Engraved Furniture

TITLE: Two Stems with Red Flowers – Original Botanical Watercolor by A.L., 1819 DESCRIPTION: A refined original botanical watercolor depicting two slender stems bearing vivid red flowers and delicately rendered green leaves, painted in 1819 by an unidentified artist with the initials A.L. The composition is elegant and restrained, with the flowering stems isolated against the natural cream-colored paper. The artist has carefully observed the structure of the plant, combining botanical precision with the decorative quality characteristic of early 19th-century flower studies. The work is monogrammed “A.L.” on the left stem and dated “1819” on the right. Particularly noteworthy is the paper itself, which bears the watermark “J. Whatman 1817.” James Whatman's celebrated English papers were highly regarded by artists and printmakers for their quality and durability. The watermark dates the manufacture of the paper to 1817, while the artist's inscription dates the execution of the watercolor to 1819. The two dates therefore provide an unusually clear chronology: the Whatman sheet was manufactured in 1817 and used by the artist for this botanical watercolor two years later, in 1819. An attractive and unusually well-documented original botanical artwork from the Regency period. ARTIST: A.L., unidentified artist. The work is monogrammed “A.L.” on the left stem. DATE: 1819 - dated on the artwork. MEDIUM: Original watercolor on paper PAPER: J. Whatman paper, watermarked 1817 ORIGIN: European, probably British or Continental European PERIOD / STYLE: Regency period Early 19th century Botanical / Natural History SUBJECT: Two stems with red flowers Botanical study Flower study DIMENSIONS: Image: approximately 29 × 16.5 cm Sheet: approximately 46 × 32.5 cm MARKS: Monogrammed “A.L.” on the left stem. Dated “1819” on the right. Paper watermarked “J. Whatman 1817.” CONDITION: Very good antique condition. The watercolor retains attractive and strong colors. Some light age-related toning and occasional minor foxing are present. A subtle former light line is visible, consistent with previous presentation beneath a passe-partout. The sheet was attached beneath a passe-partout along the upper edge. FRAMING: Offered unframed. Any framed or interior photographs shown are for presentation and inspiration only. AUTHENTICITY: An original, unique hand-painted watercolor dating from 1819. This is not a print, engraving or modern reproduction. KEYWORDS: botanical watercolor, original watercolor, botanical painting, flower watercolor, red flowers, botanical study, flower study, A.L. artist, monogrammed watercolor, dated 1819, Regency botanical art, Regency watercolor, early 19th century watercolor, 19th century botanical art, J Whatman, Whatman 1817, Whatman paper, English paper, antique botanical painting...

Sculptural Art Deco Five-Light Sunburst Chandelier with Glass Globes, Engraved Bronze and Frosted Glass. France, 1930s-1940s. This stunning chandelier features a leafed structure in ...

Original Antique Print of Exotic Insects, Lanternfly and Mantis, c. 1790 Original antique hand-colored engraving depicting a spectacular collection of exotic insects, including a la...

Bracket Clock John F.R.S. Ellicott, London (1706–1791) Early 18th century, 8-day movement, striking on 2 bells, 4-note chime/repeater mechanism, date display, brass dial, origi...

Outstanding Art Deco Sunburst Ceiling Lamp with Eight Milk Glass Globes, Engraved Bronze and Faceted Glass. France, 1930s-1940s. Large size. This stunning flush mount features a sunb...

Title: Set of Two Ancient Greek Temple Views, Parthenon and Theseion, Tardieu, 1825 Description: Set of two original antique engravings depicting two of the most celebrated temples ...

A good size vintage hand-blown glass bell jar lantern with central three-bulb candelabra cluster. England, 1930-1939. Glass bell with etched engraved grapevines motifs hold by a burn...

This antique silver tray is a striking example of the ornate craftsmanship that defined late 19th to early 20th century decorative arts. Its elongated oval form and richly detailed b...

Portuguese Equestrian Training Engravings — Baroque Horsemanship, 1790 This striking set of three antique copperplate engravings originates from the celebrated Portuguese equestrian...

An important and Highly Decorative Blaeu Caribbean Map, West Indies, Antique Atlas Chart, c1642 Description: An exceptional and highly decorative map of the Caribbean, titled Insula...

Substantial hand-cut and engraved crystal vase attributed to Huta Szkła Kryształowego Julia of Piechowice, Poland, dating from approximately the 1960s–1970s. The vase is made from he...

1678 Baroque Dressage Training Horse at the Pillar – Georg Simon Winter This original hand-coloured copperplate engraving depicts an advanced riding-school exercise from one of the ...

