German Prints

1678 Baroque Dressage Training Horse at the Pillar – Georg Simon Winter This original hand-coloured copperplate engraving depicts an advanced riding-school exercise from one of the ...

Greater Bird of Paradise Male & Female Hand-Colored Lithograph, c. 1875 Description: Original antique hand-colored lithograph depicting a magnificent pair of Greater Birds of Paradise, identified beneath the image as “Der gemeine Paradiesvogel (Paradisea apoda).” The composition shows the spectacular male Greater Bird of Paradise perched above a female. The male is represented with his characteristic golden-yellow ornamental flank plumes cascading dramatically around the body, contrasting with his dark chest and greenish-yellow head and throat. Two extremely elongated tail wires descend beneath him. The more restrained brown plumage of the female provides a striking illustration of the sexual dimorphism for which birds of paradise became celebrated. Birds of paradise were among the most extraordinary exotic birds known to European naturalists and collectors. Early specimens reached Europe from the Indonesian archipelago without their feet, contributing to centuries of myths that the birds lived perpetually in the air. This history is reflected in the scientific name Paradisea apoda, meaning essentially “footless bird of paradise.” The plate is numbered Fig. 139 and bears the German title “Der gemeine Paradiesvogel.” It was produced for a German 19th-century natural-history publication and is a fine example of the period's increasingly sophisticated ornithological illustration. Although the composition is reminiscent of the celebrated bird illustrations associated with John Gould, I would not attribute this particular plate directly to Gould. The available evidence does not establish Gould as its artist or publisher, and the German typography and figure numbering indicate that it belongs to a separate German natural-history publication. Greater Bird of Paradise Paradisea apoda “Der gemeine Paradiesvogel” Fig. 139 German School c. 1870–1880 Original hand-colored lithograph This is an original antique print from the 19th century, not a modern reproduction. Condition: Good antique condition with overall age-related toning, scattered light foxing and minor spotting and marks, particularly within the margins. Some minor handling wear is consistent with age. The colors remain attractive and the principal image is well preserved. Please study the photographs carefully as they form part of the condition description. Period: Late 19th Century Style: Victorian Medium: Hand-colored lithograph on paper Subject: Greater Bird of Paradise Bird of Paradise Paradisea apoda Male and Female Birds Tropical Birds Ornithology Natural History Keywords: Greater Bird of Paradise, Bird of Paradise, Paradisea apoda, Paradiesvogel, Der gemeine Paradiesvogel, paradise bird, tropical bird, exotic bird, male bird of paradise, female bird of paradise, Indonesian birds...

JOHANN WILHELM WEINMANN (1683-1741) - PHYTANTHOZA ICONOGRAPHIE - Antique set of six framed 18th century first edition PHYTANTHOZA ICONOGRAPHIE botanical hand colored mezzotint engrav...

Mater Dolorosa, 1899 German Chromolithograph of the Sorrowful Mother, Dresden This exquisite late-19th-century chromolithograph of the Mater Dolorosa—“Sorrowful Mother”—was printed ...

Antique Tea Botanical Print, Thea Chinensis, Hand Colored, c.1831 This elegant botanical engraving depicts Thea chinensis, the tea plant, one of the most influential commodities in ...

The Angelus at Sunset, After Millet, Antique European Chromolithograph This atmospheric late 19th-century European chromolithograph presents a devotional rural scene inspired by Jea...

Antique Palm Tree Botanical Print, Exotic Tropical Plate, German Atlas 1885 An impressive original double-page botanical plate (Tafel 21) from M. Fünf...

Bending Male Nude Study after de Lairesse German Drawing Manual c1745 Description: This compelling academic study of the male nude originates from the German edition of Gérard de La...

Christ Knocking at the Door, c.1900 German Devotional Chromolithograph (Printed in Germany) This beautiful early 20th-century German chromolithograph depicts one of the most tender ...

