Engraved Wall Decorations

English Victorian Bronze Equestrian Hunt Wall Plaque, circa 1900 An English Victorian equestrian plaque depicting a mounted hunter in the foreground and riders crossing a fence in t...

Title: The Battle of Trafalgar, Admiral Nelson & British Fleet, 1805 Original antique 19th-century steel engraving depicting the Battle of Trafalgar, the decisive British naval victory of 21 October 1805 during the Napoleonic Wars. This dramatic maritime scene is after the painting by celebrated British marine artist Clarkson Frederick Stanfield, R.A. (1793–1867), and was engraved by John Cousen (1804–1880). The inscriptions beneath the image read: “C. STANFIELD, R.A. PAINTER.” “J. COUSEN, ENGRAVER.” “THE BATTLE OF TRAFALGAR.” “FROM THE PICTURE IN THE VERNON GALLERY.” The Battle of Trafalgar Fought on 21 October 1805 off Cape Trafalgar on the southwestern coast of Spain, the Battle of Trafalgar was one of the most important naval engagements of the Napoleonic Wars. The British Royal Navy, commanded by Vice-Admiral Horatio Nelson, confronted the combined French and Spanish fleet under Admiral Pierre-Charles Villeneuve. Nelson employed an unconventional attack, dividing his fleet into columns that sailed directly into the Franco-Spanish battle line. The resulting close-range engagement ended in a decisive British victory and confirmed Britain’s command of the seas. The battle became one of the defining events of British maritime history. Admiral Horatio Nelson & HMS Victory Vice-Admiral Horatio Nelson (1758–1805) commanded the British fleet from his famous flagship HMS Victory. Shortly before the battle commenced, Nelson ordered the celebrated signal: “England expects that every man will do his duty.” During the fighting, Nelson was struck by a musket ball fired from the French ship Redoutable and was mortally wounded. He died aboard HMS Victory during the battle, having lived long enough to learn that victory was assured. His death at the moment of triumph made Nelson a national hero and permanently linked his name with Trafalgar. The Scene Stanfield’s composition conveys the enormous scale, violence and confusion of a major naval engagement in the age of sail. Ships-of-the-line crowd the horizon, their towering masts and rigging emerging through smoke, spray and the dramatic sky. Several vessels are depicted fighting at extremely close quarters, recalling the devastating exchanges of cannon fire that characterized the battle. In the foreground, broken spars, wreckage and sailors struggling in the turbulent sea emphasize the human consequences of the engagement. The exceptionally wide composition gives the engraving an almost panoramic character and makes it particularly effective as a decorative maritime print. Clarkson Frederick Stanfield, R.A. (1793–1867) Clarkson Frederick Stanfield was one of the leading British marine painters of the 19th century. Stanfield had first-hand experience of life at sea before establishing himself as an artist. His knowledge of ships, rigging, changing weather and the movement of the ocean contributed to the convincing maritime atmosphere for which his work became celebrated. He was elected a Royal Academician and became particularly admired for his dramatic marine and historical paintings. John Cousen (1804–1880) The painting was translated into engraving by John Cousen, an accomplished English engraver known particularly for his landscape, architectural and marine subjects after important contemporary British artists. His finely worked engraving preserves the dramatic tonal effects of Stanfield’s original painting, from the dark turbulent foreground water to the distant ships disappearing into smoke and atmospheric haze. The Vernon Gallery The original painting was part of the important collection assembled by British businessman and philanthropist Robert Vernon (1774–1849). Vernon built an extensive collection devoted primarily to contemporary British art and presented his collection to the British nation in 1847. The inscription “From the Picture in the Vernon Gallery” records the important provenance of Stanfield’s original composition. Technique: Original antique steel engraving Artist: Clarkson Frederick Stanfield, R.A. (1793–1867) Engraver: John Cousen (1804–1880) Title: The Battle of Trafalgar Subject: Battle of Trafalgar Date depicted: 21 October 1805 Historical figure: Vice-Admiral Horatio Nelson British flagship: HMS Victory Historical period: Napoleonic Wars Origin: England Publication date: 19th century Style / Period: Victorian / 19th-century British maritime art Condition: Good antique condition with overall age-related toning, scattered spotting and foxing and minor staining. There is visible wear and some paper loss and irregularity to the outer edges and corners, particularly at the upper corners. Some minor handling marks and creasing are present, consistent with the age of the sheet. The engraved image itself remains strong, detailed and visually impressive. Please study the photographs carefully as they form part of the condition description. Please note: This is an original antique 19th-century steel engraving, not a modern reproduction. The print is sold unframed. Framed images or interior views, if shown, are for presentation and inspiration only. Keywords: Battle of Trafalgar, Trafalgar 1805, Admiral Nelson, Horatio Nelson, Lord Nelson, HMS Victory, Royal Navy, British Navy, Napoleonic Wars, Napoleon, naval battle, naval warfare, British naval history, maritime history, military history, sailing ships, ships of the line, antique maritime print, antique naval engraving, Clarkson Stanfield, Clarkson Frederick Stanfield, John Cousen, Vernon Gallery, British marine art, Victorian engraving, steel engraving, original antique print, 19th century maritime art

