South Asian Wall Decorations

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th C. India. Ready to go on a wall. Framed...

Antique Indian Embroidered Kantha Cloth Indian kantha cloths originally developed as a way in which old sari cloth could be recycled and put to use. They’re usually composed of 3-4 ...

Beautiful antique Pichhwai silk painting of Krishna and Radha accompanied by gopis, devas, the sun God Surya, plants and animals enjoying Dana L...

Indo-Portuguese Embroidered Silk and Linen Wall Hanging, 18th Century. Some edge losses to linen otherwise in good condition. Fast shipping worldwide.

This is an antique Mughal School painting. An Indian, handpainted scene after the art featured in the Seven Thrones (c.1492), dating to the late Victorian period, circa 1900. Delig...

This 19th-century Indian miniature painting is composed in the Mughal style and depicts a meeting of the Hindu god Krishna and his shakti Radha, also known as the Supreme Goddess. To...

Tibetan Tiger Rug Green Wool Gold Silk by Djoharian Collection, hand knotted in Nepal. This traditional Tiger rug design is typically found on antique...

A magnificent large traditional Indian gouache painting of a royal horse on silk. This Rajasthani piece is unique in that it is very large. We typically ...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Early 20th C. India Ready to go on a wall. Framed...

Lofty Anglo Indian art deco wall bracket with a bow front beveled shelf over a hand carved hardwood stylized bird or parrot with the original paint now worn to perfection.

74417 18th Century Antique Indian Medieval Wall Tapestry after the Battle of Karnal in 1739. This beautiful antique Indian painted tapestry is done on a canvas. It features a hunting battle scene with kings, kingsmen and royalty with multiple types of animals ranging from horses, elephants, lions, birds, peacocks and leopards. This tapestry is possibly in relation to The Battle of Karnal in 1739. The Muhammed Shah fought with Nader Shah...

A British School watercolor of Kandariya Mahadeva Temple at Khajuraho, Located in Central India, Watercolor over pencil on paper, unframed measures 19 3/8"-inches high x 12 3/4"-inches wide, Framed measures 28 1/4"-inches high x 21 1/4"-inches wide, inscribed in pencil on the lower part; "32 Khandaria Mahadev Temple Khajraho". Framed with silk matting.

Vintage Pichhavai painting on fabric of Krishna playing is flute with Radha and female Gopis gathered by his side. The colors, details and facial ex...

This Bengali unsigned  abstract oil on canvas was purchased in Dhaka in the 70's alongside a Quamrul Hassan one. It is very much in the style of of Mohammad Kibria especially with th...

79072 Vintage Mother's Commerce Company Springtime Tapestry, 02'09 x 03'10. This enchanting handwoven wool tapestry by Mother's Commerce Company captures the serenity and ephemeral b...

19th century Mughal Indo Persian fine antique brass round tray hand chased with Islamic calligraphy in Mameluke style. 19th century collector...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Early 20th C. India Ready to go on a wall. Framed...

A monumental traditional Rajasthani painting professionally framed in a gilt frame. We often come across miniature versions of these which are ref...

Mughal Rajasthani Black Marble Inlay Pietra Dura Table Top India. This is an exceptional handcrafted Mughal Rajasthani black marble Pietra Dura inlay table top, featuring the same intricate craftsmanship seen in the Taj Mahal. The table showcases the traditional Indian art of Parchin Kari (Pietra Dura), where semi-precious stones like lapis lazuli, cornelian, and agate are meticulously inlaid into a marble surface, creating stunning floral and geometric patterns. Handcrafted Mughal Rajasthani Black Marble Pietra Dura Table Top, India. This stunning table top features intricate Mughal-style Pietra Dura inlay work, showcasing the artistry found in the Taj Mahal. Skilled artisans meticulously inlay semi-precious stones like lapis lazuli, carnelian, malachite, and agate into black marble, creating beautiful floral and geometric patterns. The technique, known as Parchin Kari, involves engraving grooves in the marble and filling them with precisely cut stones, each piece hand-shaped and polished to perfection. This vintage, octagonal marble table top from Rajasthan, India, blends traditional craftsmanship with vibrant colors, making it an exquisite decorative piece. The combination of lapis lazuli, jade, turquoise, jasper, and carnelian adds a rich depth to the design. This piece can also be used as a tray or accent table, making it a versatile addition to any space. This is a spectacular very fine Pietra Dura inlay black marble in an octagonal shape with wonderful colors and quality craftsmanship. This beautiful handcrafted marble inlay table...

