Ceramic Paintings
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Material: Ceramic
Richard Hirsch Encaustic Painting of Nothing #70, 2021
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #70 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...
Category
21st Century and Contemporary American Modern Ceramic Paintings
Materials
Clay, Organic Material
Large Painted Antique Porcelain Plaque with Musical Genre Scene
Located in London, GB
Large painted antique porcelain plaque with musical party scene
French, Late 19th Century
Frame: height 58cm, width 77cm, depth 4cm
Plaque:...
Category
Late 19th Century French Baroque Antique Ceramic Paintings
Materials
Composition
Richard Hirsch Encaustic Painting of Nothing #75, 2021
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #75 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category
21st Century and Contemporary American Modern Ceramic Paintings
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #28, 2012
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #28 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category
21st Century and Contemporary American Modern Ceramic Paintings
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #77, 2021
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #77 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category
21st Century and Contemporary American Modern Ceramic Paintings
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #53, 2017
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #53 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category
21st Century and Contemporary American Modern Ceramic Paintings
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #62, 2020
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #62 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics...
Category
21st Century and Contemporary American Modern Ceramic Paintings
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #52, 2017
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #52 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category
21st Century and Contemporary American Modern Ceramic Paintings
Materials
Clay, Organic Material
Very large Sèvres porcelain plaque by Pastier after Jean-Baptiste Greuze
Located in London, GB
Very large Sèvres porcelain plaque by Pastier after Jean-Baptiste Greuze
French, 1853
Frame: height 71cm, width 89cm, depth 9cm
Plaque: hei...
Category
1850s French Napoleon III Antique Ceramic Paintings
Materials
Porcelain, Giltwood
Richard Hirsch Encaustic Painting of Nothing #55, 2017
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #55 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics...
Category
21st Century and Contemporary American Modern Ceramic Paintings
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #26, 2012
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #28 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category
21st Century and Contemporary American Modern Ceramic Paintings
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #61, 2021
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #61 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...
Category
21st Century and Contemporary American Modern Ceramic Paintings
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #78, 2020
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #78 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics...
Category
21st Century and Contemporary American Modern Ceramic Paintings
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #63, 2020
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #63 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category
21st Century and Contemporary American Modern Ceramic Paintings
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #50, 2017
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #50 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...
Category
21st Century and Contemporary American Modern Ceramic Paintings
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #54, 2017
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #54 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...
Category
21st Century and Contemporary American Modern Ceramic Paintings
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #40, 2014
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #40 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY.
(Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105)
Richard Hirsch brief bio:
In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence.
In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades.
Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics...
Category
21st Century and Contemporary American Modern Ceramic Paintings
Materials
Clay, Organic Material
KPM Porcelain Plaque of a Beautiful Floating Lady
Located in Los Angeles, CA
A very fine German KPM porcelain plaque depicting a beauty floating ecstatically above a bed of flowers.
Signed: Knys
Impressed KPM and sceptre mark.
Circa 1900
Dimensions:
...
Category
Late 19th Century German Antique Ceramic Paintings
Materials
Porcelain
Richard Hirsch Encaustic Painting of Nothing #44, 2015
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #44 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...
Category
21st Century and Contemporary American Modern Ceramic Paintings
Materials
Clay, Organic Material
Richard Hirsch Encaustic Painting of Nothing #60, 2020
Located in New York, NY
Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #60 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...
Category
21st Century and Contemporary American Modern Ceramic Paintings
Materials
Clay, Organic Material
19th C. Meissen Porcelain Plaque of 'the Banishment of Ishmael and Hager'
By Meissen Porcelain, Adriaen van der Werff
Located in New York, NY
A 19th Century Meissen Porcelain Plaque of 'The Banishment of Ishmael and Hager', in its Original Frame. This fantastic Meissen porcelain plaque depicts...
Category
1870s German Baroque Antique Ceramic Paintings
Materials
Porcelain
Eurythmic - Ceramic wall art by William Edwards
Located in Moreno Valley, CA
Eurythmic 2021 17" X 15" X 1/4 each, 17" x 32" X 1/4" over all
Glazed ceramic painting by William Edwards
Hand rolled earthenware slabs, fired multiple times to achieve a tex...
Category
21st Century and Contemporary American Ceramic Paintings
Materials
Ceramic
Rookwood Pottery Vellum Landscape Plaque by E.T. Hurley, 1913
Located in Gardena, CA
Rookwood Pottery Vellum Landscape Plaque by E.T. Hurley, 1913
The landscape plaque depicts various large trees in the foreground of a mountainous landscape. Marked "E.T. Hurley" t...
Category
20th Century Ceramic Paintings
Materials
Pottery
Pair of 19th Century English Victorian Watercolours on Porcelain of a Lady
Located in London, GB
A Pair Of 19th Century English Victorian watercolors on porcelain of A Lady
Cushioned velvet frames.
