German Prints

Alpine Botanical Prints Set, Primula Species, Palla Atlas, 1897 Description: A delicate and highly decorative set of four original antique botanical prints from Dr. Eduard Palla’s A...

"Phytanthoza Iconographia": Set of Twelve Botanical Engravings by Johann Weinmann, Circa 1737–1745 A fine and historically significant set of twelve original copperplate engravings ...

Alpine Botanical Prints Set, Primula Species, Palla Atlas, 1897 Description: A delicate and highly decorative set of four original antique botanical prints from Dr. Eduard Palla’s A...

JOHANN WILHELM WEINMANN (1683-1741) - PHYTANTHOZA ICONOGRAPHIE - Antique set of six framed 18th century first edition PHYTANTHOZA ICONOGRAPHIE botanical hand colored mezzotint engrav...

Jesus Appears to Mary Magdalene – Antique German Chromolithograph, c. 1895 This striking late 19th-century German chromolithograph depicts the moving biblical moment in which the risen Christ appears to Mary Magdalene following the Resurrection. Christ is shown standing in quiet majesty, halo radiant with divine light, His right hand placed gently over His heart in a gesture of compassion and reassurance. Mary Magdalene kneels before Him with deep devotion, her long flowing hair and rich garments emphasizing both humility and reverence. The composition is set within a tranquil garden landscape, traditionally associated with the Resurrection narrative, reinforcing the spiritual symbolism of rebirth, forgiveness, and divine mercy. Christ’s red tunic and deep blue mantle radiate warmth and solemnity, while the soft golden halo creates a luminous focal point that draws the eye immediately to His face. This scene, known in Christian tradition as *Noli Me Tangere* (“Touch Me Not”), represents one of the most emotionally powerful moments of the Gospel story. It became a highly favored subject in Catholic devotional art of the late 19th century, commonly displayed in prayer corners, chapels, religious schools, and family interiors. Produced using high-quality chromolithography, this print achieves exceptional painterly depth, with delicate shading in the flesh tones, refined folds in the drapery, and beautifully layered landscape colors. The gold highlights of the halos and the saturated reds and blues are especially well preserved, reflecting the superior production standards of German devotional publishers during this period. This is a visually commanding and spiritually meaningful artwork, highly desirable for Catholic collectors, sacred art interiors, and serious devotional art collections. CONDITION REPORT Good antique condition overall. Light, even age toning to the paper consistent with late 19th-century chromolithographs. Minor edge wear and very gentle corner softening visible upon close inspection. No major stains, no tears, and no restoration observed. Colors remain strong and vivid. FRAMING TIPS This print will display beautifully in a classic gilt or softly antiqued gold wooden frame to echo the sacred halo tones. For a more restrained interior, a dark walnut or black lacquer frame with a wide ivory mat and museum glass will create a dramatic devotional presentation. TECHNIQUE Chromolithography MAKER German devotional publisher, Germany, circa 1895 KEYWORD BLOCK Jesus and Mary Magdalene, Noli Me Tangere, resurrection scene, antique catholic print...

Antique Chromolithograph of Jerusalem from the Mount of Olives, circa 1890 This captivating chromolithograph titled “Jerusalem” dates to approximately 1890 and presents a sweeping p...

18th Century Anatomical Skeleton Study Engraving Academic Figure German Edition c1745 This finely engraved anatomical plate presents two standing skeleton figures shown from frontal...

Antique print of a dog from Baffin Bay, located between Baffin Island and the west coast of Greenland. Top image shows a dog sled. This print originates from ...

Vintage botanical mushroom illustration print, published by E. Hochdanz, Stuttgart (Germany), circa late 19th – early 20th century, featuring meticulously hand-colored depictions of ...

European Bird Eggs Lithographs, Set of Two – Meyers Konversations-Lexikon, 1890s Description: This exquisite pair of chromolithographs, titled Eier europäischer Vögel I & II (Eg...

