Engraved Wall Decorations

Antique Portrait Admiral Lord Hawke – British Naval Hero Engraving c.1850 A finely executed and highly decorative mid-19th century engraved portrait of Admiral Edward Hawke, 1st Bar...

Polish Royal & Noble Costume Engravings, Hand-Colored Set of 4, 1749 This elegant set of four mid-18th century hand-colored costume engravings depicts members of Polish society and ...

Portuguese Dressage & Piaffe Engravings — Classical Horsemanship, 1790 This elegant set of three antique copperplate engravings originates from the celebrated Portuguese equestrian ...

Antique Beetle Chromolithographs, European Coleoptera Plates, Calwer 1893 Description: A striking and highly decorative set of six late 19th-century na...

Antique Coconut Palm Botanical Study, Cocos nucifera, c.1831 Description: This highly detailed botanical engraving presents a full analytical study of the coconut palm, including fl...

Egyptian Antiquities – Objects, Reliefs and Sculptural Fragments, Set of Two Engravings, c.1802 This curated set of two finely engraved plates presents a systematic visual survey of...

Antique Ottoman Costume Prints Pair, Standard Bearer & Turkish Priest, 1749 A refined and visually compelling pair of mid-18th century hand-colored engravings depicting two dist...

Oceanus, Saturn, Prometheus and Janus – Roman Mythology Engraving, c.1721 Description: This impressive early-18th-century engraving presents a learned overview of major Roman mythol...

Quebec City Canada Harbor View – Antique Steel Engraving St. Lawrence River This atmospheric mid-19th century steel engraving presents a dramatic panoramic view of Quebec City, Cana...

Die Sommerente (Wood Duck) – Hand-Colored Engraving after Mark Catesby, c.1750–1770 This elegant hand-colored engraving shows the Summer Duck or Wood Duck (Anas Americanus cristatus...

"Monos Musicales de Día" (Musical Monkeys by Day). Engraving print by Mexican artist Pedro Friedeberg. Copperplate engraving on Hahnemühle 300 g. 100% cotton paper. Edition of 86 pie...

Hungarian Gentleman & Lady Costume Engravings, Hand-Colored Pair, 1749 This elegant pair of mid-18th century hand-colored costume engravings depicts a Hungarian gentleman and lady i...

Cabinet-Size British Butterfly Engravings by Jardine & Lizars, 1835 This charming set of six hand-colored butterfly engravings originates from the celebrated Victorian natural histo...

Antique Handcolored Engraving of Sheep and Rams, Quadruped XXXII, c.1800 This original handcolored copperplate engraving depicts various breeds of sheep and rams, highlighting their unique physical characteristics and adaptations. The plate is from Friedrich Johann Bertuch’s *Bilderbuch für Kinder* (Picture Book for Children), a 12-volume natural history encyclopedia published between 1790 and 1830, celebrated for its educational and artistic contributions to zoology. The engraving includes: 1. A ram with curled horns, possibly a Mouflon (*Ovis orientalis*), depicted resting (Fig. 1). 2. A long-haired goat or primitive sheep breed, such as the Jacob sheep, characterized by its multiple horns (Fig. 2). 3. A domestic sheep breed, shown standing and with shorn wool, indicating agricultural significance (Fig. 3). 4. A woolly sheep...

A pair of rare and quite beautiful pair of engravings of the city of Rome, printed in 1816. Both are printed from original copper plate. Custom handmade French mat in the 18th centu...

Antique Bactrian Camel Engraving, Buffon Hand-Coloured Print Amsterdam 1769 Description: This beautifully hand-coloured 18th-century engraving of the Bactrian camel, titled Le Chame...

Optica Print of Joseph Sold to Potiphar in Egypt, circa 1770 – Architectural Vue d’Optique by Georg Balthasar Probst This highly detailed hand-colored *vue d’optique*, titled "Madianitae vendebant Iosephum Putiphari in Aegypto Pharaonis Camerario" (The Midianites sold Joseph in Egypt to Potiphar, officer of Pharaoh), is a compelling visual retelling of a biblical episode from the Book of Genesis. Produced around 1770 in Augsburg by the noted printer Georg Balthasar Probst, this print illustrates Joseph’s arrival in Egypt and his sale to Potiphar by the Midianite traders, who had acquired him from his brothers. This scene continues the dramatic biblical narrative of Joseph and is part of a series of *vues d’optique*—optical perspective prints intended for viewing through a zograscope, a lens device popular in 18th-century Europe. These prints were made with reversed titles at the top to accommodate mirrored viewing, giving a striking sense of depth and realism to the architecture and figures. Georg Balthasar Probst (1732–1801), active in Augsburg, was one of the most prolific publishers of such perspective prints, known for combining biblical storytelling with vivid architectural fantasy. In this composition, the setting is an imagined classical Egyptian city rendered in a European neoclassical style, featuring grand palaces, arcades, columned porticoes, and tiled courtyards. At the lower right, the Midianite merchants bargain with Potiphar, who inspects Joseph with curiosity. The background is filled with bustling market activity, town buildings, and richly dressed figures, offering depth and narrative complexity. The presence of multiple architectural elements—balconies, domes, and checkerboard flooring...

