Swedish Tables

The fine oak rectangular top with rounded corners supported at each end by slender baluster shaped turnings joined by stretcher at base with brass clad feet and stretcher having orig...

Vintage table designed by Carl Malmsten with two separate extensions. Elegant and rigorous design in solid wood. Designed by Carl Malmsten in the 1950s/60s, this dining table reflec...

Early 19th century Swedish original painted console table, 1820. Dimensions: 43.5 inches (110 cms) wide 22 inches (56 cms) deep 30.5 inches (77 cms) high 44 inches (112 cms) d...

A good and early example by Alvar Aalto for Artek, Sweden bentwood birch and black laminate Stool 60. Circa 1950. Fully signed on the bottom with ink stamp, Aalto Design, Artek, Made...

A very sturdy and well balanced end table. The classical form of the lyre complete with cast brass strings rests on a solid pedestal evocative of antiquity. This veneered table wo...

Set of eight shelves, anonymous, Denmark. 1960s. Oregon Pine. Stackable. Measures: 4x small H: 18 cm / 7" W: 54 cm / 21 1/4" D: 27 cm / 10 1/2" 2x medium H: 27 cm / 10...

This is a large and unusual dining table made out of pine. Produced in Sweden around the 1940s. It is a so unique in the shape, the base is very unusual. It will brighten any project...

This old farm table with tapered legs has a worn appeal reflected in the original brown faux wood finish which was a traditional folk art style of the era. Black paint is seen at the...

A Swedish Arts and Crafts style side table with repousse work top. Having a scalloped boarder with raised patterns and center rosette. The brass top supported by a base with figure s...

Coffee table designed by Frode Holm for Illums Bolighus, Denmark. 1950's. Rosewood. Measurements: H: 56 cm/ 22'' L: 121 cm/ 4' W: 61 c...

An oak and dark-stained birch side table produced by TMF, Sweden, 1943. Dimensions: 24.4” H x 41” Diameter

Pair of bedside tables, anonymous for DUX, Sweden, 1960s. Cane, rattan, teak and metal. The colonial-style combination of bamboo, rattan, cane, and wood makes this Scandinavian bed...

Low table by designer Svante Skogh for Seffle Mobelfarik Teak made in Sweden in 1960s Good Condition Svante Skogh was a Swedish interior architect and furniture designer. He was ac...

Small and pretty chest of drawers "GT 6835" designed by Rimbert Sandholdt for AB Glas & Trä, Hovmantorp. The bureau can be used as a bedside table or small relief table in the hall....

A Swedish painted freestanding side table from the late 19th century with carved apron and cabriole legs. This Swedish side table features a rectangular top with bevelled edges, sitt...

Attractive and versatile mid-century vintage coffee table in the manner of Danish artist Tue Poulsen manufactured by Swedish maker String-Seffle Möbelfabrik. A rich rosewood veneered...

vintage coffee table teak 60s Sweden period 60's design unknown Sweden condition good light signs of use size 56 x 130 x 77 (hxwxd) details teak; article number 2235

A vintage Mid-Century modern pair of Swedish side, end tables made of hand crafted polished, partly veneered Walnut in good condition. The Scandinavian corner tables...

Gorgeous teak tray side table designed and manufactured in Sweden c. 1960's, This side table features a sculpted four-legged teak frame that supports a removable round teak tray that...

vintage side table side table Brittatorp 60's period 60's design Gustavsson Mobelfabrik Brittatorp Sweden condition good light signs of use size 63 x 69/94 x 45.5 (hxwxd)...

A wooden table created in 19th century Sweden. Reminiscent of a more simple time, this charming drop leaf table imparts a curious aura. The two expansive leaves swoop up from either ...

A walnut side table designed by Folke Ohlsson and produced by Tingströms, Sweden, c. 1960s. Dimensions: 20.9” H x 27.5” W x 30.1” D

A petite Swedish Gustavian side table made during the mid 1800’s. This table has a worn painted blue frame featuring a plank top with pink painted flowers over a splayed pedestal bas...

Made in Sweden in the 1800s, this rustic wooden table brims with personality. The design is simple yet versatile: the broad wings of the wooden tabletop can be closed to form a narrow unit, or opened out on gated...

Swedish Grace game / side table painted in black, blue and beige with gilded details. Folding top, rim with relief meander border, leg with crowning columns. A wonderful example of w...

Stunning shaped so called 'hunting' coffee table made by unknown designer or manufactured but quality made which is visible all over. The table has a very nice dynamic shape, very ni...

One Available - A pair of Swedish Gustavian period console tables from circa 1810 with light gray painted finish, carved garlands and diamond motifs, and tapered fluted legs. This ex...

19th century rustic painted pine garden room tray table circa 1880. Scandinavian rustic table made from pine presented in original condition.  The table surface could be cleaned to ...

vintage coffee table table 60s Swedish period 60's design unknown Sweden condition good light signs of use size 60 x 130 x 75 (hxwxd) details teak; chrome; article numbe...

