German Prints

Jesus Appears to Mary Magdalene – Antique German Chromolithograph, c. 1895 This striking late 19th-century German chromolithograph depicts the moving biblical moment in which the risen Christ appears to Mary Magdalene following the Resurrection. Christ is shown standing in quiet majesty, halo radiant with divine light, His right hand placed gently over His heart in a gesture of compassion and reassurance. Mary Magdalene kneels before Him with deep devotion, her long flowing hair and rich garments emphasizing both humility and reverence. The composition is set within a tranquil garden landscape, traditionally associated with the Resurrection narrative, reinforcing the spiritual symbolism of rebirth, forgiveness, and divine mercy. Christ’s red tunic and deep blue mantle radiate warmth and solemnity, while the soft golden halo creates a luminous focal point that draws the eye immediately to His face. This scene, known in Christian tradition as *Noli Me Tangere* (“Touch Me Not”), represents one of the most emotionally powerful moments of the Gospel story. It became a highly favored subject in Catholic devotional art of the late 19th century, commonly displayed in prayer corners, chapels, religious schools, and family interiors. Produced using high-quality chromolithography, this print achieves exceptional painterly depth, with delicate shading in the flesh tones, refined folds in the drapery, and beautifully layered landscape colors. The gold highlights of the halos and the saturated reds and blues are especially well preserved, reflecting the superior production standards of German devotional publishers during this period. This is a visually commanding and spiritually meaningful artwork, highly desirable for Catholic collectors, sacred art interiors, and serious devotional art collections. CONDITION REPORT Good antique condition overall. Light, even age toning to the paper consistent with late 19th-century chromolithographs. Minor edge wear and very gentle corner softening visible upon close inspection. No major stains, no tears, and no restoration observed. Colors remain strong and vivid. FRAMING TIPS This print will display beautifully in a classic gilt or softly antiqued gold wooden frame to echo the sacred halo tones. For a more restrained interior, a dark walnut or black lacquer frame with a wide ivory mat and museum glass will create a dramatic devotional presentation. TECHNIQUE Chromolithography MAKER German devotional publisher, Germany, circa 1895 KEYWORD BLOCK Jesus and Mary Magdalene, Noli Me Tangere, resurrection scene, antique catholic print...

Antique Cycad Botanical Scene, Cycas Circinalis, c.1831 Description: This striking botanical scene depicts Cycas circinalis in a tropical riverside landscape, with figures providing...

Nicely framed in gold with matting. Two images darker than others but all came together and work together.

Antique Ginger Botanical Print, Zingiber Officinale, c.1831 Description: This bold botanical engraving depicts Zingiber Officinale, the ginger plant, shown with its characteristic r...

Antique Date Palm & Coconut Botanical Scene, Phoenix & Cocos, c.1831 Description: This richly illustrated botanical scene depicts the date palm (Phoenix dactylifera) and coconut pal...

JOHANN WILHELM WEINMANN (1683-1741) - PHYTANTHOZA ICONOGRAPHIE - Antique set of six framed 18th century first edition PHYTANTHOZA ICONOGRAPHIE botanical hand colored mezzotint engrav...

Antique Chromolithograph of Jerusalem from the Mount of Olives, circa 1890 This captivating chromolithograph titled “Jerusalem” dates to approximately 1890 and presents a sweeping p...

Swans on a Quiet Lake – Graceful Antique Bird Chromolithograph c.1880 This serene late 19th-century ornithological chromolithograph depicts a peaceful lakeside scene with swans in different stages of maturity, presented within a broad, open landscape of calm water, grassy banks, and distant trees. In the foreground, an adult white swan glides across the water with its neck elegantly curved, while nearby a grey-brown juvenile swan and an older, darker bird stand at the water’s edge. The composition gently illustrates growth and variation within the species, a common and instructive theme in natural history illustration of the period. The swan, long regarded as a symbol of grace, purity, and tranquility, was a favored subject in 19th-century European ornithological works. The contrast between the bright white plumage of the adult bird and the softer grey tones of the younger swans is rendered with great sensitivity, emphasizing differences in age and development. The surrounding landscape is deliberately understated, allowing the birds to remain the focal point while conveying a convincing natural habitat. Produced using chromolithography, this print displays soft, harmonious coloration and smooth tonal transitions. Pale blues and greens dominate the water and sky, complemented by gentle earth tones along the shoreline. Fine feather detailing and subtle reflections in the water demonstrate the technical quality of late 19th-century chromolithographic printing, which sought to combine scientific accuracy with decorative appeal. This print is ideal for collectors of antique bird prints, waterfowl imagery, and pastoral wildlife scenes. It also works beautifully in interior settings such as living rooms, bedrooms, nurseries, country houses, or calm contemporary spaces, where its balanced composition and soothing palette add a sense of elegance and quiet refinement. Condition report Good antique condition. Light foxing and mild age-related toning visible, mainly in the margins, consistent with chromolithographs of this period. The image area remains clean and well preserved, with no major tears or losses observed. Framing tips Frame with a wide off-white or soft beige mat and a natural wood, walnut, or simple black frame. This enhances the gentle color palette and gives the print a timeless, museum-style presentation. Keywords antique bird print, swan illustration, swans on a lake, waterfowl art...