Large handcrafted decorative Indian Mughal Moorish brass tray. Embossed and hammered with floral and mystique animal scenes with Arabic script etched. Large decorative hanging...

Husain by Maqbul Fida Husain, Richard Bartholomew, Shiv S. Kapur · H. N. Abrams · hardback · 60 pages. A terrific copy of one of the best monographs on this important Indian artist. Illustrated in color and black & white. 60 pages of text and 192 illustrations. New York: Harry N. Abrams, 1st Edition 1972. First edition. Oblong hardcover. First printing. Text by Richard Bartholomew and Shiv S. Kapur. Includes 192 illustrations with 53 tipped in color plates. A fine and tight copy in a very near fine dust jacket price clipped dust jacket. Hardcover, bound in brown cloth. In a dust jacket. Title: Maqbool Fida Husain Author: BARTHOLOMEW, Richard and Shiv S. Kapur - Maqbool Fida Husain Book Condition Used PublisherHarry N. Abrams Place Of Publication New YorkDate Published1972 Keywords: Art Monographs. Maqbool Fida Husain Born ; 17 September 1915 Pandharpur, Maharashtra, British India Died : 9 June 2011 (aged 95) London, England, UK Nationality Indian (1915-2010) Qatari (2010–2011) Education Sir J. J. School of Art Known for Painting, drawing, writer, filmmaker Notable work Meenaxi a tale of three cities Through the eyes of a painter Movement Progressive Art Group Awards Padma Shri (1966) Padma Bhushan (1973) Padma Vibhushan (1991) Husain was associated with Indian modernism in the 1940s. His early association with the Progressive Artist's Group, or "PAG of Bombay" used modern technique, and was inspired by the "new" India after The Partition of 1947. His narrative paintings, executed in a modified Cubist style, can be caustic and funny as well as serious and sombre. His themes—sometimes treated in series—include topics as diverse as Mohandas K. Gandhi, Mother Teresa, the Ramayana, the Mahabharata, the British raj, and motifs of Indian urban and rural life. Early in his painting career, and until his death, he enjoyed depicting the lively and free spirit of horses in many of his works. Often referred to as the "Picasso of India", Husain is the most celebrated and internationally recognized Indian artist of the 20th century. Husain is primarily known for his paintings, but is also known for his drawings and his work as a printmaker, photographer, and filmmaker. Some of his later works stirred controversy, as they depicted traditional Deities of India in non traditional ways. He also directed a few movies. In 1967, he received the National Film Award for Best Experimental Film for Through The Eyes of a Painter.[3] In 2004, he directed Meenaxi: A Tale of Three Cities, a film he worked on with his artist son Owais Husain, which was screened in the Marché du Film section of the 2004 Cannes Film Festival. Husain was born on 17 september 1915 in Pandharpur to a Sulaymani Bohra family who trace their roots back to Gujarat within the last 200 years, and then originally to Yemen. He picked up taste in art through studying calligraphy while he stayed at a Madraasa in Baroda. Husain attended the Sir Jamsetjee Jeejebhoy School of Art in Mumbai. Early in his career Husain painted cinema posters in Mumbai. To earn extra money, he worked for a toy company designing and building toys. He often travelled to Gujarat to paint landscapes when he could afford to. This was a clique of young artists who wished to break with the nationalist traditions established by the Bengal school of art and to encourage an Indian avant-garde, engaged at an international level. The artists cite "The Partition" of India and Pakistan 14 August 1947, with its resulting religious rioting and heavy loss of life as their reason for forming The Progressive Artist's Group in Bombay in December 1947. The artists saw the Partition as a "turning point" for India, and their new style of art was urged on by, and was also a turning point for, (modern) Indian Art. Husain's first solo exhibit was in 1952 in Zurich. His first U.S.A. exhibit was at India House...