Antique Botanical Prints Set, German Wildflowers Atlas Plates, Stuttgart 1890 This refined collection of botanical plates originates from Naturgeschichte des Pflanzenreichs by M. Fünfstück, published in Stuttgart circa 1885. Created during the late nineteenth century’s flourishing period of scientific illustration, these works combine botanical accuracy with a restrained decorative elegance that translates beautifully into contemporary interior design. The plates present a diverse survey of European wildflowers, medicinal herbs, and native field plants rendered with delicate color and precise draftsmanship. Species illustrated include nettle (*Urtica dioica*), hops (*Humulus lupulus*), plantain (*Plantago*), sorrel (*Rumex*), chickweed (*Stellaria*), buttercups (*Ranunculus*), pinks and campions (*Dianthus* and *Silene*), meadow herbs, flowering field plants, and various alpine and woodland flora. The compositions balance botanical specimens with airy spacing, allowing each plant form to stand clearly while contributing to an overall harmonious visual rhythm. The soft palette of sage greens, muted blush pinks, and warm paper tones creates a calm and organic aesthetic well suited to modern interiors. Unlike highly saturated botanical imagery, these plates function as sophisticated architectural wall elements — ideal for organic modern spaces, Scandinavian interiors, country houses, wellness environments, or hospitality settings seeking authenticity and quiet natural texture. Displayed together, the prints form a cohesive botanical narrative that introduces movement, refinement, and historical depth without visual heaviness. Produced as educational plates yet executed with notable artistic sensitivity, these works exemplify the German tradition of merging science and design. Their balanced compositions and timeless subject matter make them particularly attractive for designers creating layered, nature-inspired interiors. The prints are offered unframed, allowing collectors and designers full freedom to select framing appropriate to their interior schemes. Any framed examples shown are intended solely for visual inspiration. Condition report: Very good antique condition with general age-related toning consistent with late nineteenth-century paper. Light surface wear and occasional minor spotting visible upon close inspection. Original centerfolds as issued. Paper remains strong and stable, presenting attractively overall. Framing tips: These botanical plates benefit from generous ivory or soft cream matting to emphasize their delicate compositions and preserve visual balance. Natural oak, walnut, or subtle antique gilt frames enhance the historical character while remaining compatible with modern interiors. Hanging as a structured grid or salon-style botanical wall creates a refined, designer-led installation with strong visual cohesion. Keyword block: antique botanical prints, German botanical atlas, M Fünfstück, Naturgeschichte des Pflanzenreichs, wildflower botanical prints, antique plant illustrations, European wildflowers art, botanical wall decor, vintage botanical plates...

Set of Three Antique Mineralogy Chromolithographs, Quartz, Agate & Tourmaline, 1888 DESCRIPTION: A decorative set of three original 19th-century mineralogy plates illustrating quart...

St Mary Protectress of Innocents, Antique German Chromolithograph c.1900 This exceptionally tender and beautifully composed late 19th–early 20th century German chromolithograph depi...

Ecce Homo, 1899 German Chromolithograph of Christ with Crown of Thorns (Dresden) This moving late-19th-century chromolithograph of Christ as “Ecce Homo” was printed in Dresden in 18...

The Angelus at Sunset, After Millet, Antique European Chromolithograph This atmospheric late 19th-century European chromolithograph presents a devotional rural scene inspired by Jea...

Rivinus botanicals: Anonis, Hedysarum & Genista hispanica, Leipzig, 1690s Set of three late-17th/early-18th-century botanical copper engravings with period hand-colour, attributed t...

Antique print titled 'Der Moderne Kleidermacher XII'. German fashion print, published circa 1900. Four men showing various outfits (incl. long jackets/coats), all wearing hats.

Hangman's Bridge (Henkersteg), Nuremberg, Bavaria, Germany - Antique fine art hand colored engraving on heavy cream paper - architectural view - indistinctly signed by the artist low...

Andy Warhol's Endangered Species Portfolio of 6 Prints by Neues Publishing Company, 1989 The 1989 portfolio contains high-quality reproductions of six animals rendered in Warhol's s...

Original Antique Print of Exotic Insects, Lanternfly and Mantis, c. 1790 Original antique hand-colored engraving depicting a spectacular collection of exotic insects, including a la...

Weinmann Phytanthoza Iconographia Grape Engravings, Set of Four, Circa 1745 This set of four color-printed and hand-finished botanical engravings of grape vines comes from Johann Wi...