La Pérouse Alaska Tlingit Costume Engraving – French Expedition, 1797 A rare and historically significant late 18th-century engraving depicting the indigenous inhabitants of Port de...

Napoleon Bonaparte, Imperial Eagle and World Allegory – French Engraving This powerful 19th-century allegorical print centers on Napoleon Bonaparte as a global and imperial force, e...

Bohemian Waxwing – Ampelis Garrulus from Nederlandsche Vogelen, 1797 This fine hand-coloured engraving shows two Bohemian waxwings (Ampelis garrulus) perched on bare branches, with ...

This majestic hand-colored engraving depicts the "SHOEPANDOGE or ROYAL GOLDEN BARGE," a magnificent vessel that radiates the opulence and grandeur of a bygone era. Engraved for "Ma...

Two Species of Wrasse Fish – Hand-Colored Engraving, c.1780 Beautiful 18th-century hand-colored copperplate engraving depicting two species of wrasse fish, titled in manuscript Le l...

Boston State House on Beacon Hill, Antique Steel Engraving ca. 1850 This striking 19th-century steel engraving depicts the Massachusetts State House in Boston, identified in German ...

Antique map titled 'L'Impero della Persia diviso ne suoi Stati'. The Empire of Persia divided into its states. Originates from 'Atlante Novissimo, illustrato ed accresciuto sulle oss...

The print is an 1845 handcolored engraving that features a selection of six different bat species, each carefully illustrated to highlight their distinctive anatomical features. Thes...

Unique piece "Sunset Miror" (2003) by Michel Kiriliul. Engraved brass, metal and glass slab. Measures: Height 150 cm; length 250 cm. This unique and original piece of art was sc...

Ottoman Chief Black Eunuch Costume Print, Hand-Colored, 1749 Description: An original hand-colored engraving depicting the Chief of the Black Eunuchs of the Ottoman court, dated 174...

Grand Roman Relief Engravings after Antique Sculpture – Montfaucon 1721 This refined pair of early 18th-century Roman relief engravings offers a balanced combination of classical su...

Swiss Hound Briquets – Antique Dog Print, circa 1880, French Publication This fine 19th-century print depicts two Swiss Hound Briquets, a medium-si...

Pair of French Sphinx Moth Engravings by Duméril & Guérin, 1835 This striking pair of antique French natural history engravings depicts exotic sphinx moths, caterpillars, insects, m...

Coffee, Aloe, and Date Trees – Exotic Botanical Engraving, Dutch, c.1730 This large and finely detailed copper engraving showcases three important tropical and subtropical plants: t...

Antique Roman Temple Engravings Set of 3, Montfaucon 1721 Architecture A refined and highly decorative set of three early 18th-century engravings ill...

Antique Print – TRUMPETFISH, MORAY, ELECTRIC EEL, LUMPSUCKER, SEAMOTH – Wilmsen – 1821 Antique Print – TOADFISH, CHIMAERA, BELUGA STURGEON – Wilmsen – 1821 Etching and engraving on...

The two engravings displayed side by side depict monumental structures from ancient Egypt and are dated to the late 18th century. They are both examples of European interest in documenting and exploring Egyptian antiquities during the period of early exploration and fascination with the ancient world. ### Image 1: Profile View of the Remains of the Sphinx near the Pyramids of Egypt - Subject: The Sphinx, one of Egypt's most iconic monuments, is shown with its body largely buried in sand, as it was during this period before modern excavations. The figures atop and around the Sphinx provide scale and show the magnitude of the monument. The image also captures European explorers and researchers measuring the Sphinx, emphasizing the curiosity and study of ancient civilizations. - Age: This engraving likely dates from the late 18th century, during a time when European expeditions to Egypt were becoming more common, particularly following Napoleon's campaign in the late 1790s, which sparked Egyptomania across Europe. - Maker: The engraving is credited to Denon and Lege, both of whom were active artists and engravers during this time. Dominique Vivant Denon...

