Engraved Wall Decorations

Antique Louvre Architectural Engravings Pair, French Neoclassical Reliefs, c.1803 This refined pair of early 19th-century French architectural engravings depicts sculptural relief d...

Antique Handcolored Engraving of Giraffes, Quadruped III, c.1800 This original handcolored copperplate engraving features two giraffes (*Giraffa camelopardalis*), vividly illustra...

Antique Portrait François Véron 1648, Jesuit Theologian Engraving Description: A finely engraved and historically compelling portrait of François Véron (ca. 1575–1649), a prominent ...

Presenting a fabulous and very rare set of original mid-19th century Chromolithograph Engravings by John Frederick Herring Snr from circa 1850. The exci...

Republican General and His Guide 1795, Napoleonic Era Military Uniform Print This finely hand-colored 19th-century engraving depicts a Republican general and his guide as uniformed ...

Mounted Knight in Tournament Armor with Lance, circa 1400 This vibrant costume plate, No. 90 from the 1845 publication Costumes Historiques des XIIIe, XIVe et XVe Siècles, offers a ...

Title: Mexican Gods and Priests – 1734 Engraving of Aztec Deities and Religious Ritual Description: This rare 1734 copperplate engraving presents four vivid representations of Aztec...

Islamic Costume Print Pilgrim Attire of Mecca, 1863 Dutch Lithograph This refined 19th-century lithograph titled “Het Pelgrimsgewaad” (The Pilgrim Attire) offers a visually compelli...

Set of 8 Antique Botanical Engravings of Bromus (Brome Grasses), c.1830 This striking set of eight early 19th-century botanical engravings features several expressive species of Bro...

Antique Sugarcane Botanical Print, Saccharum officinarum, Hand Colored This finely executed botanical engraving depicts Saccharum officinarum, the sugarcane plant, one of the most i...

Antique Bosporus View with Beil-Gorod Fort – Bartlett Constantinople, circa 1839 A picturesque 19th-century view of Fort Beil-Gorod on the Bosporus, after W.H. Bartlett, depicting a...

Napoleonic Light Infantry, Voltigeur and Carabinier, French Army 1809 This finely hand-coloured military engraving depicts two elite soldiers of the French light infantry in 1809, s...

La Pérouse Alaska Tlingit Costume Engraving – French Expedition, 1797 A rare and historically significant late 18th-century engraving depicting the indigenous inhabitants of Port de...

Antique Coconut Palm Botanical Study, Cocos nucifera, c.1831 Description: This highly detailed botanical engraving presents a full analytical study of the coconut palm, including fl...

Cabinet-Size British Butterfly Engravings by Jardine & Lizars, 1835 This charming set of six hand-colored butterfly engravings originates from the celebrated Victorian natural histo...

Hungarian Gentleman & Lady Costume Engravings, Hand-Colored Pair, 1749 This elegant pair of mid-18th century hand-colored costume engravings depicts a Hungarian gentleman and lady i...

Boston State House on Beacon Hill, Antique Steel Engraving ca. 1850 This striking 19th-century steel engraving depicts the Massachusetts State House in Boston, identified in German ...

Original Antique Anatomical Print of a European Crayfish by Bertuch, c. 1800 Original antique hand-colored copper engraving depicting the common European crayfish and its anatomy, p...

Fine pair of Fisher & Son London hand coloured engravings from the early Victorian Period. Beautifully framed and mounted and in good condition. Detailed scenes of Cornwall...

Solor Island View, Indonesian Harbor Engraving, French Voyage Plate c.1700 Description: This engraved view depicts the island of Solor in present-day eastern Indonesia, shown as a s...

Original Antique Print of Peacock and Red Admiral Butterflies by Bertuch, c. 1800 Original antique hand-colored copper engraving depicting three European butterflies together with t...

Each panel is handmade in the artist’s studio, available in several sizes (S, M, L) and can be displayed individually or as part of a composition. DREVO by Victoria Yakusha is a ser...

This exquisite 1845 handcolored engraving is a testament to the scientific curiosity and artistic detail of the 19th century. The print features a collection of five arachnids, each ...

Monumental Classical Relief Scene, Montfaucon Antiquity Explained Engraving, 1721 Description This impressive and richly scaled engraving originates from the landmark antiquarian wo...

Porcelain Tower of Nanjing Pagoda – Ferrario Antique Chinese Architecture, 1815 Description: This finely hand-colored engraving depicts the celebrated Porcelain Tower of Nanjing, on...

Antique print titled 'The Elevation of Nen Bold-Hall in Warwickshire (..)'. View of the Bold Hall in Warwickshire, England. This print originates from 'Vitruvius Britannicus' by Co...

Knight of the Order of the Redeemer or Precious Blood, 18th-Century Engraving This exquisite 18th-century hand-colored engraving portrays a Knight of the Order of the Redeemer (or...

