Stone Tables

Karen Chekerdjian expands her iconic Inside Out collection with the new Large Dining Table—a bold yet essential centerpiece for contemporary interiors. This new iteration introduces ...

Hadrian's Villa Mosaic Table 118-134 CE Roman Mosaic tabletop with later gilt wood base This extraordinary mosaic table from Hadrian's Villa stands as one of antiquity's most impo...

Pair of tessellated fossil coral and pink stone display pedestals with brass trim in the style of Maitland Smith Larger is 12"x12"x36" high Smaller is 9.5"x9.5"x30" high.

MINT Round Marble Top Neoclassical Black Lacquer Pedestal Style Leg Coffee Table

Beautiful set of 2 very large pedestals in black Belgium marble. They can be used inside or outside the house. They are made of beautiful and massive marble. Please take notice of ...

A striking example of Mario Bellini’s architectural vision, this Il Colonnato (The Collonade) coffee table is crafted in solid Italian travertine and measures 48 inches in diameter. ...

With its low profile and soft curves, the M_012 Coffee Table’s serene, sculptural presence playfully contrasts its material and geometry. Carved from a single block of stone, it time...

The cast bronze legs, with their stepped profiles and diagonal position, appear differently from each viewing angle: sometimes slender, then massive, but also polished and at other t...

A nice model in very good condition with round white marble top with pierced brass gallery over a frieze with a single drawer with lock and key. Circular tapered fluted legs with ins...

Gorgeous Italian sculptural two part modern travertine coffee tables hailing from the 1970s. Neutral. Versatile. This particular set showcases an especially beautiful travertine grai...

A sculptural dining table carved entirely from solid travertine. Originally created as a bespoke commission for a private client, this piece is now available made to order. Characte...

This pair of Italian modern black steel and marble hex tables exudes sophistication and elegance in any home decor. The sleek black surface and geometric hex design add a touch of co...

Maitland Smith neoclassical style tessellated marble lion pedestal featuring painted iron legs with lion's paw feet and lion head finials, painted iron rope and tassels.

This elegant console table with a royal yellow Verona marble top, designed by the renowned Ezio Minotti, enhances your space by perfectly blending modern aesthetics with timeless so...

The French midcentury brass cocktail table with lion detail and paw feet, featuring a neoclassical X-base, illustrates the continued influence of neoclassical design motifs in mid-20...

Vintage Post Modern Travertine Side Table by Stone International. Circa 1980s Features a minimalist design with a light tan polished travertine stone, beautiful natural stone veins a...

Charles X period Gueridon table. Early 19th century. Coffee table / centre table. Mahogany veneer. With marble top. In very good condition. Only minimal signs of use consistent with ...

A refined French Louis XVI-style bouillotte coffee table, early 20th century, crafted in rich mahogany with elegant neoclassical details. The circular belt is fitted with two drawers...

Pair of antique Louis XV style ormolu mounted marquetry pedestals French, Late 19th Century Height 130cm, width 47cm, depth 46cm This stunning pair of pedestals epitomizes the gran...

Italian Mid-Century Grotto-style (1940s) console table with sea shell decoration and cabriole legs.

A sculptural side table carved from a single solid block of Ceppo Monet green marble. Use it as an accent table or end table beside a sofa or lounge chair, as a nightstand or drinks ...

The Ligea coffee table features a distinctive Arabescato Orobico marble top with dynamic veining that contrasts elegantly with its pewter painted metal base. Designed with inspiratio...

Art Deco style marble travertine stone tables We can color match marbles to your project From dining tables to occasional end or coffee table ideas. Custom sizing available copying ...

A fine Mid-Century Modern Italian travertine pedastal. With chamfered panels to each side, a rich variegation to the stone, and a smooth polished surface. This piece will certainly c...

A bamboo, rattan and marble center table or dinette table designed and produced in the US, c. 1960s. Wear consistent with age and use, including faded rattan. Replaced marble top. ...

Carrara Terrazzo Kyushu Side Table by Lebanto Dimensions: W 45 x D 45 x H 39 cm Materials: Marble. Lebanto is an expression of identity, a tapestry of dreams woven from the threads ...

Cantilever small, Colorama Collection. Design by Matteo Zorzenoni, product by Scapin Collezioni. Cantilever is a small side or coffee table characterized by a visual imbalance creat...

A graceful French wall-mounted console in the Louis XV revival taste, crafted in solid walnut with a warm, lively grain and a mellow patina. The shaped apron is carved with a central...

Creator/Studio: Tinella Design Materials: Solid Rosso Levanto Marble Dimensions: 72" Length x 36" Width Style: Modernist, Minimalist, Sculptural, Italian Modern Origin: Handcrafted i...

A beautiful 18th-century-style dining table set with Florentine-style marble inlays, plus 6 Florentine-style chairs. - Private Collection Domenico Rugiano

The Margaux is a smaller, modern stone dining table, with a round top, and a bullnose edge detail. The base is also rounded, but tapers as it goes...

Monumental Pair Regency Revival Mahogany & Marble Consoles, Manner of Thomas Hope A monumental and architecturally significant true pair of Regency Revival mahogany console tabl...

