North African Wall Decorations

79264 Rare Vintage Egyptian Birds in Tulip Field Tapestry Rug, 05'06 x 05'08. A cherished archival vintage masterpiece, this rare handwoven wool Egyptian...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th Century. Morocco Ready to go on a wall....

Pretty vintage Egyptian woven tapestry, in style of Wissa Wassef school tapestries with beautiful childish design and nice colours, entirely hand woven with wool on cotton foundation.

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th Century. Morocco Ready to go on a wall....

A beautiful antique North African Tuareg Sahara bag. Tribally hand crafted, dyed, embroidered, leather bag with long fringe. The Tuareg are Berber...

Very nice and colorful hand woven tapestry. This beautiful sample of Egyptian weaving bears what we read artist Karina Ali and done under direction of Sophie Habib Gorgi , according...

We love this Egyptian film poster for Tim Burton’s Batman - so cool! The original vintage move poster is sized 28 x 39 1/4 inches (plus little extra for the line) In near Mint/ Mint...

Exquisite midcentury Egyptian tapestry, inspired by the Ramsès Wissa Wassef School Tapestries. Featuring a stunning nature-themed design with animals, birds, and fish, adorned with v...

79103 Vintage Egyptian Kilim Tapestry Rug, 02'02 x 03'04. This exquisite handwoven wool Egyptian pictorial tapestry rug is a striking representation of traditional life and pastoral scenes that resonate with cultural depth and artistic expression. Crafted with meticulous attention to detail, the flatweave rug showcases a variety of animals commonly found in the rural landscapes of Egypt. Depicted are camels and goats, each rendered in natural, earthy tones that speak to the organic dyes derived from the region's abundant natural resources. The inclusion of a human figure, possibly a shepherd, anchors the composition in human experience, bridging the gap between nature and civilization. The background of the tapestry is a rich, textured gray (greenish undertones), representing the fertile grounds of the Nile Valley, which has historically been the lifeblood of Egyptian agriculture and rural life. This backdrop serves as a vivid canvas that highlights the vibrant hues of the animals, lending a sense of vitality and movement to the scene. Each animal is colored distinctively, allowing their individual forms to stand out, while also harmonizing with the overall palette to create a cohesive visual narrative. This vintage Egyptian tapestry...

Full of light and color, this highly evocative watercolor painting by Porter Woodruff depicts a group of Tunisian youth swimming off the beach along Hammamet Gulf in Tunisia, near hi...

Oran was a major multicultural hub, a link between Arabian and European people. This poster was created just before the Algerian War of Independence began in the mid-1950s. The poste...

Suffused with the soft, rich colors that Jacques Azéma was known for, this view of a Moroccan landscape ("Les Champs" in French) includes a seated male y...

Discover a charming piece of history with this exquisite vintage Egyptian tapestry. Adorned with a delightful childish design inspired by the...

Dating from 1976, about 20 years after Ramses Wissa Wassef established his tapestry workshop in the 1950s, this monumental tapestry by Samina Ahmed...

- Handspun and handwoven wool using natural dyes - 2025 - Edition of 20. This tapestry is the result of a collaboration between memòri studio and all the spinners and weavers from ...

- Handspun and handwoven woo - 2025 - Edition of 20. This tapestry is the result of a collaboration between memòri studio and all the spinners and weavers from the Feija tribe loca...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Early 20th C, Fez , Morocco Ready to go on a wall....

- Handspun and handwoven wool, oil paint - 2022 - Unique piece - Framing by Laetitia Verchere - Edition of 10. Dimensions: 40 x 40 in // 100 x 100 cm.

Antique Moroccan Moorish Silk Textile Tapestry Wall Hanging Hiti Ottoman voided silk velvet wall covering. Silk velvet cut designs, light browns, yellow, cream and blue, the panel consist on two arches with Islamic floral designs. Antique textiles from early 1900s. Each arch panel is 62" height X 26"5 wide Antique silk...

19th Century wall cabinet with architectural inspired form having intricate marquetry inlay in walnut with contrasting wood mother of pearl and ebonized wood. The upper tier fine pie...

Nice mid century Tunisian tapestry with beautiful native design and beautiful colors, entirely hand woven with wool on cotton foundation. ✨✨✨ "Experi...

