Stone Dining Room Sets

Please feel free to reach out for accurate shipping to your location. Dining Set: four chairs and table. Chairs are Iron Wire and plywood seats. Table is Iron Wire with 36" diameter...

Two grand and very impressive cast concrete neoclassical style pedestal dining table bases with finely detailed winged griffins. Will support a large stone, marble or glass table top...

A really good example of an original Knoll produced Tulip set by Eero Saarinen. The table with a calacatta top, and the four swivel chairs with original green Knoll fabric cushions.T...

Fontaine Dining Table, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. The Fontaine dining table is named after Jean de La Fontaine, a French poet and fabulist, re...

Vallin dining table, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. The branched legs in solid beech, lacquered with gold-coloured bronze powder, are a reminder o...

Armona dining table, Contemporary Collection, handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection, the Armona modern dining tabl...

C&C dining table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection and inspired by nature’s organi...

Armona dining table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collec...

Armona dining table, Contemporary Collection, handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collec...

Fontaine Dining Table, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. The Fontaine dining table is named after Jean de La Fontaine, a French poet and fabulist, re...

Magnificent Marble Inlay Dining Table, 10 Chairs, 60"Round What a cool set! You don't see many of these around! Round dining table, Mahogany Inlaid grey and white stone Carved apron ...

An iconic vintage Eero Saarinen, Knoll white tulip dining set with a Calacatta marble top and 4 matching Saarinen, Knoll vintage tulip chairs with...

A very well made custom New Haven Woodworks arts & crafts style oval cherry wood table with square tapering legs and covered with a granite top. The table is accompanied by 2 arm cha...

French Art Deco Dining Room Suite featuring 8 chairs and 3 matching side pieces boasts one of the most remarkable marble tops ever seen, fitted flawlessly with beveled edges. Restore...

Table composed of an attractive round travertine top finished in doucine placed on a base composed of 4 travertine rectangles assembled offering the possibility to present it visuall...

Magnificent and fully original Tulip dining set designed by Eero Saarinen. It is produced by Knoll International in the 1960s. The set consists of 5 original tulip chairs and the o...

Biloba Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection, the Biloba marble dining table started with the challenge of reinterpreting fundamental structures and shapes of monumental Portuguese architecture. The chosen monument was the Alcobaça Monastery, aiming to reflect all its influences in a statement piece. In addition to the architectural inspiration from the 18th century, organic design also played a crucial role in creating the Biloba marble dining table. Honoring its name, three types of marble are combined in a pattern of intermingling arches that magically create the graceful design of two Ginkgo Biloba leaves. Biloba 12-Seat Dining Table Material Codes FI136 dark green lacquer; satin finish ME006 brushed brass; high-gloss finish ST005 green Guatemala marble; polished ST010 Calacatta Cremo marble; polished ST033 Verde Antigua...

Beautiful chairs by Warren Platner, New York, New York, 1960's. Platner Collection, chrome-plated steel, original maroon upholstery, each with Knoll sticker and upholstery label. Eig...

Beautiful table by Warren Platner, New York, New York, 1960's. Platner Collection dining table Model 3716T, with chrome-plated steel and off-white marble top.

A fabulous vintage Boho dining set. A petite table and block chairs in solid slab stone. Beautiful grain detail. Acquired from a Palm Beach estate. S...

Tulip round dining table designed by Eero Saarinen in 1957 and manufactured by Knoll in 1967. Composed of a white lacquered pedestal and a tabletop...

Set Of 7 Travertine Dining Table And Dining Stools by Monolith Studio Signed and Numbered. Dimensions: M_010 Dining Table: D 100 x W 310 x H 76 cm. M_011 Dining Stool: D 40 x W 56 x ...

Tulip oval dining table designed by Eero Saarinen in 1957 and manufactured by Knoll in 1967. Composed of a white lacquered pedestal and a tabletop made of ...

Meta Crystal Dining Table Revealing its luxuriant character, the Meta Crystal invites you to delve into an atmosphere of pure sophistication. Pairing a natural slab with a contrastin...

Oculus Dining Table Patina Bronze The Oculus Dining Table stands as a testament to artisanal craftsmanship and opulent design. Its centerpiece is a one-of...

Unique "Paracarro" model dining table with a set of four chairs. It was designed by Giovanni Offredi and produced by Saporiti in Italy during 1973. Based on a prototype project, i...

Late 70’s Pacific Green dining suite Made from coconut palm wood, leather and steel. All in very good condition. We would consider selling the table and chairs seperatly if you woul...

Dining room set containing Børge Mogensen for Fredericia Stolefabrik set of six dining chairs with Angelo Mangiarotti for Skipper 'Eros' dining table Børge Mogensen for Fredericia ...

First developed in 1976, the Cirkante extendable dining table became an instant classic. Thanks to the combination of design and functionality, the table can accommodate to 8 people, even in the small houses of the past. This feature is very useful, given the current trend towards smaller homes. In the center of the table there is a removable red Belgian Rouge Royal marble square centerpiece. In addition, this table comes with a set of 4 beautiful organically shaped oak Orchidee chairs...

Dining room set consisting of La Permanente Mobili Cantù set of six dining chairs with Angelo Mangiarotti for Skipper 'M1' dining table La Permanente Mobili Cantù set of six dining chairs, teak, black lacquered metal, alcantara, Italy, 1950s Beautiful and elegant set of six Italian dining chairs by La Permanente Mobili Cantù. These delicate chairs are a treat for anyone loving Italian midcentury modern...