TITLE: Two Stems with Red Flowers – Original Botanical Watercolor by A.L., 1819 DESCRIPTION: A refined original botanical watercolor depicting two slender stems bearing vivid red flowers and delicately rendered green leaves, painted in 1819 by an unidentified artist with the initials A.L. The composition is elegant and restrained, with the flowering stems isolated against the natural cream-colored paper. The artist has carefully observed the structure of the plant, combining botanical precision with the decorative quality characteristic of early 19th-century flower studies. The work is monogrammed “A.L.” on the left stem and dated “1819” on the right. Particularly noteworthy is the paper itself, which bears the watermark “J. Whatman 1817.” James Whatman's celebrated English papers were highly regarded by artists and printmakers for their quality and durability. The watermark dates the manufacture of the paper to 1817, while the artist's inscription dates the execution of the watercolor to 1819. The two dates therefore provide an unusually clear chronology: the Whatman sheet was manufactured in 1817 and used by the artist for this botanical watercolor two years later, in 1819. An attractive and unusually well-documented original botanical artwork from the Regency period. ARTIST: A.L., unidentified artist. The work is monogrammed “A.L.” on the left stem. DATE: 1819 - dated on the artwork. MEDIUM: Original watercolor on paper PAPER: J. Whatman paper, watermarked 1817 ORIGIN: European, probably British or Continental European PERIOD / STYLE: Regency period Early 19th century Botanical / Natural History SUBJECT: Two stems with red flowers Botanical study Flower study DIMENSIONS: Image: approximately 29 × 16.5 cm Sheet: approximately 46 × 32.5 cm MARKS: Monogrammed “A.L.” on the left stem. Dated “1819” on the right. Paper watermarked “J. Whatman 1817.” CONDITION: Very good antique condition. The watercolor retains attractive and strong colors. Some light age-related toning and occasional minor foxing are present. A subtle former light line is visible, consistent with previous presentation beneath a passe-partout. The sheet was attached beneath a passe-partout along the upper edge. FRAMING: Offered unframed. Any framed or interior photographs shown are for presentation and inspiration only. AUTHENTICITY: An original, unique hand-painted watercolor dating from 1819. This is not a print, engraving or modern reproduction. KEYWORDS: botanical watercolor, original watercolor, botanical painting, flower watercolor, red flowers, botanical study, flower study, A.L. artist, monogrammed watercolor, dated 1819, Regency botanical art, Regency watercolor, early 19th century watercolor, 19th century botanical art, J Whatman, Whatman 1817, Whatman paper, English paper, antique botanical painting...

This antique steel engraving of Mount Vesuvius shows the volcano erupting at night across the Bay of Naples, an original Mount Vesuvius print published in London by Thomas Kelly in 1...

Title: Original Antique Hand-Coloured Engraving of the Inca Sun Festival, Peru, c.1777 Description: An original antique hand-coloured copperplate engraving depicting two scenes from...

1678 Baroque Dressage Training Horse at the Pillar – Georg Simon Winter This original hand-coloured copperplate engraving depicts an advanced riding-school exercise from one of the ...

Baron Eisenberg Arabian Horse — “L’Arabe” Equestrian Engraving, 1727 This elegant early-18th century equestrian engraving titled L’Arabe depicts a noble Arabian horse standing in an...