Very beautiful mid century Egyptian tapestry probably from Wissa Wassef school, with beautiful native design and beautiful colors, entirely hand woven with wool on cotton foundation....

Oil on canvas framed in a gold molding depicting a seated Ethiopian woman in an interior setting with a geometric background. The figure is dressed in traditional clothing and poses ...

This remarkable weaving, using yarns in shades of pale purple, burnt umber, ruddy brown and deep blue, is a masterpiece of post-war Egyptian artisanry. It depicts a crowd of birds in and around a stylized tree and was influenced by the work of the famed Ramses Wissa Wassef...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Early 20th C. Morocco. Ready to go on a wall. Fra...

As featured in architectural digest's article (August 31, 2013) of Geoffrey Beene's guest bedroom, this rug was acquired at his estate sale after his passing. Conceived, circa 1928-1930 and executed in the 1960s by Marie Cuttoli...

Original vintage travel poster - Visit the Arab States - featuring illustrations of iconic architecture and ancient and historical monuments including the Pillars of the Temple of Ju...

Tribal curtain tie back and clothes hook with mask form: This curtain tie back and clothes hook is shaped as a stylized tribal mask, reduced to essential lines and balanced volumes....

79102 Vintage Egyptian Kilim Tapestry Rug, 02'07 x 04'08. This captivating handwoven wool Egyptian pictorial tapestry is a vibrant artifact of cultural life in Egypt, depicting an an...

Rare and remarkable Moroccan wall shelves handcrafted in mahogany featuring parapet tops, architectural nooks, finials, balustrades, stick and ba...

Rendered with reverent precision, this hand-signed 1996 depiction of the Great Sphinx of Giza emerges from its papyrus canvas in a luminous tableau of ancient mystique and modern art...

The fragment is divided in two parts, with a winged sun disc surmounting the deceased to the right. He wears a white tunic with red stripes on the sleeve, and a bag wig, held with a...

