Engraved Wall Decorations

Mehmed IV Ottoman Sultan “The Hunter” Portrait Engraving, c.1700 A striking and highly decorative late 17th to early 18th-century copperplate engraving depicting Mehmed IV (1642–169...

Mark Catesby (British, 1683-1749) Framed Engravings, Set of Two. These 18th Century engravings originated from Catesby's publication, 'The Natural History of Carolina, Florida, and t...

This original hand-colored antique engraving appears to depict a variety of crustaceans, which are characterized by their hard exoskeletons, segmented bodies, and jointed limbs. Each...

Antique engraving, Edward the Confessor tomb Westminster Abbey London This refined eighteenth-century copperplate engraving by George Vertue (1684–1756) depicts the monumental shrin...

Antique Architectural Engraving of a Caryatid, Cabinet d'Henri IV, by Baltard, 18th Century This engraving depicts a richly detailed caryatid figure surrounded by fragments of class...

Leonardo da Vinci Battle of Anghiari Engraving by Edelinck After Rubens c1660 A powerful mid-17th-century engraving of the famous “Battle of Anghiari” by Gérard Edelinck, executed around 1660 after Leonardo da Vinci’s lost composition and the celebrated drawing by Peter Paul Rubens. Also known as the Battle of the Standard, the scene shows three mounted warriors locked in ferocious combat over the banner that signals victory. The rearing horses, intertwined figures and dramatic energy reflect the extraordinary dynamism of Leonardo’s original design for the Great Council Hall of the Palazzo Vecchio in Florence. Leonardo’s experimental fresco method caused the original painting to deteriorate quickly, and it was eventually overpainted by Vasari. Edelinck’s engraving, based on Rubens’s vivid reconstruction, remains one of the most important surviving documents of the composition. Edelinck, one of the finest engravers of the 17th century, renders the complex anatomy, armour and movement with exceptional precision and tonal mastery. Large-format engravings of the Battle of Anghiari are increasingly sought after for their direct connection to Leonardo’s lost masterpiece and their strong decorative impact. This impression offers rich detail and compelling presence. A significant addition for collectors of Renaissance art, Old Master prints and historically important battle imagery. Condition: Strong impression with good tonal range; light age toning and handling marks; small tear in the upper right border; margins tight; no major losses or repairs. Suitable for professional framing. Framing: Best floated on off-white museum board in a thin black or dark walnut frame with a deep profile. Museum glass recommended to enhance contrast and preserve detail. Keywords: Leonardo da Vinci Battle of Anghiari, Edelinck engraving, Rubens drawing, Old Master print, 17th century engraving, Renaissance battle scene, antique horse battle...

Title: Holy Week and Candlemas Rites – Rare 1734 Engraving of Catholic Liturgical Scenes Description: This rare and finely engraved 18th-century print presents six distinct Roman Ca...

Rideau Canal Locks and Haliburton’s Residence – Pair of 19th Century Canadian Views This attractive pair of antique steel engravings presents two contrasting scenes from 19th-centur...

Humboldt Pass, Great Basin Nevada – Beckwith Survey Engraving, c.1855 A finely executed mid-19th-century American landscape engraving titled Humboldt Pass, created as part of the U....

Napoleon Bonaparte Imperial Guard Cavalry Prints by Horace Vernet, 1843 This original 19th-century hand-coloured lithograph pair depicts elite cavalry units of Napoleon Bonaparte’s ...

Ortelius Asia Japan China Taiwan Philippines East Indies Antique Map 1570 This highly important early map of Asia titled “Indiae Orientalis Insularumque Adiacientium Typus” is one of the most influential 16th-century European depictions of East and Southeast Asia. Published by Abraham Ortelius for his groundbreaking atlas Theatrum Orbis Terrarum, this map presents a sweeping geographical vision of the Far East before the full penetration of the Dutch into the region. It covers India, Indochina, China, Korea, Japan, the Philippines, the East Indies or Spice Islands, New Guinea, and parts of the western Pacific. Ortelius was the first European cartographer to name Formosa (modern Taiwan), marking a milestone in Western geographic knowledge of Asia. Japan appears in its famous early “kite-shaped” form, shown as a large oval island...

