German Prints

Richmond Virginia James River View – Antique Steel Engraving c.1850 Description: This finely detailed mid-19th century steel engraving depicts a pan...

Mater Dolorosa, 1899 German Chromolithograph of the Sorrowful Mother, Dresden This exquisite late-19th-century chromolithograph of the Mater Dolorosa—“Sorrowful Mother”—was printed ...

1678 Baroque Dressage Training Horse at the Pillar – Georg Simon Winter This original hand-coloured copperplate engraving depicts an advanced riding-school exercise from one of the ...

JOHANN WILHELM WEINMANN (1683-1741) - PHYTANTHOZA ICONOGRAPHIE - Antique set of six framed 18th century first edition PHYTANTHOZA ICONOGRAPHIE botanical hand colored mezzotint engrav...

Christ Knocking at the Door, c.1900 German Devotional Chromolithograph (Printed in Germany) This beautiful early 20th-century German chromolithograph depicts one of the most tender ...

Antique Tea Botanical Print, Thea Chinensis, Hand Colored, c.1831 This elegant botanical engraving depicts Thea chinensis, the tea plant, one of the most influential commodities in ...

Ecce Homo, 1899 German Chromolithograph of Christ with Crown of Thorns (Dresden) This moving late-19th-century chromolithograph of Christ as “Ecce Homo” was printed in Dresden in 18...

Antique print of various snakes including the buff striped keelback snake. This print originates from 'Bilderbuch fur Kinder' by F.J. Bertuch. Friedrich Joha...

Greater Bird of Paradise Male & Female Hand-Colored Lithograph, c. 1875 Description: Original antique hand-colored lithograph depicting a magnificent pair of Greater Birds of Paradise, identified beneath the image as “Der gemeine Paradiesvogel (Paradisea apoda).” The composition shows the spectacular male Greater Bird of Paradise perched above a female. The male is represented with his characteristic golden-yellow ornamental flank plumes cascading dramatically around the body, contrasting with his dark chest and greenish-yellow head and throat. Two extremely elongated tail wires descend beneath him. The more restrained brown plumage of the female provides a striking illustration of the sexual dimorphism for which birds of paradise became celebrated. Birds of paradise were among the most extraordinary exotic birds known to European naturalists and collectors. Early specimens reached Europe from the Indonesian archipelago without their feet, contributing to centuries of myths that the birds lived perpetually in the air. This history is reflected in the scientific name Paradisea apoda, meaning essentially “footless bird of paradise.” The plate is numbered Fig. 139 and bears the German title “Der gemeine Paradiesvogel.” It was produced for a German 19th-century natural-history publication and is a fine example of the period's increasingly sophisticated ornithological illustration. Although the composition is reminiscent of the celebrated bird illustrations associated with John Gould, I would not attribute this particular plate directly to Gould. The available evidence does not establish Gould as its artist or publisher, and the German typography and figure numbering indicate that it belongs to a separate German natural-history publication. Greater Bird of Paradise Paradisea apoda “Der gemeine Paradiesvogel” Fig. 139 German School c. 1870–1880 Original hand-colored lithograph This is an original antique print from the 19th century, not a modern reproduction. Condition: Good antique condition with overall age-related toning, scattered light foxing and minor spotting and marks, particularly within the margins. Some minor handling wear is consistent with age. The colors remain attractive and the principal image is well preserved. Please study the photographs carefully as they form part of the condition description. Period: Late 19th Century Style: Victorian Medium: Hand-colored lithograph on paper Subject: Greater Bird of Paradise Bird of Paradise Paradisea apoda Male and Female Birds Tropical Birds Ornithology Natural History Keywords: Greater Bird of Paradise, Bird of Paradise, Paradisea apoda, Paradiesvogel, Der gemeine Paradiesvogel, paradise bird, tropical bird, exotic bird, male bird of paradise, female bird of paradise, Indonesian birds...

The Angelus at Sunset, After Millet, Antique European Chromolithograph This atmospheric late 19th-century European chromolithograph presents a devotional rural scene inspired by Jea...