Nest of tables ‘Släden’ designed by Carl Malmsten for Åfors Möbelfabrik, Sweden. 1950’s. Birch. Silver plaque marked “Carl Malmsten Jubeluemsmodell 1988 NR 52” From the limited ju...

Swedish 19th century alder root tilt top side table circa 1860. Fine quality square top table made from alder root.  Top when down is secured by peg and latch and provides a stable ...

A pair of elm side tables produced by Nordiska Companies, Sweden, c. 1950s. Dimensions: 20.7” H x 26” W x 17.25” D

Royal House Antiques Royal House Antiques is delighted to offer for sale this stunning suite of three interchangeable side tables designed Corinna Warm for Swedese Please note the ...

Pair of mid century teak side tables circa 1960. Pair of scandinavian teak side tables, ideal for being either end of the sofa, or many possibilities around the home. Richly colour...

Elegant bone white lacquered mahogany side table, designed by Carl Malmsten for Möbel Komponerad AV. This table was loved during its many years of existence and is in beautiful vinta...

Bedside table model 914 designed by Josef Frank for Svenskt Tenn, Sweden, 1950s. Mahogany veneer and brass handle. Josef Frank’s elegant bedside table model 914 with sophisticated brass handles is one of Svenskt Tenn’s timeless classics. It works very well combined with modern or antique pieces. The overall simplicity of form and use of luxurious wood are characteristic of Josef Frank. L: 65 cm W: 40 cm H: 55 cm Josef Frank was a true European, he was also a pioneer of what would become classic 20th century Swedish design and the “Scandinavian Design Style”. Austrian- born Frank started his design career as an architect after having trained at the Technische Hochschule in Vienna between 1903 and 1910. After his training he went on to teach at Kunstgewerbeschule (The Viennese School of Arts and crafts) where he developed and espoused the new school of modernist thinking towards Architecture and Design that was coming to fruition in Vienna at the time. He also went on to lead the Vienna Werkbund throughout the 1920s. This was a truly progressive group of Architects and Designers who set about improving the daily lives of Austrian people through modernist design and architecture in partnership with Arts and Crafts ideals and construction. Frank’s leadership of the Werkbund had already cemented his place at the forefront of European design. Frank’s time in Vienna was typified by his design for the “Die Wohnung” exhibition of the Deutscher Werkbund in Stuttgart, 1927 where he exhibited along side his contemporaries at the forefront of design, such as the likes of Le Corbusier and Walter Gropius. Here he showed a specially designed pair of flat-roofed reinforced concrete houses in what is now seen as a typical modernist style. What separated Frank’s house from the other 32 houses of the exhibition was the interior and furniture inside the building. It was described as “Neo-Classical” and filled with an eclectic mix of period pieces, modern design and pieces designed by Frank himself that seemed to cross the two worlds. This was a complete opposite direction to that which his fellow Architects were travelling in with their pared back and angular aesthetics. Frank said of his own work: “The house is not a work of art, simply a place where one lives,” and by this reasoning Frank rejected the regimental mechanisation of the living space that his contemporaries believed in, instead he set about creating congenial and spontaneous interiors. Frank’s practice saw him placing the bright colours and the soft forms of nature back into the furnishings and interiors that he thought modernism sorely mist. Frank, along with Oskar Walch set up Haus und Garten in Vienna in 1925. This was Frank’s first commercial foray into furniture and home furnishings and the company went on to become the most influential furnishing house in Vienna with a riotous depth of colour and interesting shapes becoming the trademark of their design. However this success was to come to an end with rise of Nazism in Vienna in the early 1930’s. Frank was Jewish, and he and his wife Anna decided they would leave Vienna for her motherland: Sweden, in 1933. Frank continued to design for Haus and Garten, visiting Vienna occasionally and designing the pieces that would continue to be the company’s best...

Swedish functionalist coffee table with a triangular tabletop resting on three bentwood legs. The legs are made from solid beech, and the tabletop is covered in elm veneer. Produced by an unidentified Swedish manufacturer in the 1940s, following the style of modernist designers like Bruno Mathsson, Yngve Ekström, and GA Berg.

A neat drop-leaf side table or coffee table, made from solid teak and teak veneer with brass fittings. Slightly oval table top with black centerpiece...

Serving trolley, anonymous, for DUX, Sweden, 1960s. Rattan and bamboo. H: 78 cm W: 48 cm L: 91 cm

A very decorative and unusual Swedish giltwood and ebonized console table with a white marble top supported by two sculptural griffins (part eagle, part sea creature).

Elm veneer and beech. Stamped Karl Mathsson Värnamo. Measure: H: 41.5 cm / 16 1/3’’ L: 65 cm / 2’ 1 1/2’’ W: 43 cm / 1’ 5’’.  

This is a unique set of 2 Swedish Gustavian style Console Tables. They have just been restored and repainted with Milk Paints "Oyster White"

A teak and brass small coffee table or side table designed and produced in Sweden, c. 1950s. Dimensions: 12.7” H x 23.5” Diameter 

Striking ‘Arkitekten’ desk by Carl Malmsten designed and manufactured in Sweden in 1951. This minimalist desk is made out of high-quality oak and features a series of four drawers. T...