Antique embroidered mirrored horse blanket throw used in India for the wedding ceremonies. Large antique embroidered panel with floral patter...

An exceptional and museum-worthy textile, this mid-19th century Kashmiri Pieced Shawl is a rare and exquisite example of the artistry and craftsmanship of Kashmir’s textile tradition...

'Shapes' wall hanging 100% Organic cotton wall hanging quilts made in short runs by a small family run artisan studio in India. Made using GOTS certified fabric which is screen printed using AZO free water based non toxic...

The Rumi collection master weavers artfully re-spin and hand-knot the finest remnants of sustainable sari-silk to create the breakthrough Rumi Silk collection. These remarkable patte...

Large Pichhavai Hindu Painting of Radha and Krishna with Female Gopis. Pichhwai Hindu Painting of Krishna and Radha framed under glass. Kris...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. 19th C., India Ready to go on a wall. Framed Item...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. 19th C., India Ready to go on a wall. Framed Item...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. 19th C., India Ready to go on a wall. Framed Item...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. 19th C., India Ready to go on a wall. Framed Item...

Stroke by Sabine Marcelis The Stroke collection was really about creating a singular gesture as a rug. A simple brush stroke which highlights the extraordinary craftsmanship of woven...

This finely-woven antique Indian Paisley features an elaborate design of all-over decorative paisley motifs. Surrounding the central figure are branching flora and delightful picture...

A pink and silver Tibetan Tiger rug, hand knotted in Nepal. This traditional Tiger rug design is typically found on antique rugs called Khaden. It describes a small sized rug of abo...

LAI FONG OF CALCUTTA Hong Kong/India, active 1875-1910 "County of Caithness" (1897) Oil on canvas signed lower right "Lai Fong / Calcutta / 1897" Item # 403ZMN11W A very fine oi...

Stroke by Sabine Marcelis the Stroke collection was really about creating a singular gesture as a rug. A simple brush stroke which highlights the extraordi...

1970s Jaime Parlade designer hand painting "Tiger" oil on canvas.

Enchanting vintage Anglo Indian Pishhwai gouache painting on cloth mounted on board, steeped in alagorical context, depicting Krishna dancing with villagers in a background of birds ...

Heart Installation With Frame II by Hatsu Dimensions: D 6 x W 67.8 x H 67 cm Materials: Ceramic. All our lamps can be wired according to each country. If sold to the USA it will be ...

Haveli Wall Art by Newblue Unique Piece Dimensions: D 10 x W 66 x H 122 cm. Materials: Patent-pending Newblue recycled ceramic material, recycled sanitary ware, recycled glass, quart...

White and Red Heart Installation With Frame by Hatsu Dimensions: D 6 x W 67.8 x H 67 cm Materials: Ceramic. Available in other colors. Please contact us. All our lamps can be wired...

A fabulous vintage Boho Original oil painting on silk. A chic storied Indian Pishwaa in deep rich colors. A lot of extra goats for extra good luck! Acquired from a Palm Beach estate.

Striking Sunburst Design in overlapping layers of contrasting colored woods. A large dimensional sunburst form in three overlapping levels with sharp edged rays with a small center ...

This modern, geometric tapestry has been ethically hand embroidered by artisans in Kashmir, India, using a traditional embroidery technique which is native to this region. The purchase of this handcrafted tapestry helps to support the artisans and preserve their craft. -Measures: 36" x 20" -Wool...