This antique print, titled "Guanabanus Folio Ficulneo," illustrates the Soursop, or Annona muricata, a fruit native to tropical regions of the Americas, particularly valued for its s...

Each panel is handmade in the artist’s studio, available in several sizes (S, M, L) and can be displayed individually or as part of a composition. DREVO by Victoria Yakusha is a ser...

Raoul Dufy Hand Colored Illustration Pochoir from the Estate of CZ Guest. Finest quality lithograph is a French Pochoir, a complicated technical printi...

Set of 6 Antique Classical Antiquities Engravings, Sculpture & Medals, 18th C. The map is offered unframed, giving flexibility to select a frame that best suits the intended interio...

Chinese Noble with Attendant and Child, Hand-Coloured Ferrario Costume Plate 1815 A refined early nineteenth-century hand-coloured copperplate engraving depicting a Chinese noble figure accompanied by an attendant and child, originating from Giulio Ferrario’s monumental ethnographic publication *Il Costume Antico e Moderno di Tutti i Popoli* (Costumes Ancient and Modern of All Peoples), published in Milan around 1815. This influential work represents one of the most ambitious illustrated surveys of global cultures produced during the Enlightenment period, combining artistic refinement with documentary curiosity about the wider world. The composition presents a dignified standing figure dressed in an elaborately patterned robe, holding a fan while accompanied by a servant carrying a parasol overhead — a visual symbol of rank and status within traditional Chinese society. The presence of a child adds narrative warmth and suggests familial or social context, transforming the plate from a purely ethnographic study into a lively human scene. The costumes are rendered with careful attention to textile patterns, colour contrasts, and silhouette, reflecting the European fascination with Chinese dress and ceremonial customs during the era of expanding trade and cultural exchange. Executed in precise engraved line and enhanced with delicate contemporary hand-colouring, the plate demonstrates the clarity and balance characteristic of early nineteenth-century Italian printmaking. Ferrario’s publication sought to educate European audiences through visual representations of different cultures, blending scholarly intent with decorative appeal. Today, such prints are valued both for their historical insight and for their aesthetic qualities, particularly within collections focused on Asian art, costume history, or early ethnographic illustration. The vertical format and harmonious palette make this engraving especially attractive for interior design settings. Framed individually, it serves as an elegant focal point; alternatively, it pairs well with other Ferrario Chinese costume plates to create a cohesive gallery wall in luxury interiors. Condition: Good antique condition consistent with age. Light age toning and minor handling marks to margins; plate impression visible. Colours remain fresh. Original embossed blind stamp visible, as issued, with possible light overlap into the image area. Framing tips: Dark walnut or ebonized frame with a wide ivory mat enhances the subtle colouring and provides a museum-quality presentation suited to refined interiors. Technique: Hand-coloured copperplate engraving Maker: Giulio Ferrario publication, Milan (Italy), circa 1815 Keywords: Chinese costume engraving, Ferrario costume print, Il Costume Antico e Moderno, antique China...

Pair of Italian Gilt Concave Metal Brutalist Wall Medallion Sculptures, C. 1970s Italy, Circa 1970s A captivating Pair of Italian Gilt Concave Metal Brutalist Wall Medallion Sculptur...

Weston Missouri River View Antique Print, Steamboat Landscape c.1850 This finely engraved mid-19th century view depicts the town of Weston, Missouri, set along the banks of the Miss...

Each panel is handmade in the artist’s studio, available in several sizes (S, M, L) and can be displayed individually or as part of a composition. DREVO by Victoria Yakusha is a ser...

This image is a beautiful collage of antique hand-colored botanical engravings from 1845, each showcasing a different plant species with exceptional detail and vibrant colors. The en...

Warwick Castle River View, English Castle Landscape Engraving, c1850 A finely composed hand-colored architectural landscape depicting Warwick Castle, one of England’s most historic ...

Napoleon at the Bivouac of Wagram – French Empire History Engraving c.1840 Description: This striking 19th-century French engraving depicts Napoleon in quiet contemplation during a ...

