Antique Copperplate Print of Ayutthaya, 'View of Siam and Various Boats', 1751

An original antique engraving of two Buddhist temples in Thailand, also known as Siam historically. The upper part of the engraving is labeled "COUVENT de Talapoins," which refers ...

Antique print titled 'Vue de Siam et divers Balons - Gezigt van Siam en verscheide Balons'. View of Siam (Thailand) and various vessels. This print originates from the Dutch edition ...

Antique print titled 'Belgien und Niederlande'. Steel engraving with various views of Belgium and the Netherlands. The views in the print include: Town Hall at Brussels Royal Palace...

Antique print titled 'Chaumiere á Rambouillet - Maison de Campagne (..)'. Copper engraving showing a cottage, church and bascule in Rambouillet. The Château de Rambouillet, also ...

Plate 28. Original chromolithograph of various reptiles. Source unknown, to be determined. Published circa 1920.

Antique print titled 'Roto Iti - Freemans Bay Auckland Harbour - Coromandel Harbour - Roto Rua'. Various views of New Zealand. Lithographed by C.F...

A pair of Rome views, two Neoclassical original etchings depicting Italian views of Rome, with the following titles: Colonna di M. Antonino Imperatore nella via Flaminia in Roma. Ve...

A very large and wonderfully detailed screen print by Asian/ Japanese American artist Masami Teraoka titled "New Views of Mt. Fuji: Sinking Pleasure Boat" is based on his original 1976-77 painting by the same name. The print is numbered in pencil at the lower edge (63/75), blind-stamped and dated (1977) at the upper right, sealed by Teraoka with his personal stamps/seals within the image, and likely hand-signed on verso (we have not removed the artwork from the frame but this is most likely the case). The work was printed on Rives BFK paper by Ron McPherson and Julie McPherson, and published by Space Gallery, Los Angeles, CA. Masami Teraoka has had over 70 solo exhibitions and he has twice been honored by the American Academy of Arts and Letters in New York. He has also received two fellowships from the National Endowment for the Arts. His works can be found in collections and museums around the world including: The Fine Arts Museums of San Francisco; the Asian Art Museum of San Francisco; the Smithsonian American Art Museum, Washington D. C.; the Honolulu Museum of Art, Hawaii; the Los Angeles County Museum of Art; the Metropolitan Museum of Art, New York; the National Portrait Gallery, Washington D. C.; Tate Modern, London, England; the Queensland Art Gallery/GOMA, Brisbane, Australia; the Gallery of Modern Art, Glasgow, Scotland and the Singapore Art...

A very colorful lithograph professionally framed, signed. This interesting work of art is attributed to Bernard Gatner. Will enhance any space. Measures: 26 1/8" H x 33 5/8" W x 1...

We present you one of the illustrations from the series printed from a book on various subjects. The graphic is closed in passe-portout and a wooden frame with glass. The price i...

Antique hand colored riverscape / landscape copperplate engraving based on a painting by Jacob Maurer and engraved by Paul Fourdrinier - A View of Westminster Bridge from Lambeth, published according to Act of Parliament 1754 for Stowe’s Survey of London. BIO: Paul Fourdrinier sometimes referred to as Peter or Pierre Fourdrinier, was an 18th Century engraver in England. Paul Fourdrinier, engraver and printseller, was born on 20 December 1698 in Groningen in the Netherlands, the son of Jacques Fourdrinier and his wife, Jeanne Theroude, Huguenot refugees from Dieppe, Normandy. He was a pupil of Bernard Picart at Amsterdam for six years, and came to England in 1720. He was employed in engraving portraits and book illustrations. He also engraved two works by Peter Monamy, marine paintings displayed in Vauxhall Gardens. The engravings were published in 1743, but may have been executed earlier. Starting in 1742 Fourdrinier produced a series of books consisting of numerous folding charts showing "The Succession of Colonels to all his Majesties Land Forces from their Rise to 1742", as well as many other details of British military and naval personnel. The 2004 edition of the Oxford Dictionary of National Biography makes it clear that in the 19th century edition of the Dictionary of National Biography this engraver's works and career were assigned to two individuals, Peter (or Pierre) and Paul Fourdrinier. Peter/Pierre is now seen to be a fictitious individual resulting from an accidental misnaming of Paul. Paul Fourdrinier is mentioned as the engraver of some of the works listed above, and he has been identified with the Paul Fourdrinier who was of the parish of St. Martin's-in-the-Fields, married to Susanna Grolleau, and who died in January or February 1758. The couple had at least five children, including a son Henry Fourdrinier, whose daughter, or granddaughter, Jemima Fourdrinier was the mother of Cardinal John Henry Newman...

We present you one of the illustrations from the series printed from a book on various subjects. The graphic is closed in passe-portout and a wooden frame with glass. The price ...