German Prints

Andrea Doria Portrait, Atrium Heroicum Engraving, Augsburg, c.1602 This powerful engraved portrait depicts Andrea Doria (1466–1560), the celebrated Genoese admiral, condottiero, and...

Antique print of various snakes including the buff striped keelback snake. This print originates from 'Bilderbuch fur Kinder' by F.J. Bertuch. Friedrich Joha...

Freshwater Fish Print: Pike, Catfish, Eel, Trout – Antique 1867 This detailed antique print depicts a variety of European freshwater fish, including pike, catfish, trout, eels, and ...

The countrystyle vintage pull-down Jung Koch Quentell wall chart depicts Pisum Sativum, pea. Published by Lehrmittelverlag Hagemann, Duesseldorf. Colorful print on paper reinforced w...

Museum Style Beetle Specimen Plates, Victorian Entomology Prints, Set of 8 Description: This striking decorative set of eight beetle plates originates from the celebrated German ent...

Quebec City Canada Harbor View – Antique Steel Engraving St. Lawrence River This atmospheric mid-19th century steel engraving presents a dramatic panoramic view of Quebec City, Cana...

Black Rock New York Harbor Lighthouse – Antique Steel Engraving c.1850 This dramatic mid-19th century steel engraving depicts the harbor entrance a...

Victorian Beetle Prints Set of Four – Scarab & Stag Beetle Plates, 1893 Description: This decorative set of four natural history beetle plates originates from the influential Ge...

Karl Blossfeldt — Framed Photogravure: Natural Grace, 1942 A striking Karl Blossfeldt photogravure from the 1942 edition of Wunder in der Natur. Retaining its original condition, i...

A cottagecore vintage pull-down wallchart illustrating the job of a baker (view into a backery of the 1970s). The artist is D.Lordey, published by the Lehrmittelanstalt Koester &...

Karl Blossfeldt — Framed Photogravure: Natural Grace, 1942 A striking Karl Blossfeldt photogravure from the 1942 edition of Wunder in der Natur. Retaining its original condition, i...

Antique Chromolithograph of Jerusalem from the Mount of Olives, circa 1890 This captivating chromolithograph titled “Jerusalem” dates to approximately 1890 and presents a sweeping p...

Original Antique Print of Four Slow Worms and Legless Lizards by Bertuch, 1802 Original antique hand-colored copper engraving depicting four varieties of slow worms and snake-like legless reptiles, published in Friedrich Justin Bertuch’s celebrated “Bilderbuch für Kinder” in Weimar in 1802. The plate is titled “Amphibien XX / Amphibies XX” and depicts four elegantly intertwined specimens. Bertuch identifies them as the Common Slow Worm or Blindworm (Anguis fragilis), Short-bellied Slow Worm (Anguis ventralis), Flat-tailed Slow Worm (Anguis platura), and Variegated Slow Worm (Anguis variegata). At the time these unusual reptiles were commonly associated with snakes because of their elongated, limbless bodies. The familiar European slow worm, despite its snake-like appearance, is in fact a legless lizard. Bertuch records a remarkably international distribution for the animals illustrated on this plate, describing examples from Europe and the Old World, Carolina and Virginia, the East Indies and New Holland (Australia). The intertwined arrangement and strong original hand coloring give the plate considerable decorative appeal, with tones of green, yellow, brown, black and gray. The engraving bears the inscription “Jacob Hauer Schmuzer” at lower right. Friedrich Justin Bertuch (1747–1822) was a German publisher, writer and patron of the arts. His monumental “Bilderbuch für Kinder” (Picture Book for Children) was one of the great illustrated educational encyclopedias of the late 18th and early 19th centuries. Published in Weimar from 1790 onward, it contained hundreds of finely engraved and hand-colored plates covering natural history, geography, science, technology, costumes and mythology. Creator: Friedrich Justin Bertuch (1747–1822) Engraver: Jacob Hauer Schmuzer Source: Bilderbuch für Kinder Plate: Amphibien XX / Amphibies XX Place of Publication: Weimar, Germany Date of Manufacture: 1802 Period: Early 19th Century Style: Neoclassical – In the Period of Medium: Original hand-colored copper engraving on paper Condition: Good. Wear consistent with age and use. Light age-related toning, occasional minor spotting and marginal wear. Original hand coloring remains attractive. Please refer to the photographs for further details of condition. Please note: This is an original antique print from 1802, not a modern reproduction. The print is sold unframed. Framed images or interior views, if shown, are for presentation and inspiration only. Keywords: antique snake print, slow worm print, blindworm, legless lizard, Anguis fragilis, antique reptile print...