Original Antique Print of Swallowtail and Painted Lady Butterflies by Bertuch, c. 1800 Original antique hand-colored copper engraving depicting three colorful butterflies together w...

Crocodiles, Lizards & Reptiles Print: Alligator, Monitor, Iguana – Antique 1867 This striking antique print depicts crocodiles, alligators, lizards, monitors, and iguanas, rendered ...

Original Antique Print of Volcanic Eruptions and Ships by Bertuch, c. 1800 Original antique hand-colored copper engraving depicting two dramatic volcanic phenomena, published in Fri...

Anatomy Print: Skeleton, Skull, Organs & Nerves Study – Antique 1867 This detailed antique print presents a comprehensive anatomical study from the 19th century, depicting the human...

Antique Date Palm & Coconut Botanical Scene, Phoenix & Cocos, c.1831 Description: This richly illustrated botanical scene depicts the date palm (Phoenix dactylifera) and coconut pal...

Antique New Mexico Landscape Print, Wagon Train Scene, Meyer 1850s This atmospheric mid-19th-century engraving presents a striking frontier landscape titled “Landschaft bei der Furt...

Original Antique Print of an Atlas Moth by Bertuch, circa 1800 Original antique hand-colored copper engraving depicting the magnificent Atlas moth (Attacus atlas), one of the largest and most spectacular moths in the world. The plate is titled “Insecten XXVIII / Insectes XXVIII” and originates from Friedrich Justin Bertuch’s celebrated “Bilderbuch für Kinder,” published in Weimar around 1800. The enormous moth is shown with its wings fully extended across a flowering branch. Its richly patterned wings are beautifully rendered in shades of rust, ochre, cream, black and pink, with the characteristic translucent, window-like markings prominently displayed. The combination of the dramatically oversized insect and delicate botanical background makes this one of the more visually striking natural-history subjects in Bertuch’s series. The Atlas moth is native to the tropical forests of South and Southeast Asia and is renowned for its extraordinary wingspan. Its distinctive wing tips have often been noted for their resemblance to the head of a snake, possibly serving as a defensive adaptation against predators. The engraving bears the inscription “Jacob H. Schmuzer” at lower right. Friedrich Justin Bertuch (1747–1822) was a German publisher, writer and patron of the arts. His monumental “Bilderbuch für Kinder” (Picture Book for Children) was one of the great illustrated educational encyclopedias of the late 18th and early 19th centuries. Published in Weimar from 1790 onward, the work contained hundreds of finely engraved and hand-colored plates devoted to natural history, geography, science, technology, costumes and mythology. A particularly decorative and impressive antique natural-history print, well suited to collectors of butterflies and moths, entomology and early scientific illustration. Creator: Friedrich Justin Bertuch (1747–1822) Engraver: Jacob H. Schmuzer Source: Bilderbuch für Kinder Plate: Insecten XXVIII / Insectes XXVIII Place of Publication: Weimar, Germany Date of Manufacture: Circa 1800 Period: Early 19th Century Style: Neoclassical – In the Period of Medium: Original hand-colored copper engraving on paper Condition: Good. Wear consistent with age and use. Light age-related toning and occasional minor spotting. Some marginal wear and small imperfections, particularly along the right edge. Original hand coloring remains strong and attractive. Please refer to the photographs for further details of condition. Please note: This is an original antique print from circa 1800, not a modern reproduction. The print is sold unframed. Framed images or interior views, if shown, are for presentation and inspiration only. Keywords: Atlas moth print, Attacus atlas, antique moth...

Immaculate Conception, c.1900 German Devotional Chromolithograph This beautiful early 20th-century German chromolithograph depicts the Immaculate Conception, one of the most belove...

Fly Agaric & Chanterelle Mushrooms – Antique Botanical Lithograph Set, 1885 This refined set of three large-format botanical lithographs illustrates a celebrated selection of Europe...

Title: Pair of Antique Dragonfly, Cicada & Exotic Insect Engravings – Bertuch, c. 1815 A decorative set of two original antique hand-colored copper engravings depicting an extraordi...

JOHANN WILHELM WEINMANN (1683-1741) - PHYTANTHOZA ICONOGRAPHIE - Antique pair of framed 18th century first edition Phytanthoza Iconographie botanical hand colored mezzotint engraving...