Antique map titled 'Typus Totius Orbis Terraquei Geographice Delineatus, Et Ad Usum Globo Materiali Superinducendus'. Beautiful example of Scherer's map of the World, configured in 12 globe gores. California is shown as an island. Fascinating Northwest Passage...

Shells & Bivalves Print: Mussels, Oysters, Scallops, Clams – Antique 1867 This detailed antique print depicts a wide range of shells and bivalves, includ...

Striking early academic natural history study by Richard Müller (German, 1874–1954), depicting a fish skeleton transitioning into a detailed crustacean (shrimp or crayfish) rendered ...

Adoration of the Magi, c.1900 German Chromolithograph (Printed in Germany) This beautiful early 20th-century German chromolithograph depicts the Adoration of the Magi, one of the most cherished subjects in Christian art. Printed around 1900–1920 by a major German devotional press, the work displays the hallmarks of high-quality chromolithographic craftsmanship: deep, luminous color; soft tonal transitions; richly layered stone-based pigments; and a gentle atmosphere that recalls late 19th-century academic religious painting. The composition presents the Virgin Mary seated with the Christ Child, Joseph beside her, and the Three Kings kneeling in reverence as they present their gifts of gold, frankincense, and myrrh. A young attendant appears in the doorway holding another offering. The figures are rendered with delicately modeled expressions, soft haloes, and meticulously detailed robes—particularly the embroidered white garment of the kneeling king and the golden cloak of the standing monarch. These chromatic effects were achieved through multiple lithographic stones, a technique that reached its peak among German devotional publishers during this period. The multilingual caption along the lower margin identifies the print for international Catholic distribution: “Anbetung der Könige. Adoration of the Three Kings. L’adoration des rois mages. L’adorazione dei Magi. La adoración de los Reyes Magos. Pokłon Trzech Króli.” This reflects the broad export networks of German publishers who supplied churches, monasteries, and private devotional homes throughout Europe and the Americas. The note “Printed in Germany” confirms its origin, consistent with presses in Munich, Dresden, Cologne, and Limburg, known for producing richly colored religious chromolithographs from the late 19th to early 20th century. This work is unquestionably an original chromolithograph, not a modern reproduction. The image shows true stone-layered color rather than digital or offset dots, and the paper retains the matte texture, subtle toning, and characteristic stippled pigment structure associated with genuine early 20th-century chromolithography. The presence of the multilingual caption, period typography, and the “Printed in Germany” imprint further authenticate the piece. Condition Report: Very good condition. Colors vivid and unfaded. Minor age toning to outer margins and small handling marks consistent with age. No tears, losses, or repairs observed. The bottom title and imprint text are sharp and fully legible. Tips for Framing: Ideal for framing in a gilded or walnut frame to complement the warm palette and ceremonial richness of the scene. A cream or ivory mat enhances the devotional character and highlights the luminous tones of the garments. A darker frame with a wide mat can also create a refined, museum-style presentation. Technique: Chromolithograph Maker: German Devotional Press, printed in Germany, c.1900 Keyword Block: adoration of the magi three kings epiphany art christ child holy family mary and jesus st joseph devotional art catholic art religious art chromolithograph german chromolithograph printed in germany antique lithograph german devotional print early 20th century religious print nativity scene christian iconography epiphany print anbetung der könige fine chromolitho religious ephemera magi kings christmas art holy family scene antique christian art...

Set of three original antique fish prints. Star fish, Peprilus paru 78, and swordfish, Xiphias gladius 79. Haddock, Melanogrammus aeglefinus 84, and Atlantic cod, Gadus morhua 85. Jo...

Antique Sago Palm Botanical Print, Sagus Farinifera, c.1831 Description: This original botanical engraving depicts the sago palm, Sagus Farinife...

Nicely framed in gold with matting. Two images darker than others but all came together and work together.