In excellent condition commensurate with age.
A Near Matching Pair
Dimensio...
Category
19th Century English Early Victorian Antique Ceramic Paintings
Materials
Porcelain, Velvet, Paint
Copeland Porcelain Plaque Depicting the Casket Scene from the Merchant of Venice
By Copeland
Located in London, GB
Copeland porcelain plaque depicting the Casket Scene from The Merchant of Venice
English, Late 19th Century
Frame: height 47.5cm, width 65.5cm, de...
Category
Late 19th Century English Victorian Antique Ceramic Paintings
Materials
Porcelain, Giltwood
Antique French Maroon Limoges Enamel Porcelain Plaque Woman with Fruits, Titian
Located in New York, NY
A gorgeous French Maroon Limoges Enameled Porcelain Plaque with jewels depicting "Woman With Fruits", after Tiziano Vecellio / Titian, circa. 1870
...
Category
19th Century French Antique Ceramic Paintings
Materials
Porcelain
Very Large Royal Vienna Painted Porcelain Plaque After Correggio
Located in London, GB
Very large Royal Vienna painted porcelain plaque after Correggio
Austrian, 19th century
Measures: Frame: height 77cm, width 74cm, depth 7.5cm
Plaque: height 58cm, width 48.5cm, depth 0.5cm.
This beautiful and very large painted porcelain plaque was made by the Royal Vienna Porcelain Manufactory, in the 19th century, and shows the Sacred Family...
Category
19th Century Austrian Renaissance Antique Ceramic Paintings
Materials
Porcelain, Giltwood
'Erblüth' a Large 19th Century Berlin 'KPM' Porcelain Plaque
Located in Brighton, West Sussex
'Erblüth' a large and very fine Berlin (KPM) Porcelain plaque, after Angelo Asti. In a giltwood and composition shadow box frame.
Signed 'Weigel', impr...
Category
19th Century German Antique Ceramic Paintings
Materials
Porcelain, Giltwood
Pair of Oval Porcelain Plaques
Located in Los Angeles, CA
Charming pair of oval porcelain plaques with the frame in ormolu bronze represent scenes of a couple having fun in a landscape and the other one ...
Category
Early 1900s French Louis XVI Antique Ceramic Paintings
Materials
Bronze
Pair of KPM Porcelain Plaques After Spanish Baroque Paintings by Murillo
Located in London, GB
Pair of KPM porcelain plaques after Spanish Baroque paintings by Murillo
German, Late 19th Century
Plaques: Height 25cm, width 19cm, depth 0...
Category
Late 19th Century German Baroque Antique Ceramic Paintings
Materials
Porcelain
Contemporary Mixed Media by Hymn of Silence 'Layers of Earth"
Located in Vosselaar, BE
Annelies, the painter of this work, works under the name 'Hymn of Silence'. As she progresses trough life, searching for balance or going with the flow, her art translates her evolut...
Category
2010s Belgian Ceramic Paintings
Materials
Paint, Ceramic, Hemp
Pair of Hand-Painted Porcelain Plaques of Floral Still-Life Paintings
Located in New York, NY
A fine pair of hand-painted porcelain plaques of floral still-life paintings with original giltwood frames. These beautiful floral still-life paintings have been hand-painted on porc...
Category
1870s German Louis XVI Antique Ceramic Paintings
Materials
Porcelain, Giltwood
Pair Antique French Original Edmond Van Coppenolle Painting on Porcelain Plaques
Located in New Orleans, LA
Pair antique original painting on porcelain plaques by Belgian-French Painter Edmond Van Coppenolle (1846-1914).
Category
Late 19th Century Belgian Antique Ceramic Paintings
Materials
Porcelain, Paint
Denuelle France Hand Painted Porcelain Portrait Plate Judaica Aaron the Kohen
Located in Gardena, CA
Denuelle France Hand Painted Porcelain Portrait Plate Judaica Aaron the Kohen
Denuelle France hand painted porcelain cabinet portrait plat...
Category
19th Century French Antique Ceramic Paintings
Materials
Porcelain
Very Fine KPM Porcelain Plaque Beauty Collecting Cherubs, c1890, Signed Walther
Located in Gardena, CA
Very Fine KPM Porcelain plaque beauty Collecting cherubs, c1890. signed Walther
A very fine KPM hand painted porcelain plaque of a beauty and cherubs, circa 1890. The porcelain plaque depicts an ethereal brunette beauty collecting cherubs with her straw nest basket...
Category
19th Century Antique Ceramic Paintings
Materials
Porcelain
Two KPM Porcelain Plaques in Giltwood Frames after Murillo
By Bartolomé Esteban Murillo, KPM Porcelain
Located in London, GB
These wonderful porcelain plaques were created in circa 1860 by the prestigious Konigliche Porzellan Manufaktur or KPM (German, founded in 1763). The plaques feature beautiful paintings based on works by the famous Seville-based Baroque artist, Bartolome Esteban Murillo (Spanish, 1618-1682).