Original Antique Print of Three Exotic Tropical Fish by Bertuch, c. 1800 Original antique hand-colored copper engraving depicting three spectacular exotic fish, published in Friedri...

Title: Antique Hand-Colored Crested Birds Engraving – Bertuch, c. 1800 Original antique hand-colored copper engraving depicting five remarkable crested and ornamental birds, publish...

Wading Birds & Cranes Print: Flamingo, Stork, Ibis, Bustard – Antique 1867 This elegant antique print depicts a variety of wading birds and cranes, including flamingos, storks, ibis...

Original Antique Print of Five Exotic Red Fish by Bertuch, c.1800 Original antique hand-colored copper engraving depicting five remarkable species of fish, published in Friedrich Ju...

Antique Greek Amphorae with Classical Figures Double-Page Lithograph, 1883 Original antique color lithograph depicting two elaborately decorated ancient Greek amphorae, published in...

Antique Sugarcane Chromolithograph, Teboe Monjet and Teboe Rapooh Kiang, 1892 Description This large chromolithographic plate illustrates two distinct sugarcane varieties cultivated...

Jonstonus Friesian and Hungarian Horses Engraving, 1650 Description: Original antique copper engraving depicting two European horse breeds: the Friesian horse (“Equus Frisicus – Frisisch Pferd”) and the Pannonian or Hungarian horse (“Equus Pannonicus sive Hungaric – Hungarisches Pferd”). The upper composition shows the powerful Friesian horse standing in profile, distinguished by its heavy build, long flowing mane and feathered legs. Below, the Hungarian horse is represented in a dramatic rearing pose, creating a particularly lively and decorative equestrian composition. The engraving was published in Joannes Jonstonus’ important Historiae naturalis de quadrupetibus, Frankfurt am Main, 1650. The work was issued by the heirs of Matthäus Merian and forms part of Jonstonus’ celebrated multi-volume natural history of animals. Joannes Jonstonus (1603–1675), also known as John Johnston or Jan Jonston, was a Polish-born physician, naturalist and scholar. His extensive natural-history publications were among the important illustrated zoological works of the 17th century, preceding the systematic classification of Linnaeus by more than a century. From the first edition of Historiae naturalis de quadrupetibus, published in Frankfurt by the Merian publishing house in 1650. Plate II, titled within the engraving: “Equus Frisicus – Frisisch Pferd” “Equus Pannonicus sive Hungaric – Hungarisches Pferd” A beautiful early representation of the Friesian horse and an appealing decorative work for an equestrian, country-house or natural-history collection. Joannes Jonstonus (1603–1675) Historiae naturalis de quadrupetibus Frankfurt am Main Published by the heirs of Matthäus Merian 1650 Original copper engraving Plate II This is an original antique print published in 1650, not a modern reproduction. Condition: Good antique condition with overall age-related toning, scattered spotting and surface marks. Noticeable old staining and discoloration to the lower left corner and margin. Minor handling creases and wear along the sheet edges. The engraved image remains strong and well defined. Please study the photographs carefully as they form part of the condition description. Period Mid-17th Century Style Baroque Natural History Equestrian Subject Friesian Horse Hungarian Horse Equestrian Horses Natural History Zoology Frisian Keywords: Joannes Jonstonus, John Johnston, Jan Jonston, Matthäus Merian, Merian, Friesian horse, Frisian horse, Friesisch Pferd, Equus Frisicus, Hungarian horse, Pannonian horse, Equus Pannonicus, horse engraving, antique horse print, equestrian engraving, equestrian art, horse wall art...

Original Antique Print of Archaeological Excavations by Bertuch, c. 1800 Original antique copper engraving depicting archaeological excavations and newly uncovered ancient architect...

Antique Greek Lekythos with Classical Figures Color Lithograph, 1883 Original antique color lithograph depicting three ancient Greek lekythoi decorated...

Title: Pair of Antique Hawk Moth Life Cycle Engravings – Bertuch, c.1800 A striking set of two original antique hand-colored copper engravings depicting large hawk moths or sphinx m...