Abstract Painting Mixed Media in gray-white-rust-black by Hassan Bourkia Marrakesh 2008 Hassan Bourkia was born on December 19, 1956 in El Ksiba, near Beni Mellal. He is a writer, translator and visual artist. He has been teaching literature since 1982 and exhibiting in the main art galleries in Morocco and in various places abroad since the early 1990s. He recently participated in the Buenos Aires Biennial of Contemporary Art (Bienalsur), and his works are in several large private collections and museums. Hassan Bourkia has been exploring the field of memory for several years to speak about the drama of immigration and the suffering caused by the trauma of conflicts around the world. From his own life he draws the experience of an intimate apocalypse that leads him to work on collective wounds through archives and fragments. He lives and works between Beni Mellal and Marrakech. SOLO SHOWS « Splendeur de l’Incertain », Maison des jeunes, F.B.Salah, Maroc, Hommage au poète Abdallah RAJIAA. « La Nuit est aussi Soleil », Galerie Al Kassabah, Essaouira – Maroc, Travail sur Textes Mystiques. « Ivresse de la Terre », Galerie Vila Nova, Portugal. « L’Odyssée de la Terre », Galerie Al Manar, Casablanca, Maroc. « Terres d’Enfance… ici même) 1er Festival de : La Mémoire face à l’Oubli », Bibliothèque municipale, Béni Mellal – Maroc. « Chants de la Terre », Galerie Sanitas, Zurich – Suisse. « Être et…Illusion », Galerie Al Manar, Casablanca – Maroc. 1999 : « Mémoires Souterraines », Galerie Palacio D. Manuel, Evora – Portugal. 2000 : « Couleurs du Sud », Galerie Municipale, Payerne – Suisse. « Derniers Travaux », Galerie Wingy House, Solothurn – Suisse. 2001 : « Mémoires Souterraines 2 », Galerie Al Manar, Casablanca – Maroc. 2002 : « Mémoires Souterraines 3 », Bibliothèque Municipale, Béni Mellal – Maroc. 2003 : « Devenirs Vécus », Hommage à Mohamed Kacimi, Galerie Bleue, Marrakech – Maroc. 2006 : « Peindre l’air », Institut Français de Meknes, Meknes – Maroc. « Flammes et Cendres », Galerie Nationale Bab Rouah, Rabat – Maroc. « Flammes et cendres », l’Institut français de Marrakech, Maroc. 2008 : « Qana, ce jour – là », Galerie Noir sur Blanc, Marrakech – Maroc. 2007 : « Sur les cendres », Espace Souffle, Casablanca – Maroc. Galerie Venise Cadre, Casablanca – Maroc. 2011 : « L’Histoire ‘se- mêle’ », Villa Matisse, Marrakech – Maroc. 2013 : « Jardins Suspendus », Al Markhiya, Doha – Qatar. 2014 : « Couleurs des mots », Matisse Art Gallery, Casablanca – Maroc. 2019 : « Chemins croisés », Karla Osorio Art Galery, Bazilia – Brésil. 2020 : « Au noms des miens », Comptoir des Mines Galerie, Marrakech – Maroc. GROUP SHOWS 1985 : « Peintures », Bibliothèque Municipale, Béni Mellal – Maroc. 1989 : « Masques au Pluriel », Faculté des Lettres, Université Cadi Ayyad, Béni Mellal – Maroc. 1996 : « Itinérances : Art Contemporain Marocain », Université Toulouse Le Mirail – CIAM, Toulouse – France. « Plasticiens Marocains Exposent », Palais des Congrès, Marrakech- Maroc. « Itinérances, aux Portes de Marrakech », Galerie Bab Doukkala, Marrakech – Maroc. « Peintres d’Al Manar », Galerie Al Manar, Casablanca – Maroc. 1998 : « Poèmes de la Terre », 6ème Festival de la poésie Marocaine Moderne, Association Achouàla, Salé – Maroc. 2000 : « Partage », Galerie Bab Rouah, Journée Mondiale de la Poésie, Rabat – Maroc. « La Cinquième Saison », Borj Bab Marrakech, 2ème Édition Festival de Musique Gnaouie, Essaouira – Maroc. 2002 : Biennale d’Alexandrie de l’Art Arabe Contemporain, Alexandrie – Egypte. « L’Art comme Action », Société Marocaine des Droits de l’Homme, Dar el Mrini, Rabat – Maroc. 2003 : « À la Recherche de nos Atlas Secrets », Association AMRASH, Galerie ACTUA (BCM), Casablanca – Maroc. 2004 : « La semaine du Maroc », Palais de la culture, Abu Dhabi – Emirates Arabes Unies. « Petits Formats », Galerie Venise Cadre, Casablanca – Maroc. « À la Recherche de nos Atlas Secrets », Bab El Kebir, Rabat – Maroc. « Art contemporain Marocain », Salle de conférences, Hôtel de Ville, Aix En Provence – France. « La Grande Exposition Nationale des Arts Plastiques », Complexe Culturel, 1ère Édition, Cathédrale Sacré Cœur, Casablanca – Maroc. 2004 : « Terres, Mémoires, Nostalgies » Palais des arts, Lisbonne – Portugal. 2005 : EMAAR International Art Symposium, Dubai – Emirates Arabes Unies. Peintres Écrivains, 16? Congrès des Écrivains du Maroc, Théâtre Mohamed V, Rabat – Maroc. Galerie Al Maqâm, Hommage à Edmond Amran El Maleh, Tahannout, Marrakech – Maroc. Grande exposition nationale d’arts plastiques, Cathédrale sacré Cœur, 2? Édition, Casablanca – Maroc. La semaine culturelle du Maroc, Doha – Qatar. La Galerie Nationale, Lithographies, La semaine culturelle marocaine, Sao Paolo – Brésil. La Galerie Nationale, La semaine du Maroc, Mexico – Mexique. Journées Internationales du Désert, Association Tariq Bnou Ziad, Rissani – Maroc. Aspects, Galerie Mohamed El Fassi, Rabat – Maroc. Grande Exposition National, Cathédrale Sacré Cœur, Casablanca – Maroc. Exposition d’art plastique arabe, Rashaa, Jeddah – Arabie Saoudite. 