Engraved Wall Decorations

Bellori Roman Relief with Children and Animals, English Engraving, 1721 Description: This refined early-18th-century engraving illustrates a sculptural relief after Giovanni Pietro ...

Roman Funerary Monument and Relief Sculpture – Montfaucon Engraving, 1721 DESCRIPTION Large classical engraving depicting Roman funerary and commemorative monuments, recorded after ...

Monumental Mythological Scene, Classical Figures and Clouds – Montfaucon, 1721 DESCRIPTION Large and highly decorative engraving depicting a complex mythological scene populated by ...

Antique map of Washington, D.C. carefully hand colored bringing warmth and charm to the engraving. This map features the city's distinguished layout as designed by urban planner Pie...

Marvelous old antique top window sashes, salvaged from an arts and crafts home, built in the early 1920's. They retain the original wavy glass. Mounted within are six 19th century cu...

Dance of California Indians, Tower of Tlaxcallan – Hand-Colored Engraving, c.1800 This striking early 19th-century hand-colored engraving titled Tanz der Indianer auf Californien w...

Man and Woman of the Naudowessies, Mississippi Region – 18th Century Engraving This rare 18th-century engraving titled A Man & Woman of the Naudowessies to the westward of the Missi...

Habits et Maisons des Floridiens, Early Florida Ethnography – French Engraving, c.1757 This rare and evocative 18th-century French engraving titled Habits et Maisons des Floridiens...

City of Albany, New York, Hudson River View – Antique Engraving, 1827 This finely detailed early 19th-century engraving titled City of Albany, in the State of New York presents a pa...

Falls of Niagara, River St. Lawrence, Canada – Engraving Published in 1816 This early 19th-century engraving titled Falls of Niagara, on the River St. Lawrence, in Canada presents a...

The Rocky Mountains, Western Frontier Landscape – Antique American Engraving This refined 19th-century engraving titled The Rocky Mountains presents a serene yet expansive view of t...

Title: Sapeur du Génie, Garde Impériale – French Military Uniform Print, 1843 Description: This finely detailed hand-colored military print depicts a Sapeur du Génie of the Imperial...

Officer d’Ordonnance de l’Empereur, French Imperial Guard Cavalry Print, 1843 This finely executed hand-coloured lithograph depicts an Officer d’Ordonnance de l’Empereur, a mounted ...

Garde d’Honneur, Imperial Guard Soldier, Hand-Colored Military Print 1843 This finely hand-colored military print depicts a member of the Garde d’Honneur, one of the elite auxiliary cavalry formations created during the final years of the Napoleonic Empire. Although the uniform shown relates to the campaigns of 1813–1814, this impression dates from 1843 and belongs to the important post-Napoleonic revival of interest in Imperial military history. Such later issues were produced with great care and accuracy, aimed at collectors, officers, and historians seeking authoritative visual records of Napoleonic uniforms. The Garde d’Honneur was composed largely of young men from wealthy families, equipped at their own expense, and intended to reinforce Napoleon’s depleted cavalry after the disastrous Russian campaign. The figure is shown dismounted, leading his horse across uneven terrain, a scene that emphasizes endurance and discipline rather than parade-ground display. His uniform is rendered with precision: the dark green coat with white crossbelts, red trousers, tall boots, and shako identify the corps clearly, while the detailed equipment and horse furniture...

Napoleonic General of Division on Horseback, Bellangé, French Military Print 1843 This finely hand-coloured military print depicts a General of Division of the Napoleonic army, shown on horseback and accompanied by his aide-de-camp, identified in the caption as “Général de division et son aide-de-camp, 1812.” The scene captures the commanding presence and ceremonial splendour of a senior French officer during the height of Napoleon I’s imperial campaigns, with particular reference to the period of the Russian campaign and the later years of the Empire. The general is portrayed mounted on a white horse, wearing a richly decorated dark blue uniform with gold epaulettes, sash, and orders, emphasizing his high rank within the Grande Armée. The aide-de-camp follows closely behind, reinforcing the hierarchical structure and operational discipline of Napoleonic command. The careful rendering of uniforms, horse trappings, and regalia reflects the period’s obsession with military distinction and visual authority, making this image both a historical document and a work of refined military art. This print originates from the illustrated volume “Histoire de l’Empereur Napoléon” by P.-M. Laurent de l’Ardèche, published in Paris in 1843 and illustrated after designs by Hippolyte (Horace) Bellangé, one of the most important 19th-century French military art...