Portuguese Equestrian Training Engravings — Baroque Horsemanship, 1790 This striking set of three antique copperplate engravings originates from the celebrated Portuguese equestrian...

Title: 1806 Engraving of Arunachalesvara Temple, Hindu Pagoda on Coromandel Coast Description: This detailed antique print, titled "Temple ou Pagode des Gentils de la cote de Coroma...

Antique Tea Botanical Print, Thea Chinensis, Hand Colored, c.1831 This elegant botanical engraving depicts Thea chinensis, the tea plant, one of the most influential commodities in ...

Diana of Ephesus Antique Engraving, Montfaucon Antiquité Expliquée, 1721 This original eighteenth-century copper engraving titled “Diane d’Ephese” illustrates several sculptural representations of the celebrated cult statue of Artemis of Ephesus, one of antiquity’s most enigmatic and symbolically charged religious images. The plate originates from Bernard de Montfaucon’s landmark antiquarian publication L’antiquité expliquée et représentée en figures, published in Paris in 1721, a pioneering encyclopedic study that helped establish the scholarly foundations of archaeology and art history during the Enlightenment. Montfaucon’s ambitious project sought to systematically document the material culture of the ancient world through carefully researched engravings based on surviving sculptures, coins, reliefs, and historical sources. This plate presents multiple interpretations of the Ephesian goddess, comparing sculptural variants and medallion representations. The central figures stand rigidly frontal, crowned and richly adorned, their bodies covered with registers of animals, symbolic figures, and ritual ornamentation. Smaller circular images below further demonstrate how the goddess appeared on ancient coins and reliefs, reflecting Montfaucon’s analytical approach to classical imagery. Unlike the familiar Greek Artemis, goddess of the hunt, the Ephesian Diana represents an older Anatolian mother deity assimilated into Greco-Roman religion. Her distinctive iconography—tiered body coverings, animal motifs, and fertility symbolism—expresses abundance, cosmic order, and divine protection. During the eighteenth century, such images fascinated European scholars attempting to interpret ancient religions through comparative symbolism, making Montfaucon’s publication a cornerstone reference for collectors, antiquarians, and early museums. The engraving is executed with refined precision typical of Parisian copperplate work of the early 1700s, combining scientific clarity with strong decorative appeal. The balanced composition and graphic symmetry allow the print to function equally as a scholarly artifact and an elegant wall piece suited to both classical and contemporary interiors. This original antique engraving is offered unframed, providing flexibility to select a frame appropriate to the intended interior setting. Condition: Good antique condition with age-related toning and light paper discoloration consistent with early eighteenth-century prints...

Antique Louvre Pavilion Architectural Engraving, Paris French Neoclassical Print, 1803 A refined early 19th-century French architectural en...

Pair of Botanical Engravings from *The Botanic Garden* by B. Maund, London c.1836 An elegant pair of original hand-colored botanical engravings from *The Botanic Garden* by Benjamin...

Bending Male Nude Study after de Lairesse German Drawing Manual c1745 Description: This compelling academic study of the male nude originates from the German edition of Gérard de La...

Title: Exquisite Depiction of Butterflies and Caterpillars: A Hand-Colored Natural History Engraving Description: This beautifully hand-colored copperplate engraving offers a deta...

Antique map Middle East titled 'De Beschryving van de Reysen Pauli en van de Andere Apostelen'. Antique map of the Eastern Mediterranean with details of the travels by Apostle Paul...

Pair of Botanical Engravings from The Botanic Garden by B. Maund, London c.1836 A striking pair of original hand-colored botanical engravings from *The Botanic Garden* by Benjamin M...

Warwick Castle River View, English Castle Landscape Engraving, c1850 A finely composed hand-colored architectural landscape depicting Warwick Castle, one of England’s most historic ...

Plate 24 from "A General System of Horsemanship in All Its Branches," (La Methode et Invention nouvelle de Dresser les Chevaux). William Cavendish Duke of Newcastle's work on equestr...

Antique Hand-Colored Costume Print of Greece, Turkey and Armenia c1860 A refined and historically evocative mid-19th century costume print depicting figures from Greece and the Otto...

The engraving depicts "Sir William Rowley's Dog Kennel at Tendring Hall, Suffolk." This artwork from around 1795 illustrates a building specifically designed for housing dogs, likely...