Antique Map Italy, Bartholomew for Black’s General Atlas, Edinburgh 1884 Description: This detailed map of Italy was published in the New and Revised Edition of Black’s General Atlas of the World, issued in Edinburgh in 1884 by the respected Scottish publishing house A. & C. Black. The map was prepared under the direction of the renowned cartographer John Bartholomew, whose work played a major role in shaping nineteenth-century atlas cartography. John Bartholomew was one of the most influential mapmakers of the Victorian era. His atlases for A. & C. Black were admired for their clarity, precision, and elegant presentation. Combining scientific geographic accuracy with refined engraving and printed color, Bartholomew’s maps became widely used in education, government, and scholarly circles throughout Europe and the British Empire. The map presents the Italian peninsula shortly after the unification of Italy in the nineteenth century. Political divisions are clearly distinguished through printed color, showing the administrative regions of the newly unified kingdom. The map extends from the Alpine frontier in the north to the southern tip of Calabria, capturing the entire peninsula with remarkable geographic detail. Northern Italy shows the Alpine region bordering Switzerland and Austria, with cities such as Turin, Milan, and Venice prominently marked. The Po River basin is depicted with a dense network of towns and transportation routes reflecting the economic importance of the region. Central Italy includes Florence, Pisa, and Rome, while the southern regions show Naples and the mountainous landscapes of Calabria and Basilicata. The map also includes the major Italian islands. Sardinia...

Text: "Le cheval étant sur son plan naturel, pour faire voir la plus parfaitte posture du Cavallier" Translated: "The horse being in its natural position, to show the most perfect ...

Inhabitants of Nootka Sound (Vancouver Island) – Antique Hand-Colored Ethnographic Print c.1805 This finely hand-colored ethnographic print titled “Inwooners van Nootka” (“Inhabitan...

Temple of Philae on the Nile – Antique Egypt Ruins Engraving by Norden, c.1755 This impressive 18th-century engraving presents a detailed view and pe...

JOHANN WILHELM WEINMANN (1683-1741) - PHYTANTHOZA ICONOGRAPHIE - Antique pair of framed 18th century first edition Phytanthoza Iconographie botanical hand colored mezzotint engraving...

18th Century Engraving of Mahomet (Prophet Muhammad), Published by Daumont Paris Description: This antique French engraving depicts Mahomet (Muhammad), described here as the founder...

Set of Three De Bry Botanical Engravings of Indian Fruits and Spices, c.1598 – Pineapple, Mango, and Pepper An exceptional trio of original copper engravings from Theodor de Bry’s P...

Knight of the Order of St. Andrew in Russia: 18th-Century Hand-Colored Engraving This exquisite hand-colored engraving portrays a "Ritter des Heiligen Andreas Ordens in Russland" ...

Imperial Guard Tirailleur and Voltigeur, Napoleonic Military Print, c1843 This hand-coloured 19th-century engraving depicts a Tirailleur and a Voltigeur of Napoleon Bonaparte’s Impe...

Large Mezzotint of Napoleon at the Battle of Waterloo German Print, c1850 A dramatic large-format mezzotint depicting Napoleon Bonaparte during the Battle of Waterloo on 18 June 181...

Panoramic View of Vienna – Imperial Capital, Salmon / Tirion, Amsterdam c.1740 Description: This finely engraved panoramic view depicts Vienna as the imperial capital of the Habsbur...

The animal depicted in this print is commonly known as the horseshoe crab, specifically the Limulus polyphemus, also known as the Atlantic horseshoe crab. These marine arthropods are...

An antique English hand colored framed print titled "Billiards" Gentlemen playing billiard scene. Designed and etched by E.F. Lambert, published by Thomas Mc Lean, 1827,Haymarket, Lo...

Antique print of various snakes including the buff striped keelback snake. This print originates from 'Bilderbuch fur Kinder' by F.J. Bertuch. Friedrich Joha...

Acts of the Apostles – Six Biblical Scenes, Pieter Mortier Engravings, Amsterdam c.1700 This rare set of three large copper engravings, each containing two biblical scenes, was publ...

