Bronze Tables

Mahogany wood, leather and bronze dining room set for 12 people. Argentina, 1938. Designed by the architect Alejandro Bustillo (1889-1982) for ...

Philip and Kelvin LaVerne, Mid-Century Modern, Rare 'Tao' Side or End Tables, Bronze, 1960s Rare and important pair of occasional tables designed and produced by Philip and Kelvin L...

A parquetry inlaid side table, having a hinged top, opening to reveal a shaped and divided compartment within. The bronze trimmed cartouche formed top with cross banding intertwined ...

An imposing Napoleon III center table (or 'Table de Milieu') in ebonized fruit wood, rectangular in shape, with rounded sides. Its ornate top, which is bordered all around with a gi...

This elegant Louis XV bureau plat, dating from circa 1750, showcases the exquisite craftsmanship of its time. Constructed from tulipwood and kingwood, the desk features a luxurious l...

The sculptural legs and handles of the Antwerp bedside tables contrast the soft color shifts in the Carta sheathing the table's body. Made with r...

Gilt cast bronze and glass bar cart. France, circa 1950.

An exceptional Ming, low table by Philip and Kelvin Laverne in pewter and bronze circa 1960s . nicely patinated, and engraved with hand painted enamel in red and green… Signed PK Lav...

The PEMBROKE writing desk/table is handmade to order from a hand selected solid wood desk top with a hand rubbed natural oil and wax finish that enhance the real beauty of the wood and give a natural warm touch. The elegant style came from our unique studio-machined Pembroke legs...

Elegant vanity by Raphael. A concealed mirror, and an abundance of drawers make this piece a convenient item. Original gilt bronze hardware and lacque...

This modern lux mirror table is exquisite. A piece that is completely mirrored and with infinite reflective angles of shine and interest. Sophisticated and ...

Sculptural table designed with oversized Ibex or ram's heads, attributed to Alain Chervet. Original large 3/4 inch glass top is INCLUDED (glass does have scratches throughout the to...

GRACE Console - 21st century unique contemporary sculpted bronze console Pleased to meet you, Your Grace… The unique form of the Grace console desi...

An extremely fine Satinwood Pier table, decorated and finely inlaid with fruit woods and depicting vine and flowers , elegant hand carved legs, with bronze and brass hardware, one ...

Mid-20th century pair of gilt gold and paint decorative bronze pedestal / side tables with exterior design details. Each table is in good condition. Minor wear consistent with age / ...

Features: Style: Art Nouveau / Jugendstil Material: Carved wood Origin: Germany, circa 1910 Sculptures: Elegant floral carvings Functionality: A large drawer and two niches / booksh...

"Roxelan" Round Table with Stainless Steel and Bronze, Handmade, Istanbul. Designed by Hasan Samet Bizimyer. Made to order. Available in custom sizes and a variety of materials and...

Rectangular in shape, the vintage "Table de Boucher" (butcher table or pastry table) would add the ideal amount of surface space to any kitchen. Crafted in France circa 1920, the pas...

Designed by Hasan Samet Bizimyer. Design, Art, Innovation. Bizimyer Furniture Presents. Bizimyer Art / Design. Made to order. Available in custom sizes and a variety of materials ...

French Louis XVI-style (19th Century) mahogany oval dining table with bronze trim on a double scroll stretcher and legs with banded inlaid o...

Pair of side table by Maison Jansen, cloudy mirror top and brass and bronze base.  

The Hadrien Bridge Table is the perfect table for any room due to its versatility. At first glance it is a beautiful walnut table, but you can remove the top of the table and use it ...

This fine Adam Weisweiler style bronze mounted Breche d’Alep marble top table is a masterful example of timeless neoclassical design and French craftsmanship. Inspired by the refined...

The “Altar of Reason,” a console constructed from cast bronze, confronts Zipperer’s own absence of faith. Zipperer, who was raised Southern Baptist, thoroughly rejects the hellfire a...

Paul Evans studio floating shelf and mirror set circa early 1970's. It features copper, bronze and pewter cladding in a patchwork design. Console shelf measures 60 x 13 x 6.5 inches ...

A Impressive malachite side table in the Louis XV. Malachite look painted on solid beech wood. very decorative and elegant. Finely chased and gilded bronze fittings. Cover plate fra...