One plaque is decorated after Murillo...
Category
Late 19th Century German Baroque Antique Ceramic Paintings
Materials
Porcelain, Giltwood
18th Century Portrait in Faience Frame
Located in Los Angeles, CA
Highly unusual faience frame with maker mark holds a finely detailed portrait of a woman of importance for the time. Information is listed on back (see p...
Category
18th Century French Rococo Antique Ceramic Paintings
Materials
Faience, Velvet, Paint
19th Century Painting on Porcelain in Gilt Frame
Located in Lambertville, NJ
A painting on porcelain of a nobleman and nude woman with cupids, elaborately painted and highly detailed. The original gilt wood frame with reti...
Category
1880s Austrian Antique Ceramic Paintings
Materials
Porcelain, Giltwood
Kpm Berlin Hand Painted Porcelain Portrait Plaque of Ruth in Frame, 19th Century
Located in Gardena, CA
KPM Berlin hand painted porcelain portrait plaque of Ruth in Frame, 19th century.
19th century KPM Berlin porcelain portrait plaque of Ruth in frame. Oval-shaped porcelain plaque featuring the portrait of a young woman. Apparently unsigned, the reverse with incised KPM marks...
Category
19th Century Antique Ceramic Paintings
Materials
Porcelain
Meissen Reticulated Cabinet Plate with Flower Bouquet and Raised Forget Me Nots
Located in Boston, MA
This is an exquisite Meissen cabinet plate painted with a large beautiful flower bouquet. The Meissen plate has a very intricate reticulated or ...
Category
1890s German Romantic Antique Ceramic Paintings
Materials
Porcelain
Italian 19th Century Porcelain Plaque of Madonna della Primavera, after Barabino
By Nicolò Barabino
Located in Los Angeles, CA
A very fine Italian 19th century porcelain plaque of Madonna della Primavera ("Madonna detter Primavera with Bambino"), after Nicolò Barabino (1831-1891). The finely painted standing Madonna holding baby Jesus in her arms surrounded by flowers, framed in a Gothic revival style giltwood carved frame. The back inscribed: "Madonna detter Primavera - nach Barabino" and handwritten "E. Guenther, Phila". Signed lower left corner, circa 1890-1900.
Nicolò Barabino (1831–1891) was an Italian academic painter of religious and historical subjects, active in Florence and Genoa.
He was born in Sampierdarena. His initial studies were at the Genovese Accademia Ligustica di Belle Arti, under Giuseppe Isola. In Genoa, he befriended Maurizio Dufour. In 1857, he won the Durazzo scholarship to attend the Accademia di Belle Arti in Florence. He designed some of the lunettes completed as mosaics for the portals of the Florence Cathedral...
Category
Early 1900s Italian Gothic Revival Antique Ceramic Paintings
Materials
Porcelain, Giltwood
KPM Porcelain Plaque Mary Magdalene Reading after Corregio, 19th Century
Located in Gardena, CA
KPM Porcelain Plaque Mary Magdalene Reading after Corregio, 19th century
KPM porcelain plaque of Mary Magdalene Reading after Antonio Corregio, 19th century. The plaque depicts Ma...
Category
19th Century Antique Ceramic Paintings
Materials
Porcelain
Pair KPM Porcelain Portraits in Gilt Wood & Tapestry Frames Female Nudes, c1900
Located in Gardena, CA
Pair of KPM Porcelain Portraits in Gilt Wood & Tapestry frames, c1900.
Beautiful Hand Painted Romantic scenes of Nude women lounging in bed w/ winged cherub & child w/ nanny resp...
Category
19th Century German Antique Ceramic Paintings
Materials
Porcelain
Camuflatge by Rosa Cortiella, Grogged Clay Fruit Bowl
Located in Barcelona, ES
Working from ceramics as a broad discipline that includes design, sculpture and painting, this work belongs to a collection of objects in which the forceful volumetries dialogue with...
Category
2010s Spanish Ceramic Paintings
Materials
Ceramic, Clay, Canvas
EMIL ECKARDT - 'Mino' - Pirkenhammer Porcelain Cabinet Plate - E.U. - Circa 1900
Located in Chatham, ON
CHRISTIAN FREDERIK EMIL ECKARDT (Danish, 1832-1914) - 'Mino' ('Son of the Right Hand' - Ancient Hebrew) - PIRKENHAMMER PORCELAIN FACTORY (Fischer & Meig...
Category
Late 19th Century Danish Victorian Antique Ceramic Paintings
Materials
Porcelain
German Vienna Hand Painted Porcelain Plaque Flora in Period Viennese Frame
Located in Gardena, CA
German Vienna Hand Painted Porcelain Plaque Flora in Period Viennese Frame
Early 20th century German Vienna hand painted porcelain pla...