Antique Greek Amphorae with Mythological Figures Color Lithograph, 1883 Original antique color lithograph depicting two richly decorated ancient Greek amphorae, published in Berlin in 1883 as part of Albert Genick’s monumental work on Greek ceramics. This impressive landscape-format plate presents two contrasting examples of ancient Greek pottery, both extensively decorated with figural and ornamental scenes. The larger amphora on the left is distinguished by its patterned terracotta handles and broad narrative frieze. A group of standing figures in elaborate dress occupies the principal scene, accompanied by animals including dogs. The figures are rendered in black, terracotta and deep red, creating an unusually rich and decorative composition. Geometric and ornamental borders surround the scene, while radiating decoration emphasizes the lower section of the vessel. The smaller amphora on the right is equally striking. Its principal scene depicts a dramatic mythological encounter between several figures, including a central hybrid or animal-bodied figure. The scene is surrounded by scrolling vegetal ornament, palmettes, geometric bands and a Greek-key meander. A richly patterned palmette frieze decorates the neck. Between the two vessels are small archaeological drawings recording details of their construction and decoration. The strong black, terracotta and deep-red palette, combined with the abundance of classical figures and ornament, makes this one of the particularly decorative plates from Genick’s series. Its horizontal format also lends itself especially well to display above a console, desk or fireplace. The print originates from the second edition of Albert Genick’s important publication on Greek ceramics, published by Ernst Wasmuth in Berlin in 1883. The complete work comprised 36 large color lithographic plates, including four double-page plates, illustrating amphorae, vases, bowls and other examples of ancient Greek ceramic art. The lithographs were produced by the Berlin printing establishment Hein & Mosler. Albert Genick (1837–1906), a Berlin-trained architect, became particularly known for his precise graphic documentation of ancient ceramics. This publication is regarded as his principal work. Complete examples are rare, and individual plates from the series are increasingly difficult to find. Creator: Albert Genick (1837–1906) Publisher: Ernst Wasmuth, Berlin Printer: Hein & Mosler, Berlin Plate: V Date: 1883 Edition: Second edition Technique: Color lithograph Origin: Germany Sheet size: Approximately 46 x 68 cm (18.1 x 26.8 inches) Orientation: Landscape Period: Late 19th Century Style: Neoclassical / Archaeological Revival Condition: Very good antique condition. Strong black, terracotta and deep-red coloring with the details of the vessels remaining well preserved. Light age-related toning with scattered minor foxing and spotting, principally in the background and margins. Minor wear and slight irregularity along the sheet edges consistent with age. Please study the photographs carefully as they form part of the condition description. An original antique lithograph printed in 1883, not a modern reproduction. The print is offered unframed. Any framed or interior images, if shown, are for presentation and inspiration only. Additional companion plates from Albert Genick’s series are available separately. Keywords: Albert Genick, Greek amphorae, Greek amphora, ancient Greek pottery, Greek ceramics, Greek vases, mythological figures, Greek mythology, amphora print, classical pottery, archaeological print, ancient Greece, Greek art, classical figures, figural vase, classical antiquity, Greek key, Greek meander, palmette ornament, black figure pottery...

Wading Birds & Cranes Print: Flamingo, Stork, Ibis, Bustard – Antique 1867 This elegant antique print depicts a variety of wading birds and cranes, including flamingos, storks, ibis...

Jesus Blessing the Children, Antique German Chromolithograph after Meithheuser c.1900 This exceptionally moving late 19th–early 20th century German chromolithograph depicts one of t...

Anatomy Print: Skeleton, Skull, Organs & Nerves Study – Antique 1867 This detailed antique print presents a comprehensive anatomical study from the 19th century, depicting the human...