With its overwhelming presence and refined elegance, this large coffee table is an exceptional piece crafted in Belgium, estimated to date from the 1970s. The design combines a cool,...

Slender lines form a light and airy design in this modern table. A graceful combination of white bianco marble atop an organic faux bois base in a satin bronze finish. Dimensions: 5...

Pair of 2-tier 'Entretoise' side tables by Design Frères. Wrought iron base with 2 thin travertine shelves. Also great as small nightstands. Shelves are removable for secure shipping...

A delicate, refined pair of French Mid-Century Modern neoclassical side or end tables / gueridon in the spirit of Jean Michel Frank and attributed to the French Master Ironworker, Gi...

A French Bronze Gueridon, 19th Century The bronze cross frame base to black stone inset top. A fine traditional Campaign form having Bronze Strap frames with the legs terminating in...

The Palm side table is an exquisite delicate design that combines a meaningful message with luxurious materials. Palm is the symbol of relaxed sophistication. It’s the warm breeze i...

Midcentury Italian cocktail table with a cast iron base, curving scroll feet, and rectangular marble top.

Please message us with your zip code to request a more reasonable domestic U.S. shipping quote. Vintage Chinese Chinoiserie Black Demilune Pink Marble Top Oriental Console Tables...

A sculptural side table carved from a single solid block of Ceppo Monet green marble. Use it as an accent table or end table beside a sofa or lounge chair, as a nightstand or drinks ...

Italian modern dining table Flying Table with glass vase by Andrea Branzi for Design Gallery Milano, 2006 Flying Table dining table with oval top in white lacquered wood. A hole in t...

Material: 100% Authentic Rosso Levanto Marble Dimensions: 72" Length x 36" Width (Approx. 180 cm x 90 cm) Base Style: Matching Sculptural Marble Pedestals Finish: Polished (Honed...

Diamond Table is made to order - All colours are possible to add on the concrete base

Octagonal Belgian black marble table top profusely decorated with Italian Pietre Dure mosaic inlays using green malachite, dark blue lapis, light b...

Dining table mod. ‘Samo’ by Studio Simon. Series ‘Ultrarazionale’. Italy, 1970. Made of granite. Literature: Giuliana Gramigna, Repertorio 1950-2000, Allemandi, Torino, 2003, p.180. Excellent vintage condition. The Samo table was designed in 1970 by the project office of Studio Simon. Carlo Scarpa was the brand's artistic director, and the Venetian architect's style inspired the shapes of this table. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, which are all worth mention. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how 20th century museums were to be set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his greatest ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider being one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa began work building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this 20th century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem”, [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure”. Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded 8 years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana”, “Quatour” and “Orseolo”. While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

An exercise in unrestrained grandeur, this lavish console is an undeniable statement piece for luxurious homes. The striking top and base are fashioned of black-lacquered wood coated...

Striking Mid-Century Modern Italian travertine dining table, circa 1970s, featuring a substantial rectangular top supported by a sculptural architectural pedestal base. Crafted in b...

Delano 5063 Desk by Redeco Dimensions: W 160 x D 60 x H 77 cm Materials: Mdf structure. One soft closing drawer, Structure in Palissandro Santos veneer with polyester matt finish. In...

Midcentury oak and slate table on iron base, Belgium circa 1950 Dimensions are: 33.85" x 16.53" (height). The midcentury Brutalist slate and oak table on a wrought iron base At...

Elegant M1T70 dining table designed by Angelo Mangiarotti and produced by Skipper, Italy, 1970s. Crafted entirely from solid Carrara marble, the table shows a beautiful natural grain...

This sophisticated coffee table, masterfully crafted by Stone International in Italy, is a sublime representation of late 20th-century minimalist luxury. Featuring a massive 42-inch ...

A solid wood base with marble embellishments distinguishes this side table. The delicate structure is anchored on spheres of Calacatta Borghini marble.

Fine and unusual 19th century Swedish Empire centre console table with Italian pink Calacatta marble top, Ca 1830.

Dining table, cherry, black lacquered wood, natural stone, Italy, 1980s This Postmodern Italian dining table is a refined expression of balance and material contrast. The generous c...

An exceptional late 20th century French Louis XVI inspired serpentine console table / sideboard by Maitland Smith. Made from iron with a porous stone top. The robust table is suppo...

Casa Casati’s hymn to the 70’s, the Discoteca table, takes a more sophisticated turn, with the top and Lazy Susan in solid marble, resting on the musical composition of the tubular l...

Bellissimo Oval Table in Travertine by Pietro Franceschini. Dimensions: W 280 x D 130 x H 76 cm. Materials: Travertine. This listing features the Bellissimo Oval Table in its traver...

A stunning coffee table from American design powerhouses Maitland-Smith, imported from a Texan ranch and originating from the late 1970s. This piece consists of tessellated Emperador marble...

Engraved etched brass coffee table designed by Christian Krekels in 1977s, with 2 agates stone top. This furniture has a New refresh, new varnish and polish. Signed, dated and numbe...