Paint Tables

English tole tray on stand with figural and pagoda scenes on faux bamboo painted and gilt splayed legs with original connecting stretchers, Early 19th century.

A striking Italian occasional table with a pedestal carved from solid wood in the form of a bound sheaf of wheat. The fluted "stalks" sweep down from a gilt rope tie at the waist to ...

A very nice North Italian painted pedested tilt top table, deep red base with floral decoration, in excellent near original condition. 29" high 40" x 28" You are welcome to view t...

Napoleon III Ovular Dining Table with Nero Portoro Marble Top 
France, late 19th century 30 5/8" H x 41 1/8" D x 71 3/8" W, 25 1/2" H to underside of the apron French Napoleon III ...

A scarce antique country French rafraichissoir table (wine cooler) desserte server with beautifully aged patina. Circa 1800 Hand-crafted in Pro...

Vintage metal bar cart in excellent condition. Solid wheels. Removable Trays. No rust.  

A wonderful and most elegant pair of Italian 18th century Louis XVI st. Patinated Wood, Giltwood and Faux Painted marble consoles. Each stunning freestanding console is raised on str...

Please message us with your zip code to request a more reasonable domestic U.S. shipping quote. Vintage Chinese Relief Carved Ho ho Bird Glass Top Display Black and Gold Oriental Co...

Exceptional and fine Italian Waterfall Console Table with Linen surface us tomb painted in a custom Creme tone paint with a softly polished Eggshell finish. The Table with excellent ...

A striking antique mahogany center table distinguished by its generous proportions and richly carved polychrome and gilt decoration. Measuring 80 inches in length, the table features...

Denied Warhol Brillo Box Yellow Contemporary Pop Art Sculpture by Charles Lutz. Silkscreen and latex paint on wood, stamped Denied with the Andy Warhol Art Authentication Board's mar...

19th century Kashmir Papier Mache hand painted stand We are proud to offer a late 19th century Kashmir hand painted papier Mache plant stand. Hand crafted on barley twisted brass le...

Stunning wooden tray table with faux bamboo leg design. hand painted, brass handles. Very good quality Kindel Tea Table, hand painted” Time Period Manufactured Post-1950 Original ...

1980s Oriental Accent Hitchcock Style console table and mirror. Crackle lacquer Paint on console top. Hand painted flowers on top and sides. Banded gol...

Pale white/grey Gustavian table with one drawer and sculptured legs and sides. Distance from the floor to the bottom of the apron is 23"

Sculptural Papier-Mâché Draped Table. Offered is an unusual vintage sculptural draped papier mache table. This versatile Hollywood Regency paper mache...

A round burl wood side or drinks table by Widdicomb, circa mid-20th century, USA. Table has a brown burl veneer wood top with beautiful design, and butter hue center with a tri-foot ...

19th Century French Rococo style white colored painted & parcel gilt table. The Rococo style flourished in Europe, particularly in France, during the early to mid 18th century. ...

French Louis XV style painted table with a distressed finish, late 19th century. A painted, faux natural finish tabletop with a sculpted serpentine edge sits above a carved frieze o...

Laminar contains multitudes: drips, tips, and lines. A delicately tensioned structure dripping with translucent color. Hand-applied epoxy is allowed to be as it is, fluid suspended i...

Laminar contains multitudes: drips, tips, and lines. A delicately tensioned structure dripping with translucent color. Hand-applied epoxy is allowed to be as it is, fluid suspended i...

Hickory Chair Walnut and Damask Blue Painted Single Drawer Side Table Measures 22" in width, 16.75" in depth and 26" in height.

The Splendor Chest showcases the mastery of traditional bone inlay, featuring hand-carved camel bone flowers arranged in a precise diamond grid across its surface. Each flower is met...

Denied Warhol Heinz Box Yellow Contemporary Pop Art Sculpture by Charles Lutz. Silkscreen and latex paint on wood, stamped with the artist's replica of the Warhol Authentication Bo...

Hand carved gilt wood framed with exterior design details / Onyx top round shape pair side table. Each side table is in great condition. Minor wear consistent with age / use. Each ta...

Embodying the timeless appeal of utilitarian craftsmanship, this monumental Belgian farm table brings authentic historic charm and warm architectural scale to any interior. Crafted f...