Magnificent fully original tulip dining set designed by Eero Saarinen and produced by Knoll International in the 1960s. The set consists of 6 original marked tulip armchairs and the ...

Rare round travertine dining room table with a pretty grain and a helix leg with 6 chairs from the Seltz cabinetmaker where Pierre Chapo worked. The chairs are restored in an ecru Bo...

Unusual chinoiserie marble topped dining table and four velvet upholstered chairs. The table has a marble inlay and two leaves. The chairs have been upholstered in a lovely sea foam ...

Walnut Natur Picasso Green Bloom Dining Table by Milla & Milli Signed by Maša Vukmanović, Jelena Lukač Kirš, Jakov Šrajer Dimensions: W 180 x D 180 x H 75 cm Materials: Walnut Natur...

Cherry Sepia Bianco Namibia Bloom Dining Table by Milla & Milli Signed by Maša Vukmanović, Jelena Lukač Kirš, Jakov Šrajer Dimensions: W 180 x D 180 x H 75 cm Materials: Cherry Sepi...

Walnut Natur Nero Marquina Bloom Dining Table by Milla & Milli Signed by Maša Vukmanović, Jelena Lukač Kirš, Jakov Šrajer Dimensions: W 180 x D 180 x H 75 cm Materials: Walnut Natur...

Walnut Natur Bianco Namibia Bloom Dining Table by Milla & Milli Signed by Maša Vukmanović, Jelena Lukač Kirš, Jakov Šrajer Dimensions: W 180 x D 180 x H 75 cm Materials: Walnut Natu...

Howlite Dining Table 4-Seats, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. Howlite white dining table represents the dawn of a new modern era. The stainless ste...

Amaru Bench and Dining Table Set (2023) Oxidized copper finish benches and table base and lava stone with ceramic glaze Edition of 3 Amaru Bench and Dining Table Set inspired by th...

TITLE Table and 6 chairs Hank Lowenstein Padua vintage, from the 1970s DESCRIPTION Table with oak frame and marble top, "Padova" chairs by Hank Lowenstein. Made in Italy around 1980....

Tessellated Marble Dining Chairs, American, circa 1970s. Outstanding color combination with the black and deep coral orange color tessellated marb...

Pencil Reed Rattan And Tessellated Stone Marquetry Pedestal Table And Pair of Matching Chairs set composed of a square pedestal table made in pencil rattan marquetry structure adorn...

“Delfi” dining table, designed by Carlo Scarpa and Marcel Breuer and produced by the Italian manufacturer Studio Simon in 1969. Made of white Nax...

The midcentury Italian set of four chairs and marble table from the 1980s offers a blend of sophistication and luxury. The chairs have been thoughtfully reupholstered in green suede,...

This vintage iron and marble dining set consists of a table and four chairs. The 1' thick marble surface rests on an iron base. Each of the four chairs are constructed of iron and ha...

Howlite Dining Table 8-Seats, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. Howlite black dining table represents the dawn of a new modern era. The black oxidi...

We are delighted to offer for sale this stunning vintage Mahogany Marble topped side table with Butlers serving tray and x20 bottle holders A very good looking and well-made piece...

Designed by Naoto Fukasawa in 2005, the Muku line for Driade was crafted from solid mahogany with a simple modern elegance. This set includes six dining chairs with arms and a dining...

Beautiful table designed by the famous Italian Mid-Century Modern designer Vittorio Dassi, 1950. The exceptional woodwork is highlighted by the curved green glass top and the rounde...

These stylish and chic dining table and chairs are attributed to Maitland Smith, and date to the late 1980s to early 1990s. The set is fabricted in tessellated marble and inset brass...

Dining table mod. ‘Samo’ by Studio Simon. Series ‘Ultrarazionale’. Italy, 1970. Made of granite. Literature: Giuliana Gramigna, Repertorio 1950-2000, Allemandi, Torino, 2003, p.180. Excellent vintage condition. The Samo table was designed in 1970 by the project office of Studio Simon. Carlo Scarpa was the brand's artistic director, and the Venetian architect's style inspired the shapes of this table. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, which are all worth mention. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how 20th century museums were to be set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his greatest ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider being one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa began work building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this 20th century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem”, [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure”. Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded 8 years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana”, “Quatour” and “Orseolo”. While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Indulge in the artistic charm of our double quartz spoon, adorned with a sculptural stone handle. Meticulously handcrafted by italian artisans, the distinctive stone adds a touch of ...

Indulge in the artistic charm of our double quartz spoon, adorned with a sculptural stone handle. Meticulously handcrafted by italian artisans, the distinctive stone adds a touch of ...

Outdoor Wrough Iron Round White Marble Top Dining Table 6 Chairs w/ Brass Finials Set MINT! Table: dia 48 x 31h' Chairs: 20'' x 17'' ...

This round dining table was designed by the renowned designer Paul Mathieu for Stephanie Odegard. When he first saw the extraordinary swirling colors and patterning of the Indian sandstone...

Colombostile is one of the most luxurious furniture manufacturers in the world, Michael Jackson's favourite interior designer brand. This selection of absolutely luxurious Colombostile furniture...

Soil Map N°1 table by Estudio Rafael Freyre Dimensions: W 130 x D 80 x H 75 cm Materials: diverse recycled andes stones The pieces in the Soil Map series are part of a quest to...

C&C Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection and inspired by nature’s organi...