Step into the captivating world of 19th-century natural history with this stunning antique print titled "Der Windhund - Die englische Dogge," showcasing the elegance and majesty of t...

Birds of Prey, Complete Set of 10 Chromolithographs – Eagles & Falcons c1890 This impressive and visually unified suite of ten large-format chromolithographs depicts some of the mos...

Karl Blossfeldt — Framed Photogravure: Natural Grace, 1942 A striking Karl Blossfeldt photogravure from the 1942 edition of Wunder in der Natur. Retaining its original condition, i...

Antique map titled 'Typus Totius Orbis Terraquei Geographice Delineatus, Et Ad Usum Globo Materiali Superinducendus'. Beautiful example of Scherer's map of the World, configured in 12 globe gores. California is shown as an island. Fascinating Northwest Passage...

European Bird Eggs Lithographs, Set of Two – Meyers Konversations-Lexikon, 1890s Description: This exquisite pair of chromolithographs, titled Eier europäischer Vögel I & II (Eg...

The image is a copper engraving from around 1770. It depicts various scenes involving animals and a person. Here’s a detailed description of the different elements in the engraving: ...

Jesus Blessing the Children – Antique German Catholic Chromolithograph, c. 1890 This beautiful late 19th-century German chromolithograph depicts one of the most tender and beloved scenes in Christian iconography: Jesus blessing the children. Christ stands centrally in a serene pastoral landscape, gently extending his hands in a gesture of protection and compassion, while two children approach Him with trust and reverence. The soft light of the halo frames His head, reinforcing the sacred presence, while the surrounding greenery and distant buildings create a peaceful biblical setting. This image reflects the powerful theme from the Gospel of Matthew, “Let the little children come to me,” and was widely used in Catholic devotional culture for home altars, schools, and parish settings during the late Victorian period. The gentle facial expressions, flowing robes, and rich harmonious colors are all characteristic of high-quality German chromolithography from the late 19th century. Chromolithography allowed for exceptional depth of color and painterly effects, closely imitating oil painting. This example shows especially fine tonal transitions in the robes, sky, and landscape, as well as excellent detail in the figures and foliage. The overall visual impression is warm, calm, and deeply devotional, making this print particularly appealing to Catholic art collectors and religious interiors. Pieces of this type were often displayed in framed settings above prayer corners, in churches, or in Catholic family homes and have become increasingly collectible as surviving examples in good condition grow scarcer. Its subject matter gives it lasting spiritual and decorative appeal and makes it a timeless devotional artwork. CONDITION REPORT Good antique condition overall. Light even age toning to the paper, consistent with late 19th-century chromolithographs. Minor softening at the edges and faint handling traces visible upon close inspection. No major stains, no tears, and no restoration observed. The colors remain vibrant and well preserved. FRAMING TIPS This print would be beautifully enhanced with a classic gold-leaf or champagne-gilt wooden frame combined with a wide ivory or warm cream mat. For a more contemporary sacred interior, a soft walnut or dark oak frame with museum glass would provide excellent contrast and visual depth while keeping the devotional character intact. TECHNIQUE Chromolithography MAKER German devotional publisher, Germany, circa 1890 KEYWORD BLOCK Jesus blessing children, Jesus the Friend of Children, antique catholic print...

1805 Handcolored Engraving of Egyptian Monuments from Bertuch's "Bilderbuch für Kinder" Description: This remarkable handcolored engraving from 1802 depicts two iconic views of an...

Reclining Male Nude with Raised Leg after de Lairesse German Manual c1745 This dramatic academic study of the male nude originates from the German edition of Gérard de Lairesse’s in...

Antique Gum Arabic Botanical Print, Acacia Arabica & Acacia Vera, c.1831 This original botanical engraving depicts two important gum-producing trees: Acacia arabica and Acacia vera,...

Print by artist Friederich Wilhelm Kuhnert "Cape Buffalo", late 19th century. Friederich Wilhelm Kuhnert, German, 1865-1926. Lower left: FK, del?, 815. One of the first European arti...

Antique engraving of Nagasaki procession, Japan by Langsdorff, 1812 This finely detailed engraving depicts a ceremonial procession in Nagasaki, Japan, observed during the Russian em...

Joan of Arc Life Scenes, German Romantic Engraving, Minerva Taschenbuch, 1813 This early 19th-century engraved sheet depicts a complete narrative cycle from the life of Joan of Arc ...