Small stylish dish executed in bronze and featuring the most gorgeous piercet wings/handles, an engraved center flower and rich original patina. It was made by Ægte Ildfast in Denmar...

Art Deco Jewelry Box or Cigar Box, Decorative Engraved Wooden Box, France 1930s Elegant wooden decorative box finely carved with intricate geometric decoration. Beautifully crafted...

Title: Ancient Greek Theatre Architectural Plan by Ambroise Tardieu, 1825 Description: Original antique architectural engraving showing the plan and arrangement of an ancient Greek ...

Early Louis Vuitton Damier Canvas Steamer Trunk with Provenance to Charles Bradley of the Ballantine Family An exceptional and highly atmospheric early Louis Vuitton Damier canvas s...

Title: Rare 16th Century Map of the Holy Land and Palestine by Matthias Quad Description: This rare late sixteenth-century map titled Palaestina quae et Terra Sancta vel Terra Promi...

Early 20th Century English Silver-Plated Treasury Desk Casket Inkstand by William Adams An exceptionally handsome and complete early 20th-century English silver-plated "Treasury" ca...

Title: Pair of Antique Dragonfly, Cicada & Exotic Insect Engravings – Bertuch, c. 1815 A decorative set of two original antique hand-colored copper engravings depicting an extraordi...

Antique Celestial Map – Hemel Globe, Zodiac & Constellations by Halma, 1720 This striking double-hemisphere celestial chart, titled Hemel G...

Rare 1793 Map of North America: French and Indian War Boundaries and Historical Notes This remarkable engraved map of North America, printed in 1793 by Emanuel Bowen and John Gibs...

An exceptional, monumental flush mount ceiling light designed and masterfully executed by the prestigious historical furnace Barovier & Toso in Murano, Italy. This oversized statemen...

WMF Model 131 German Jugendstil Brass and Velvet Jewelry Box, circa 1905 A documented German Jugendstil brass jewelry box by WMF (Württembergische Metallwarenfabrik), dating to circ...

Pair of Botanical Engravings from *The Botanic Garden* by B. Maund, London c.1836 An elegant pair of original hand-colored botanical engravings from *The Botanic Garden* by Benjamin...

Antique Tea Botanical Print, Thea Chinensis, Hand Colored, c.1831 This elegant botanical engraving depicts Thea chinensis, the tea plant, one of the most influential commodities in ...

Title: Exquisite Depiction of Butterflies and Caterpillars: A Hand-Colored Natural History Engraving Description: This beautifully hand-colored copperplate engraving offers a deta...

Antique Botanical Print of Carnations by Jean-Louis Prévost, 1805 Original antique botanical print depicting an elegant bouquet of carnations in richly varied striped, red, purple a...

Original Antique Print of an Atlas Moth by Bertuch, circa 1800 Original antique hand-colored copper engraving depicting the magnificent Atlas moth (Attacus atlas), one of the largest and most spectacular moths in the world. The plate is titled “Insecten XXVIII / Insectes XXVIII” and originates from Friedrich Justin Bertuch’s celebrated “Bilderbuch für Kinder,” published in Weimar around 1800. The enormous moth is shown with its wings fully extended across a flowering branch. Its richly patterned wings are beautifully rendered in shades of rust, ochre, cream, black and pink, with the characteristic translucent, window-like markings prominently displayed. The combination of the dramatically oversized insect and delicate botanical background makes this one of the more visually striking natural-history subjects in Bertuch’s series. The Atlas moth is native to the tropical forests of South and Southeast Asia and is renowned for its extraordinary wingspan. Its distinctive wing tips have often been noted for their resemblance to the head of a snake, possibly serving as a defensive adaptation against predators. The engraving bears the inscription “Jacob H. Schmuzer” at lower right. Friedrich Justin Bertuch (1747–1822) was a German publisher, writer and patron of the arts. His monumental “Bilderbuch für Kinder” (Picture Book for Children) was one of the great illustrated educational encyclopedias of the late 18th and early 19th centuries. Published in Weimar from 1790 onward, the work contained hundreds of finely engraved and hand-colored plates devoted to natural history, geography, science, technology, costumes and mythology. A particularly decorative and impressive antique natural-history print, well suited to collectors of butterflies and moths, entomology and early scientific illustration. Creator: Friedrich Justin Bertuch (1747–1822) Engraver: Jacob H. Schmuzer Source: Bilderbuch für Kinder Plate: Insecten XXVIII / Insectes XXVIII Place of Publication: Weimar, Germany Date of Manufacture: Circa 1800 Period: Early 19th Century Style: Neoclassical – In the Period of Medium: Original hand-colored copper engraving on paper Condition: Good. Wear consistent with age and use. Light age-related toning and occasional minor spotting. Some marginal wear and small imperfections, particularly along the right edge. Original hand coloring remains strong and attractive. Please refer to the photographs for further details of condition. Please note: This is an original antique print from circa 1800, not a modern reproduction. The print is sold unframed. Framed images or interior views, if shown, are for presentation and inspiration only. Keywords: Atlas moth print, Attacus atlas, antique moth...