Antique Botanical Prints Set, German Wildflowers Atlas Plates, Stuttgart 1890 This refined collection of botanical plates originates from Naturgeschichte des Pflanzenreichs by M. Fünfstück, published in Stuttgart circa 1885. Created during the late nineteenth century’s flourishing period of scientific illustration, these works combine botanical accuracy with a restrained decorative elegance that translates beautifully into contemporary interior design. The plates present a diverse survey of European wildflowers, medicinal herbs, and native field plants rendered with delicate color and precise draftsmanship. Species illustrated include nettle (*Urtica dioica*), hops (*Humulus lupulus*), plantain (*Plantago*), sorrel (*Rumex*), chickweed (*Stellaria*), buttercups (*Ranunculus*), pinks and campions (*Dianthus* and *Silene*), meadow herbs, flowering field plants, and various alpine and woodland flora. The compositions balance botanical specimens with airy spacing, allowing each plant form to stand clearly while contributing to an overall harmonious visual rhythm. The soft palette of sage greens, muted blush pinks, and warm paper tones creates a calm and organic aesthetic well suited to modern interiors. Unlike highly saturated botanical imagery, these plates function as sophisticated architectural wall elements — ideal for organic modern spaces, Scandinavian interiors, country houses, wellness environments, or hospitality settings seeking authenticity and quiet natural texture. Displayed together, the prints form a cohesive botanical narrative that introduces movement, refinement, and historical depth without visual heaviness. Produced as educational plates yet executed with notable artistic sensitivity, these works exemplify the German tradition of merging science and design. Their balanced compositions and timeless subject matter make them particularly attractive for designers creating layered, nature-inspired interiors. The prints are offered unframed, allowing collectors and designers full freedom to select framing appropriate to their interior schemes. Any framed examples shown are intended solely for visual inspiration. Condition report: Very good antique condition with general age-related toning consistent with late nineteenth-century paper. Light surface wear and occasional minor spotting visible upon close inspection. Original centerfolds as issued. Paper remains strong and stable, presenting attractively overall. Framing tips: These botanical plates benefit from generous ivory or soft cream matting to emphasize their delicate compositions and preserve visual balance. Natural oak, walnut, or subtle antique gilt frames enhance the historical character while remaining compatible with modern interiors. Hanging as a structured grid or salon-style botanical wall creates a refined, designer-led installation with strong visual cohesion. Keyword block: antique botanical prints, German botanical atlas, M Fünfstück, Naturgeschichte des Pflanzenreichs, wildflower botanical prints, antique plant illustrations, European wildflowers art, botanical wall decor, vintage botanical plates...

Antique print titled 'Der Moderne Kleidermacher XII'. German fashion print, published circa 1900. Four men showing various outfits (incl. long jackets/coats), all wearing hats.

Original Antique Print of Two Exotic Butterflies by Bertuch, c. 1800 Original antique hand-colored copper engraving depicting two spectacular exotic butterflies, published in Friedr...

Original Antique Print of Exotic Moths and Butterflies by Bertuch, c.1820 Original antique hand-colored engraving depicting four spectacular moths and butterflies, published in Friedrich Justin Bertuch’s celebrated “Bilderbuch für Kinder” during the early 19th century. The plate is titled “Insecten LXXXI / Insecta LXXXI / Insectes LXXXI” and bears the reference “XV.B.45” at lower right. Dominating the composition is Fig. 1, an extraordinary large pale yellow-green silk moth with exceptionally long, elegant tails extending from the hindwings. Delicate linear markings, circular eyespots and subtle red accents give the insect an almost ethereal appearance. Fig. 2 depicts another impressive large moth with broad brown forewings and richly patterned hindwings in black, pink and cream. Its strongly striped abdomen and unusual green markings add to the exotic character of the specimen. Figs. 3 and 4 illustrate two smaller but vividly colored butterflies. Fig. 3 combines brilliant red-orange wings with dramatic black markings, while Fig. 4 is predominantly black with a striking border of blue, orange and cream eyespots. The considerable difference in scale between the enormous long-tailed moth and the smaller butterflies creates a particularly effective composition. The restrained pale coloring of the upper specimen contrasts beautifully with the intense red, blue, black and pink of the insects below. The engraving is enhanced with original hand coloring and is a fine example of the fascination with exotic Lepidoptera in European natural-history publications of the early 19th century. Friedrich Justin Bertuch (1747–1822) was a German publisher, writer and patron of the arts. His monumental “Bilderbuch für Kinder” (Picture Book for Children) was one of the most ambitious illustrated educational encyclopedias of its period. Published in Weimar from 1790 onward, it contained hundreds of engraved and hand-colored plates devoted to zoology, botany, geography, science, technology, antiquity and numerous other subjects. Creator: Friedrich Justin Bertuch (1747–1822) Source: Bilderbuch für Kinder Plate: Insecten LXXXI / Insecta LXXXI / Insectes LXXXI Reference: XV.B.45 Subject: Exotic Moths and Butterflies Place of Publication: Weimar, Germany Date of Manufacture: Circa 1820 Period: Early 19th Century Style: Neoclassical – In the Period of Medium: Original hand-colored engraving on paper Condition: Good. Wear consistent with age and use. General age-related toning with scattered foxing, spotting and minor marks. Some discoloration and handling wear are visible. Minor marginal wear and edge irregularities, particularly along the right edge. Original hand coloring remains strong and attractive. Please refer to the photographs for further details of condition. Please note: This is an original antique engraving from the early 19th century, not a modern reproduction. The print is sold unframed. Framed images or interior views, if shown, are for presentation and inspiration only. Other companion butterfly, moth and natural-history plates from Bertuch’s “Bilderbuch für Kinder” are also available separately. Keywords: antique moth...