Early 20th Century Swedish Tilt Top Table in rustic blue painted finish

Antique round dining table in neo rococo style from the 1920s. White painted with decorative details and 4 extension leaves. (We have matching chairs for this table) — Style: Neo r...

English Edwardian painted satinwood occasional table, circa 1910. With an oval top with a central portrait painting and flowing vine and leaf decoration the apron with painted swags ...

This French style console table is deceptively simple. The elegant, hand-painted base stands on four sculpted legs, along which the color has worn beautifully, revealing the warm wo...

More information coming soon… An antique altar from the 1700s, hand-carved and hand-painted in a parcel light blue with white and beige accents. Recently discovered in Bordeaux, Fr...

Italian Rationalist tea cart dating to the 1930s, featuring a striking contrast between a red rectangular serving tray and a black lacquered wooden frame. Intersecting supports defi...

A truly stunning and finely detailed Italian early 18th century Louis XVI st. Faux Marble and Mecca coffee table. This impressive truncated rectangular table is raised by four Mecca ...

A striking Hollywood Regency–style coffee table featuring a fully mirrored top and apron, elevated on dramatic carved wood legs. The rectangular form is wrapped in antiqued mirror pa...

This massive Spanish 19th century retail shop counter is over 14 feet long (14’-5 ¼” to be exact) - which is a fantastic scale to anchor a large kitchen or commercial business as it ...

Swedish Gustavian Style Painted Drop Leaf Table. This table is a marvel of ingenuity. Hand-crafted, it features two huge leaves that drop down out of the way when not needed, making ...

An impressive and most rare pair of Italian 19th century Neo-Classical st. Cherrywood, giltwood, polychrome, ebonized Fruitwood, ormolu matching mirrors and consoles. The consoles ar...

Victorian Liberty of London Style Eastern Folding Tea Table With Paintings 1890s. Decorated with images of figures, birds, animals and mythical creatures. Top comes apart from base a...

Impressive antique Indian elephant stand carved from a hardwood featuring a carved character on the top over a fancy saddle with floral carvings, a parcel gilt and paint decorated el...

A pair of matching Chinese elephants in painted wood. Original paint and featuring bejeweled gold head-dresses. The set was made in Asia, probably China during the early to mid 20th ...

Layers Side Table by WOO – A Timeless Blend of History and Modern Design The Layers side table, designed by Dmitry Kozinenko for WOO, is a striking piece that combines textures and ...

A very good pair miniature handcrafted oak carpentry or stereotomy sawhorses in beautifully aged original green painted surface patina and bolted constuction. Measure 15" h x 11 3/4"...

Heritage Henredon ming style Ebonized and Parcel Gilt Two Tier Side Table. Tooled Leather top. In great vintage condition. Measures 22.25" in width, 26.25" in depth and 22.25" tall.

Spectacular vintage Campaign style double pedestal dining table composed of golden gate orange painted metal substrates, bamboo, natural rawhide leather wraps, & a rectangular be...