Category
Early 20th Century Ceramic Paintings
Materials
Porcelain
KPM Porcelain Plaque of Mary and Her Child after Madonna of the Chair Painting
Located in Boston, MA
This is a beautifully painted KPM porcelain plaque after the famous painting of the Madonna of the Chair or Madonna della Sedia by Raphael, which was originally painted 1513-1514. Ma...
Category
Early 20th Century German Renaissance Ceramic Paintings
Materials
Porcelain
19th C. Meissen Porcelain Plaque Depicting Rembrandt and Saskia in the Tavern
Located in New York, NY
An incredible and very rare 19th Century Meissen porcelain plaque depicting Rembrandt and Saskia in the Tavern. Meissen plaques are incredibly rar...
Category
1860s German Baroque Antique Ceramic Paintings
Materials
Porcelain
19th Century Oil on Canvas Portrait of a Young Boy
Located in Ongar, GB
A lovely quality 19th century oil on canvas portrait painting of a young boy in a period frame. Some old repairs on the frame.
Category
19th Century European Antique Ceramic Paintings
Materials
Terracotta, Canvas
Excellent Late 19th Century K.P.M. Portrait Plaque of Napoleon Signed Wagner
Located in New York, NY
An Excellent Late 19th Century Berlin K.P.M. Porcelain Rectangular Portrait Plaque of Napoleon Signed Wagner
Signed Wagner
Finely painted after P...
Category
Late 19th Century German Belle Époque Antique Ceramic Paintings
Materials
Porcelain, Wood
19th Century French Hand Painted Framed Porcelain Tile
Located in Lambertville, NJ
A gorgeous hand painted porcelain tile in original giltwood frame. The tile with hand painted blue birds and wildflowers in an elegant original giltwood...
Category
1880s French Aesthetic Movement Antique Ceramic Paintings
Materials
Porcelain, Giltwood
Royal Vienna Splendour Picture Plate 'Adornation Of Venus', circa 1890
Located in Vienna, AT
Elaborately painted porcelain picture plate: plate rim with notches, gold rim on the outside, ruby red flag, gold and white framed light green ribbon with three large, gold framed re...
Category
1890s Austrian Art Nouveau Antique Ceramic Paintings
Materials
Porcelain
Continental Porcelain Oval Plaque circa 1900
Located in West Palm Beach, FL
A Continental porcelain oval plaque
circa 1900
painted with a beauty holding a rose after Nathaniel SICHEL (1843-1907), impressed C above 170, within a ...
Category
Early 1900s Antique Ceramic Paintings
Materials
Porcelain
French Limoges Wall Art Painted Plate, Early-20th Century
By T&V Limoges
Located in New York, NY
An early-20th century French hand-painted plate by T & V, Limoges, France. Plates' design is beautiful fuchsia-purple and pink mum flowers and green leaves, finished with a gold gilt...
Category
Early 20th Century French Rococo Ceramic Paintings
Materials
Porcelain
Late 19th Century Porcelain Plaque of Port in Amsterdam
By J. Schuler 1
Located in Los Angeles, CA
A late 19th century porcelain plaque of Port de Piche in Amsterdam. It is signed J Schuler. Made by H&B at the Choisy-le-Roi factory. Original elaborately hand-carved wood and gesso ...
Category
Late 19th Century French Renaissance Revival Antique Ceramic Paintings
Materials
Porcelain
Fine 19th Century Porcelain Plaque of La Madonna della Sedia after Raphel Sanzio
Located in Los Angeles, CA
A very fine German 19th century circular porcelain plaque painting of La Madonna della Sedia after Raphael Sanzio (1483-1520), depicting a seated Madonna and child next to a child Saint John the Baptist, within a giltwood carved figural frame, the plaque inscribed "Raphael" on the reverse and bearing a label that reads "Julius Greiner...
Category
19th Century German Renaissance Antique Ceramic Paintings
Materials
Porcelain, Wood
Chinese Republic Period Famille Noire Porcelain Plaque Painted with Parrots
Located in West Palm Beach, FL
Chinese Republic Period Famille Noire porcelain plaque painted with parrots signed with oblong iron red seal, in a later hardwood and ebonized frame
Measures: Plaque 9"x 12"
Frame 14...
Category
Early 20th Century Chinese Chinese Export Ceramic Paintings
Materials
Brass
Meissen Plaque Depicting Four Royals Hunting in the Woods with a Dog and Rifles
Located in New York, NY
An exceptionally fine and quite larege Meissen hand-painted porcelain plaque depicting four royals hunting in the woods with a hunting dog and rifles. This is the finest quality of a...
Category
Mid-19th Century German Louis XVI Antique Ceramic Paintings
Materials
Porcelain, Wood
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