Pyrotechnicae repraesentationis splendidissimae typus – Fireworks View c.1765 This antique print is an optical view depicting a grand fireworks display, likely celebrating the coron...

Karl Blossfeldt — Framed Photogravure: Natural Grace, 1942 A striking Karl Blossfeldt photogravure from the 1942 edition of Wunder in der Natur. Retaining its original condition, i...

Clerical Vestments 1400–1800, Antique Hand-Colored Ecclesiastical Print This richly detailed antique costume plate illustrates the evolution of clerical vestments between 1400 and 1...

Aztec & Early Mexican Costumes, Set of 2 Antique Prints, 1500–1525 This striking pair of early 20th-century costume plates offers a vivid and historically valuable depiction of Aztec and early Mexican dress during the 16th century. Illustrated by Max Tilke and published by Ernst Wasmuth A.G. in Berlin, these prints belong to one of the most respected costume‐historical series of the period. Tilke was known for his meticulous research and his ability to translate ethnographic sources into richly detailed, accurate visual reconstructions. These two plates are among the most vibrant and desirable in the entire publication. Plate 144 presents warriors and nobles in full ceremonial and military attire. Jaguar warriors, eagle warriors, officers, and elite fighters are shown with their distinctive feathered headdresses, painted shields, quilted cotton armor (ichcahuipilli), and symbolic iconography referencing Aztec cosmology and rank. The colors and patterns reflect authentic codex sources, making the plate particularly valuable to historians of pre-Columbian culture. Plate 145 focuses on social classes and civilian dress from the late pre-Hispanic and early colonial period. Market vendors, weavers, young nobles, priests, and high-ranking women appear wearing garments such as tilmas, breechcloths, embroidered huipiles, feathered adornments, and body paint. Together, the two plates offer a rare, well-documented overview of everyday and ceremonial dress from Mexico around 1500–1525. The printing quality is exceptionally fine, with rich color lithography capturing the tonal variations of feathers, textiles, and painted patterns. These plates make a powerful impression when framed and are well suited for collectors of ethnographic art, museum-oriented interiors, historians of Mesoamerica, and designers seeking authentic cultural references. It is now uncommon to find both Mexican plates...

A vintage pull-down map showing the economy of North America, published by Harms. Colorful print on paper reinforced with canvas. Measurements: Width 101 cm (39.76 inch) Height 169 c...

Monumental Bavarian Altars – Architectural Triptych, Munich 1874 Description: This exceptional triptych presents three monumental chromolithographs depicting grand altar and shrine ...

Set of six original antique mycology prints. It shows many mushrooms and other fungus. These prints originate from 'Cryptogamen-Flora, Enthaltung die Abbildung und Beschreibung Vorzü...

Pair of 18th-Century Garden Engravings – Hellbrunn & Trianon, Baroque Views This matched pair of early 18th-century garden engravings presents two celebrated princely pleasure garde...

Antique German Jousting Knights Plate c.1500, Hand-Colored Print This dynamic antique costume plate offers an energetic and beautifully rendered depiction of German jousting practic...