English Silver-Plated Classical Claret Jug by JG & Sons (James Dixon & Sons), Late 19th Century This imposing English silver-plated claret jug exemplifies the richly histori...

This antique French Louis Philippe mirror was made in France around 1880 and is a refined example of the understated elegance characteristic of the period. The frame features a sophi...

Plaza Santo Domingo Mexico City – Antique Architectural Engraving, 1867 This 19th-century engraving presents a detailed view of Plaza Santo Domingo in Mexico City, one of the city’s...

LEMIE - COLUMBUS COLLECTION - Vintage brass and leather keychain / key holder - featuring a solid brass fob with decorative engraved details to both the front and back - leather embo...

Pair of Carole Stupell Brass Lotus Lily Pad Side Tables, Hong Kong, Circa 1970 The pair of Carole Stupell brass lotus lily pad side tables beautifully captures the organic elegance ...

Rare Set of Four French Empire Three-Light Gilt Bronze Wall Sconces, Paris, circa 1810 An exceptionally rare and beautifully preserved set of four French Empire three-light wall sco...

Bending Male Nude Study after de Lairesse German Drawing Manual c1745 Description: This compelling academic study of the male nude originates from the German edition of Gérard de La...

The original exquisite 18-piece dinner service is a rare early example of the Asiatic Pheasants pattern, produced by Podmore, Walker & Co. around 1840. A precursor to later itera...

Pair of Botanical Engravings from The Botanic Garden by B. Maund, London c.1836 A striking pair of original hand-colored botanical engravings from *The Botanic Garden* by Benjamin M...

A handsome set of twelve tooled and leather bound books. Expert book binders have individually re-bound these carefully selected used books in fine leathers embossed and gold leafed ...

This is truly magnificent gold-leaf gilded French Louis Philippe mirror, made in 1876 and bearing its original stamp on the back of the glass. The stamp refers to the Procédé Lenoir,...

Antique Persian Costume Prints Set of 3, Hand-Colored Engravings, 1749 A refined and highly decorative set of three original 18th-century hand-colored engravings depicting Persian c...

Vintage French Copper & Brass Champagne Bucket Stamped “Made in France” 10 in. W (handle to handle) x 8 in. diameter x 8 in. H A classic mid-20th-century French hotel champagne ...

Hand carved clear crystal and patinated golden bronze box. Each object is handcrafted and the care for every detail makes each item unique in its kind. The style of this box is a mod...

A superb antique 19th Century English sterling silver equestrian horseshoe vesta case match box and striker. Hallmarked, Birmingham, England 1887. Acquired from a collector's estate ...

Edwardian sterling English hair pin, Birmingham, 1898. By D&F (Deykin & Francis). Finely cut & engraved Rococo style. 0.30 troy oz. 2.25" x 4.75". We are a family business that has...

Rare Georgian Hand-Engraved Sporting Cow Horn Beaker Depicting "The Death" of the Fox Hunt, England, circa 1790–1810 Rare Georgian Hand-Engraved Cow Horn Fox Hunting Beaker "The Dea...

Italian Midcentury Wall Sconce, Brass, Glass Sciolari Inspired Italian Modernist Gold-Plated Brass and Glass Wall Sconce. Italy, 1960-1970. A beautiful gold-plated brass and glass sc...

Decanter engraved with acid with floral decoration around 1900 attributed to Daum Nancy and Victor Saglier for the setting. Signature at the bottom of the carafe. Note a slight defor...

Ancient Syria Map Including Palestine, Jerusalem & Mount Sinai, 1843 A highly detailed and historically evocative antique map titled “Ancient Syria,” published in London in 1843 und...