Hangman's Bridge (Henkersteg), Nuremberg, Bavaria, Germany - Antique fine art hand colored engraving on heavy cream paper - architectural view - indistinctly signed by the artist low...

Weinmann Phytanthoza Iconographia Grape Engravings, Set of Four, Circa 1745 Circa 1745 This set of four color-printed and hand-finished botanical engravings of grape vines comes fro...

Eight Small Original Antique Pedicularis Wildflower Prints from the Alps, 1897 Description: A beautifully matched set of eight original antique botanical chromolithographs published...

Title: Detailed Study of Butterfly Wing Structures, 1798 Hand-Colored Engraving Description: This 1798 hand-colored copperplate engraving from Friedrich Johann Bertuch's "Bilderbuch...

The Angelus at Sunset, After Millet, Antique European Chromolithograph This atmospheric late 19th-century European chromolithograph presents a devotional rural scene inspired by Jea...

This is a view of the Vatican in Rome, an original antique steel engraving, uncolored, circa 1850. The caption reads DER VATICAN IN ROM, German for the Vatican in Rome. The dome of ...

Original Antique Print of Gar and Exotic Armored Fish by Bertuch, c. 1800 Original antique hand-colored copper engraving depicting four unusual species of freshwater fish, published...

Antique Greek Vases, Cooling Vessel & Amphorae Lithograph, 1883 Original antique color lithograph depicting three examples of ancient Greek ceramics—a large cooling vessel and two a...

Saint Joseph Visited by an Angel, Antique German Chromolithograph c.1900 This deeply symbolic late 19th–early 20th century German chromolithograph presents the powerful biblical mom...

European Bird Eggs Lithographs, Set of Two – Meyers Konversations-Lexikon, 1890s Description: This exquisite pair of chromolithographs, titled Eier europäischer Vögel I & II (Eg...

Bending Male Nude Study after de Lairesse German Drawing Manual c1745 Description: This compelling academic study of the male nude originates from the German edition of Gérard de La...

Rivinus botanicals: Anonis, Hedysarum & Genista hispanica, Leipzig, 1690s Set of three late-17th/early-18th-century botanical copper engravings with period hand-colour, attributed t...

Allegory of Emperor Charles VI and the Habsburg Monarchy, c.1720 A large and visually impressive Baroque allegorical engraving celebrating the reign of Emperor Charles VI (1685–1740...

Original Antique Print of Swallowtail and Painted Lady Butterflies by Bertuch, c. 1800 Original antique hand-colored copper engraving depicting three colorful butterflies together w...

Antique New Mexico Landscape Print, Wagon Train Scene, Meyer 1850s This atmospheric mid-19th-century engraving presents a striking frontier landscape titled “Landschaft bei der Furt...

Lac Derg in der Graffschafft Donegal - (Lough Derg in County Donegal). This engraving shows the pilgrimage island in Lough Derg, famous since the Middle Ages as a site of penitenti...

Andy Warhol's Endangered Species Portfolio of 6 Prints by Neues Publishing Company, 1989 The 1989 portfolio contains high-quality reproductions of six animals rendered in Warhol's s...