A dark-stained birch and black glass side table or cabinet produced by Bodafors Sweden, c. 1930s. Dimensions: 20.1” H x 26.4” W x 18.5” D

Pair of bedside tables, anonymous for DUX, Sweden, 1960s. Cane, rattan, teak and metal. The colonial-style combination of cane, rattan, and teak makes this Scandinavian bedside tab...

Pale white/grey Gustavian table with one drawer and sculptured legs and sides. Distance from the floor to the bottom of the apron is 23"

Moriah Table by Studio Romell Dimensions: W 300 x D 120 x H 75 cm Materials: Tinted Hemlock Wood. The Moriah table is a dining table that balances purpose and artistry, embodying ...

A large and sculptural stool, designed and produced in the studio of Ingvar Hildingsson, Kalmar Läns Slöjdare IH Slöjd Rugstorp. Signed and labeled. In lightly treated pine. Swede...

Late 18th century Swedish tray table. The table is decorated with wooden carvings. A fun detail is the painting on the table top is upside down when its folded up. The table is sligh...

Coffee table model Plommonet designed by Kerstin Hörlin-Holmquist in the 1950's. Produced by Nordiska Kompaniet in Sweden. Refinished whilst respecting the original patina.

A limited edition (numbered 50/200) and exceptional midcentury Scandinavian modern coffee or cocktail table by Nordiska Kompaniet’s head designer David Rosén and artist Algot P.Törneman for Nordiska Kompaniet in Sweden. The artist Algot P.Törneman made the enameled top with an abstract stormy...

This is a unique Gustavian Style Single Drawer Console Table. its has just been restored and repainted with Milk Paints "Oyster White"

Early edition ‘Concrete’ table designed by Jonas Bohlin for Swedish manufacturer Källemo. With a patinated steel frame and contrasting concrete leg, the angular desk has a reductive ...

Beautiful Swedish ‘slagbord’, or drop leaf table, with paint and patina of more than 100 years old. It’s still in full original condition, i.e. untouched, and beautifully aged. This...

Desk designed by Alvar Andersson for Hyresgästföreningen, retailed by G.A. Berg Sweden. 1930s. Black lacquered birch, elm and pewter inlay. Dimensions: H: 75 cm/ 29 1/2'' L: 150 cm...

Occasional table designed by Josef Frank for Svenskt Tenn, Sweden. 1950s. Mahogany. H: 45 cm L: 80 cm D: 40 cm Josef Frank was a true European, he was also a pioneer of what would become classic 20th century Swedish design and the “Scandinavian Design Style”. Austrian- born Frank started his design career as an architect after having trained at the Technische Hochschule in Vienna between 1903 and 1910. After his training he went on to teach at Kunstgewerbeschule (The Viennese School of Arts and crafts) where he developed and espoused the new school of modernist thinking towards Architecture and Design that was coming to fruition in Vienna at the time. He also went on to lead the Vienna Werkbund throughout the 1920s. This was a truly progressive group of Architects and Designers who set about improving the daily lives of Austrian people through modernist design and architecture in partnership with Arts and Crafts ideals and construction. Frank’s leadership of the Werkbund had already cemented his place at the forefront of European design. Frank’s time in Vienna was typified by his design for the “Die Wohnung” exhibition of the Deutscher Werkbund in Stuttgart, 1927 where he exhibited along side his contemporaries at the forefront of design, such as the likes of Le Corbusier and Walter Gropius. Here he showed a specially designed pair of flat-roofed reinforced concrete houses in what is now seen as a typical modernist style. What separated Frank’s house from the other 32 houses of the exhibition was the interior and furniture inside the building. It was described as “Neo-Classical” and filled with an eclectic mix of period pieces, modern design and pieces designed by Frank himself that seemed to cross the two worlds. This was a complete opposite direction to that which his fellow Architects were travelling in with their pared back and angular aesthetics. Frank said of his own work: “The house is not a work of art, simply a place where one lives,” and by this reasoning Frank rejected the regimental mechanisation of the living space that his contemporaries believed in, instead he set about creating congenial and spontaneous interiors. Frank’s practice saw him placing the bright colours and the soft forms of nature back into the furnishings and interiors that he thought modernism sorely mist. Frank, along with Oskar Walch set up Haus und Garten in Vienna in 1925. This was Frank’s first commercial foray into furniture and home furnishings and the company went on to become the most influential furnishing house in Vienna with a riotous depth of colour and interesting shapes becoming the trademark of their design. However this success was to come to an end with rise of Nazism in Vienna in the early 1930’s. Frank was Jewish, and he and his wife Anna decided they would leave Vienna for her motherland: Sweden, in 1933. Frank continued to design for Haus and Garten, visiting Vienna occasionally and designing the pieces that would continue to be the company’s best...

Mid-Century Teak coffee-table, made in Sweden c. 1950, featuring rounded edges and legs. Coffee table is adjustable and can be listed to small dining table/card table height, howe...