Antique Greek Vases, Cooling Vessel & Amphorae Lithograph, 1883 Original antique color lithograph depicting three examples of ancient Greek ceramics—a large cooling vessel and two a...

Antique Greek Lidded Amphora with Classical Figures Lithograph, 1883 Original antique color lithograph depicting an elaborate ancient Greek lidded amphora with classical figures and...

Antique Hand-Colored Engraving of Squirrels and Rodents, Quadrupeds Plate XXXXI Description: This fine antique hand-colored engraving, titled Vierf. Thiere XXXXI (Quadrupeds Plate 4...

European Bird Eggs Lithographs, Set of Two – Meyers Konversations-Lexikon, 1890s Description: This exquisite pair of chromolithographs, titled Eier europäischer Vögel I & II (Eg...

Antique Greek Amphorae Classical Pottery Color Lithograph, 1883 Original antique color lithograph depicting two ancient Greek amphorae, published in Berlin in 1883 as part of Albert Genick’s monumental work on Greek ceramics. This impressive landscape-format plate presents two contrasting examples of ancient Greek amphorae. The vessel on the left has a predominantly black body with twisted handles and a single standing draped male figure rendered in terracotta red. He holds a long staff and stands above a traditional Greek-key meander border. The more elaborate amphora on the right is richly decorated with black, terracotta and additional colored details. Its central frieze contains a lively procession or group of figures, surrounded by multiple ornamental bands. The neck carries a large symmetrical palmette motif, while birds and further decorative elements appear around the shoulder of the vessel. Two smaller archaeological line drawings between and above the amphorae record details associated with the pottery decoration. The juxtaposition of the restrained black amphora with the richly ornamented second vessel makes this a particularly attractive and visually varied plate from the series. Its horizontal format also makes it especially suitable for display above a console, desk or fireplace. The print originates from the second edition of Albert Genick’s important publication on Greek ceramics, published by Ernst Wasmuth in Berlin in 1883. The complete work comprised 36 large color lithographic plates, including four double-page plates, illustrating amphorae, vases, bowls and other examples of ancient Greek ceramic art. The lithographs were produced by the Berlin printing establishment Hein & Mosler. Albert Genick (1837–1906), a Berlin-trained architect, became particularly known for his precise graphic documentation of ancient ceramics. This publication is regarded as his principal work. Complete examples are rare, and individual plates from the series are increasingly difficult to find. Creator: Albert Genick (1837–1906) Publisher: Ernst Wasmuth, Berlin Printer: Hein & Mosler, Berlin Plate: IV Date: 1883 Edition: Second edition Technique: Color lithograph Origin: Germany Sheet size: Approximately 46 x 68 cm (18.1 x 26.8 inches) Orientation: Landscape Period: Late 19th Century Style: Neoclassical / Archaeological Revival Condition: Very good antique condition. Strong black and terracotta coloring with the additional colors of the decorated amphora remaining well preserved. Light age-related toning with scattered minor foxing and spotting, principally in the surrounding background and margins. Minor edge wear consistent with age. Please study the photographs carefully as they form part of the condition description. An original antique lithograph printed in 1883, not a modern reproduction. The print is offered unframed. Any framed or interior images, if shown, are for presentation and inspiration only. Additional companion plates from Albert Genick’s series are available separately. Keywords: Albert Genick, Greek amphorae, Greek amphora, ancient Greek pottery, Greek ceramics, Greek vases, amphora print, classical pottery, archaeological print, ancient Greece, Greek art, Greek figures, classical antiquity, Greek key, Greek meander, palmette ornament, black figure pottery...

Set of Three Dragonfly Lithographs by Richard Tümpel, Germany, 1908 Description: A superb set of three original color lithographs from Richard Tümpel's monumental work Die Geradflüg...

Collection of nine 18th Century tropical botanical engravings by Georg Dionysius Ehret. Hand coloured prints depicting local flora of Barbados. Each is dedicated to a prominent perso...