A fabulous pair of American mid-century sculptural paint decorated wooden console tables by the iconic luxury designer Phyllis Morris (United States; 1925-1988) Executed in timeless mid-20th century glitz and glam Hollywood Regency Moderne taste, the rare, possibly custom one-of-a-kind design, having a demi-lune red lacquered top, over conforming fluted apron, rising on elegant carved figural swan form legs, terminating in claw and ball feet, finished in parcel gilt antiqued cream paint finish. Bold, large scale, statement pieces, these extraordinary tables are sure to add a touch of sophisticated whimsical elegance, warmth, opulence, and comfort to any space! circa 1970 Signed, "Phyllis Morris" to the rear support in typical stylized font (under later metal wall mount brackets) Provenance / Acquisition: From an important Guadalajara, Mexico Estate Acquired from highly reputable auction house, Austin Auction Gallery, est.1983, Austin, Texas. Dimensions: (approx) 31" High, 49" Wide, 24.75" Deep (each) Phyllis Morris was one of the design industry’s first multitaskers. She wore many hats: furniture designer, businesswoman, civic leader, legendary hostess, humanitarian, wife and mother. Phyllis Morris is known for them all, but mostly that last one. The legendary interior designer of the 1950s and ’60s wrote her own rules and lived a life as large and colorful as the designs she favored. Morris began her design career in 1953 in Los Angeles, California by creating the "Poodle Lamp," a sculpture of her own poodle topped with a little flared shade. Dubbed “The Marilyn Monroe of the furniture industry” — she took charge of her destiny with her famous poodle lamp. After sculpting the original, based on her own pink-dyed pup, Morris left it on consignment in a Beverly Hills shop. She had friends place orders for it; the shop asked for a dozen models, and Morris was in business. “I knew I was not a homemaker,” she said. What transformed Morris from lamp designer to “designer to the stars” may have been her instinct for publicity. She reportedly delivered two of the lamps to Liberace, her first big-name customer, in a pink Cadillac convertible, while wearing a mink cape. Morris was a pro at offering provocative quips or outrageous photo-ops, which often made headlines around the globe. “My mom was a marketing genius,” says Morris’ daughter Jamie Adler, who now runs the brand and reintroduced the poodle lamp for Currey & Company last year. “She understood branding and how to get press. She was so brave and fearless as a woman in a male-dominated industry.” At a time when most women stayed home, Morris was a furniture designer, businesswoman, civic leader, legendary hostess, humanitarian, wife and mother. “She was multitasking long before the word was invented,” Adler says. With her colorful and eclectic interiors and over-the-top furnishings, Morris turned the interior design world upside-down, and celebrities came calling. She designed hotel suites frequented by Frank Sinatra, Jackie Kennedy Onassis and Elvis. Her opulent canopied beds became a status symbol for the likes of Cher and Sonny Bono, the Who’s Keith Moon, Gladys Knight and Jerry Vale, according to a 1978 People magazine story. A typical Morris room setting during the mid-1960s would find Pop art accessories...

An elegant Regency-style flip-top side table in painted walnut, featuring hand-painted gold decoration against a deep green ground. The tabletop is centered with a classical lyre mot...

Set Of 2 Nudibranch Coffee Tables in Plaster, Wood & Paint by Dace Sūna Dimensions: D 120 x W 200 x H 100 cm. Materials: Charred wood, paint, and plaster. Nudibranchs, soft-bodied ...

The hand painting on this demilune/console is exceptional in a neoclassical Style in shades of gold, green and taupe hues. The top is a faux green marble And banded in an antique go...

19th century pine drop leaf kitchen table of large proportions circa 1860. Ideal in the large kitchen or for display in retail. Quite possibly one of the largest drop leaf tables w...

This highly decorative Moroccan side table is distinguished by its sculptural eight-pointed star-shaped top, architectural pedestal base, and exceptionally rich polychrome decoration...

Fabulous and unique, a bar cart with built in wine rack constructed from leather (about half of the leather straps were professionally replaced) and sits below the upper level which ...

A round rose-veined marble top on a grained faux rosewood pedestal with strong visual character. The urn-form pedestal is carved with swag and rounded decoration at the body and a ga...

Elegant French Louis Philippe console table featuring a richly veined marble top above a simple apron, supported by gracefully curved legs joined by a shaped lower shelf. Finished in...

18th century Italian carved wood, paint and silver gilt console table, circa 1775. Good proportions with carved, embellished, bold cabriole...

Modern White Painted Wrought Iron Serpentine Vanity Table and Stool, with oval mirror above glass top and scroll work design with matching beige upholstered stool. Vanity: 48.5" H x...

American Country farmhouse one drawer coffee or cocktail table, circa last quarter 20th century. Made from pine with a green and red painted finish. Features mortise and tenon joiner...

Marvelous Mid to Late 20th Century MCM (a.k.a. Mid Century Modern) to Modern dining table with black painted steel tube frame & square white laminate top with a beveled plywood edge....

A Very Fine Late 18th c. English Sheraton Satinwood & Kingwood Tea Table with Black Lacquer and Gilt Chinoiserie Top, with All-Over Very Fine Parquetry Detail with Concave Apron ...