The EXO series is an exploration of nature's growth patterns on design materials, to understand the structure of exoskeleton. The project was conceived from a culmination from James ...

COD-2666 Extendable ship's table with cast bronze column, mahogany base and top. Manufacture around 1960. 120 h 77 cm open 160 cm

A coffee table in all patinated brass, with a polished brass trim. Hand crafted to order in the North. Bespoke finishes and sizes are available. Measures: 120cm width x 80cm depth...

A scarce period Charles X (1818-1834) French Restoration mahogany travailleuse sewing (thread stand - side table - jewelry dressing table) with light, warm, beautifully aged patina. Born in France in the early 19th century, almost certainly Parisian work, exquisitely hand-crafted, this exceptionally executed example features ornate gilt bronze ormolu mounts, escutcheons, and elaborate gilt metal trim. Having a highly figured light mahogany hinged lid top, lifting open to reveal a striking finished interior with divided compartments and original inset mirror plate. The conforming rectangular case fitted with a faux drawer front over a dovetailed drawer with sectioned interior. Elegantly rising on oval-shaped medial shelf stretcher-joined curvacious legs. Dimensions (approx): 27" High, 20" Wide, 13.5" Deep Stunning light almost blonde antique mahogany coloring and mellow warm tone, superb wood grain detail, and charming, beautifully aged patina over the whole. Great shape overall. Retaining original antique character marks, wear consistent with age and indicative of minimal use, nothing that detracts from the aesthetics or functionality, but only adds to the overall authenticity, refined elegant warmth, luxurious sophistication, and cozy unpretentious rustic elegance. Delivered cleaned, hand waxed, polished French patina finish, ready for immediate use and generational enjoyment! What is Charles X style: The comte d’Artois – or Charles X - was the son of the dauphin Louis-Ferdinand de Franc and Marie-Josèphe de Saxe. He succeeded his two brothers Louis XVI and Louis XVIII and became the King of France in 1824. Thirty years after the French Revolution, he wanted to embody the return of monarchy and became the leader of the catholic party . As the previous kings, he was crowned in 1825 but he was soon overthrown by the revolution in July, 1830, called "Trois Glorieuses". He left then for England, Scotland, Prague and Istria where he died in 1836. Charles X style lasted from 1818 to 1834 and happened during the Bourbon Restoration (French Restoration). This style did not replace totally the style of furniture from the French Empire but it was different from the formalism in the Napoleonic era, during which strictness and simplicity were inspired by Greco-Roman art. Indeed, artistic fields flourished. In terms of furniture, this renewal was suggested by the softening of shapes. Even though the simple aspect from the French Empire was still visible, shapes became curvier with volutes and arabesques. Another distinction is the loss of the massive aspect of furniture and the decrease of dimensions in order to decorate smaller appartments. Handling ability and comfort were key-words in the making of furniture. Apartments had essential elements such as chests of drawers, big rounded tables in the dining room, desks or secretaries, armoires and even dressing tables, comfortable fainting couches in the living room, small tables, pedestal tables, as well as gondola chairs. The wavy aspect of the latters certainly represent Charles X style the best.  One of the most emblematic features of this style is the use of bois clairs – light woods in warm blond tones - and indigenous woods that are varnished in order to highlight the grains. Bird's-eye maple, ash trees, plane trees, yew trees, beech trees, olive trees and cedar trees were most likely to be used. Indeed, at the beginning of the 19th century dark woods were hard to find. In 1806, the Napoleon’s Continental System was established in order to ruin the United Kingdom by preventing the country from any business with the rest of Europe. Therefore craftsmen had to find alternatives from mahogany which was the most commonly used material at this time. After 1815, the import of wood was even more difficult because of peace treaties and the European political situation, which contributed to the popularity of the bois clairs and indigenous woods. The furniture was often decorated with fine inlays made out of dark wood representing foliage, which contrasted with the veneer. Even though these patterns can look like bronze decorations from the Empire era,  they were far more simple and did not represent any military or mythological attributes. On the tables, trays were sometimes made out of marble as in the French Empire, but it was often put aside and inlaid veneer, Verre Eglomisé – a type of glass with a mirror finish –, mirror or porcelain from Sèvres or Paris were more likely to be used. Decorative elements from the Monarchy were highly appreciated again as they suggested luxury. Indeed, marquetry work was particularly fashionable - Boulle marquetry thrived around 1820 as the works of the Levasseur family can show. In the same way, draperies and trimmings referred to the monarchist splendour. Fabrics were often white – the traditional colour of the Bourbons – or light coloured as oppposed to the typical green from the Napoleonic era.  One of the most symbolic figures from this period of time might be Jean-Jacques Werner (1791-1849), a cabinetmaker who worked for prestigious clients such as the Duchesse de Berry who was Charles’s step-daughter. His works can be seen at the Musée des Arts Décoratifs and at the Grand Trianon in the Palace of Versailles. The duchess’s appartments situated at the pavillon de Marsan and at the Palais de Saint Cloud illustrate Charles X style the best with furniture made out of bois clairs and ornamented with dark wood patterns or fine gold decorations. Chales X style allows a transition between the sobriety of the Empire style and the abundant aspect of Louis-Philippe style. The gothic style started at this time through the "style à la cathédrale", inspired by religious architecture, which thrived from 1827 to 1830. Indeed, at the beginning of the 19th century, Romanticism put the spotlight on the Middle Ages. Cabinetmakers were not inspired by the medieval furniture but rather by architectural elements of churches and cathedrals. For instance the backs of chairs were decorated with arches shaped like rib and serration. In the same way, before Charles X abdicated, pieces of furniture were made out of dark woods – such as mahogany, which was used again in France – and were inlaid with light wood. Romanticism also influenced the layout of furniture in appartments to suggest movement through a mix of various styles, various shapes and various sizes, as opposed to the static aspect of Neoclassicism. The start of industrialisation and mechanisation also influenced this style as early technical developments led to the production of pieces of furniture in series. Credit: Marc Maison Bibliography: FANIEL Stéphane (Dir.), Le Dix-neuvième Siècle Français, Collection Connaissance des Arts, 1957, Hachette SASSONE, Adriana Boidi, Furniture from Rococo to Art Deco, 2000, Evergreen -- Extremely versatile: As warm and attractive as it is useful, this remarkable antique table having the ideal size and small proportions for a variety of different uses, including as a side table, accent or occasional table, tall sofa...