Napoleonic Horse Artillery, French Empire Uniform Plate, Paris 1843 This finely hand-coloured military plate depicts a mounted artilleryman of the French Empire, titled Artillerie à...

Polish Chevau-Léger Light Cavalry, Napoleonic Wars Hand-Colored Print 1812 This finely hand-colored military print depicts a Chevau-Léger (Polonais), a Polish light cavalryman servi...

Napoleon I Dragoon of the Imperial Guard on Horseback, French Military Print This original 19th-century hand-coloured military print depicts a Dragoon of the Imperial Guard serving under Emperor Napoleon I, shown mounted on horseback in full ceremonial and campaign uniform. The scene represents one of the elite cavalry units of Napoleon’s Grande Armée, renowned for discipline, strength, and their prominent role in both battlefield action and imperial pageantry. The print originates from *Histoire de l’Empereur Napoléon* by P.-M. Laurent de l’Ardèche, illustrated after designs by Horace Vernet and published in Paris in 1843. Although issued decades after the events, the series is widely regarded for its historically accurate rendering of Napoleonic uniforms, equipment, and military bearing. Vernet, the foremost painter of Napoleonic subjects, drew upon first-hand military knowledge and contemporary sources to recreate the imperial army with precision and authority. The Dragoon is shown wearing the distinctive helmet with horsehair crest, green and white uniform with yellow facings, tall riding boots, and full accoutrements, including saber, musket, and rolled equipment. The powerful horse and poised posture emphasize the mobility and striking presence of the Imperial Guard cavalry, a formation personally associated with Napoleon and symbolic of his rule. The clean background and restrained landscape focus attention on uniform detail, making this an especially strong decorative and documentary example. Such prints were intended both as historical record and patriotic tribute, celebrating Napoleon I and the military structure that supported his empire. Today, they are highly sought after by collectors of Napoleonic history, French military art...

Train of Artillery and Foot Artillery, Napoleonic Military Print 1809 This finely hand-coloured 19th-century engraving depicts two soldiers of Napoleon Bonaparte’s artillery arm: a ...

Artillerie à Cheval, Imperial Guard Cavalry, Napoleonic Military Print, 1843 This finely hand-coloured 19th-century engraving depicts a mounted artilleryman of Napoleon Bonaparte’s ...

Napoleonic Light Infantry Officer 1795, French Military Uniform Print, 1843 This finely hand-colored 19th-century engraving depicts an officer of the French light infantry (infanterie légère) in 1795, during the crucial transitional years of the French Revolutionary Wars that directly shaped the rise of Napoleon Bonaparte. Shown in an animated combat stance, sword drawn and leading his men forward, the officer embodies the aggressive, mobile tactics that became a defining feature of Napoleonic warfare. Light infantry units played a vital role in Napoleon’s armies, operating as skirmishers, scouts, and advance troops. Their flexibility, speed, and independence marked a clear break from the rigid linear tactics of earlier European armies. The uniform shown here—simpler yet purposeful—reflects the pragmatic military reforms of the Revolutionary period that Napoleon later perfected and expanded across Europe. This print originates from *Histoire de l’Empereur Napoléon* by P.-M. Laurent de l’Ardèche, published in Paris in 1843. The illustrations are based on designs by Horace Vernet, the most important military artist of 19th-century France and the definitive visual chronicler of Napoleon and his era. Vernet’s work is renowned for its historical accuracy, clarity of movement, and enduring influence on the iconography of Napoleonic history. Produced during the great Napoleonic revival of the mid-19th century, this engraving combines documentary precision with romantic heroism. It is particularly well suited for collectors of Napoleonic material, French military history, and antique uniform...

Niagara Falls, Cataracte de Niagara – Early French Engraved View, c.1780 This elegant 18th-century engraved view depicts Niagara Falls, presented under the French title Cataracte de...

View of the Harbor of St Pierre, Newfoundland – Early French Coastal Engraving This evocative 18th-century engraving depicts the harbor of Saint-Pierre, near Newfoundland, presented...