Title: 1757 Engraving of Inuit & Indigenous Peoples – Hudson Bay & Arctic Canoe Scene Description: This rare 1757 antique copperplate engraving presents two fascinating scenes depicting Indigenous life in Arctic Canada, focusing on the Inuit and other First Nations communities in the Hudson Bay region. Originally published in *Histoire Générale des Voyages*, the engraving provides an invaluable visual record of daily life, survival techniques, and traditional dwellings. The top illustration, titled 'Un Esquimau dans son Canot', depicts an Inuit paddling a sleek, narrow kayak through choppy waters, showcasing the remarkable boat-making skills of the Arctic peoples. The kayak, designed for hunting and efficient travel, is shown in its traditional form, reflecting centuries of adaptation to harsh northern environments. The bottom illustration, 'Esquimaux du côté du Nord-Ouest de la Baie de Hudson', portrays a male and female Inuit figure standing near an igloo, a crucial form of temporary winter shelter. The man holds a bow and arrows, symbolizing subsistence hunting, while the woman carries a small child. In the background, additional Indigenous dwellings, including conical tipis, suggest the presence of other First Nations groups living near the Hudson Bay coastline. The detailed hatching and shading techniques used in the engraving bring out the textures of clothing, landscapes, and architectural features, making this a historically and artistically significant piece. As an early European representation of Arctic Indigenous culture, it holds great value for collectors of ethnographic art, Canadian history, and antique travel prints...

Original Antique Print of Exotic Insects, Lanternfly and Mantis, c. 1790 Original antique hand-colored engraving depicting a spectacular collection of exotic insects, including a la...

Set of Three Antique Mineralogy Chromolithographs, Quartz, Agate & Tourmaline, 1888 DESCRIPTION: A decorative set of three original 19th-century mineralogy plates illustrating quart...

Panoramic View of Isfahan in the Late 17th Century by J.C. Haffner The translation of the German text on the engraving: "A. The Meidan or Great Market and Promenade Square in front...

Entry of French Troops into Livorno 1796 – Napoleonic Era Port Scene, 1808 Description: A richly detailed hand-colored engraving depicting the Entry of French Troops into Livorno (L...

A charming pair of 19th-century miniature artworks, a portrait and a scenery, beautifully presented in substantial circular ebonized wooden frames with decorative brass beaded bezels...

Rivinus botanicals: Anonis, Hedysarum & Genista hispanica, Leipzig, 1690s Set of three late-17th/early-18th-century botanical copper engravings with period hand-colour, attributed t...

Original Antique Print of Swallowtail and Painted Lady Butterflies by Bertuch, c. 1800 Original antique hand-colored copper engraving depicting three colorful butterflies together w...

German Travelers - After Lucas Cranach, 1840 - Hand-Colored 19th Century Engraving This charming hand-colored engraving, titled "Voyageurs" ('Travelers'), is based on a design inspi...

Rare 17th Century View of St. Augustine Florida, Hand-Colored, 1671 Original hand-colored copper engraving depicting St. Augustine, Florida, published in Amsterdam in 1671. This imp...

This exquisite compilation showcases two engravings (not framed!) of various fish species from *Histoire Naturelle*, a significant 18th-century work on natural history. The engraving...

Antique print titled 'Lamas Prêtres des Tartares - Prêtres Mendians de la Chine (..)'. Original antique print with two images on one plate. The first image shows Lamas, Tatarian prie...

Original Antique Print of Volcanic Eruptions and Ships by Bertuch, c. 1800 Original antique hand-colored copper engraving depicting two dramatic volcanic phenomena, published in Fri...

Monument of King Edward IV – Antique Engraving of St George’s Chapel, Windsor, 1790 This finely detailed antique engraving shows the monument of King E...

William Hogarth, The Bruiser – Satirical Churchill Bear Engraving, 1763 Description: A powerful and highly sought-after satirical engraving by William Hogarth, titled The Bruiser, ...

Antique India Battle Print – Siege of Mooltan 1849, Elephant War Scene A striking and highly decorative mid-19th century historical engraving depicting The Siege of Mooltan, 1849, o...

An inside View of the Rotundo in Ranelagh Gardens, after Antonio Canaletto (1697 - 1768). Engraved by by Thomas Bowles, 1754. Hand colored engraving, in original ebonized frame with...