This pair of midcentury end tables are perfect for any living room or office space. The well-aged bronze base has loads of character, and help to make this set truly one of a kind. C...

This pair of Louis XV style side tables exudes French elegance and craftsmanship, featuring Breccia brown marble tops and fine gilt-bronze ormolu mounts. The tables showcase graceful...

A striking bronze coffee table duo, each piece uniquely cast with complementary forms and rich, dark patina. Designed to sit together as a sculptural centerpiece or stand alone with ...

This French inlaid Louis XV style end table is a superb example of craftsmanship and elegance, combining intricate marquetry with refined bronze-mounted detailing. The shaped top fea...

A very fine French 19th-early 20th century Louis XV style mahogany, tulipwood, parquetry and ormolu mounted oval gueridon side table with a Brêche Violette marble top, attributed to François Linke (1855-1946). The inset oval Brêche Violette marble top with a gilt-bronze surround, above a lozenge parquetry frieze with foliate ormolu mounts, with a drawer to one side, on cabriole legs headed by clasps and joined by an 'X'-shaped stretcher centered by a foliate finial, on scroll sabots. Unsigned. Circa: Paris, 1900. Another almost identical table by François Linke (1855-1946) was sold at Christie's London 19th Century Furniture, Sculpture, Works of Art and Ceramics, Sale 7569 on 18 March 2008, Lot 66. François Linke (1855-1946) was one of the most celebrated ébénistes of his time. Born in Pankraz, Bohemia, Linke moved to Paris in 1875 and six years later established independent ateliers at 170, rue de Faubourg St. Antoine. As was the practice among contemporaries and noteworthy predecessors, such as Alfred Beurdeley and Henry Dasson, Linke initially produced furniture derived from styles popular during the 18th century ancien régime. By 1900, his worldwide reputation as an individualistic master of high quality furniture was already established. However, with a huge display, placing his extravagant pieces in room settings and winning the Médaille d'Or for his Grand Bureau, Linke's participation in the Paris 1900 exhibition...