Swedish Life Guards on Horseback – Royal Cavalry Uniforms, c.1860 Description This finely hand-colored military print depicts the Swedish Royal Life Guards on horseback, presenting ...

Belgian National Guard – Infantry Drill and Uniforms, c.1830–1840 This finely hand-colored military print depicts the Belgian National Guard shortly after the formation of the Kingd...

French 18th Century Jacques Rigaud engraving of Hotel De Ville. The dimension is the sight of the image. This item is ready to be framed to your liking ...

This lovely set of four framed prints are by famed English engraver, illustrator and painter Samuel Bradshaw 1810-1880. His worked can be vi...

Egypt Crisis Battle Scene, Bombardment of Alexandria, Épinal, 1882 This dramatic French color lithograph depicts the Bombardment of Alexandria and the ensuing massacre of Europeans ...

Siege of the European Legations Peking 1900 Boxer Rebellion Épinal Print Description This striking French color lithograph depicts the Siege of the European Legations in Peking (Bei...

Human Skull Anatomy Plate after de Lairesse German Edition, c1745 This finely engraved anatomical study of the human skull originates from the German edition of Gérard de Lairesse’s...

Optical View of New York City, Manhattan Harbor - Hand-Colored and Published in Augsburg ca.1775 Description: This striking hand-colored vue d’optique depicts an animated harbor sce...

Wood snipe hunting engraving. Antique c. 1790 French engraving of G. Moreland wood snipe hunt “Chase Aux Becassines” engraved by C. Catton in antiq...

“Les Misères Et Les Malheurs De La Guerre” (“The misfortunes of war”) more commonly called “the great miseries of war” (“The great miseries of war”) is a major work by the 17th centu...

An Address of Thanks from the Faculty to the Right Honble, Mr. Influenzy for his Kind Visit to this Country Original hand-coloured etching by James Gillray, published in London on 1...

This is an attractive hand-colored copperplate engraved 17th century map of Prussia entitled "Prussia Accurate Descripta a Gasparo Henneberg Erlichensi", published in Amsterdam by Joannes Janssonius in 1664. This very detailed map from the golden age of Dutch cartography includes present-day Poland, Latvia, Lithuania, Estonia and portions of Germany. This highly detailed map is embellished by three ornate pink, red, mint green and gold...

Antique Moth Pair Sciapteron Xystophora Sepp Brants 1906 Handcolor This striking matching pair of antique moth engravings originates from Parts 3–4 of th...

Antique Butterfly Pair Satyrus Statilinus Sepp Brants 1905 Handcolor NOTE: WE SELL THE PRINTS UNFRAMED. THE PRINTS ARE ORIGINAL AND GUARANTEED OVER 100 YEARS OLD. This refined matching pair of antique butterfly engravings originates from Parts 1–2 of the rare third and final series of 'Nederlandsche Vlinders', published in The Hague by Martinus Nijhoff between 1905 and 1913. The work was executed under the direction of A. Brants as a continuation of the legendary Sepp tradition in Dutch entomological illustration, first begun in 1728. This late series represents the final chapter of one of the most important illustrated natural history projects ever produced in the Netherlands. Both plates depict the life cycle of Satyrus Statilinus, showing the butterfly in multiple wing positions alongside detailed studies of caterpillar, chrysalis, egg, and host plant. The scientific accuracy is paired with remarkably subtle hand coloring, revealing soft browns, muted greens, and carefully shaded contours. These plates reflect the transition from the great 18th-century copper engraving tradition into early 20th-century scientific illustration while fully preserving artisanal coloring techniques. This offering includes not only the two original hand-colored copper engravings, but also the complete original printed text leaves (in Dutch language) from Part 1–2, allowing the set to be preserved as a true historical entomological unit rather than isolated decorative prints. The plates come from the library of the noted Dutch lepidopterist Jan Hendrik Ernst Wittpen (1878–1956), with his library stamp present, adding strong scientific provenance. The third series of Sepp’s butterflies is markedly rarer on the market than the earlier volumes and is highly sought after by collectors of natural history, scientific art, and museum-quality wall decor. Presented as a matching diptych, this pair works especially well for libraries, studies, and refined contemporary interiors where historical scientific imagery adds quiet authority and warmth. Condition report Both engravings and accompanying text leaves are in excellent, near-mint condition. Clean impressions, fresh original hand coloring, strong plate marks visible, no foxing, no tears, no stains. Exceptionally well preserved. Framing tips This pair is ideally suited for a horizontal diptych presentation. Use soft ivory or warm light-grey museum matting with slim walnut, bronze, or muted gilt frames. Museum glass is strongly recommended to preserve the original coloring. Hanging the two plates with 4–6 cm spacing creates a balanced and elegant wall composition. NOTE: WE SELL THE PRINTS UNFRAMED. Technique: Hand-colored copper engraving Maker: A. Brants after Sepp tradition, The Hague, circa 1905–1913 SEO keyword block antique butterfly engraving, sepp butterfly print, brants entomology, satyrus statilinus, dutch natural history art, hand colored insect print, antique scientific illustration...