Antique Date Palm & Coconut Botanical Scene, Phoenix & Cocos, c.1831 Description: This richly illustrated botanical scene depicts the date palm (Phoenix dactylifera) and coconut pal...

Alpine Gentiana Botanical Wall Collection, Set of 10, Antique Chromolithos, 1897 Description: A beautifully curated collection of ten antique alpine botanical chromolithographs, fea...

Chinese Peacock-Pheasant – Hand-Colored Bird Engraving by Edwards & Seligmann, c.1750–1776 This fine hand-colored engraving depicts the Chinese Peacock-Pheasant (Phasianus alis et caudâ oculatis), an exotic species admired in Europe for its ornate plumage. The bird is shown perched gracefully on a flowering branch, its feathers marked with striking blue and green eye-like spots. Decorative peonies frame the composition, enhancing the print’s ornamental character. The engraving bears multilingual titles: “Der chinesische Phasanenpfau” (German), “Le Paon-Phaisan de la Chine” (French), and the Latin classification Phasianus, alis et caudâ, oculatis. At the lower left, the note G. Edwards ad viv. delin. credits the original life drawing...

Alsace Folk Costume, Griesheim, Traditional Dress, c.1875 This striking chromolithograph depicts women wearing traditional costume from Griesheim in Alsace, distinguished by large b...

Antique engraving of Nagasaki procession, Japan by Langsdorff, 1812 This finely detailed engraving depicts a ceremonial procession in Nagasaki, Japan, observed during the Russian em...

Step into the captivating world of 19th-century natural history with this stunning antique print titled "Der Windhund - Die englische Dogge," showcasing the elegance and majesty of t...

"Phytanthoza Iconographia": Set of Four 18th-Century Weinmann Engravings of Grapes Circa 1740 A superb suite of four original antique botanical e...

Karl Blossfeldt — Framed Photogravure: Natural Grace, 1942 A striking Karl Blossfeldt photogravure from the 1942 edition of Wunder in der Natur. Retaining its original condition, i...

Decorative German Botanical Plates of Technical Plants, Complete Set of 12, 1854 This beautiful set of twelve original hand-colored botanical plates offers a timeless and versatile ...

Immaculate Conception, c.1900 German Devotional Chromolithograph This beautiful early 20th-century German chromolithograph depicts the Immaculate Conception, one of the most belove...

Turtles & Tortoises Print: Sea Turtle, Snapping Turtle, Terrapin – Antique 1867 This detailed antique print depicts various turtles and tortoises, including sea turtles, snapping tu...

Birds of Prey, Complete Set of 10 Chromolithographs – Eagles & Falcons c1890 This impressive and visually unified suite of ten large-format chromolithographs depicts some of the mos...

JOHANN WILHELM WEINMANN (1683-1741) - PHYTANTHOZA ICONOGRAPHIE - Antique pair of framed 18th century first edition Phytanthoza Iconographie botanical hand colored mezzotint engraving...

Antique Palm Tree Botanical Print, Exotic Tropical Plate, German Atlas 1885 An impressive original double-page botanical plate (Tafel 21) from M. Fünf...

The image is a copper engraving from around 1770. It depicts various scenes involving animals and a person. Here’s a detailed description of the different elements in the engraving: ...