Elegant Louis XVI style Bureau Plat in mahogany and marquetry in rosewood frieze. Beautiful ornamentation of very finely chiseled gilt bronze. Moroccan leather top surrounded b...

Coffee table by Maison Baguès in gilt bronze, white original marble top. Since its establishment in 1860, the Maison Baguès has been an emblem of French sophistication in luxury lig...

French Late 19th-Century empire style mahogany side table with marble top and bronze accents. Topping this magnificent piece is a round marble surface. The marble's natural veining a...

Emanating from the core of Katz Studio's visionary ethos, this coffee table from the Levitaz Collection stands as an homage to the studio's heritage of melding conceptual depth with ...

Opulent French Louis XV style writing table bureau plat desk crafted by Baker Furniture. The desk features a patinated bronze mounted leather...

Orbit Accent Side Table by DUISTT Dimensions: W 50 x D 50 x H 45 cm Materials: Dark Bronze ORBIT accent table features an impressive and skilled design that makes a statement in any...

Precious stone meets elemental metalwork in the Capital Coffee Table I, an elegant study in contrasts. Reminiscent of neoclassical columns, fluted legs of hand-cast solid bronze nest...

A Very fine French 19th century Louis XV Style Ormolu-Mounted Kingwood, Satinwood and Fruitwood Parquetry Kidney-Shaped secrétaire de dame (Lady's Desk) with an enamel dial clock and...

A Louis XV Style Gilt-Bronze Mounted Mahogany Console Table, With Marble Top, By François Linke, Paris. Surmounted by a serpentine-shaped Brèche de Saint-Maximin marble top. The fri...

1980s bronze man and woman sculpture pedestal table with glass top.

Possibly by Maison Leleu this table has a delicate brass construction in a double patina, gilt and gunmetal, supporting a layered travertine top, the top as a solid brass X embedded...

Set of three nesting tables in bamboo shape by Maison Baguès in France. Made of brass and with mirror tops. The measurements given apply to the smallest table. Measurements table...

The Bind console by DeMuro Das features a striking stone top in green zebra agate, a lesser-known variety with distinctive green, black, and cream striping...

This superb Chinoiserie painted decorated French Louis XV bureau plat desk is a stunning example of 18th-century French craftsmanship, combining the elegance of Louis XV style with t...

Fabulous and beautiful pair of Louis XIV style night tables in Satinwood with Marquetry and inlay & bronze mounts. Two drawers upfront and a little writing desk that slides out. ...

From master Furniture and Art creators Philip and Kelvin LaVerne and created in the 1960’s. The diminutive Bronze Console from their celebrated “Festival” series depicts a lively an...

Silas Seandel clustered cocktail table, brass copper, signed. Described in Seandel's 1970 Catalogue as: "Clustered: A modular multi-leveled cocktail table executed in braised copper ...

The Atlas table consists of a 1 1/4” thick chamfered stone top resting on a delicately trellised solid brass base with hardwood feet. The table is available as a smaller side table (...

French Vintage Marble Coffee Table with an Antique Bronze Frame - Cocktail Table from the 60s Exquisite Marble Table top from the 60s with natural Patterns and delicate Veins in soft...

An exceptional quality Louis XVI style French ormolu-mounted mahogany and leather coffee center table, attributed to Francois Linke, Paris, circa 1880. With exceptional quality or...

An outstanding French Regency Louis XVI style executive writing desk with ram heads France, 20th Century Kingwood, with inlaid marquetry, bronze trim and ornate ormolu mounts, and ...

Philip and Kelvin LaVerne, Mid-Century, T'ang Marriage Coffee Table, Etched Bronze, USA c. 1965 Rare and important 'T'ang Marriage' coffee table by Philip and Kelvin LaVerne (also r...

French Modern Bronze and Marble Gueridon or Bistro Table  France, pre-World War II A striking French modern bronze and marble gueridon dating back to the pre-World War II era. This timeless piece boasts a sleek and avant-garde design, embodying the essence of its period. Its 24-inch-diameter inset chocolate marble...

A matched pair of Laverne Kuan Su Tables. Original surface. Signed ontop.

Pierre Ghattaz, based in Beirut, is the maker of this organic piece of bronze.