Antique Greek Amphorae Classical Pottery Color Lithograph, 1883 Original antique color lithograph depicting two ancient Greek amphorae, published in Berlin in 1883 as part of Albert Genick’s monumental work on Greek ceramics. This impressive landscape-format plate presents two contrasting examples of ancient Greek amphorae. The vessel on the left has a predominantly black body with twisted handles and a single standing draped male figure rendered in terracotta red. He holds a long staff and stands above a traditional Greek-key meander border. The more elaborate amphora on the right is richly decorated with black, terracotta and additional colored details. Its central frieze contains a lively procession or group of figures, surrounded by multiple ornamental bands. The neck carries a large symmetrical palmette motif, while birds and further decorative elements appear around the shoulder of the vessel. Two smaller archaeological line drawings between and above the amphorae record details associated with the pottery decoration. The juxtaposition of the restrained black amphora with the richly ornamented second vessel makes this a particularly attractive and visually varied plate from the series. Its horizontal format also makes it especially suitable for display above a console, desk or fireplace. The print originates from the second edition of Albert Genick’s important publication on Greek ceramics, published by Ernst Wasmuth in Berlin in 1883. The complete work comprised 36 large color lithographic plates, including four double-page plates, illustrating amphorae, vases, bowls and other examples of ancient Greek ceramic art. The lithographs were produced by the Berlin printing establishment Hein & Mosler. Albert Genick (1837–1906), a Berlin-trained architect, became particularly known for his precise graphic documentation of ancient ceramics. This publication is regarded as his principal work. Complete examples are rare, and individual plates from the series are increasingly difficult to find. Creator: Albert Genick (1837–1906) Publisher: Ernst Wasmuth, Berlin Printer: Hein & Mosler, Berlin Plate: IV Date: 1883 Edition: Second edition Technique: Color lithograph Origin: Germany Sheet size: Approximately 46 x 68 cm (18.1 x 26.8 inches) Orientation: Landscape Period: Late 19th Century Style: Neoclassical / Archaeological Revival Condition: Very good antique condition. Strong black and terracotta coloring with the additional colors of the decorated amphora remaining well preserved. Light age-related toning with scattered minor foxing and spotting, principally in the surrounding background and margins. Minor edge wear consistent with age. Please study the photographs carefully as they form part of the condition description. An original antique lithograph printed in 1883, not a modern reproduction. The print is offered unframed. Any framed or interior images, if shown, are for presentation and inspiration only. Additional companion plates from Albert Genick’s series are available separately. Keywords: Albert Genick, Greek amphorae, Greek amphora, ancient Greek pottery, Greek ceramics, Greek vases, amphora print, classical pottery, archaeological print, ancient Greece, Greek art, Greek figures, classical antiquity, Greek key, Greek meander, palmette ornament, black figure pottery...

Title: Constantinopolis Expugnatio a Turchis - Hartmann Schedel, 1493 This woodcut view of Constantinople is from Hartmann Schedel's 'Nuremberg Chronicle' (Liber Chronicarum), publi...

Antique Greek Sphinx-Shaped Vessel & Pottery Lithograph, 1883 Original antique color lithograph depicting two remarkable examples of ancient Greek ceramic art, including an extraord...

Antique Fruit Chromolithographs, Apples & Plums, Set of Six, Calwer 1854 This refined set of six original mid-19th century botanical fruit chromolithographs was published in Stuttga...

Mid century abstract lithograph by Gerard Schneider, German, circa 1960s. Signed. It measures 28.5"H x 37.5"W.

Antique Botanical Prints Set, German Wildflower Atlas Plates, Stuttgart 1885 This elegant group of botanical plates originates from Naturgeschichte des Pflanzenreichs by M. Fünfstück, published in Stuttgart circa 1890. Produced during the late nineteenth century’s peak period of scientific illustration, these works beautifully combine botanical accuracy with refined decorative composition, making them highly suitable for both collectors and interior-driven presentation. The plates illustrate a wide variety of European wildflowers, medicinal plants, and garden species rendered in delicate hand-colored tones and precise naturalistic detail. Species represented include carnations and pinks (*Dianthus*), forget-me-nots (*Myosotis*), buttercups (*Ranunculus*), columbine (*Aquilegia*), monkshood (*Aconitum*), water lily (*Nymphaea*), poppy (*Papaver*), cabbage (*Brassica*), meadow herbs, flowering perennials, and numerous field and woodland plants. The compositions balance individual botanical studies with airy spacing and harmonious arrangement, allowing each specimen to read clearly while forming a cohesive visual ensemble. The restrained palette — soft sage greens, pale blues, muted yellows, and gentle rose tones — creates a calm and sophisticated aesthetic well suited to contemporary interiors. Rather than functioning merely as scientific diagrams, these plates operate as architectural decorative elements, ideal for organic modern interiors, Scandinavian spaces, country houses, wellness environments, or boutique hospitality settings. Displayed together, the prints introduce rhythm, natural structure, and historical authenticity while maintaining visual lightness. Originally produced as educational material yet executed with notable artistic sensitivity, the plates exemplify the German tradition of merging science, craftsmanship, and design. Their timeless botanical subjects and balanced compositions make them especially appealing for designers seeking authentic nineteenth-century works that integrate seamlessly into modern environments. The prints are offered unframed, allowing collectors and designers full freedom to tailor framing choices to individual interiors. Any framed examples shown serve purely as visual inspiration. Condition report: Very good antique condition with general age-related toning consistent with late nineteenth-century paper. Light surface wear and occasional minor spotting visible upon close inspection. Original centerfolds as issued. Paper remains structurally sound and displays attractively overall. Framing tips: These botanical plates benefit from generous ivory or warm off-white matting to enhance the delicate compositions and preserve visual breathing space around each specimen. Frames in dark walnut, natural oak, or subtle antique gilt create an elegant balance between historical character and contemporary refinement. Hanging as a grid or salon-style botanical arrangement produces a cohesive, designer-led wall installation with strong visual presence. Keyword block: antique botanical prints, German botanical atlas, M Fünfstück, Naturgeschichte des Pflanzenreichs, wildflower botanical prints, antique plant illustrations, European flora prints, botanical wall art set, vintage botanical plates...