Egypt & Lower Nubia – Elegant Antique Atlas Map of the Nile, ca.1888 This elegant antique atlas map presents Egypt and the Nile Valley in a refined, softly colored composition that feels timeless and architectural. The long vertical sweep of the Nile immediately draws the eye, flowing from the Mediterranean through Cairo and Upper Egypt toward Lower Nubia, framed by delicately engraved desert regions and subtle coastal shading along the Red Sea. Produced by Rand, McNally & Co. at the height of late-19th-century American atlas design, the map combines clarity with a restrained pastel palette that works exceptionally well in contemporary interiors. The balance between open desert spaces and the finely detailed river corridor gives the sheet a calm, almost meditative presence on the wall, making it particularly attractive for living rooms, studies, libraries, or hospitality settings. Cartographic details are crisp yet unobtrusive, allowing the overall composition to read as decorative rather than technical. The typography is elegant and evenly spaced, while the hand-colored regions add warmth without overpowering the design. When framed, the vertical format emphasizes the monumental scale of the Nile and creates a strong visual anchor in a room. A particularly appealing feature of this sheet is that the reverse side displays a decorative map of Africa, making it a versatile double-sided atlas leaf. This adds interest for collectors and interior designers alike, whether framed with visible margins, floated in a double-glazed frame, or appreciated as a historical object in a portfolio or drawer. Printed on original late-19th-century atlas paper, this map retains the authentic texture and presence expected of a period piece, offering both decorative impact and historical character without feeling heavy or academic. Condition report: Original atlas paper with light age toning consistent with period. Minor edge wear and gentle handling marks typical of bound atlas sheets. Overall well preserved with clean color and strong legibility. Framing tips: This map works beautifully in a light oak, walnut, or muted gold frame with an off-white or warm ivory mat. A tall vertical mat emphasizes the flow of the Nile and enhances the architectural feel. Museum glass is recommended to preserve the soft pastel tones. Technique: Color lithograph Maker: Rand, McNally & Co., United States, late 19th century Keywords: Egypt map, Nile map, Nile wall art, antique map of Egypt, decorative atlas map, Rand McNally map, antique Egypt wall art...

Title: Set of Three Hand-Colored Equestrian Engravings, circa 1727 Description: A decorative set of three antique hand-colored equestrian engravings showing riders on horseback in classical 18th-century manège poses. The plates are titled Le Courageux, Le Loyal, and L’Esperance, each depicting a finely dressed rider guiding a horse with elegance and control. These prints are from the celebrated equestrian tradition associated with Friedrich Wilhelm Baron d’Eisenberg’s Description du Manège Moderne, published in the early 18th century. The work is known for its refined depictions of classical horsemanship, riding-school movements, and noble equestrian presentation. The hand coloring adds warmth and decorative appeal, with rich tones in the riders’ coats, saddlery, and horses. The prints have an attractive aged surface and strong period character, making them especially suitable for an equestrian interior, library, study, country house, tack room, club room, or classic gallery wall. Included plates: Le Courageux, plate XXIV Le Loyal, plate XXV L’Esperance, plate X Condition: Fair antique condition. General age-related toning, staining, foxing, handling marks, creases, and wear to the paper. Some surface dirt and discoloration, particularly in the margins and background areas. Irregular sheet edges and small signs of age throughout. Tape remains on the reverse. The images remain decorative and suitable for framing. Please review all photos carefully. Details: Date: circa 1727 Artist / Author: After Friedrich Wilhelm Baron d’Eisenberg Medium: Hand-colored engraving on paper Subject: Horses, riding, classical dressage, equestrian training Style: 18th-century European equestrian Sold as: Set of three Framing: Sold unframed Please note: The framed and interior images are for presentation purposes only. The prints are sold unframed. Keywords: antique equestrian print...

Title: 1806 Engraving of Arunachalesvara Temple, Hindu Pagoda on Coromandel Coast Description: This detailed antique print, titled "Temple ou Pagode des Gentils de la cote de Coroma...

Tapio Wirkkala Puukko Knife by Hackman Finnish Design This vintage Puukko knife, designed by renowned Finnish designer Tapio Wirkkala and produc...

Young Girl With Cat, Ernst Waegener (1854-1919), H. Noack, Berlin, Art Nouveau, 1908 A finely cast Art Nouveau figural sculpture by Ernst Waegener (German, late 19th–early 20th cent...

Title: 1806 Engraving: Vishnu's Divine Majesty in Hindu Iconography Description: This striking antique print, titled "Vichenou, Faisant ablation," showcases the Hindu deity Vishnu i...

Antique Blaeu Map of China, Japan & Korea, Exotic Cartouches & Ships, c.1642 A highly desirable and visually striking map of East Asia, centered on China and extending to Ko...