Antique print titled 'Amphora'. Color-printed large lithograph by Ernst Wasmuth depicting a Greek Amphora. This print originates from 'Griechische Keramik' by A. Genick. Albert Genick...

Villefranche, Nice & Monaco Coast – Rare German Copper Engraving c.1692 Description: This rare late-17th-century copper engraving depicts the Mediterran...

A Fine Set of Twelve Botanical Engravings from Johann Weinmann's Phytanthoza Iconographia ________________________________________ This is a beautiful and historically significant s...

Dardanelles Strait, Ottoman Turkey – Probst Optical View with Ships, c.1770 This highly decorative hand-colored optical view depicts the Strait of the Dardanelles (Çanakkale Boğazı)...

Vintage botanical mushroom illustration print, published by E. Hochdanz, Stuttgart (Germany), circa late 19th – early 20th century, featuring meticulously hand-colored depictions of ...

Antique Print 'The Hunters Tomp', Germany late 19th century A colorful antique print depicting a group of animals like stag, wild boar, hare, staghound and deer visiting the tomp of...

Classic, Mid-Century, 1960's Serigraph of a still life by painter Tugomir Huberger mounted on board with thin white framed edge. Huberger, a Croatian ...

Persian-Turkish Faience Plate with Carnation Motif – Julius Lessing, Berlin 1890 Description: A richly detailed chromolithograph from Julius Lessing’s Persisch-Türkische Fayencen (Persian-Turkish Faience), published by Ernst Wasmuth in Berlin, 1890, as part of Vorbilder-Hefte aus dem Königlichen Kunstgewerbe-Museum, Heft 11. This plate (Tafel 9) reproduces a 16th-century faience dish from the celebrated collection of the Royal Museum of Decorative Arts in Berlin. The print captures the exquisite ornamentation of an Iznik plate...

A classical rollable wall chart showing the economy of North America. Publishd by the Paul List Verlag. Used as teaching material in German schools. Colorful print on paper reinforce...

Antique Sago Palm Botanical Print, Sagus Farinifera, c.1831 Description: This original botanical engraving depicts the sago palm, Sagus Farinife...

Kneeling Male Nude Study after de Lairesse German Drawing Manual c1745 Description: This expressive academic study of the male nude originates from the German edition of Gérard de L...

Large Mezzotint of Napoleon at the Battle of Waterloo German Print, c1850 A dramatic large-format mezzotint depicting Napoleon Bonaparte during the Battle of Waterloo on 18 June 181...

Antique print titled 'Madrid'. View of Madrid, published in Hildburghausen, Germany.

Arachnids & Insects Print: Spiders, Scorpion, Centipedes, Flies – Antique 1867 This detailed antique print depicts a wide range of arachnids, insects, and myriapods, including spide...

Belgrade Bombardment 1914 – Color WWI Battle Print, Austrian-Serbian Front This vivid and highly decorative color print depicts the bombardment of Belgrade during the opening phase ...

Set of 9 Antique Greek Costume and Antiquity Prints by Wasmuth, Berlin c.1900 This impressive set of nine antique prints presents a richly detailed visual survey of ancient Greek li...

Artist or Maker: Johann Wilhelm Weinmann Title: "Lilium album peregrinum. Lilium buliferum, Knöpfigte Feuer Lilien. Lilium croceum minus, Feuer Lilien." Medium: Colored etching Catal...

St Joseph and Child Jesus with Lily, Antique German Chromolithograph c.1900 This beautifully composed late 19th–early 20th century German chromolithograph presents a tender devotional scene of Saint Joseph with the Child Jesus, one of the most beloved themes in Catholic sacred imagery. Saint Joseph is seated in a humble workshop interior, gently resting his hand on his chest while the Christ Child offers him a white lily, the universal symbol of purity, obedience, and divine election. Both figures are encircled by radiant halos, reinforcing the sacred intimacy of this quiet, fatherly moment. The composition is rich in symbolic detail: the carpenter’s tools behind Joseph reference his earthly labor and humility, while the soft pastoral landscape visible through the opening suggests God’s providence beyond the domestic sphere. The infant Christ, rendered with luminous skin tones and expressive gaze, embodies both innocence and divine authority. The lily rises vertically between them as a visual axis of spiritual virtue, creating a powerful yet gentle devotional message. This print was produced using true chromolithography in Germany around 1900, a technique requiring multiple lithographic stones—one for each color layer. The softness of the tonal transitions, the saturated yet harmonious palette, and the velvety matte surface all confirm authentic period production. The lower margin bears the multilingual title “Hl. Joseph / St. Joseph / S. Giuseppe / S. José / Swięty Józef,” as well as the ecclesiastical approval line “Imprimi permittitur. Ordinariatus episcopalis Limburgensis,” confirming official Church authorization for devotional distribution. The imprint “Printed in Germany” further supports its origin within the great German religious printing houses of the era. This type of high-quality devotional chromolithograph was originally intended for Catholic homes, chapels, schools, and religious institutions. Surviving examples in strong condition are now increasingly sought after by collectors of sacred art, Christian iconography, and historical devotional imagery. Condition report Very good condition. Strong, unfaded colors with excellent contrast. Light natural toning to the margins. Minor handling marks consistent with age. No tears, creases, restorations, or losses observed. The printed text and imprimatur remain crisp and fully legible. Framing tips This print presents beautifully in a warm gilt or dark walnut frame with a soft ivory mat to enhance the golden halos and the warm burgundy and olive tones of Joseph’s garments. For a more contemporary devotional presentation, a matte black frame with wide museum-style matting works equally well. Technique: Chromolithograph Maker: German devotional press, printed in Germany, circa 1900 SEO keyword block: saint joseph st joseph with child holy family art...