Set of Three Antique Mineralogy Chromolithographs, Quartz, Agate & Tourmaline, 1888 DESCRIPTION: A decorative set of three original 19th-century mineralogy plates illustrating quart...

Original Antique Print of Exotic Insects, Lanternfly and Mantis, c. 1790 Original antique hand-colored engraving depicting a spectacular collection of exotic insects, including a la...

Mantis, Stick Insects & Grasshoppers – Antique Prints, Set of 3, 1908 Description: A striking set of three original color lithographs from Richard Tümpel's landmark natural history ...

Title: Pair of Antique Dragonfly, Cicada & Exotic Insect Engravings – Bertuch, c. 1815 A decorative set of two original antique hand-colored copper engravings depicting an extraordi...

Pair of Curtis’s Botanical Magazine Hand-Coloured Engravings, Portuguese Flag and Branching Moraea, Sydenham Edwards 1803 and 1804 This pair of hand-coloured copperplate engraving...

Original Antique Print of Archaeological Excavations by Bertuch, c. 1800 Original antique copper engraving depicting archaeological excavations and newly uncovered ancient architect...

Antique Palm Tree Botanical Print, Exotic Tropical Plate, German Atlas 1885 An impressive original double-page botanical plate (Tafel 21) from M. Fünf...

Renaissance Wind Cosmology Woodcut with Globe & Elemental Winds, 1590 This striking late 16th-century German woodcut page originates from an early ency...

Collection of nine 18th Century tropical botanical engravings by Georg Dionysius Ehret. Hand coloured prints depicting local flora of Barbados. Each is dedicated to a prominent perso...

Set of Four Antique Mineralogy & Crystal Chromolithographs by Kenngott, 1888 DESCRIPTION: A fascinating set of four original 19th-century scientific plates illustrating mineralo...

Original Antique Print of Two Sperm Whales by Bertuch, c. 1800 Original antique hand-colored copper engraving depicting two sperm whales, published in Friedrich Justin Bertuch’s celebrated “Bilderbuch für Kinder” around the beginning of the 19th century. The plate is titled “Fische XXXVIII / Poissons XXXVIII” and presents two different representations of the sperm whale, one of the largest toothed whales in the world. Both animals are shown in profile with their characteristic massive, almost rectangular heads, narrow toothed lower jaws and relatively small flippers. Jets of water emerge dramatically from the blowholes. The unusual appearance of the animals reflects both their distinctive anatomy and the way whales were understood and represented by European naturalists around 1800. The sperm whale was of considerable economic importance during this period. It was hunted particularly for spermaceti, the waxy substance contained within its enormous head, as well as for whale oil and ambergris. These early zoological representations are especially interesting because accurate observation of living whales was extremely difficult. Natural-history illustrators therefore frequently relied upon stranded or captured specimens, descriptions by sailors and whalers, and earlier published illustrations. The engraving is delicately enhanced with original hand coloring in restrained shades of black, gray and brown and bears the inscription “Jacob Hauer Schmuzer” at lower right. Friedrich Justin Bertuch (1747–1822) was a German publisher, writer and patron of the arts. His monumental “Bilderbuch für Kinder” (Picture Book for Children) was one of the great illustrated educational encyclopedias of the late 18th and early 19th centuries. Creator: Friedrich Justin Bertuch (1747–1822) Engraver: Jacob Hauer Schmuzer Source: Bilderbuch für Kinder Plate: Fische XXXVIII / Poissons XXXVIII Place of Publication: Weimar, Germany Date of Manufacture: Circa 1800 Period: Early 19th Century Style: Neoclassical – In the Period of Medium: Original hand-colored copper engraving on paper Condition: Good. Wear consistent with age and use. Light age-related toning and scattered minor spotting and marks. Some marginal wear and a small loss/irregularity at the upper right corner. Original hand coloring remains attractive. Please refer to the photographs for further details of condition. Please note: This is an original antique print from circa 1800, not a modern reproduction. The print is sold unframed. Framed images or interior views, if shown, are for presentation and inspiration only. Keywords: sperm whale print, antique whale print...