18th Century Engraving Sneed Park, the Seat of Joseph Jackson Esquire. Hand colored engraving, “Sneed Park, the seat of Joseph Jackson Esquire. Illustration from the second volume o...

Napoleon Bonaparte on Horseback, L’Empereur – French Hand-Colored Print, 1843 This striking 19th-century hand-colored print depicts Napoleon Bonaparte in one of his most enduring and carefully constructed visual roles: the calm, commanding emperor on horseback. Shown mounted on a poised grey horse, Napoleon is rendered in his characteristic attire—dark coat, bicorne hat, and the red sash of the Legion of Honour—projecting authority, discipline, and control. His composed posture contrasts with the dynamic movement of the horse, a visual device frequently used in Napoleonic imagery to suggest mastery over both men and circumstance. Behind him, attendants and officers follow at a respectful distance, reinforcing his position as supreme commander. The sparse landscape keeps the focus firmly on Napoleon himself, turning the scene into a timeless emblem rather than a specific battlefield episode. The caption beneath the image, “L’Empereur,” leaves no ambiguity about the subject and reflects the iconic status Napoleon held in French visual culture long after his fall. This print originates from *Histoire de l’Empereur Napoléon* by P.-M. Laurent de l’Ardèche, published in Paris in 1843 and illustrated after designs by Horace Vernet, the most influential Napoleonic painter of the 19th century. Vernet’s imagery played a crucial role in shaping the posthumous legend of Napoleon, blending historical reference with idealized representation. Such prints were intended both as historical illustrations and as objects of admiration, suitable for framing in bourgeois and official interiors. As an equestrian portrait, this work belongs to a long artistic tradition associated with power, leadership, and imperial legitimacy. It remains highly appealing to collectors of Napoleonic history, French military art...

Title: "ORNITHOLOGY. Div'n. Land Birds – Order 4 PICE.A. Plate VI" Description: This 19th-century ornithological print, intended as a scientific reference, features a variety of lan...

Visualize a captivating brass wall hanging from the 20th century, a masterpiece that intricately captures the essence of Mughal art and history. This large, hammered brass creation serves as both a work of art and a historical narrative, transporting observers to the opulent world of Mughal India. The brass wall hanging is generously sized, with a surface that gleams in the warm, golden hues characteristic of polished brass. Its weighty presence adds a sense of grandeur to any space, and the hammered texture across the entire piece adds depth and dimension to the artwork. Upon closer inspection, the surface of the brass wall hanging reveals a finely detailed Mughal scene. The artisan has skillfully hammered the brass to create a rich tapestry of imagery, showcasing the elegance and sophistication of Mughal life. The scene might include depictions of Mughal emperors and empresses, courtiers engaged in conversation, musicians playing traditional instruments, and gracefully adorned elephants parading through lush gardens. The meticulous craftsmanship extends to the fine details of clothing, jewelry, and architectural elements. The hammered technique imparts a textured quality to the figures and structures, creating a dynamic interplay of light and shadow that adds to the visual richness of the piece. The central focus of the brass wall hanging might be a magnificent Mughal palace or a serene garden, both rendered with precision and artistic flair. The scene is framed by intricate borders featuring geometric patterns and floral motifs, showcasing the artisan's dedication to both historical accuracy and aesthetic beauty. As a whole, this brass wall hanging stands...

Architectural engravings by Jean-François de Neufforge (1714–1791). Neufforge was a Flemish engraver, architect, and publisher known for his work "Recueil élémentaire d'architectur...

Roman Sculptures and Portrait Heads, Composite Antiquities Plate, Montfaucon 1721 Description: This finely engraved composite plate originates from the first English edition of Bern...

18th Century Playing Cards by David Weege, 1758 27 pieces of copper engraved playing cards, framed behind glass, made by David Weege 27 pi...

Original Antique Print of Gar and Exotic Armored Fish by Bertuch, c. 1800 Original antique hand-colored copper engraving depicting four unusual species of freshwater fish, published...

Title: Engraving of Hindu Pagoda on Malabar Coast, Antique Temple Print Description: This elegant antique print, titled "Temple ou Pagode des Gentils de la côte de Malabar," was cre...