Decorative Botanical Engraving of Sedum & Succulent Plants, 1737 Description: An original 18th-century botanical plate from Johann Wilhelm Weinmann’s celebrated “Phytanthoza Iconographia,” one of the most ambitious and visually striking botanical publications of the early 18th century. This finely detailed plate, numbered 93, depicts several varieties of Sedum and related succulent plants, including stonecrop and houseleek. The plants are presented with remarkable botanical detail, showing fleshy leaves, flowering stems, delicate blossoms and exposed root systems. Soft shades of green, yellow and pink give the composition an especially decorative quality. Johann Wilhelm Weinmann (1683–1741) was a German apothecary and botanist. His monumental “Phytanthoza Iconographia,” published in Regensburg between 1737 and 1745, contained more than 1,000 botanical plates and was particularly innovative for its use of color printing combined with hand finishing. The illustrations are today admired both as important works of botanical documentation and as highly decorative examples of 18th-century natural history illustration. Artist / Maker: Johann Wilhelm Weinmann (1683–1741) Publication: Phytanthoza Iconographia Plate: No. 93 Date: circa 1737–1745 Medium: Color-printed mezzotint and engraving with hand coloring Condition: Good antique condition overall, with expected signs of age including light toning, occasional spotting, minor marks and small imperfections to the paper. Please examine the photographs carefully as they form an important part of the condition description. Please contact us if you would like a more detailed condition report. This is an original antique print published in the 18th century, not a modern reproduction. Sold unframed. Any framed or interior images are for presentation and inspiration only. Keywords: Johann Wilhelm Weinmann, Weinmann botanical print...

Hand-Colored Botanical Lithograph of Nicotiana Tabacum and Nicotiana Rustica, 1854 This striking hand-colored botanical lithograph is from Carl Georg Calwer’s 'Deutschlands Tech...

Antique Chromolithograph of Flamingos – Phoenicopterus roseus, c.1890 A magnificent late 19th-century chromolithograph depicting the Greater Flamingo (Phoenicopterus roseus) in diff...

Long-Nosed Surgeonfish – Antique Hand-Colored Fish Engraving, Nodder c.1794 This finely detailed hand-colored engraving depicts a long-nosed surgeonfish, shown in lateral profile an...

Morels & Truffles – Antique Botanical Lithograph, European Fungi 1885 This densely illustrated lithograph from 1885 presents a comprehensive study of European fungi, including r...

Set of Four De Bry Botanical Engravings of Exotic Spices and Plants, c.1598 – Cinnamon, Aloe, and Aromatics of the Indies A fine and complete set of four original copper engravings ...

Antique print titled 'Abbildung der Statt Rom/wie sie von Romulo anfänge - Von Italia'. Woodcut of ancient Rome. This print originates from Munster's Cosmographia, one of the most in...

Pacific Island Ethnography – Canoe, Architecture & Costume, Antique Print c.1890 This detailed ethnographic engraving documents aspects of daily life, material culture, and technolo...

Title: Set of Three Dragonfly Lithographs from Die Geradflügler Mitteleuropas 1908 Description: A striking set of three original scientific lithographs depicting dragonflies and dam...

Karl Blossfeldt — Framed Photogravure: Natural Grace, 1942 A striking Karl Blossfeldt photogravure from the 1942 edition of Wunder in der Natur. Retaining its original condition, i...

Karl Blossfeldt — Framed Photogravure: Natural Grace, 1942 A striking Karl Blossfeldt photogravure from the 1942 edition of Wunder in der Natur. Retaining its original condition, i...

Antique Onion and Leek Botanical Print, Kitchen Garden Study, 1852 Description This striking original hand-colored lithograph illustrates onions, leeks, and related alliums from Car...

Fly Agaric & Chanterelle Mushrooms – Antique Botanical Lithograph Set, 1885 This refined set of three large-format botanical lithographs illustrates a celebrated selection of Eu...

Beetles Print: Stag Beetle, Scarab, Longhorn & Jewel Beetles – Antique 1867 This detailed antique print depicts a wide variety of beetles, including stag beetles, scarabs, longhorn ...