Title: Pair of Antique Hawk Moth Life Cycle Engravings – Bertuch, c.1800 A striking set of two original antique hand-colored copper engravings depicting large hawk moths or sphinx m...

Original Antique Print of Volcanic Eruptions and Ships by Bertuch, c. 1800 Original antique hand-colored copper engraving depicting two dramatic volcanic phenomena, published in Fri...

Jonstonus Friesian and Hungarian Horses Engraving, 1650 Description: Original antique copper engraving depicting two European horse breeds: the Friesian horse (“Equus Frisicus – Frisisch Pferd”) and the Pannonian or Hungarian horse (“Equus Pannonicus sive Hungaric – Hungarisches Pferd”). The upper composition shows the powerful Friesian horse standing in profile, distinguished by its heavy build, long flowing mane and feathered legs. Below, the Hungarian horse is represented in a dramatic rearing pose, creating a particularly lively and decorative equestrian composition. The engraving was published in Joannes Jonstonus’ important Historiae naturalis de quadrupetibus, Frankfurt am Main, 1650. The work was issued by the heirs of Matthäus Merian and forms part of Jonstonus’ celebrated multi-volume natural history of animals. Joannes Jonstonus (1603–1675), also known as John Johnston or Jan Jonston, was a Polish-born physician, naturalist and scholar. His extensive natural-history publications were among the important illustrated zoological works of the 17th century, preceding the systematic classification of Linnaeus by more than a century. From the first edition of Historiae naturalis de quadrupetibus, published in Frankfurt by the Merian publishing house in 1650. Plate II, titled within the engraving: “Equus Frisicus – Frisisch Pferd” “Equus Pannonicus sive Hungaric – Hungarisches Pferd” A beautiful early representation of the Friesian horse and an appealing decorative work for an equestrian, country-house or natural-history collection. Joannes Jonstonus (1603–1675) Historiae naturalis de quadrupetibus Frankfurt am Main Published by the heirs of Matthäus Merian 1650 Original copper engraving Plate II This is an original antique print published in 1650, not a modern reproduction. Condition: Good antique condition with overall age-related toning, scattered spotting and surface marks. Noticeable old staining and discoloration to the lower left corner and margin. Minor handling creases and wear along the sheet edges. The engraved image remains strong and well defined. Please study the photographs carefully as they form part of the condition description. Period Mid-17th Century Style Baroque Natural History Equestrian Subject Friesian Horse Hungarian Horse Equestrian Horses Natural History Zoology Frisian Keywords: Joannes Jonstonus, John Johnston, Jan Jonston, Matthäus Merian, Merian, Friesian horse, Frisian horse, Friesisch Pferd, Equus Frisicus, Hungarian horse, Pannonian horse, Equus Pannonicus, horse engraving, antique horse print, equestrian engraving, equestrian art, horse wall art...