Original imperial folio engraving from the first edition of Description de l’Égypte (1809–1829), published in Paris following Napoleon Bonaparte’s Egyptian campaign. Titled “Thèbes,...

Set of 8 Antique Botanical Engravings of Spike-Rush and Bulrush Species, c.1830 This set of eight antique botanical engravings presents a refined selection of early nineteenth-centu...

Educational sheet illustrating a series of horses depicted in various positions and gaits—walk, trot, gallop, rearing, bucking, lying, etc. Each figure is accompanied by a Japanese c...

Presenting a fabulous original Art Deco Fortune Magazine cover May, 1938. The cover of Fortune Magazine for May 1938, framed and mat...

A collection of 18 framed prints from engravings of musical instruments from the book by Gabinetto Armonico, which was published in 1722. The book had a total of 150 instruments. The...

Mandingue People – Antique Hand-Colored African Ethnographic Engraving (c.1810) A finely hand-colored early 19th-century ethnographic engraving depicting figures of the Mandingue (M...

Egyptians – Antique Hand-Colored Ethnographic Engraving (c.1810) Original early 19th-century hand-colored copperplate engraving depicting two Egypti...

Xhosa Family of Southern Africa – Antique Hand-Colored Ethnographic Engraving (c.1800) An early 19th-century hand-colored ethnographic engraving depicting a Xhosa family in a pastor...

Inhabitants of French Harbour – Antique Hand-Colored Ethnographic Print c.1805 This expressive and beautifully hand-colored ethnographic print titled “Bewooners van de Haven der Fra...

Greenlanders (Inuit Family) – Antique Hand-Colored Ethnographic Print c.1805 This finely hand-colored ethnographic print titled “Groenlanders” depicts Inuit (Greenlandic) people in ...

This beautiful satirical engraving, entitled Charming-well again, is the work of the renowned British caricaturist James Gillray (1756–1815), the undisputed master of 18th-century po...

We kindly suggest that you read the entire description, as with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. The ...

An etching by James Gillray, published in London by Hannah Humphrey in 1804, and hand-colored. This work belongs to the satirical medical series in which Gillray criticizes the extre...

Hand-coloured etching — Original first edition Published by Hannah Humphrey , London, 28 January 1804 27 St James’s Street This outstanding satirical print by the master caricaturi...

Presented is a hand-colored engraving of “Johnson's New Chart of National Emblems.” This print was created for “Johnson's New Illustrated Family Atlas of the World,” published by A.J...

Rare 1769 Tapir Trio – Hand-Coloured Buffon Engravings from Amsterdam Edition This outstanding three-plate tapir set comes from the 1769 Amsterdam Dutch edition of Buffon’s Histoire...

Antique Zebu Engraving, Buffon Hand-Coloured Print Amsterdam 1769 Description: This charming and beautifully hand-coloured engraving of the zebu, titled Le Zébu, comes from the rare...