2006 : Journée de la femme, Alliance Franco- Marocaine, Rabat – Maroc. L’Art Contemporain Marocain, Théâtre National, Bucarest – Roumanie. Académie des Arts, Centre Culturel et Artistique de Saba, Tehran – Iran. 2007 : « Sortir aux entrailles », Galerie Linéart, Tanger – Maroc. Hôtel de ville, salle Albert Camus, Cugnaux, Toulouse – France. Espace Fès Palace, La CDG, Fès – Maroc. Galerie Nationale, La semaine culturelle Marocaine, Alger – Algérie. « Convergences », La Société Générale Marocaine des Banques (Siège), Casablanca – Maroc. « L’art contemporain marocain », Galerie Chaabia, El Jadida (Maroc) ; Médiathèque Al Assad, Maison de la culture, Damas – Syrie. Salon d’Hiver, 1ère Biennal d’Art Marocain, Marrakech – Maroc. La Création Arabe Contemporaine ; Salle d’exposition Hôtel J.W. Mariott, Koweït City – Koweït. Loft Galerie, Casablanca – Maroc. Exposition Nationale, Galerie A. El Khatibi, El Jadida – Maroc. Forsight Gallery, Amman – Jordanie. « Zones sensibles », Association des Artistes Malgaches, Salle municipale des expositions, Monaco. Art Marrakech, Biennale internationale, Es Saadi Hôtel, Maroc. Venise Cadre, Casablanca – Maroc. Salle Nationale, Ouagadougou – Burkina Faso. 2011 : Seven, Galerie Agora, Marrakech – Maroc. Semaine de la culture Marocaine, Salle Nationale, Ouagadougou – Burkina Faso. Parcours Mobile, Hommage pour Edmond Amran El Maleh, Galerie 38, Casablanca – Maroc. Nature et paysage, La Société Générale, Casablanca. Hommage à Edmond Amran El Maleh, Bibliothèque Nationale, Rabat – Maroc. Marrakech Art Fair, 2ème Édition Marrakech – Maroc. Inspiring Morocco, Harold’s, London – Angleterre. Société Générale, Casablanca – Maroc. Top 25, Foire Internationale, Casablanca – Maroc. 2012 : Palais d’Expositions, Genève – Suisse. Regards Africains Croisés, Actua, Casablanca – Maroc. Espace d’Art Moderne, Assilah – Maroc. Bibliothèque Nationale, Las Palmas – Les îles Canaris. 5? Symposium de l’Art Moderne, Louxor – Egypte. Borj Bab Marrakech, Essaouira – Maroc. ArtSyriat, Institut du Monde Arabe, Paris – France. « 1000 sur Papiers », Galerie Bassamat, Casablanca – Maroc. « Sobre Paper », Galerie Antoni Pignol, Barcelone – Espagne. « Matière », Banque Al Maghrib, Rabat – Maroc. 5 Artistes pour Darna, Bab Marrakech, Essaouira – Maroc. L’art moderne marocain, Galerie Orfely, Amman – Jordanie. 2014 : Dessins, Petits Formats, Ambre Espace, Forum des Architectes, Casablanca – Maroc. Galerie Al-Alanda, Amman – Jordanie. Le Musée Mohamed VI de l’Art Moderne, Rabat – Maroc. 2015 : «Les Vertus de l Oiseau Solitaire», Hommage à Juan Goytisolo, Dar Chrifa, Marrakech – Maroc. Carte Blanche, CDG, Rabat – Maroc. Poésie et peinture, Hommage à A. Jouahri, Galerie Noir sur Blanc, Marrakech. 2016 : «Les Vertus…», La Maison Arabe, Séville – Espagne. Mail-Art, Hommage à Arthur Rimbaud, l’Ancien Tribunal, Florac – France. « Des Papiers et des Mains », Dar Chrifa, Marrakech. Al Makan d’Art Actuel, Gafsa – Tunisie. Mail-Art, Ambre Espace, Casablanca. 2017 : Art Moderne en Méditerranée, Maison Sébastian, Hammamat – Tunisie. Art Moderne Arabe, 1ère Edition, Qatara, Doha – Qatar. Espace d Art, Banque Cairo – amman, Amman – Jordanie. Art Moderne Arabe, Union des Artistes, Koweit – Koweit. Sculpture au Jardin des Arts, Marrakech. 2018 : « Traversées » Comptoir des Mines Galerie, Marrakech, Maroc. « Mare Nostrum », Comptoir des Mines Galerie, Marrakech. 2019 : « Poésies Africaines », Comptoir des Mines Galerie, Marrakech – Maroc. Maison Sébastian, Hammamat – Tunisie. Bab El Madina, Tunis – Tunisie. Maacal (Musée Al Maaden), Materials insanity, 2ème Édition International African Art Fair, Marrakech – Maroc. Salon du Maroc, Abu Dhabi – Emirates Arabes Unies. Bibliothèque des Emigrés, Musée de l Emigration, Buenos Aires – Argentine. 2? Biennale Internationale Art et Désigne, Brazilia – Brésil. 2020 : « Distance Ardente », Africa 2020, Musée Régional d’Art Contemporain, Occitanie – France. Art Contemporain en Amérique Latine, 1ère Biennale, Sao Paolo – Brésil. PUBLICATIONS Depuis 1982, publications de plusieurs articles (philosophiques et littéraires) dans différents journaux et magazines marocains et internationaux : Al Karmal, Al Quds, Horizons Maghrébins, Mediterraniènnes, La Revue Française, La Pensée Arabe Contemporaine, Arabes et Pensée Universelle. 1994 : « Le gai Savoir », F. Nietzsche (co-traduction, avec Mohamed Ennaji), édition Afrique Orient, Casablanca – Maroc. 1996 : « Crépuscule des Idoles », F. Nietzsche, (co-traduction/ Ennaji), édition Afrique Orient, Casablanca – Maroc. « Abner Abounour », Edmond Amran El Maleh, Récits (traduction), éd. Afrique Orient, Casablanca – Maroc. 2000 : « Dounia Hanya », succession narrative, Édition Afrique Orient, Casablanca – Maroc. Dont quelques nouvelles étaient traduites et éditées dans la Revue Française. « Le Gai Savoir », 2ème Édition, Afrique Orient, Beyrouth – Liban. « Éclat de l’écriture », essais critique sur l’art, la poésie et le roman marocains, Édition Le Suprême Congrès de la Culture, Le Caire – Egypte. 2001 : « Le Retour d’Abou El Haki », Edmond Amran El Maleh, Roman, éd. Afrique Orient, Casablanca – Maroc. 2002 : « Du Texte à l’Action, Essais d’Herméneutique », Paul Ricoeur, (co-traduction avec Mohamed Berrada), Édition Ein For Human and Social Studies, Caire – Egypte. 2004 : « Le Livre de la mère » Edmond Amran El Maleh (traduction), Édition Luxous, Tanger – Maroc. « Le Fond de la Jarre » Abdelatif Laabi, (traduction). 2005 : « L’empire de doute : Autour de l’œuvre de Juan Goytisolo », co-éd. Ministère de la culture, Rabat – Maroc. 2006 : « Par Delà le Bien et le Mal », F. Nietzsche (Traduction), éd. Afr. Orient, Casablanca – Maroc. « Morceaux de choix...