Lactarius Mushrooms – Antique Fungi Lithograph, Natural History Print 1885 This refined late 19th-century lithograph illustrates several species of Lactarius mushrooms, known for th...

Morel & Funnel Mushrooms – Antique Botanical Lithograph by Fünfstück, 1885 This elegant botanical lithograph from 1885 depicts a striking selection of European fungi, including ...

Chinese Peacock-Pheasant – Hand-Colored Bird Engraving by Edwards & Seligmann, c.1750–1776 This fine hand-colored engraving depicts the Chinese Peacock-Pheasant (Phasianus alis et caudâ oculatis), an exotic species admired in Europe for its ornate plumage. The bird is shown perched gracefully on a flowering branch, its feathers marked with striking blue and green eye-like spots. Decorative peonies frame the composition, enhancing the print’s ornamental character. The engraving bears multilingual titles: “Der chinesische Phasanenpfau” (German), “Le Paon-Phaisan de la Chine” (French), and the Latin classification Phasianus, alis et caudâ, oculatis. At the lower left, the note G. Edwards ad viv. delin. credits the original life drawing...

Shells & Bivalves Print: Mussels, Oysters, Scallops, Clams – Antique 1867 This detailed antique print depicts a wide range of shells and bivalves, includ...

Architectural design with the central elements depicted in the engraving: the Baroque design of the pulpit, the inclusion of a Corinthian column which suggests a classical influence, and the presence of a staircase plan indicating the approach to the pulpit. Dating approximately between 1740 and 1760. The artist responsible for this design is Franz Xaver Habermann, and it was published by Johann Georg Hertel I in Augsburg. The design shows a richly decorated pulpit and archway, typical of the Rococo style, which is known for its elaborate ornamentation, asymmetry, and curves. This image is one of four numbered plates related to this work. The detail in the engraving is meticulous, showcasing the elaborate aesthetic that characterized much of the European art and architecture during the mid-18th century. Franz Xaver Habermann (1721–1796) was a German engraver and etcher who was active during the 18th century, a period marked by the Rococo style. Although not as widely known as some of his contemporaries, Habermann contributed significantly to the graphic arts during his time. Habermann's work often featured architectural designs, such as the intricate pulpit depicted in the image you've provided. He was skilled in creating prints that detailed elaborate decorative schemes and architectural fantasies, which were popular during the Rococo period. His creations were known for their intricate details and the fluidity of their lines, capturing the lightness and ornamental excesses that characterized Rococo design. Johann Georg Hertel I, who published Habermann's work, was part of a notable family of engravers and publishers in Augsburg, a city that was an important center for publishing in Europe at the time. The Hertel family played a significant role in disseminating artistic and architectural designs through their publications. While specific details about Habermann’s life and training may not be as well-documented as those of major artists of his time, his surviving works suggest that he was a highly skilled engraver who had mastered the Rococo style, contributing to the spread of this aesthetic through his printed works. His designs would have influenced the tastes of the period, both within Germany and across Europe, where the appetite for such elaborate designs was significant. More in detail about this engraving: This engraving features a detailed representation of a Baroque-style preacher's pulpit, intricately designed and placed upon a Corinthian column, demonstrating the grandeur of religious architecture during the Baroque period. The pulpit is richly adorned with elaborate scrollwork, acanthus leaves, and possibly religious iconography, all common elements in Baroque ecclesiastical design. A significant feature of this print is the inclusion of architectural details such as the Corinthian column base, known for its ornate capital with acanthus leaves and scrolls, which supports the pulpit above. This classical element signifies stability and order, providing a stark contrast to the exuberant decoration of the pulpit itself. To the right of the pulpit, there's a tall, slender window filled with panes that could either be clear or stained glass, framed by an ornate window arch...

This illustration depicts a pigeon (Columba livia), titled "Columba livia Briss. Mas adult" in Latin, which refers to the adult male rock dove or common pigeon. The artist's signatur...