Elegant 1769 Morvant Ram Engraving – Hand-Coloured Buffon Dutch Edition This impressive hand-coloured 18th-century engraving of the Morvant ram, titled Le Morvant, comes from the rare Dutch edition of Buffon’s monumental Histoire Naturelle, published in Amsterdam by J.H. Schneider in 1769. Appearing as Plate XXX in Tome XI, this striking portrait is one of the most distinctive and decorative sheep and goat engravings in the entire Buffon series. Drawn by Jacques de Sève, Buffon’s leading illustrator, and engraved with great refinement, the plate combines scientific accuracy with a strong visual presence, typical of the finest work in the quadruped volumes. The Morvant ram stands in full profile on a raised foreground bank, its powerful build, muscular legs, and long shaggy coat rendered with exquisite detail. De Sève’s elegant cross-hatching gives volume and texture to the thick wool and the dark mane that drapes down the animal’s chest. The curved horns, expressive eye, and firm stance emphasise both the strength and the calm dignity of the breed. The hand colouring, characteristic of the Amsterdam Schneider edition, enriches the engraving with warm brown tones, natural greens, and soft blues that bring the entire composition to life. Behind the ram, a landscape of minarets, domed buildings, and distant walls evokes the North African or Near Eastern setting associated with ancient regional breeds. The broad sky, shaded in subtle blue-grey washes, anchors the scene and provides an atmospheric backdrop that complements the earthy foreground tones. As a result, the plate balances scientific illustration and picturesque landscape in a way that remains highly desirable for collectors and decorators alike. Buffon’s Histoire Naturelle represented one of the most ambitious publishing achievements of the Enlightenment, combining zoological study with an artistic sensibility. The Morvant ram, a robust and historically important breed, was of particular interest for its adaptability, distinctive appearance, and long-standing role in agriculture and local culture. This engraving served as one of the earliest widely circulated visual records of the breed in Western Europe. More than 250 years old, this sheet remains bright, clean, and visually engaging. The strong plate mark, generous margins, and refined hand colouring make it an excellent standalone artwork or a perfect companion to related Buffon plates such as the Tunis ram, zebu, buffalo, or yak. Condition report: Very good for age. Minor toning and small foxing marks mostly confined to margins. Light handling marks typical of 18th-century paper. Strong impression with clearly visible plate mark. Hand colouring fresh and well preserved. No tears or repairs observed. Framing tips: Frame with an ivory, pale grey, or warm cream mat to complement the soft colouring of the wool and sky. A walnut or natural oak frame enhances the warm tones, while a slim black frame creates a more modern contrast. Floating the sheet is an excellent option to highlight the wide margins and plate mark. Keywords: Morvant ram engraving Buffon natural history Amsterdam 1769 Jacques de Sève hand coloured copper engraving antique sheep print...

Antique Zebu Engraving, Buffon Hand-Coloured Print Amsterdam 1769 This charming and beautifully hand-coloured engraving of the zebu, titled Le Zébu, comes from the rare Dutch editio...

Set of 3 Antique Quadruped Anatomy Engravings, Buffon Scientific Plates 1769 This fascinating set of three 18th-century anatomical engravings comes from the rare Dutch edition of Bu...

Antique Buffalo Engraving, Buffon Hand-Coloured Print Amsterdam 1769 This handsome hand-coloured 18th-century engraving of the buffalo, titled Le Buffle, comes from the rare Dutch edition of Buffon’s celebrated Histoire Naturelle, published in Amsterdam by J.H. Schneider in 1769. Appearing as Plate XXV in Tome XI, the image was drawn by Jacques de Sève, Buffon’s principal illustrator, and engraved by C.J. Fritsch. The plate is one of the most appealing large mammal portraits in the Buffon series, notable for its expressive character, fine engraving, and warm, atmospheric colouring. The buffalo stands in full profile on a grassy bank beneath a soft blue sky. Its muscular body, thick neck, and distinctive curved horns are rendered with precise cross-hatching, highlighting both strength and powerful form. The shaggy hair around the head and chest is drawn with exceptional sensitivity, giving the animal a lively, alert presence. Behind the buffalo, a distant landscape shows classical buildings, rolling hills, and soft vegetation—an elegant composition typical of de Sève, who often placed his subjects in idealised settings to evoke the exotic nature of these animals for 18th-century European audiences. Hand colouring in the Schneider edition is among the finest of all Buffon printings. The warm browns of the buffalo’s coat...

Complete Set of 10 Camel Anatomy Engravings, Buffon Scientific Plates 1769 This exceptional suite of ten original 18th-century anatomical engravings of the dromedary camel comes fro...

A charming period print depicting a young woman in a three-quarter view, her head turned towards the viewer, sporting a delicate smile. Her hair is tied back with a wide ribbon, and ...