Title: Detailed 1730 Maritime Warship Print with Tools, Rigging, and Ship Cross-Section Description: This exceptionally detailed and decorative maritime print, published in Nurember...

Antique Portrait François Véron 1648, Jesuit Theologian Engraving Description: A finely engraved and historically compelling portrait of François Véron (ca. 1575–1649), a prominent ...

Title: Antique Entomology Print, English Insects on Oak, Willow & Elm, Albin 1720 Description: A finely composed group of early 18th-century natural history engravings by Eleazar Al...

Quetzalcoatl Worship and Hunting Deity – Rare 1734 Engraving of Aztec Rituals This finely detailed copperplate engraving from 1734 presents two theatrical interpretations of religio...

Title: Rare 18th-Century Engravings of Cannon Manufacturing and Artillery Casting Techniques Description: This exquisite set of six 18th-century engravings showcases the intricate p...

Title: 18th-Century Engraving of European Monarchies with Heraldry and Imperial Regalia This intricately detailed 18th-century engraving, *Statua Regum et Ropotorum P.C.N.*, offer...

An original engraving featuring a view of Siam, which is present-day Thailand, specifically a view of the city of Ayutthaya with numerous boats depicted on the river. The title, "Vuë...

This engraving, published in London by Alex Hogg at the Kings Arms, No.16 Paternoster Row, features two side-by-side portraits with the labels "Portrait of ...

Two 19th Century Engravings “The Sportsman’s Pocket Companion” by James Roberts and engraved by Henry Roberts These two prints come from a collection of forty engravings after the w...

Ottoman Costume Prints Pair, Imam & Court Official, Hand-Colored 1749 A refined and visually striking pair of 18th-century hand-colored engravings depicting figures from the Ottoman Empire, dated 1749. These elegant costume plates present, on one sheet, an Imam of the Great Mosque, richly dressed in flowing robes with fur trim and a distinctive turban, and on the other, a high-ranking court official or commander, posed with staff and ceremonial attire. Together, they form a beautifully balanced and complementary composition, ideal for display as a decorative pair. The engravings originate from a celebrated European publication documenting Ottoman court life and costume, produced during a period of heightened Western fascination with the East. Each figure is rendered with fine engraved detail and delicately enhanced with original hand color, capturing the textures of luxurious fabrics, the structure of ceremonial garments, and the dignified bearing of the subjects. The generous margins and visible plate marks further emphasize their authenticity and 18th-century origin. What makes this pair particularly desirable is the harmony between the two figures. The Imam, standing frontally with a calm, composed presence, contrasts elegantly with the more dynamic posture of the official figure, who leans slightly and engages the viewer with a sense of authority. The color palette—soft greens, purples, and warm neutrals—works cohesively, making the pair highly suitable for framing and interior placement. These prints are ideal for use as a statement piece above a console, in a study, or within a curated gallery wall. Their subject matter appeals to collectors of Ottoman history, costume prints, and decorative works on paper, while their aesthetic quality makes them equally attractive to interior designers seeking authentic antique elements. Note: Interior mockups shown are for inspiration only. The print is an original antique and is sold unframed. Condition is good for age, with light age toning, scattered spotting, and minor handling wear consistent with 18th-century paper. The sheets retain full margins and show the original plate marks. Colors remain fresh and attractive. Framing suggestions: These prints lend themselves exceptionally well to dark walnut or ebonized frames with wide ivory or warm off-white mats. A symmetrical side-by-side hanging enhances their visual impact, particularly in a refined, warm-toned interior. For a more contemporary setting, a clean gallery-style presentation with generous spacing will highlight their elegance. Technique: Copper engraving with original hand color Maker: Thomas Jefferys, London, 1749 Keywords: ottoman print, ottoman costume engraving, imam engraving, janissary officer print, turkish costume print, 18th century engraving, hand colored engraving, antique costume print, islamic art print, middle eastern art, ottoman empire art...

Pair of 18th-Century Garden Engravings – Hellbrunn & Trianon, Baroque Views This matched pair of early 18th-century garden engravings presents two celebrated princely pleasure garde...

Monumental Classical Relief Scene, Montfaucon Antiquity Explained Engraving, 1721 Description This impressive and richly scaled engraving originates from the landmark antiquarian wo...

Antique map titled 'D'Indiaanze Landschappen Zeen en Eylanden, van Couchin af tot in de Moluccos (...)'. Striking map of the region from the Philippines and Formosa to India and th...