Swans on a Quiet Lake – Graceful Antique Bird Chromolithograph c.1880 This serene late 19th-century ornithological chromolithograph depicts a peaceful lakeside scene with swans in different stages of maturity, presented within a broad, open landscape of calm water, grassy banks, and distant trees. In the foreground, an adult white swan glides across the water with its neck elegantly curved, while nearby a grey-brown juvenile swan and an older, darker bird stand at the water’s edge. The composition gently illustrates growth and variation within the species, a common and instructive theme in natural history illustration of the period. The swan, long regarded as a symbol of grace, purity, and tranquility, was a favored subject in 19th-century European ornithological works. The contrast between the bright white plumage of the adult bird and the softer grey tones of the younger swans is rendered with great sensitivity, emphasizing differences in age and development. The surrounding landscape is deliberately understated, allowing the birds to remain the focal point while conveying a convincing natural habitat. Produced using chromolithography, this print displays soft, harmonious coloration and smooth tonal transitions. Pale blues and greens dominate the water and sky, complemented by gentle earth tones along the shoreline. Fine feather detailing and subtle reflections in the water demonstrate the technical quality of late 19th-century chromolithographic printing, which sought to combine scientific accuracy with decorative appeal. This print is ideal for collectors of antique bird prints, waterfowl imagery, and pastoral wildlife scenes. It also works beautifully in interior settings such as living rooms, bedrooms, nurseries, country houses, or calm contemporary spaces, where its balanced composition and soothing palette add a sense of elegance and quiet refinement. Condition report Good antique condition. Light foxing and mild age-related toning visible, mainly in the margins, consistent with chromolithographs of this period. The image area remains clean and well preserved, with no major tears or losses observed. Framing tips Frame with a wide off-white or soft beige mat and a natural wood, walnut, or simple black frame. This enhances the gentle color palette and gives the print a timeless, museum-style presentation. Keywords antique bird print, swan illustration, swans on a lake, waterfowl art...

A countrycore Jung Koch Quentell pull-down wall chart showing the brown hair and the common rabbit. Used as teaching material in German schools. Colorful print on paper reinforced wi...

A great pull-down map or vintage wall chart illustrating the northern hemisphere of the earth. Published by Prof. Dr. C. Troll, Flemmings Verlag Ha...

Antique Bixa Botanical Print, Bixa Orellana (Annatto), c.1831 Description: This vibrant botanical engraving illustrates Bixa Orellana, the annatto plant, valued for its seeds which ...

Karl Blossfeldt — Framed Photogravure: Natural Grace, 1942 A striking Karl Blossfeldt photogravure from the 1942 edition of Wunder in der Natur. Retaining its original condition, i...

Print by artist Friederich Wilhelm Kuhnert "Cape Buffalo", late 19th century. Friederich Wilhelm Kuhnert, German, 1865-1926. Lower left: FK, del?, 815. One of the first European arti...

Antique Nutmeg Botanical Print, Myristica aromatica, Hand Colored Description: This striking botanical engraving depicts Myristica aromatica, the nutmeg tree, including foliage, fru...

A classical rollable wall chart showing the economy of North America. Publishd by the Paul List Verlag. Used as teaching material in German schools. Colorful print on paper reinforce...

Alpine Botanical Prints Set, Primula & Cortusa, Palla Atlas, 1897 Description: A refined and visually harmonious set of four original antique botanical prints from Dr. Eduard Palla’...

Alpine Botanical Prints Set of 5, Aretia & Douglasia, Antique Chromolithographs A rare and visually refined set of five antique botanical chromolithographs depicting alpine cushion ...

Antique Alpine Flower Prints Set of 8, Elegant Botanical Wall Decor, c.1897 A refined and highly decorative set of eight antique alpine botanical ch...