The Good Shepherd, c.1900 German Devotional Chromolithograph (Printed in Germany) This early 20th-century German chromolithograph presents one of the most iconic and comforting Christian images: Christ as the Good Shepherd. Produced around 1900 by a major German devotional press, the print exemplifies the luminous colour layering, soft modelling, and serene atmosphere characteristic of high-quality chromolithography from this period. These works were widely distributed throughout Europe and the Americas and became treasured objects in Catholic homes, chapels, and pastoral settings. Christ stands barefoot in a verdant landscape, gently holding a lamb to his chest while a flock gathers around him. The rich red cloak, delicate golden halo, and pastoral backdrop are rendered with exceptional detail and depth, achieved through multiple stone plates typical of fine chromolithographic production. The artwork conveys both theological symbolism and emotional warmth: the shepherd guiding and protecting his flock, the gentle lamb symbolising innocence, and the tranquil landscape offering a sense of peace and reassurance. The lower margin features multilingual titles identifying the subject for international Catholic distribution: “Der Gute Hirt. The Good Shepherd. Le Bon Pasteur. Il Buon Pastore. El Divino Pastor.” This multilingual caption format is typical of German devotional publishers active from the late 19th into the early 20th century. The imprimatur line, “Imprimi permittitur. Ordinariatus episcopalis Limburgensis,” confirms that the image was officially approved for devotional use by the Catholic Church. The imprint “Printed in Germany” situates the work within one of the major German chromolithographic centres, likely Munich or Cologne, renowned for their beautifully saturated and technically refined religious images. This is unquestionably an original chromolithograph, not a modern reproduction. The velvety colour fields, warm matte lithographic paper, subtle stippling, and natural toning all align with authentic early 20th-century stone-based printing. The crisp border text and preserved pigments further confirm its originality. The Good Shepherd was among the most cherished devotional themes of the period, and examples in this level of condition are increasingly rare and desirable among collectors of sacred art. Condition Report: Very good condition. Colours bright and unfaded. Minor age toning and small, expected handling marks at the outer margins. No tears, creases, losses, or repairs. The plate text and imprimatur are sharp and fully legible. Tips for Framing: Ideal for framing in a warm walnut or gilded frame to enhance the halo and red cloak. A cream or ivory mat complements the pastoral greens and highlights the central figure. A clean black frame with a wide mat offers a more contemporary presentation while keeping the devotional character intact. Technique: Chromolithograph Maker: German Devotional Press, printed in Germany, c.1900 the good shepherd christ the shepherd jesus with lamb pastoral christ catholic art devotional art religious art german chromolithograph printed in germany antique lithograph chromolithograph imprimi permittitur church imprimatur holy shepherd pastoral scene sacred art early 20th century religious print fine chromolitho religious ephemera christian iconography christ among the sheep antique christian art...

Original Antique Print of Three Exotic Tropical Fish by Bertuch, c. 1800 Original antique hand-colored copper engraving depicting three spectacular exotic fish, published in Friedri...

Original Antique Print of an Atlas Moth by Bertuch, circa 1800 Original antique hand-colored copper engraving depicting the magnificent Atlas moth (Attacus atlas), one of the largest and most spectacular moths in the world. The plate is titled “Insecten XXVIII / Insectes XXVIII” and originates from Friedrich Justin Bertuch’s celebrated “Bilderbuch für Kinder,” published in Weimar around 1800. The enormous moth is shown with its wings fully extended across a flowering branch. Its richly patterned wings are beautifully rendered in shades of rust, ochre, cream, black and pink, with the characteristic translucent, window-like markings prominently displayed. The combination of the dramatically oversized insect and delicate botanical background makes this one of the more visually striking natural-history subjects in Bertuch’s series. The Atlas moth is native to the tropical forests of South and Southeast Asia and is renowned for its extraordinary wingspan. Its distinctive wing tips have often been noted for their resemblance to the head of a snake, possibly serving as a defensive adaptation against predators. The engraving bears the inscription “Jacob H. Schmuzer” at lower right. Friedrich Justin Bertuch (1747–1822) was a German publisher, writer and patron of the arts. His monumental “Bilderbuch für Kinder” (Picture Book for Children) was one of the great illustrated educational encyclopedias of the late 18th and early 19th centuries. Published in Weimar from 1790 onward, the work contained hundreds of finely engraved and hand-colored plates devoted to natural history, geography, science, technology, costumes and mythology. A particularly decorative and impressive antique natural-history print, well suited to collectors of butterflies and moths, entomology and early scientific illustration. Creator: Friedrich Justin Bertuch (1747–1822) Engraver: Jacob H. Schmuzer Source: Bilderbuch für Kinder Plate: Insecten XXVIII / Insectes XXVIII Place of Publication: Weimar, Germany Date of Manufacture: Circa 1800 Period: Early 19th Century Style: Neoclassical – In the Period of Medium: Original hand-colored copper engraving on paper Condition: Good. Wear consistent with age and use. Light age-related toning and occasional minor spotting. Some marginal wear and small imperfections, particularly along the right edge. Original hand coloring remains strong and attractive. Please refer to the photographs for further details of condition. Please note: This is an original antique print from circa 1800, not a modern reproduction. The print is sold unframed. Framed images or interior views, if shown, are for presentation and inspiration only. Keywords: Atlas moth print, Attacus atlas, antique moth...

Baroque Garden and Palace near Vienna – Antique Architectural Engraving, 1649 This is a beautifully detailed 17th-century engraving, depicting a formal Baroque garden layout in Vien...

Rivinus botanicals: Cracca, Lotus lybica & Foenugracum, Leipzig, 1690s Set of three late-17th/early-18th-century botanical copper engravings with period hand-colour, attributed ...