Original Antique Print of Four Corals by Bertuch, c. 1790 Original antique hand-colored copper engraving depicting four remarkable varieties of coral and marine growth, published in Friedrich Justin Bertuch’s celebrated “Bilderbuch für Kinder” around the end of the 18th century. The plate is titled “Corallen I / Corallia / Coraux I” and bears the reference “I.B.21” at lower right. It belongs to Bertuch’s early natural-history series illustrating the extraordinary diversity of marine organisms then collectively described as corals. Four dramatically different specimens are arranged across the sheet. Fig. 1 depicts a branching red coral with multiple upright stems. Its vivid original red coloring makes it the strongest color accent in the composition and recalls the precious red corals that had long been collected in the Mediterranean and used for jewelry and decorative objects. Fig. 2 shows a tall, dark branching form with an elegant tree-like structure, representative of the flexible horn-like corals historically grouped among the gorgonians. Fig. 3 illustrates a large irregular, porous coral formation, rendered in pale ochre and gray tones. Its complex surface and numerous cavities emphasize the extraordinary structural variety encountered in coral colonies. Fig. 4 dominates the upper part of the plate and is perhaps the most visually striking specimen. Its broad, deeply folded and radiating surfaces create an almost flower-like or sculptural appearance, demonstrating why corals occupied such a fascinating position between the botanical and zoological worlds in early natural-history classification. During the 18th century, the classification and biological nature of corals remained an important subject of scientific investigation. Earlier naturalists had frequently compared them with plants or mineral formations, while increasingly detailed observation established their animal nature. The terminology and organization of early coral collections therefore provide a fascinating insight into the development of marine zoology. The engraving combines finely engraved scientific detail with restrained original hand coloring in red, ochre, gray and black. Its large sculptural forms and spacious composition give the plate considerable decorative appeal in both traditional natural-history collections and contemporary coastal interiors. Friedrich Justin Bertuch (1747–1822) was a German publisher, writer and patron of the arts. His monumental “Bilderbuch für Kinder” was one of the great illustrated educational encyclopedias of the late 18th and early 19th centuries, covering zoology, botany, geography, science, technology, antiquity and numerous other subjects. Creator: Friedrich Justin Bertuch (1747–1822) Source: Bilderbuch für Kinder Plate: Corallen I / Corallia / Coraux I Reference: I.B.21 Subject: Four Corals and Marine Organisms Place of Publication: Weimar, Germany Date of Manufacture: Circa 1790 Period: Late 18th Century Style: Neoclassical – In the Period of Medium: Original hand-colored copper engraving on paper Condition: Good. Wear consistent with age and use. General age-related toning with scattered foxing, spotting and minor marks. Some discoloration and handling wear are visible, consistent with the age of the sheet. Original hand coloring remains attractive, particularly the strong red coloring of Fig. 1. Please refer to the photographs for further details of condition. Please note: This is an original antique engraving from the late 18th century, not a modern reproduction. The print is sold unframed. Framed images or interior views, if shown, are for presentation and inspiration only. Other companion marine-life and natural-history plates from Bertuch’s “Bilderbuch für Kinder” are also available separately. Keywords: antique coral print...

This illustration depicts a pigeon (Columba livia), titled "Columba livia Briss. Mas adult" in Latin, which refers to the adult male rock dove or common pigeon. The artist's signatur...

Original Antique Print of Ancient Greek and Roman Musical Instruments by Bertuch, 1802 Original antique hand-colored copper engraving illustrating a remarkable collection of musical...