Antique map titled 'Perse, Turquie Asiatique et Arabie (..)'. Map of the Middle East with a large Arabia, extending from the Black Sea to the In...

Original Antique Print of an Atlas Moth by Bertuch, circa 1800 Original antique hand-colored copper engraving depicting the magnificent Atlas moth (Attacus atlas), one of the largest and most spectacular moths in the world. The plate is titled “Insecten XXVIII / Insectes XXVIII” and originates from Friedrich Justin Bertuch’s celebrated “Bilderbuch für Kinder,” published in Weimar around 1800. The enormous moth is shown with its wings fully extended across a flowering branch. Its richly patterned wings are beautifully rendered in shades of rust, ochre, cream, black and pink, with the characteristic translucent, window-like markings prominently displayed. The combination of the dramatically oversized insect and delicate botanical background makes this one of the more visually striking natural-history subjects in Bertuch’s series. The Atlas moth is native to the tropical forests of South and Southeast Asia and is renowned for its extraordinary wingspan. Its distinctive wing tips have often been noted for their resemblance to the head of a snake, possibly serving as a defensive adaptation against predators. The engraving bears the inscription “Jacob H. Schmuzer” at lower right. Friedrich Justin Bertuch (1747–1822) was a German publisher, writer and patron of the arts. His monumental “Bilderbuch für Kinder” (Picture Book for Children) was one of the great illustrated educational encyclopedias of the late 18th and early 19th centuries. Published in Weimar from 1790 onward, the work contained hundreds of finely engraved and hand-colored plates devoted to natural history, geography, science, technology, costumes and mythology. A particularly decorative and impressive antique natural-history print, well suited to collectors of butterflies and moths, entomology and early scientific illustration. Creator: Friedrich Justin Bertuch (1747–1822) Engraver: Jacob H. Schmuzer Source: Bilderbuch für Kinder Plate: Insecten XXVIII / Insectes XXVIII Place of Publication: Weimar, Germany Date of Manufacture: Circa 1800 Period: Early 19th Century Style: Neoclassical – In the Period of Medium: Original hand-colored copper engraving on paper Condition: Good. Wear consistent with age and use. Light age-related toning and occasional minor spotting. Some marginal wear and small imperfections, particularly along the right edge. Original hand coloring remains strong and attractive. Please refer to the photographs for further details of condition. Please note: This is an original antique print from circa 1800, not a modern reproduction. The print is sold unframed. Framed images or interior views, if shown, are for presentation and inspiration only. Keywords: Atlas moth print, Attacus atlas, antique moth...

Rivinus botanicals: Lotus, Lathyrus & Hedysarum, Leipzig, 1690s Set of three late-17th/early-18th-century botanical copper engravings with period hand-colour, attributed to Augustus...

The Kaaba in Mecca – Early 18th-Century Dutch Engraving, c. 1730 This rare and striking copper engraving presents a historic European view of the Kaaba ("De Kabba, of Het Huis Gods ...

A rare and dramatic 19th century framed engraving of the 1739 "Plan de Paris", after French magistrate Michel-Étienne Turgot (France 1690-1751). Rendered in a intricate birds-eye 1:4...

Handcolored Copperplate Engraving of Cashmere Goats and Sheep, Friedrich Johann Bertuch, 1823 This is an exquisite handcolored copperplate engraving depicting a group of Cashmere go...

Wooden wall decor made of a piece of reclaimed wood from antique wood river boat. Words & bamboos engraved, together with the signature. Strings for hanging attached. manufacture...

Original Antique Print of Three Exotic Tropical Fish by Bertuch, c. 1800 Original antique hand-colored copper engraving depicting three spectacular exotic fish, published in Friedri...

St. Catherine’s Monastery at Mount Sinai – Plan and Elevation Engravings c.1776 This striking pair of antique engravings offers a rare architectural study of the renowned monastery ...

Title: Pair of Antique Dragonfly, Cicada & Exotic Insect Engravings – Bertuch, c. 1815 A decorative set of two original antique hand-colored copper engravings depicting an extraordi...

Original Antique Print of Five Exotic Red Fish by Bertuch, c.1800 Original antique hand-colored copper engraving depicting five remarkable species of fish, published in Friedrich Ju...