Jonstonus Friesian and Hungarian Horses Engraving, 1650 Description: Original antique copper engraving depicting two European horse breeds: the Friesian horse (“Equus Frisicus – Frisisch Pferd”) and the Pannonian or Hungarian horse (“Equus Pannonicus sive Hungaric – Hungarisches Pferd”). The upper composition shows the powerful Friesian horse standing in profile, distinguished by its heavy build, long flowing mane and feathered legs. Below, the Hungarian horse is represented in a dramatic rearing pose, creating a particularly lively and decorative equestrian composition. The engraving was published in Joannes Jonstonus’ important Historiae naturalis de quadrupetibus, Frankfurt am Main, 1650. The work was issued by the heirs of Matthäus Merian and forms part of Jonstonus’ celebrated multi-volume natural history of animals. Joannes Jonstonus (1603–1675), also known as John Johnston or Jan Jonston, was a Polish-born physician, naturalist and scholar. His extensive natural-history publications were among the important illustrated zoological works of the 17th century, preceding the systematic classification of Linnaeus by more than a century. From the first edition of Historiae naturalis de quadrupetibus, published in Frankfurt by the Merian publishing house in 1650. Plate II, titled within the engraving: “Equus Frisicus – Frisisch Pferd” “Equus Pannonicus sive Hungaric – Hungarisches Pferd” A beautiful early representation of the Friesian horse and an appealing decorative work for an equestrian, country-house or natural-history collection. Joannes Jonstonus (1603–1675) Historiae naturalis de quadrupetibus Frankfurt am Main Published by the heirs of Matthäus Merian 1650 Original copper engraving Plate II This is an original antique print published in 1650, not a modern reproduction. Condition: Good antique condition with overall age-related toning, scattered spotting and surface marks. Noticeable old staining and discoloration to the lower left corner and margin. Minor handling creases and wear along the sheet edges. The engraved image remains strong and well defined. Please study the photographs carefully as they form part of the condition description. Period Mid-17th Century Style Baroque Natural History Equestrian Subject Friesian Horse Hungarian Horse Equestrian Horses Natural History Zoology Frisian Keywords: Joannes Jonstonus, John Johnston, Jan Jonston, Matthäus Merian, Merian, Friesian horse, Frisian horse, Friesisch Pferd, Equus Frisicus, Hungarian horse, Pannonian horse, Equus Pannonicus, horse engraving, antique horse print, equestrian engraving, equestrian art, horse wall art...

Hellas seu Graecia Universa is a finely detailed late-17th-century map of Greece and the Aegean world, issued by Philipp Cluver around 1697 (possibly 1694). The map was published in ...

Set of 6 Ottoman Costume Prints, Hand-Colored Engravings, 1767 Description: A highly decorative and cohesive set of six original hand-colored engravings depicting figures in Ottoman dress, published in London in 1767 by Thomas Jefferys, Geographer to His Royal Highness the Prince of Wales. These prints originate from the important 18th-century publication *A Collection of the Dresses of Different Nations, Ancient and Modern*, a work that reflects Europe’s growing fascination with global cultures and costume traditions. The engravings are based on designs after notable artists such as Holbein, Van Dyke, and Hollar, and combine ethnographic interest with refined decorative appeal. Each engraving presents a full-length figure in traditional Ottoman attire, rendered with clarity and elegance against a clean background. The garments—flowing robes, layered textiles, and distinctive headwear—are highlighted through delicate and well-preserved hand coloring. The set includes the following figures: Habit of the Greek Sultana, 1749 Habit of the White Sultana, 1749 Habit of the Black Sultana, 1749 Habit of a Turkish Lady of the Grand Seignior’s Seraglio, 1568 Habit of the Janesary Aga, or Chief Commandant of the Janissaries Habit of the Tchorbadgi, or Captain of the Janissaries, 1700 This grouping forms a harmonious and balanced composition, particularly suitable for a symmetrical wall display. With a consistent scale and palette, the set offers a refined decorative presence while retaining strong historical character. Such costume engravings are increasingly valued for their versatility in interior design, bridging 18th-century craftsmanship with contemporary decorative aesthetics. Interior mockups shown are for inspiration only. All prints are original antiques, not reproductions, and are sold unframed. Condition: Very good condition overall. Light age toning as expected. Occasional minor spotting in the margins. Strong impressions with original hand color. Plate marks visible. Framing tips: Best presented in identical dark walnut or ebonized frames with wide ivory mats. Hang as a symmetrical grid (3 × 2 or 2 × 3) for a refined and balanced wall composition. Technique: Engraving with original hand color Maker: Thomas Jefferys, London, 1767 Keywords: Ottoman prints, Ottoman costume, Turkish costume prints, Ottoman Empire art...

This marvelous oval glass-framed mirror, measuring 125 h x 80 cm, is made with a mouth-blown Murano Crystal Torchon element, with a diameter of 4 cm, embellished with 24 kt gold leaf...

Plate 24 from "A General System of Horsemanship in All Its Branches," (La Methode et Invention nouvelle de Dresser les Chevaux). William Cavendish Duke of Newcastle's work on equestr...