Antique Botanical Print – Orchid Odontoglossum Hybridum Leroyanum, c.1888 A striking and rare botanical print of Odontoglossum (Hybridum) Leroyanum, featuring a vibrant red and whit...

Attempt to Seize Amsterdam, 1577 — Haarlemmerpoort Assault, Hogenberg Description: This powerful late-16th-century historical engraving depicts the attempted seizure of Amsterdam on...

Damascus Faience Plate with Blue Floral Ornament – Julius Lessing, Berlin 1890 Description: A striking chromolithograph from Julius Lessing’s Persisch-Türkische Fayencen (Persian-Tu...

This beautifully detailed engraving of the eared jellyfish (Aurelia aurita) is a captivating representation from Friedrich Johann Bertuch's renowned Bilderbuch für Kinder (Picture B...

Rodents & Small Mammals Print: Beaver, Squirrel, Porcupine – Antique 1867 This charming antique print depicts a wide variety of rodents and small mammals in detailed hand-coloured e...

Etruscan Antiquity Plate with Warriors, Banquet and Dancers, Wasmuth c.1910 Description: This original early 20th-century plate presents a refined study of Etruscan antiquity, publi...

Antique map titled 'Partie Orientale de la Nouvelle France ou du Canada (..)'. Original antique map of New England and Eastern Canada made a...

Karl Blossfeldt — Framed Photogravure: Natural Grace, 1942 A striking Karl Blossfeldt photogravure from the 1942 edition of Wunder in der Natur. Retaining its original condition, i...

Antique Oil Print with Black Forest Poacher Scene after Josef Ringeisen A colorful oil print depicting a dramatic poaching scenery in the Bavarian forest. Two poachers are caught in...

Karl Blossfeldt — Framed Photogravure: Natural Grace, 1942 A striking Karl Blossfeldt photogravure from the 1942 edition of Wunder in der Natur. Retaining its original condition, i...

Large Mammals Print: Elephant, Rhino, Hippo & Tapir – Antique 1867 This impressive antique print depicts large mammals including elephants, rhinoceroses, hippopotamuses, and tapirs,...

Set of Three German Costume Plates 1450–1670, Hand-Colored Antique Prints This beautifully matched set of three hand-colored costume plates presents a sweeping visual history of Ger...

Antique Chromolithographs of European Seabirds – Gulls, Terns, Skuas, Geese and Gannets, c.1890 A vibrant set of six antique chromolithographs depicting seabirds and coastal waterfo...

Karl Blossfeldt — Framed Photogravure: Natural Grace, 1942 A striking Karl Blossfeldt photogravure from the 1942 edition of Wunder in der Natur. Retaining its original condition, i...

Pair of hand colored engravings of the Royal Palace and Brussels Park by Balthasar Friedrich Leizelt (also spelled Leizel, active 1750–1800) a German artist and copperplate engraver working from Augsburg. These are beautiful and evocative renderings of architecture, open space and perspective. 1- Place Royal A Bruxelles 2- Vue Du Parc A Bruxelles 22 inches wide 18 high Leizelt produced a series of European and American scenic views at a time when pictures of foreign countries and people were popular and designed for use in optical viewers. As is normal for these prints the series title is a mirror image because optical viewers made use of mirrors which reversed the image. The Age of Enlightenment sparked a great interest in science, so that optical toys...

Original print of natives of America. This print originates from 'Bilderbuch fur Kinder' by F.J. Bertuch. Published, circa 1800.

Lac Derg in der Graffschafft Donegal - (Lough Derg in County Donegal). This engraving shows the pilgrimage island in Lough Derg, famous since the Middle Ages as a site of penitenti...

Antique Engraving of a Horse (Equus Caballus Linn.), drawn by Borifow, engraved by J.C. Bock, circa 1800 This finely detailed zoological engraving depicts a horse (Equus Caballus Li...