Group of 6 colorful pages of a 19th century North African prayer book with expressive calligraphic script in black ink with red, green and yellow highlights. These are truly miniatur...

1970s Decorative Wooden Window in Moorish Style Hand Painted in Red Colors

Moroccan Orientalist oil on canvas painting of a 19th century Moroccan market scene with an old men seating on a carpet selling old coins and a Moorish...

Antique Moroccan Moorish Silk Textile Tapestry Wall Hanging Hiti Ottoman voided silk velvet wall covering. Silk velvet cut designs, light browns, yellow, cream and blue, the panel consist of two Moorish arches with Islamic floral designs. Antique textiles from early late 19th century. Each arch panel is 63" height X 26"5 wide Antique silk tapestry...

Islamic Arabic calligraphy circular tray with silver overlay. Round Egyptian brass tray overlaid with metal silver and copper Islamic calligraphy ...

A painting on papyrus of the Hypostyle Hall at Abu Simbel leading to the inner temple as it was before it’s rediscovery by Burckhardt. Papyrus pai...

Oil on panel painting of a man's bust in profile, with a beard and a red fez, against a plain light blue background. The portrait, signed in the lower left corner, stands out for its...

- Handspun and handwoven wool, oil paint - 2025 - Edition of 20. This tapestry is the result of a collaboration between memòri studio and all the spinners and weavers from the Feij...

- Handspun and handwoven wool, henna dye, oil paint, big size - 2026 - Framing by Laetitia Verchere - Edition of 10. Dimensions: 100 x 60 cm.

- Hand-spun and hand-woven wool tapestry - 2020 Dimensions: 250 H x 145 W CM 98.4 H x 57 W IN MADE IN COLLABORATION WITH ODU WORKS EDITION OF 3 + 1 ARTIST’S PROOF WOOD FRAME BY EL...