Aztec & Early Mexican Costumes, Set of 2 Antique Prints, 1500–1525 This striking pair of early 20th-century costume plates offers a vivid and historically valuable depiction of Aztec and early Mexican dress during the 16th century. Illustrated by Max Tilke and published by Ernst Wasmuth A.G. in Berlin, these prints belong to one of the most respected costume‐historical series of the period. Tilke was known for his meticulous research and his ability to translate ethnographic sources into richly detailed, accurate visual reconstructions. These two plates are among the most vibrant and desirable in the entire publication. Plate 144 presents warriors and nobles in full ceremonial and military attire. Jaguar warriors, eagle warriors, officers, and elite fighters are shown with their distinctive feathered headdresses, painted shields, quilted cotton armor (ichcahuipilli), and symbolic iconography referencing Aztec cosmology and rank. The colors and patterns reflect authentic codex sources, making the plate particularly valuable to historians of pre-Columbian culture. Plate 145 focuses on social classes and civilian dress from the late pre-Hispanic and early colonial period. Market vendors, weavers, young nobles, priests, and high-ranking women appear wearing garments such as tilmas, breechcloths, embroidered huipiles, feathered adornments, and body paint. Together, the two plates offer a rare, well-documented overview of everyday and ceremonial dress from Mexico around 1500–1525. The printing quality is exceptionally fine, with rich color lithography capturing the tonal variations of feathers, textiles, and painted patterns. These plates make a powerful impression when framed and are well suited for collectors of ethnographic art, museum-oriented interiors, historians of Mesoamerica, and designers seeking authentic cultural references. It is now uncommon to find both Mexican plates...

Very cool original Op Art blue and silver screenprint, TUZ, by Victor Vasarely from 1974. Signed in the lower right hand corner, numbered 291/340 in the lower left. This has the orig...

Antique Gamboge Botanical Print, Garcinia Cambogia, Hand Colored, c.1831 This original botanical engraving depicts Garcinia Cambogia, a tropical tree valued for producing gamboge, a...

Jesus Blessing the Children – Antique German Catholic Chromolithograph, c. 1890 This beautiful late 19th-century German chromolithograph depicts one of the most tender and beloved scenes in Christian iconography: Jesus blessing the children. Christ stands centrally in a serene pastoral landscape, gently extending his hands in a gesture of protection and compassion, while two children approach Him with trust and reverence. The soft light of the halo frames His head, reinforcing the sacred presence, while the surrounding greenery and distant buildings create a peaceful biblical setting. This image reflects the powerful theme from the Gospel of Matthew, “Let the little children come to me,” and was widely used in Catholic devotional culture for home altars, schools, and parish settings during the late Victorian period. The gentle facial expressions, flowing robes, and rich harmonious colors are all characteristic of high-quality German chromolithography from the late 19th century. Chromolithography allowed for exceptional depth of color and painterly effects, closely imitating oil painting. This example shows especially fine tonal transitions in the robes, sky, and landscape, as well as excellent detail in the figures and foliage. The overall visual impression is warm, calm, and deeply devotional, making this print particularly appealing to Catholic art collectors and religious interiors. Pieces of this type were often displayed in framed settings above prayer corners, in churches, or in Catholic family homes and have become increasingly collectible as surviving examples in good condition grow scarcer. Its subject matter gives it lasting spiritual and decorative appeal and makes it a timeless devotional artwork. CONDITION REPORT Good antique condition overall. Light even age toning to the paper, consistent with late 19th-century chromolithographs. Minor softening at the edges and faint handling traces visible upon close inspection. No major stains, no tears, and no restoration observed. The colors remain vibrant and well preserved. FRAMING TIPS This print would be beautifully enhanced with a classic gold-leaf or champagne-gilt wooden frame combined with a wide ivory or warm cream mat. For a more contemporary sacred interior, a soft walnut or dark oak frame with museum glass would provide excellent contrast and visual depth while keeping the devotional character intact. TECHNIQUE Chromolithography MAKER German devotional publisher, Germany, circa 1890 KEYWORD BLOCK Jesus blessing children, Jesus the Friend of Children, antique catholic print...

1805 Handcolored Engraving of Egyptian Monuments from Bertuch's "Bilderbuch für Kinder" Description: This remarkable handcolored engraving from 1802 depicts two iconic views of an...

Victorian Beetle Prints Set of Four – Scarab & Stag Beetle Plates, 1893 Description: This decorative set of four natural history beetle plates originates from the influential Ge...

Museum Style Beetle Specimen Plates, Victorian Entomology Prints, Set of 8 Description: This striking decorative set of eight beetle plates originates from the celebrated German ent...