Antique Greek Amphorae with Mythological Figures Color Lithograph, 1883 Original antique color lithograph depicting two richly decorated ancient Greek amphorae, published in Berlin in 1883 as part of Albert Genick’s monumental work on Greek ceramics. This impressive landscape-format plate presents two contrasting examples of ancient Greek pottery, both extensively decorated with figural and ornamental scenes. The larger amphora on the left is distinguished by its patterned terracotta handles and broad narrative frieze. A group of standing figures in elaborate dress occupies the principal scene, accompanied by animals including dogs. The figures are rendered in black, terracotta and deep red, creating an unusually rich and decorative composition. Geometric and ornamental borders surround the scene, while radiating decoration emphasizes the lower section of the vessel. The smaller amphora on the right is equally striking. Its principal scene depicts a dramatic mythological encounter between several figures, including a central hybrid or animal-bodied figure. The scene is surrounded by scrolling vegetal ornament, palmettes, geometric bands and a Greek-key meander. A richly patterned palmette frieze decorates the neck. Between the two vessels are small archaeological drawings recording details of their construction and decoration. The strong black, terracotta and deep-red palette, combined with the abundance of classical figures and ornament, makes this one of the particularly decorative plates from Genick’s series. Its horizontal format also lends itself especially well to display above a console, desk or fireplace. The print originates from the second edition of Albert Genick’s important publication on Greek ceramics, published by Ernst Wasmuth in Berlin in 1883. The complete work comprised 36 large color lithographic plates, including four double-page plates, illustrating amphorae, vases, bowls and other examples of ancient Greek ceramic art. The lithographs were produced by the Berlin printing establishment Hein & Mosler. Albert Genick (1837–1906), a Berlin-trained architect, became particularly known for his precise graphic documentation of ancient ceramics. This publication is regarded as his principal work. Complete examples are rare, and individual plates from the series are increasingly difficult to find. Creator: Albert Genick (1837–1906) Publisher: Ernst Wasmuth, Berlin Printer: Hein & Mosler, Berlin Plate: V Date: 1883 Edition: Second edition Technique: Color lithograph Origin: Germany Sheet size: Approximately 46 x 68 cm (18.1 x 26.8 inches) Orientation: Landscape Period: Late 19th Century Style: Neoclassical / Archaeological Revival Condition: Very good antique condition. Strong black, terracotta and deep-red coloring with the details of the vessels remaining well preserved. Light age-related toning with scattered minor foxing and spotting, principally in the background and margins. Minor wear and slight irregularity along the sheet edges consistent with age. Please study the photographs carefully as they form part of the condition description. An original antique lithograph printed in 1883, not a modern reproduction. The print is offered unframed. Any framed or interior images, if shown, are for presentation and inspiration only. Additional companion plates from Albert Genick’s series are available separately. Keywords: Albert Genick, Greek amphorae, Greek amphora, ancient Greek pottery, Greek ceramics, Greek vases, mythological figures, Greek mythology, amphora print, classical pottery, archaeological print, ancient Greece, Greek art, classical figures, figural vase, classical antiquity, Greek key, Greek meander, palmette ornament, black figure pottery...

Original Antique Print of Two Sperm Whales by Bertuch, c. 1800 Original antique hand-colored copper engraving depicting two sperm whales, published in Friedrich Justin Bertuch’s celebrated “Bilderbuch für Kinder” around the beginning of the 19th century. The plate is titled “Fische XXXVIII / Poissons XXXVIII” and presents two different representations of the sperm whale, one of the largest toothed whales in the world. Both animals are shown in profile with their characteristic massive, almost rectangular heads, narrow toothed lower jaws and relatively small flippers. Jets of water emerge dramatically from the blowholes. The unusual appearance of the animals reflects both their distinctive anatomy and the way whales were understood and represented by European naturalists around 1800. The sperm whale was of considerable economic importance during this period. It was hunted particularly for spermaceti, the waxy substance contained within its enormous head, as well as for whale oil and ambergris. These early zoological representations are especially interesting because accurate observation of living whales was extremely difficult. Natural-history illustrators therefore frequently relied upon stranded or captured specimens, descriptions by sailors and whalers, and earlier published illustrations. The engraving is delicately enhanced with original hand coloring in restrained shades of black, gray and brown and bears the inscription “Jacob Hauer Schmuzer” at lower right. Friedrich Justin Bertuch (1747–1822) was a German publisher, writer and patron of the arts. His monumental “Bilderbuch für Kinder” (Picture Book for Children) was one of the great illustrated educational encyclopedias of the late 18th and early 19th centuries. Creator: Friedrich Justin Bertuch (1747–1822) Engraver: Jacob Hauer Schmuzer Source: Bilderbuch für Kinder Plate: Fische XXXVIII / Poissons XXXVIII Place of Publication: Weimar, Germany Date of Manufacture: Circa 1800 Period: Early 19th Century Style: Neoclassical – In the Period of Medium: Original hand-colored copper engraving on paper Condition: Good. Wear consistent with age and use. Light age-related toning and scattered minor spotting and marks. Some marginal wear and a small loss/irregularity at the upper right corner. Original hand coloring remains attractive. Please refer to the photographs for further details of condition. Please note: This is an original antique print from circa 1800, not a modern reproduction. The print is sold unframed. Framed images or interior views, if shown, are for presentation and inspiration only. Keywords: sperm whale print, antique whale print...