A fine antique set of two Italian Neoclassical engravings from Antonio Lafreri's edition in 1553, copied from the original engravings of Polidoro da Caravaggio (1499 – 1543). These f...

Napoleonic Marines, Garde Impériale, French Military Uniform Print, 1843 This finely hand-colored military print depicts a Marine of the Imperial Guard (Marins de la Garde Impériale...

This engraving is an allegorical frontispiece featuring a depiction of the ruins of ancient Rome, emphasizing the enduring legacy of the city's grandeur through its remnants. The com...

Set of 8 Antique Botanical Engravings of Meadow Foxtail, Polypogon & Agrostis, c.1830 This elegant set of eight antique botanical engravings presents a finely curated selection of B...

Antique Tea Botanical Print, Thea Chinensis, Hand Colored, c.1831 This elegant botanical engraving depicts Thea chinensis, the tea plant, one of the most influential commodities in ...

Title: Antique Egyptian and Greco-Roman Heads and Figures – Engraving c.1776 Description: This detailed antique engraving presents a fascinating assemblage of ancient sculptures and...

Albrecht Dürer, Saint Eustace. Copper engraving, 1501. Carved later in the 16 century. Signed with the monogram A.D (Albrecht Dürer) Why not having on a...

Antique map titled 'Novissima Totius Terrarum Orbis Tabula, Auctore Nicolao Visscher'. Gorgeous example of Nicholas Visscher's World map, which appeared...

"Justice and Diversity in the Early Modern World" Description: This detailed engraving presents a vivid tableau in two distinct parts, each illustrating significant cultural and hi...

32 pieces caricature playing cards, 19th century 19th century Caricature playing cards printed on one page 32 pieces hand colored Framed and behind glass The size is 68 cm x 80 cm...

1720 Albin Butterfly & Host Plant Plate – Dedicated to William Byrd of Virginia This finely hand-colored copper engraving was published in London in 1720 as part of A Natural Histor...

Monumental Classical Allegory, Large Horizontal Engraving from Montfaucon, 1721 Description: This impressive large-format engraving originates from Bernard de Montfaucon’s monumenta...

Set of 8 Antique Botanical Engravings of Avena, Arundo and Meadow Grasses, c.1830 This refined set of eight early nineteenth-century botanical engravings features a beautifully vari...

Title: Napoleon and Francis II after Austerlitz, Antique French Engraving, circa 1840 Description: This 19th-century French engraving depicts the historic meeting between Napoleon B...

Antique portrait titled 'Carolus III Hispania'. Original antique print of Charles III of Spain. The print shows the king illustrated with the symbols of royal power and war, as well as with several archaeological pieces...

Greece and the Danube Basin Map c.1720 – Antique Engraving of the Balkans This remarkable early 18th-century map presents a sweeping view of southeastern Europe, centering on the co...

John Nieuhoff Exotic Fish Prints Set of Five Hand-Colored Engravings c1704 This rare and attractive group of five hand-colored engravings depicts a diverse selection of exotic marin...

This image is a beautifully detailed handcolored engraving from 1845, featuring a series of marine invertebrates and insects. It includes eight specimens, each meticulously illustrat...

Virgin Mary with Child, Baroque Devotional Engraving, Penzinger, c.1700 This refined Baroque devotional engraving depicts the Virgin Mary tenderly embracing the Christ Child, set wi...

Antique Map of Asia 1815 – Carta Generale dell’Asia, Ferrario, Italy This refined early 19th-century map presents a comprehensive view of the Asian continent, titled Carta Generale ...

Set of Five Antique Engravings of Spices and Colonial Crops from Diderot’s Encyclopédie, ca. 1770 A remarkable set of five copperplate engravings from Denis Diderot and Jean le Rond...

Ancient Egyptian Reliefs & Hieroglyphs, Denon Voyage Egypt, 6 Engravings 1802 This cohesive set of six copper engravings originates from Voyage dans la Basse et la Haute Égypte, pub...

The image showcases six hand-colored botanical copperplate engravings on vellin paper from the early 19th century, attributed to Samuel Curtis's publication. Here's a description o...