Antique print titled 'Clytie changée en Tournesol (..)'. This print depicts Clytia turning into a sunflower. Clytia (or Clytie) was a water nymph, daughter of Oceanus and Tethys ...

Title: European Garden Spider Anatomy: Hand-Colored Engraving from Bertuch's "Bilderbuch für Kinder" (1798) Description: This detailed hand-colored copperplate engraving from Frie...

Title: Napoleon Honors the Wounded Soldier, Antique French Engraving, circa 1840 Description: This 19th-century French engraving depicts Napoleon Bonaparte publicly honoring a wound...

Rivinus botanicals: Trifolium, “Gula / degener” & Lotus tetragonolobos, Leipzig, 1690s Set of three late-17th/early-18th-century botanical copper engravings with period hand-col...

In the two prints, a variety of marine organisms are depicted, predominantly from the echinoderm and mollusk phyla: **First Print:** 1. **Agathine zébrée** - Likely a gastropod with...

This is an original pair of late 17th-century botanical copper engravings with period hand color, sold together as a set and not available singly. The first sheet shows two kinds of ...

This original antique map of the Mediterranean and the Turkish Empire was drawn and engraved on steel by Alexander Findlay for the first volume of The Turkish Empire Illustrated, pub...

A pair of fine engravings of two Swedish monarchs by Samuel Blessendorf for Puffendorf’s History of Sweden, in antique birch frames, 1663 and 1696. Engravings of Swedish King Karl X Gustav (b. 1622 - d. 1660) dated 1663 and his successor, King Karl XI (b. 1655 - d. 1697) from 1696 by Samuel Blessendorf, a Prussian enamel painter and engraver, born in Berlin in 1670. He designed and engraved these portraits for Puffendorf’s History of Sweden by Freiherr Samuel von Pufendorf (1632-1694), Historiographer to King Karl X of Sweden. Freiherr Samuel von Pufendorf (b 1632 – d 1694) was a German jurist, political philosopher, economist and historian. He was born Samuel Pufendorf and ennobled in 1684 when he was made a baron by Charles XI of Sweden a few months before his death at age 62. Among his achievements are his commentaries and revisions of the natural law theories of Thomas Hobbes...

Antique Handcolored Engraving of Seals and Amphibious Creatures, c.1800 This original handcolored copperplate engraving depicts a variety of seals and other amphibious creatures, ...

Egypt Desert Panoramas & Ruins – Denon, Voyage en Égypte, Copper Engravings 1802 This atmospheric group of panoramic desert views and ruin studies forms part of the celebrated work ...

Republican General and His Guide 1795, Napoleonic Era Military Uniform Print This finely hand-colored 19th-century engraving depicts a Republican general and his guide as uniformed ...

Napoleonic Marines, Garde Impériale, French Military Uniform Print, 1843 This finely hand-colored military print depicts a Marine of the Imperial Guard (Marins de la Garde Impériale...

Napoleon Bonaparte on Horseback, L’Empereur – French Hand-Colored Print, 1843 This striking 19th-century hand-colored print depicts Napoleon Bonaparte in one of his most enduring and carefully constructed visual roles: the calm, commanding emperor on horseback. Shown mounted on a poised grey horse, Napoleon is rendered in his characteristic attire—dark coat, bicorne hat, and the red sash of the Legion of Honour—projecting authority, discipline, and control. His composed posture contrasts with the dynamic movement of the horse, a visual device frequently used in Napoleonic imagery to suggest mastery over both men and circumstance. Behind him, attendants and officers follow at a respectful distance, reinforcing his position as supreme commander. The sparse landscape keeps the focus firmly on Napoleon himself, turning the scene into a timeless emblem rather than a specific battlefield episode. The caption beneath the image, “L’Empereur,” leaves no ambiguity about the subject and reflects the iconic status Napoleon held in French visual culture long after his fall. This print originates from *Histoire de l’Empereur Napoléon* by P.-M. Laurent de l’Ardèche, published in Paris in 1843 and illustrated after designs by Horace Vernet, the most influential Napoleonic painter of the 19th century. Vernet’s imagery played a crucial role in shaping the posthumous legend of Napoleon, blending historical reference with idealized representation. Such prints were intended both as historical illustrations and as objects of admiration, suitable for framing in bourgeois and official interiors. As an equestrian portrait, this work belongs to a long artistic tradition associated with power, leadership, and imperial legitimacy. It remains highly appealing to collectors of Napoleonic history, French military art...