Original vintage travel poster - Egypt UAR Abu Simbel Temple - featuring a great image of fashionably dressed tourists in summer clothing walking around the historic site and taking ...

- Handspun and handwoven wool - 2025 - Edition of 20. This tapestry is the result of a collaboration between memòri studio and all the spinners and weavers from the Feija tribe loc...

78447 Vintage Berber Moroccan Tribal Textile, 01'04 x 01'08. Emanating nomadic charm and steeped in ancient Berber history, this handwoven Moroccan fragment is a captivating vision o...

Gordon B. Coutts (Scottish/American, 1868-1937) A very fine and large orientalist oil on canvas titled "Ashura Rituals, Tangier" (Arabic: عاشوراء‎ ʻĀshūrā’ - Urdu: عاشورا‎ - Persian: عاشورا‎ - Turkish: Aşure Günü). Signed and inscribed: 'Gordon Coutts/TANGIER' (lower right), circa 1920. Provenance: The Fisher Art Museum, University of Southern California. Gordon Coutts led a peripatetic career, born in Aberdeen, Scotland, he then studied and travelled to Glasgow, London, Paris and Rome before settling in Melbourne, Australia in 1891. In 1896 he moved to Sydney, where he taught at the Art Society of New South Wales, before returning back to Europe in 1899. With the climate of northern Europe detrimental to Coutts' poor health, he moved with his wife, Alice Grey, to the United States where he became a frequent exhibitor at the Bohemian Club in San Francisco. In 1920 he travelled to Tangiers, Morocco where, dressed as an Arab, he passed from tribe to tribe observing the lifestyle, customs and practices of the the village people and Bedouins. The present work depicts the celebration of Ashura. The day of Ashura is commemorated by Shi'ite Muslims; "A day of pain, pilgrimage and pageantry, it is one of the holiest in their religion. The word Ashura means 10, and refers to the tenth day of Muharram, the first month of the Islamic calendar. This is a period of mourning and cleansing, which marks the martyrdom of Hussein, grandson of the Prophet Muhammad...

Nice mid century Egyptian tapestry with a childish design of town and nice colors, entirely hand woven with wool and cotton. ✨✨✨ "Experience the epi...

Original vintage travel poster for Morocco issued by the Moroccan Tourist Bureau Rabat featuring a great design of a shepherd with his flock of sheep next to grass on a lane by a small domed building, looking down from a tall building...

1920s antique Egyptian appliqué panel in frame. Brought back by the current owner's great aunt on a visit after the discovery in 1922 of King Tut's t...

Beautiful hand crafted iron scroll design wall bracket. Wrought iron handcrafted wall-bracket for lanterns or signs. Perfect for hanging lights or plants outdoors. Scrolling wall-mou...

Original antique North Africa travel poster for Meknes Ancient Residence Of The Sultans Of Morocco / Antique Residence Des Sultans Du Maroc featuring artwork by Matteo Brondy (1866-1...

79065 Vintage Egyptian Tapestry, 03'08 x 05'10. This vintage Egyptian tapestry is a testament to the rich tapestry tradition of the Ramses Wissa Wassef Art Center, located in Harrani...

This classic and important drawing by Jacques Azéma depicts two Moroccan male youth in the hammam or bath house, relaxing in the nude and imbibing in tea...

Orientalist Moroccan scene giclee painting of the King o Morocco. French orientalist reproduction painting of Mohamed V coming back from exile with a ...

Nice Tunisian tapestry with beautiful native design and beautiful colors, entirely hand woven with wool on cotton foundation. ✨✨✨ "Experience the epi...

Original oil on canvas painting by Egyptian artist Gazbia Sirry, circa 1970. Painting depicts a city landscape from the Nile River. Acquired from the Washington DC estate of Esther ...

A magnificent pair of antique Moorish corbels, hand-carved in wood and richly polychromed. Their architectural design, with interlaced arches and geometric details, reflects Mudéjar ...

Antique Moroccan Kilim rug with beautiful geometrical and tribal design and nice red field color, entirely handwoven with wool on cotton foundat...

A small piece of antique Coptic textile woven as a horizontal band with two linear scallop borders flanking three central medallion design. Each medallion has a concentric pattern wi...