This Coffee Table occupies a particularly intimate place within Jim Rose’s legacy, offering a clear view into how his principles operated at the most personal level. Made for his own apartment and kept in his private collection until his death, the piece reflects Rose’s belief that furniture should be lived with daily—tested, trusted, and allowed to age alongside its maker. Formally, the table is pared down to essentials: a broad, planar top supported by cylindrical legs, all executed in hot-rolled and found painted steel. The restraint of the design underscores Rose’s commitment to clarity and proportion, while the visible wear and remnants of paint on the legs preserve the material’s prior life. As in much of his work, these traces are not concealed or refined away; they are integral to the piece’s character, allowing time, labor, and use to remain legible. Unlike his more overtly referential quilt cabinets, this table speaks quietly, embodying Rose’s ethos through use rather than symbolism. Its generous scale and grounded stance suggest durability and communal presence—furniture meant to support everyday rituals rather than command attention. That Rose chose to keep this piece for himself reinforces its significance as a personal benchmark for what he valued most: honesty of material, usefulness, and a sense of calm permanence. Within his broader body of work, this coffee table stands as a testament to Rose’s integrity as a maker. It demonstrates that his philosophy was not reserved for commissions or exhibitions, but applied equally to the objects he lived with. In that sense, the table becomes a subtle self-portrait—an object shaped by restraint, patience, and quiet confidence, embodying the values that define Jim Rose’s enduring legacy. Jim Rose Coffee Table hot roll and found painted steel 18h x 34w x 60d in 45.72h x 86.36w x 152.40d cm JR0257 Bio Jim Rose (1966–2023) was an American furniture maker, artist, and metalworker whose work occupied a singular position between studio craft, sculpture, and functional design. Born in Beech Grove, Indiana, Rose trained as a sculptor, earning his BFA from the School of the Art Institute of Chicago in 1988 after a brief period of study at Bard College. This sculptural foundation shaped his approach to furniture, in which proportion, structure, and surface were treated with the same rigor as utility, and everyday objects were understood as vehicles for aesthetic and ethical values. Working primarily in steel—often reclaimed or salvaged—Rose challenged conventional expectations of furniture materials. Through brushing, waxing, and patination, he developed surfaces that softened steel’s industrial associations, imparting warmth, depth, and a sense of age. His work drew on diverse historical and cultural sources, including Shaker furniture, Asian cabinetry, and the quilts of Gee’s Bend, yet these influences were never literal. Instead, Rose translated their underlying principles—clarity, restraint, repetition, and balance—into a contemporary language grounded in material honesty. Based for much of his career in Wisconsin, Rose was closely associated with the John Michael Kohler Arts Center, including participation in its Arts/Industry residency program. His furniture and objects were widely exhibited in galleries and design fairs across the United States and featured in publications such as American Craft and Architectural Digest. His work entered both private and institutional collections during his lifetime, reflecting a sustained engagement with collectors, curators, and designers. Rose’s furniture is distinguished by its emphasis on durability, adaptability, and use. Cabinets, chairs, benches, and tables were engineered for longevity and daily life, incorporating practical features such as steel drawer glides, modular construction, and discreet accommodations for modern technology. This functional intelligence was inseparable from his broader philosophy: furniture, for Rose, was a form of quiet service, meant to support human activity while carrying forward the history embedded in its materials. Jim Rose’s work is held in the permanent collections of major institutions including the Smithsonian American Art Museum, the Museum of Arts and Design in New York, the Milwaukee Art Museum, the Carnegie Museum of Art, and the John Michael Kohler Arts Center. Following his death in 2023, his legacy endures through a body of work that demonstrates how contemporary furniture can be both materially rigorous and deeply humane—objects shaped by patience, integrity, and an enduring respect for use. Education: 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards: 2008 Wisconsin Arts Board Fellowship Award, Madison, WI 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions: 2023 CODA Final Show, Gallery VICTOR, Chicago, IL 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions: 2023 Intersect Palm Springs, Gallery VICTOR, Palm Springs Convention Center, CA 2017 - 2018 SOFA Chicago – Gallery Victor Armendariz 1995 - 2016 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions: 2022 Wunderkammer: Victor's Cabinet of Curiosities – 5th Anniversary Special Exhibit, Gallery VICTOR, Chicago, IL 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds...

A fabulous Norwegian table from the late 18th century, that is a Scandinavian interpretation of Italian Baroque tastes with exaggerated features to feel as if a completely original s...