Antique Cotton Botanical Print, Gossypium Religiosum, c.1831 Description: This decorative botanical engraving illustrates Gossypium religiosum, another important cotton species, sho...

Very cool original Op Art blue and silver screenprint, TUZ, by Victor Vasarely from 1974. Signed in the lower right hand corner, numbered 291/340 in the lower left. This has the orig...

A fantastic cottagecore rollable wall chart by famous Jung Koch Quentell showing the profil of the lovely kangaroo. The chart is published by Lehrmittelverlag Hagemann, Duesseldorf. ...

A great pull-down map or vintage wall chart illustrating the northern hemisphere of the earth. Published by Prof. Dr. C. Troll, Flemmings Verlag Ha...

Virgin Mary with Christ Child and Angel Musicians – German Chromolithograph, 1900 This exquisite antique German chromolithograph presents a tender and highly lyrical devotional sce...

Molluscs & Marine Invertebrates Print: Octopus, Slug, Snails, Conch – Antique 1867 This detailed antique print depicts a wide range of molluscs and marine invertebrates, including o...

Clerical and Monastic Vestments 1400–1800, Antique Hand-Colored Print This elegant antique costume plate illustrates a wide range of clerical and monastic garments worn within the R...

Beetles Print: Stag Beetle, Scarab, Longhorn & Jewel Beetles – Antique 1867 This detailed antique print depicts a wide variety of beetles, including stag beetles, scarabs, longhorn ...

An offset lithograph with foil embossing depicting the Munich Olympics by Austrian artist Fredensreich Hundertwasser. Printed in 1982. Published by GmbH, 1971. Limited edition 1007/3...

Virgin Mary with Child, Baroque Devotional Engraving, Penzinger, c.1700 This refined Baroque devotional engraving depicts the Virgin Mary tenderly embracing the Christ Child, set wi...

Persian-Turkish Faience Plate with Tulip and Carnation Design – Julius Lessing, Berlin 1890 Description: An elegant chromolithograph from Persisch-Türkische Fayencen (Persian-Turkis...

Title: Woodcuts Depicting Macedonia and the Turks from the Nuremberg Chronicle, Published in 1493 Description: This pair of 15th-century woodcut engravings originates from the Nurem...

Antique Cardamom Botanical Print, Elettaria & Amomum Species, c.1831 Description: This complex botanical engraving illustrates two cardamom species, including Elettaria cardamomum a...

Antique Gum Arabic Botanical Print, Acacia Tortilis & Acacia Seyal, c.1831 This detailed botanical engraving illustrates Acacia tortilis and Acacia seyal, two African acacia species...

Botanical Classification Prints: Linnaean Flower Classes & Cryptogamia – Antique 1867 These detailed antique prints depict Linnaeus's classification system for plants, illustrating ...

Persian-Turkish Faience Plate with Interlaced Pattern – Julius Lessing, Berlin 1890 Description: An elegant chromolithograph from Julius Lessing’s Persisch-Türkische Fayencen (Persi...

This print originates from ‘Das Buch der Welt‘ by Carl Hoffmann. Published in Stuttgart, 1847. Lithographs by Engelhorn and Hochdanz.

Antique Onion and Leek Botanical Print, Kitchen Garden Study, 1852 Description This striking original hand-colored lithograph illustrates onions, leeks, and related alliums from Car...

With strikingly bright images set in a giltwood frame with inset glass. Triple matted with marbled board. Very minor foxing and very minor chipping on outer edge of frame that will ...

Antique Bixa Botanical Print, Bixa Orellana (Annatto), c.1831 Description: This vibrant botanical engraving illustrates Bixa Orellana, the annatto plant, valued for its seeds which ...

Antique Gamboge Botanical Print, Garcinia Cambogia, Hand Colored, c.1831 This original botanical engraving depicts Garcinia Cambogia, a tropical tree valued for producing gamboge, a...