Antique Hand-Colored Engraving of Squirrels and Rodents, Quadrupeds Plate XXXXI Description: This fine antique hand-colored engraving, titled Vierf. Thiere XXXXI (Quadrupeds Plate 4...

Antique New Mexico Landscape Print, Wagon Train Scene, Meyer 1850s This atmospheric mid-19th-century engraving presents a striking frontier landscape titled “Landschaft bei der Furt...

Antique Javanese Prints – Gamelan Instruments & Wayang Puppets – c.1860 This pair of finely hand-colored lithographs presents two central elements of Javanese performing arts: the m...

Captain Cook Hawaii Engravings, Death & Royal Encounter, Owhyhee, c.1788 This dramatic and historically significant late 18th-century engraving sheet presents two iconic scenes from...

Jonstonus Friesian and Hungarian Horses Engraving, 1650 Description: Original antique copper engraving depicting two European horse breeds: the Friesian horse (“Equus Frisicus – Frisisch Pferd”) and the Pannonian or Hungarian horse (“Equus Pannonicus sive Hungaric – Hungarisches Pferd”). The upper composition shows the powerful Friesian horse standing in profile, distinguished by its heavy build, long flowing mane and feathered legs. Below, the Hungarian horse is represented in a dramatic rearing pose, creating a particularly lively and decorative equestrian composition. The engraving was published in Joannes Jonstonus’ important Historiae naturalis de quadrupetibus, Frankfurt am Main, 1650. The work was issued by the heirs of Matthäus Merian and forms part of Jonstonus’ celebrated multi-volume natural history of animals. Joannes Jonstonus (1603–1675), also known as John Johnston or Jan Jonston, was a Polish-born physician, naturalist and scholar. His extensive natural-history publications were among the important illustrated zoological works of the 17th century, preceding the systematic classification of Linnaeus by more than a century. From the first edition of Historiae naturalis de quadrupetibus, published in Frankfurt by the Merian publishing house in 1650. Plate II, titled within the engraving: “Equus Frisicus – Frisisch Pferd” “Equus Pannonicus sive Hungaric – Hungarisches Pferd” A beautiful early representation of the Friesian horse and an appealing decorative work for an equestrian, country-house or natural-history collection. Joannes Jonstonus (1603–1675) Historiae naturalis de quadrupetibus Frankfurt am Main Published by the heirs of Matthäus Merian 1650 Original copper engraving Plate II This is an original antique print published in 1650, not a modern reproduction. Condition: Good antique condition with overall age-related toning, scattered spotting and surface marks. Noticeable old staining and discoloration to the lower left corner and margin. Minor handling creases and wear along the sheet edges. The engraved image remains strong and well defined. Please study the photographs carefully as they form part of the condition description. Period Mid-17th Century Style Baroque Natural History Equestrian Subject Friesian Horse Hungarian Horse Equestrian Horses Natural History Zoology Frisian Keywords: Joannes Jonstonus, John Johnston, Jan Jonston, Matthäus Merian, Merian, Friesian horse, Frisian horse, Friesisch Pferd, Equus Frisicus, Hungarian horse, Pannonian horse, Equus Pannonicus, horse engraving, antique horse print, equestrian engraving, equestrian art, horse wall art...

Antique Handcolored Engraving of Starfish and Marine Creatures, c.1800 This original handcolored copperplate engraving features various starfish and other echinoderms, emphasizing...

JOHANN WILHELM WEINMANN (1683-1741) - PHYTANTHOZA ICONOGRAPHIE - Antique pair of framed 18th century first edition Phytanthoza Iconographie botanical hand colored mezzotint engraving...

Pair antique gilt framed Amalfi coast scenes . Antique Italian coloured prints of the Amalfi Coast and environs; one view of fishing and sailing vessels along rocky shoreline and the...

Queen Elizabeth I Portrait Engraving, Antique British Royal Print 1784 A striking and highly decorative 18th-century copperplate engraving depict...

Large and beautiful etching, engraving by Nicolaes Lauwers after Jacob Jordaens. Flanders, 17th century. Representing Zeus and Hermes (Jupiter and Mercury) in the house of Philemon a...

Original Antique Print of Archaeological Excavations by Bertuch, c. 1800 Original antique copper engraving depicting archaeological excavations and newly uncovered ancient architect...