Bosporus Harbor View from Pera, Istanbul Arsenal – Antique Bartlett, c.1839 Description: An elegant and detailed 19th-century view of the Arsenal of Constantinople as seen from Pera, after W.H. Bartlett. This engraving presents a lively harbor scene along the Bosporus, with ships at anchor and the city rising in layered architectural forms across the water. Published in London around 1839 by Fisher, Son & Co., this work exemplifies the refined steel engraving techniques of the period. The composition balances foreground architectural elements with the expansive cityscape beyond, offering both intimacy and grandeur. The skyline of Constantinople is richly depicted with domes, minarets, and densely built structures, conveying the scale and importance of the city during the Ottoman era. The foreground includes cypress trees and traditional buildings, framing the view and adding depth. The original hand-coloring enhances the subtle interplay of light across the water and architecture, making this a particularly decorative and collectible example of Bartlett’s work. Note: All items we offer are authentic period works of art over 100 years old. The print is sold unframed; any framed images are shown for presentation and interior inspiration only. Condition: Good condition. Light age toning and scattered foxing, mainly in the margins. Plate mark visible. Image remains clear with pleasing original coloring. Framing tips: Beautiful in a dark frame with a wide mount for a classic collector’s look. Also suitable for a lighter contemporary frame to emphasize the cityscape and water tones. Technique: Steel engraving with original hand-coloring Maker: W.H. Bartlett (after), engraved by S. Bradshaw, London, circa 1839 Keywords: Istanbul harbor print, Pera engraving, Constantinople arsenal, Bartlett Istanbul, Bosporus harbor scene, antique Turkey print, Ottoman cityscape, 19th century engraving, Istanbul skyline, maritime print, Middle East art...

Satirical German Military Engraving of Napoleon as the Little Corporal, c1835 This 19th-century German engraving presents a humorous encounter between a marching soldier and Napoleon Bonaparte, referred to here by his well-known nickname “the Little Corporal.” The guard refuses to let Napoleon pass, replying firmly: “Man passirt nicht — Und wär’ Ihr der kleine Corporal selbst; ich sage Euch man passirt nicht” (“One does not pass — and even if you were the Little Corporal himself, I tell you one does not pass”). The composition gently satirizes Napoleon’s legendary status, contrasting the anonymous authority of a common soldier with the figure who once ruled Europe. Produced around 1830–1850, likely in a German or Austrian print workshop, the engraving reflects the wave of post-Napoleonic satire that circulated widely in Central Europe. The artist captures the exchange with strong facial expressions, detailed uniforms and a richly rendered woodland setting. Prints of this type remain popular among collectors of Napoleonic history, military art and European caricature, while the crisp impression and large sheet size make it appealing as decorative wall art as well. A charming and historically engaging image from the early 19th century, combining humour, military history and well-executed engraving work. Condition: Strong impression; light age toning; minor handling marks; margins clean with no major tears or repairs. Suitable for immediate framing. Framing: Looks best floated on off-white or pale cream museum board in a thin black, dark walnut or antiqued gold frame. Museum glass recommended to preserve contrast and period detail. Keywords: Napoleon engraving...

This exquisite hand-colored copperplate engraving from Friedrich Johann Bertuch's renowned "Bilderbuch für Kinder" (Picture Book for Children), published in Weimar in 1805, presents ...

Antique View of Siam — Royal Barges, Elephants & Customs Engraving, Chatelain c.1720 This detailed early 18th-century copperplate engraving titled “Vue & description de la ville de ...

California Quail Pair – Male and Female Partridge of California, Antique Bird Print This fine early ornithological engraving depicts a male and female California quail, here titled ...

Original Antique Print of Roman Naval Battles and Warships by Bertuch, c. 1800 Original antique hand-colored copper engraving illustrating ancient Roman naval spectacles and warships, published in Friedrich Justin Bertuch’s celebrated “Bilderbuch für Kinder” around 1800. The plate is titled “Alterthümer XIII / Antiquités XIII” and illustrates the extraordinary Roman practice of staging mock naval battles, known as naumachiae. Fig. 1 depicts a large purpose-built naumachia: an oval amphitheater surrounding a flooded arena in which several vessels engage in a simulated naval battle. Additional ships are shown approaching through the monumental entrance and waterway below. Such elaborate spectacles were among the most ambitious forms of public entertainment in ancient Rome. Figs. 2 and 3 show detailed side views of ancient oared warships, illustrating their construction, banks of oars, raised sterns and military equipment. The combination of classical architecture, naval history and finely drawn ancient vessels makes this an especially interesting plate from Bertuch’s series. The engraving is signed “J. H. Schmuzer” at lower right. Friedrich Justin Bertuch (1747–1822) was a German publisher, writer and patron of the arts. His monumental “Bilderbuch für Kinder” (Picture Book for Children) was one of the great illustrated educational encyclopedias of the late 18th and early 19th centuries. Published in Weimar from 1790 onward, it contained hundreds of engraved and hand-colored plates covering natural history, geography, science, technology, mythology, antiquity and costumes. An unusual and decorative early print combining ancient Roman history, architecture and maritime subjects. Creator: Friedrich Justin Bertuch (1747–1822) Engraver: J. H. Schmuzer Source: Bilderbuch für Kinder Plate: Alterthümer XIII / Antiquités XIII Place of Publication: Weimar, Germany Date of Manufacture: Circa 1800 Period: Early 19th Century Style: Neoclassical – In the Period of Medium: Original hand-colored copper engraving on paper Condition: Good. Wear consistent with age and use. Light age-related toning and occasional minor spotting. Minor marginal wear. Original hand coloring remains attractive. Please refer to the photographs for further details of condition. Please note: This is an original antique print from circa 1800, not a modern reproduction. The print is sold unframed. Framed images or interior views, if shown, are for presentation and inspiration only. Keywords: Roman naval battle, naumachia, Roman warship, ancient Roman ships, Roman galley...