St Joseph and Child Jesus with Lily, Antique German Chromolithograph c.1900 This beautifully composed late 19th–early 20th century German chromolithograph presents a tender devotional scene of Saint Joseph with the Child Jesus, one of the most beloved themes in Catholic sacred imagery. Saint Joseph is seated in a humble workshop interior, gently resting his hand on his chest while the Christ Child offers him a white lily, the universal symbol of purity, obedience, and divine election. Both figures are encircled by radiant halos, reinforcing the sacred intimacy of this quiet, fatherly moment. The composition is rich in symbolic detail: the carpenter’s tools behind Joseph reference his earthly labor and humility, while the soft pastoral landscape visible through the opening suggests God’s providence beyond the domestic sphere. The infant Christ, rendered with luminous skin tones and expressive gaze, embodies both innocence and divine authority. The lily rises vertically between them as a visual axis of spiritual virtue, creating a powerful yet gentle devotional message. This print was produced using true chromolithography in Germany around 1900, a technique requiring multiple lithographic stones—one for each color layer. The softness of the tonal transitions, the saturated yet harmonious palette, and the velvety matte surface all confirm authentic period production. The lower margin bears the multilingual title “Hl. Joseph / St. Joseph / S. Giuseppe / S. José / Swięty Józef,” as well as the ecclesiastical approval line “Imprimi permittitur. Ordinariatus episcopalis Limburgensis,” confirming official Church authorization for devotional distribution. The imprint “Printed in Germany” further supports its origin within the great German religious printing houses of the era. This type of high-quality devotional chromolithograph was originally intended for Catholic homes, chapels, schools, and religious institutions. Surviving examples in strong condition are now increasingly sought after by collectors of sacred art, Christian iconography, and historical devotional imagery. Condition report Very good condition. Strong, unfaded colors with excellent contrast. Light natural toning to the margins. Minor handling marks consistent with age. No tears, creases, restorations, or losses observed. The printed text and imprimatur remain crisp and fully legible. Framing tips This print presents beautifully in a warm gilt or dark walnut frame with a soft ivory mat to enhance the golden halos and the warm burgundy and olive tones of Joseph’s garments. For a more contemporary devotional presentation, a matte black frame with wide museum-style matting works equally well. Technique: Chromolithograph Maker: German devotional press, printed in Germany, circa 1900 SEO keyword block: saint joseph st joseph with child holy family art...

Set of 6 Optical Prints – Story of the Prodigal Son by Probst, Hand-Colored c.1780 This rare and complete set of six hand-colored optical prints illustrates the biblical parable of ...

Clerical and Monastic Vestments 1400–1800, Antique Hand-Colored Print This elegant antique costume plate illustrates a wide range of clerical and monastic garments worn within the R...

Antique print titled 'Madrid'. View of Madrid, published in Hildburghausen, Germany.

Antique Botanical Prints Set, German Flora & Orchids Atlas, Stuttgart 1885 This elegant group of late nineteenth-century botanical plates originates from Naturgeschichte des Pflanze...

Karl Blossfeldt — Framed Photogravure: Natural Grace, 1942 A striking Karl Blossfeldt photogravure from the 1942 edition of Wunder in der Natur. Retaining its original condition, i...

With strikingly bright images set in a giltwood frame with inset glass. Triple matted with marbled board. Very minor foxing and very minor chipping on outer edge of frame that will ...

Virgin Mary with Christ Child and Angel Musicians – German Chromolithograph, 1900 This exquisite antique German chromolithograph presents a tender and highly lyrical devotional sce...

Set of 9 Antique Greek Costume and Antiquity Prints by Wasmuth, Berlin c.1900 This impressive set of nine antique prints presents a richly detailed visual survey of ancient Greek li...

St. Anthony of Padua with Infant Christ, c.1905 German Chromolithograph (Seiberl) This beautiful early 20th-century chromolithograph of St. Anthony of Padua holding the Infant Chris...