'The Claauw' or 'De Klaauw', (meaning 'the claw' in Dutch) 1661 - 1840. Good condition; light chipping and usual wear to the rim, one larger chip on the lower side. Pairs well with my other Peacock dish...

Antique Italian hand carved and gilded Rococo style wall mirror.

A richly decorated French porcelain cachepot in the style of Sèvres, dating to the late 19th century and mounted in finely chased gilt bronze. One side features a Rococo fête galante...

This is a beautiful pair of antique Swedish giltwood chairs, circa 1920 in date. The giltwood is beautiful in color, each chair features a shell carved crested toprail with acanthus...

Early 19th century Swedish rococo bench settee crafted in pine. Graceful curves accent the arms, feet, and back, giving the bench an elegant and r...

Sculptural canvas relief with a 17th century Italian Florence fragment by Elena Rousseau. The sculpted canvas is molded together with fresco plaster, g...

A finely carved Venetian Rococo bed by La Maison London, defined by fluid movement, sculptural detailing, and the quiet confidence of master craftsmanship. Beautifully hand crafted,...

Exceptional late 18th Century Swedish Rococo vitrine. With crisp carving and good construction and proportions. With a decorative carved pediment, two glazed doors opening to storage...

Early 19th century Rocco style hand carved mahogany stool with re-upholstered top.

19th century hand carved mahogany wood Rococo style foyer, console table or sofa table. The foyer / console table is made of solid mahogany wood with heavily hand carved decoration. ...

The 18th Century First Period Worcester porcelain botanical kidney-shaped dish has a blue-scale ground with four large shaped panels and four smaller vase-shaped panels on the rim, all finely painted with flowers. The vase-form panels each have a single flower while the larger panels are painted with an assortment of flowers, each has a distinctive long stemmed flower...

18th Century Swedish Rococo commode. Elegant, tall and with narrow proportions. With serpentine front and three drawers, repainted in soft blue. Circa 1780. With very minor restorat...

Fine 18th century French walnut games table and leathertop writing desk. The table features a removable leather top that flips over to a baize covered card table. Beneath the removab...

A stunning Italian Louis J. Solomon mirror in Baroque design, displaying a scalloped top arch with mirror paneling along a border surrounded by ornate carved giltwood with foliate fl...

Important and Large Meissen Porcelain Chinoiserie Centerpiece with Rooster Heads, Model by Johann Joachim Kändler (Saxony [now Germany], 1706–1775).

 The centerpiece is formed as a...

These petite decorative pillows are crafted from crisp white linen and feature exquisite embroidered detailing by Embroidery Palace. The front is adorned with an elegant scrolling vi...

A French Louie XIV style glass lantern. The bell-shape body is suspended from 3 lengths of brass chain secured to the brass rim with pierced gallery edge....

Pair of George III style Rococo giltwood brackets, the supports carved as phoenix birds atop C-scrolls with fruit pendants.

A beautiful pair of Appliques in gilt bronze, Rococo from mid-18th century. Some wear on the original gilding (see pictures), but the overall impression of these 270 years old app...

This is a Louis XV Style hall/piano/vanity upholstered wood bench. It is supported by four cabriole legs ending in scrolls feet with heels. Each cabriole leg extends up to form four ...

the serpentine top centering an inlaid Maltese Cross, the symbol of protection and a badge of honor, within a diamond and outer inlaid border; over a deeply scalloped apron centering...

18th century Italian sunray adorned with tangerine crystal quartz points on an angle plated quartz. Angle-plated quartz is an extremely rare form of quartz and is only found in the u...

Gilt bronze three-piece clock set by Raingo Frères and Henri Picard This exceptional 19th century clock set comprises of three pieces crafted from gilt bronze: a central mantel cl...

An exceptionally carved gilt-wood console table by Matthias Lock. The carved frieze supported by Herm legs centred by a carved bust of Diana. The whole table carved profusely with ro...

This charming pair of Meissen porcelain figures celebrates the essence of Revelry. First modeled by the renowned Johann Joachim Kändler on bases by Peter Reinicke, circa 1767, these joyous groups depict musicians making merry by playing the French horn, flute, guitar and hurdy-gurdy, and gardeners carrying flowers in baskets and aprons. Two almost identical groups are featured in Meissen: Collector’s Catalogue by Laurence Mitchell. Figures by Kändler were especially popular and served as table decorations at courtly banquets. He took the reigns of the Meissen factory in 1733 and over the following 40 years created more than 900 models, many of which were considered the most important and beautiful ever produced. Many of his designs were so timeless and classic that they continued to be used well into the 19th century. Kändler was highly regarded especially for his allegorical representations and he was certainly at his best when designing the Four Continents...

This pair of antique Dutch Delft blue and white tobacco jars, made at De Vergulde Bloempot in Delft circa 1770, is hand-painted with lovely scrolling foliage, leafy vines, and blosso...

Elevate your interior with this Superb Period 1780s Italian Tombstone Paint Decorated Secretary Desk, a rare and stunning example of 18th-century Italian craftsmanship. Featuring its...

Pair of Large Italian Louis XV Style Appliques, Florentines in Wood Carved with rocaille plant motifs and gilt 106 cm- 42 inches high approx. Four curved arms with four lights arrang...

Late 19th-century 8' tall Swedish oak bureau or secretary featuring a newer professionally applied black layered painted finish, lightly distressed to reveal natural oak beneath and ...

Anonymous Possibly Florence, Italy; 18th century Wood, iron Approximate size: 37 (h) x 48 (w) x 21 (d) in. each These Late 18th-century Italian cupboards stand as a captivating tes...

Monumental antique Rococo style carved giltwood mirror French, 19th Century Height 294cm, width 226cm, depth 20cm This large giltwood mirror is an impressive decorative piece rich ...

A Unique bed by La Maison London, masters of fine wood carving - A Rococo style Four Poster Bed which has a hidden top bed within its 2 tier design. The top section has been designed to look like a canopy so that the bed visually presents as a Four Poster. The design allows for the ladder to be positioned either side of the bed or neither when the second tier is not in use. There are simple slip in sections that can be put in for when the ladder is not in use. The finish of the bed is a hand painted Eccru White with silver foil leaf gilded highlights, completed at our in house atelier in London. The ceiling canopy has been upholstered with radiant style pleating in a neutral, easy wipe, fabric. Every attention to detail has been applied to the crafting of this one of its kind bed...

This elegant pair of hand-carved and decorated wooden rococo Lounge Chair from the mid-18th century embody that timeless French elegance. They are reminiscent of a classic French arm...

Porcelain chandelier with flowers and angels, Germany, circa 1900.

Two Flora Danica Danish Porcelain Tureens Covers Stands Royal Copenhagen Danish, 20th Century Height 27cm, diameter 33cm These exceptional tureens are part of the famed Flora Dani...

A Rococo style cherry upholstered child size chaise lounge with exquisite carvings and in excellent condition. Measures 33" in width, 14" in depth a...

A refined petite pair of decorative pillows crafted from a printed linen featuring a delicate, repeating geometric motif in muted blue-gray and ivory tones. The subtle pattern offers...