Fabulous large Kakaga Burmese bead embroidered adorned with sequins and beads tapestry wall hanging . This vintage handcrafted needlework wall hanging tapestry shows ten different scenes from the ancient epic Hindu poem, the Ramayana, or from Buddhist mythology. You can imagine how many hours went into producing this piece of work. The figures are sewn using a combination of metallic threads and adorned with sequins, beads and glass stones. Most Kalagas are best hung in a frame but not under glass so that the detail and texture can be fully appreciated. They can also be hung as-is without a frame. Such a large tapestry could take months to complete. Asian figural Kalaga hand embroidered with jeweled tapestry...

Delhi: Stones And Streets by C.S.H. Jhabvala. Published by Ravi Dayal, Delhi, 1990. 2nd Ed Signed hardcover with dust jacket. Professor Cyrus S.H. Jhabvala was a prominent Indian arc...

Large Mural sized hindu painting on silk cloth. Measures: 44.5 x 76 x 1.5. Framed in a Gilt wood frame.

Early 20th Century Bhutanese wrapping cloth / bhundi A beautifully preserved example of a rare Bhutanese wrapping cloth (bhundi), which would have be...

refined Indian brush painting of a nobleman riding on a horse, intricate detail, ink, color and gold gilt on paper, Conservation framed

1970s Jaime Parlade designer hand painting "Tiger" oil on canvas.

Red and White Heart Installation With Frame by Hatsu Dimensions: D 6 x W 67.8 x H 67 cm Materials: Ceramic. Available in other colors. Please contact us. All our lamps can be wired...

This modern, geometric tapestry has been ethically hand embroidered by artisans in Kashmir, India, using a traditional embroidery technique which is native to this region. The pur...

This Mughal miniature was painted at one of the princely courts of India. It depicts a raven-haired princess in a gold-trimmed saffron-colored silk sari. Under a glowering evening sky she dawdles on a white marble terrace, with a pet fawn on a leash, before a landscape dotted with buildings nestled amongst trees beyond a river. Her hair, falling loosely about her shoulders, rather than carefully dressed on her head, indicates that she is a maiden. The overall mood is one of expectancy. Perhaps walking a pet and catching an evening breeze is a pretext to escape palace scrutiny for a lovers’ assignation. In Mughal India tender sentiments were a bridge to the erotic – and if this seems contradictory, so too is the balance of realism and caricature, and naturalism with the schematic. Both are hallmarks of miniatures painted in this place and time. The earliest Mughal Indian miniatures date to the 16th century. They were inspired by those painted at the refined Moslem courts of the neighboring Persian empire. They incorporated figures in spite of the Moslem faith’s proscription against depicting the human form. Such was the nature of sophisticated courtly life everywhere that beauty and pleasure trumped systems of morality. This was no less the case at the provincial Indian courts, where our miniature, marked by a charming pictorial naiveté, was most likely painted. Yet the artist was undeniably accomplished. His command of perspective, introduced by Jesuit missionaries in the 17th century, is seen in the landscape, which rolls back to a distant horizon, contrary to the flat two-dimensional ones following Indian-painting traditions. And if Mughal artists were influenced by Western art, the compliment was returned by Rembrandt and Sir Joshua Reynolds, among others, who collected Indian miniatures (as did, perhaps, Giovanni Bellini who painted in Mughal style the famous miniature of a Persian man...

A set of hand carved white marble panels in a floral Jali with geometric flowers and design. This handcrafted architectural panel can be used as a table top, light diffuser, open air...

An exquisite hand painted Tibetan Thangka depicting 63 Buddhas with consorts and 5 protector Vajrabhairavas. Buddha seated dhyana asana on lotus throne at the center of the mandala i...

An antique painted cloth panel from India. May have been a back drop for a theater or a large wall hanging. It has a wonderful worn old patina and would ...

1970s Jaime Parlade Designer Hand Painting "Cheetah" Oil on Canvas

Charming 18th Century illustrated manuscript of an elephant with passengers executed in gouache on paper on the front and exposed manuscript on the back. Presented in a gold tone woo...

A hand carved white marble panel with geometric starburst and design Jali. This handcrafted architectural panel can be used as a table top, light diffuser, open air windows, privacy ...