Pair of Botanical Engravings from The Botanic Garden by B. Maund, London c.1836 A refined pair of original hand-colored botanical engravings from *The Botanic Garden* by Benjamin Ma...

Title: "Warrior of Owhyhee: Anthropophage in War Costume, 1785 Engraving" Description: This evocative print, titled "Anthropophage d'Owhay, costume de guerre," portrays a Hawaiian w...

Title: Antique 18th Century Engraving of Cannon Designs and Cross-Sections from Diderot Description: This original 18th-century engraving presents highly detailed technical illustra...

Hogarth's 1756 England Satirical Print: A Patriotic Masterpiece, Published 1799 This image is a work by William Hogarth titled "England," part of his series "France and England," al...

1810 Hand-Coloured Engraving - Tatar Peasants of the Crimean Peninsula Description: This 1810 hand-coloured copperplate engraving from Carl Bertuch's "Bilderbuch für Kinder" ("Picture Book for Children") presents a lively scene of Tatar peasants in the Crimean Peninsula (modern-day Ukraine). The engraving captures rural daily life in vivid detail, depicting various activities that reflect the agricultural lifestyle of the region. In the foreground, a peasant, smoking a pipe, points while instructing a child, creating an engaging snapshot of a family scene. Nearby, a woman, dressed in traditional clothing, is shown milking a dairy cow, demonstrating the importance of livestock to the community's economy. To the left, a farmer leads two Bactrian camels pulling a hay wagon, showcasing the use of these hardy animals for heavy labor and transportation in the region. The background features thatched-roof homes, with a minaret rising above them, symbolizing the cultural influence of Islam in the region. The peaceful pastoral setting, with cows grazing and a well in the foreground, further emphasizes the agricultural way of life. The detailed hand-colouring adds vibrancy to the scene, highlighting the distinct attire and activities of the Crimean Tatar...

Floor Plan of the Temple of Amun at Luxor – Ancient Thebes, c.1710 Description: This antique architectural engraving presents a detailed floor plan of the famous Temple of Amun in L...

Antique Decorative Ceiling Designs, Fontainebleau Gallery, Baltard, 1803 – Pair This elegant pair of architectural engravings presents richly detailed ceiling designs from the Châte...

Ottoman Ambassador Portrait Engraving, Bernigeroth, Turkish Envoy, c.1740 A finely executed and visually striking mid-18th-century copperplate engraving depicting Tschanibei Ally Ba...

Virgin Woman from Naples – Antique Hand-Coloured Woodcut by Jost Amman, 1577 This rare 16th-century hand-coloured woodcut depicts a virgin woman from Naples, titled Virgo Neapolitan...

Title: Antique Seahorse, Frilled Shark & Curious Fish Engraving – Bertuch, 1821 Original antique hand-colored copper engraving depicting five extraor...

This is an original hand colored copper engraving, one of the Cries of London plates, lettered "WATER CRESSES." beneath the image. It shows an elderly watercress seller in Hanover Sq...

This is an original hand colored copper engraving, one of the Cries of London plates, lettered "STRAWBERRIES." beneath the image. It shows a strawberry seller in Covent Garden. She s...

This is an original hand colored copper engraving, one of the Cries of London plates, lettered "SWEEP SOOT O." beneath the image. It shows a chimney sweep at the gate of the Foundlin...

This is an original hand colored copper engraving, one of the Cries of London plates, lettered "SLIPPERS." beneath the image. It shows a slipper seller at Somerset House, an old man ...

This is an original hand colored copper engraving, one of the Cries of London plates, lettered "A SHOWMAN." beneath the image. It shows a showman at Hyde Park Corner standing beside ...

This is an original hand colored copper engraving, one of the Cries of London plates, lettered "SAND O!" beneath the image. It shows a sand seller beside his cart outside Saint Giles...

This is an original hand colored copper engraving, one of the Cries of London plates, lettered "RHUBARB!" beneath the image. It shows a rhubarb seller in Russell Square, dressed in a...

This is an original hand colored copper engraving, one of the Cries of London plates, lettered "RABBITS." beneath the image. It shows a rabbit seller in Portland Place. He wears a bl...