Antique Greek Drinking Vessels & Cups Color Lithograph, 1883 Original antique color lithograph depicting a varied collection of ancient Greek drinking vessels and a ladle, published...

Set of six original antique mycology prints. It shows many mushrooms and other fungus. These prints originate from 'Cryptogamen-Flora, Enthaltung die Abbildung und Beschreibung Vorzü...

Antique Chromolithograph Pair, Ceramics Through the Ages, Meyers 1898 This attractive pair of original chromolithographs illustrates the history and artistic development of ceramics...

Original Antique Print of Two Exotic Butterflies by Bertuch, c. 1800 Original antique hand-colored copper engraving depicting two spectacular exotic butterflies, published in Friedr...

Antique Herbs and Mushrooms Botanical Prints, Natural History Set, 1852 Description This exceptional three-plate set combines aromatic herbs and fungi, drawn from Landwirthschaftlic...

Original Antique Print of Exotic Moths and Butterflies by Bertuch, c.1820 Original antique hand-colored engraving depicting four spectacular moths and butterflies, published in Friedrich Justin Bertuch’s celebrated “Bilderbuch für Kinder” during the early 19th century. The plate is titled “Insecten LXXXI / Insecta LXXXI / Insectes LXXXI” and bears the reference “XV.B.45” at lower right. Dominating the composition is Fig. 1, an extraordinary large pale yellow-green silk moth with exceptionally long, elegant tails extending from the hindwings. Delicate linear markings, circular eyespots and subtle red accents give the insect an almost ethereal appearance. Fig. 2 depicts another impressive large moth with broad brown forewings and richly patterned hindwings in black, pink and cream. Its strongly striped abdomen and unusual green markings add to the exotic character of the specimen. Figs. 3 and 4 illustrate two smaller but vividly colored butterflies. Fig. 3 combines brilliant red-orange wings with dramatic black markings, while Fig. 4 is predominantly black with a striking border of blue, orange and cream eyespots. The considerable difference in scale between the enormous long-tailed moth and the smaller butterflies creates a particularly effective composition. The restrained pale coloring of the upper specimen contrasts beautifully with the intense red, blue, black and pink of the insects below. The engraving is enhanced with original hand coloring and is a fine example of the fascination with exotic Lepidoptera in European natural-history publications of the early 19th century. Friedrich Justin Bertuch (1747–1822) was a German publisher, writer and patron of the arts. His monumental “Bilderbuch für Kinder” (Picture Book for Children) was one of the most ambitious illustrated educational encyclopedias of its period. Published in Weimar from 1790 onward, it contained hundreds of engraved and hand-colored plates devoted to zoology, botany, geography, science, technology, antiquity and numerous other subjects. Creator: Friedrich Justin Bertuch (1747–1822) Source: Bilderbuch für Kinder Plate: Insecten LXXXI / Insecta LXXXI / Insectes LXXXI Reference: XV.B.45 Subject: Exotic Moths and Butterflies Place of Publication: Weimar, Germany Date of Manufacture: Circa 1820 Period: Early 19th Century Style: Neoclassical – In the Period of Medium: Original hand-colored engraving on paper Condition: Good. Wear consistent with age and use. General age-related toning with scattered foxing, spotting and minor marks. Some discoloration and handling wear are visible. Minor marginal wear and edge irregularities, particularly along the right edge. Original hand coloring remains strong and attractive. Please refer to the photographs for further details of condition. Please note: This is an original antique engraving from the early 19th century, not a modern reproduction. The print is sold unframed. Framed images or interior views, if shown, are for presentation and inspiration only. Other companion butterfly, moth and natural-history plates from Bertuch’s “Bilderbuch für Kinder” are also available separately. Keywords: antique moth...

Antique Salt Lake City Mormon Settlement View, Utah, Meyer ca. 1850 This finely engraved 19th-century view depicts early Salt Lake City, identified beneath the image as “die Mormone...