German Prints

Joan of Arc Life Scenes, German Romantic Engraving, Minerva Taschenbuch, 1813 This early 19th-century engraved sheet depicts a complete narrative cycle from the life of Joan of Arc ...

Germany, circa 1810 A set of three early nineteenth century scientific lithographic prints of fish by Johann Friedrich August Krüger in collaboration with engraver Ludwig Schmidt, a...

Crocodiles, Lizards & Reptiles Print: Alligator, Monitor, Iguana – Antique 1867 This striking antique print depicts crocodiles, alligators, lizards, monitors, and iguanas, rendered ...

Artwork hand colored engraving by Maria Sybella Meriam, 1647-1717. Titled Surinam Insects. Pineapple and insects. This is an original print not a reproduction. An example of this is ...

Alpine Botanical Prints Set, Primula Species, Palla Atlas, 1897 Description: A delicate and highly decorative set of four original antique botanical prints from Dr. Eduard Palla’s A...

Antique Coconut Palm Botanical Study, Cocos nucifera, c.1831 Description: This highly detailed botanical engraving presents a full analytical study of the coconut palm, including fl...

Antique Olive Botanical Print, Olea Europaea, Hand Colored, c.1831 Description: This strong and highly decorative botanical engraving depicts Olea Europaea, the olive tree, shown wi...

Andrea Doria Portrait, Atrium Heroicum Engraving, Augsburg, c.1602 This powerful engraved portrait depicts Andrea Doria (1466–1560), the celebrated Genoese admiral, condottiero, and...

Artist or Maker: Johann Wilhelm Weinmann Title: "Lilium album peregrinum. Lilium buliferum, Knöpfigte Feuer Lilien. Lilium croceum minus, Feuer Lilien." Medium: Colored etching Catal...

Minerals & Crystals Print: Quartz, Calcite, Ore Rocks, Crystal Shapes – Antique 1867 This detailed antique print depicts a variety of minerals, rocks, ores, and crystal shapes rendered in fine hand-coloured engravings. It originates from the Atlas der Natuurlijke Geschiedenis voor scholen en huisgezinnen, adapted into Dutch by T.C. Winkler after Traugott Bromme, and published in Amsterdam by J.C. Loman in 1867. Created for educational use, this plate introduced 19th-century students to mineralogy and crystallography, showing both rock specimens and geometric crystal models. The labelled figures include: 1–6. Crystal forms and geometric models (various prism, pyramid, and rhombohedron shapes used in mineralogy) 7\. Anthracite coal 8\. Bituminous coal 8a. Jet 8b. Lignite 9\. Sulphur ore 10\. Iron pyrite (fool’s gold) 10a. Iron ore with gangue 10b. Hematite ore 11\. Quartz crystal cluster 12\. Feldspar crystal 13\. Mica 14\. Calcite crystal 15\. Galena (lead ore) 16\. Malachite (copper carbonate) 17\. Rock crystal (quartz group) 18\. Siderite crystal 19\. Red jasper 20\. Petrified wood 21\. Baryte (heavy spar) 22\. Serpentine 23\. Garnet cluster 24–26. Further geometric crystal models showing mineral habit Produced using copper engraving with meticulous hand colouring, the print shows precise linear details and realistic mineral colours, capturing each sample’s luster, cleavage, and fracture for geological identification. These plates served as essential educational references before photographic mineral guides were widely available. Condition summary: Good condition for its age, with slight overall toning and minor scattered foxing mainly in the margins. The paper remains strong with no tears or repairs, and the hand colouring is vivid and well-preserved. Framing tips: Frame this mineralogy print in a black, dark wood, or walnut frame with a cream or off-white mount to enhance its fine engraved details and earthy mineral tones. For traditional settings, a gold frame adds antique warmth and museum-like sophistication. UV-protective glass is recommended to preserve colours and prevent further toning. This antique natural history print will enrich any geology, mineral art...

Quebec City Canada Harbor View – Antique Steel Engraving St. Lawrence River This atmospheric mid-19th century steel engraving presents a dramatic panoramic view of Quebec City, Cana...

Black Rock New York Harbor Lighthouse – Antique Steel Engraving c.1850 This dramatic mid-19th century steel engraving depicts the harbor entrance a...

1805 Handcolored Engraving of Egyptian Monuments from Bertuch's "Bilderbuch für Kinder" Description: This remarkable handcolored engraving from 1802 depicts two iconic views of an...

Set of two antique prints titled 'Die Beduinen I & II'. Lithographic plates depicting scenes of the Bedouin, a population of nomadic Arabs who have historically inhabited the des...

Freshwater Fish Print: Pike, Catfish, Eel, Trout – Antique 1867 This detailed antique print depicts a variety of European freshwater fish, including pike, catfish, trout, eels, and ...

Guardian Angel Protecting Children by the Water, Antique German Chromolithograph This touching late 19th–early 20th century German chromolithograph depicts a classic Catholic devoti...

All by Basilius Besler { 1561-1629] Besler was an apothecary and botanist and managed the gardens of Bishop Johann Conrad of Eichstatt, Germany. Besler created 'Hortus Eystettensis a...

Alpine Botanical Prints Set, Primula Species, Palla Atlas, 1897 Description: A delicate and highly decorative set of four original antique botanical prints from Dr. Eduard Palla’s A...

Antique Grain Studies – Wheat Varieties Botanical Lithographs, Calwer 1852 This focused two-plate set presents advanced botanical studies of wheat varieties from Carl Gustav Calwer’...

Title: Set of Three Dragonfly Lithographs from Die Geradflügler Mitteleuropas 1908 Description: A striking set of three original scientific lithographs depicting dragonflies and dam...

Aztec & Early Mexican Costumes, Set of 2 Antique Prints, 1500–1525 This striking pair of early 20th-century costume plates offers a vivid and historically valuable depiction of Aztec and early Mexican dress during the 16th century. Illustrated by Max Tilke and published by Ernst Wasmuth A.G. in Berlin, these prints belong to one of the most respected costume‐historical series of the period. Tilke was known for his meticulous research and his ability to translate ethnographic sources into richly detailed, accurate visual reconstructions. These two plates are among the most vibrant and desirable in the entire publication. Plate 144 presents warriors and nobles in full ceremonial and military attire. Jaguar warriors, eagle warriors, officers, and elite fighters are shown with their distinctive feathered headdresses, painted shields, quilted cotton armor (ichcahuipilli), and symbolic iconography referencing Aztec cosmology and rank. The colors and patterns reflect authentic codex sources, making the plate particularly valuable to historians of pre-Columbian culture. Plate 145 focuses on social classes and civilian dress from the late pre-Hispanic and early colonial period. Market vendors, weavers, young nobles, priests, and high-ranking women appear wearing garments such as tilmas, breechcloths, embroidered huipiles, feathered adornments, and body paint. Together, the two plates offer a rare, well-documented overview of everyday and ceremonial dress from Mexico around 1500–1525. The printing quality is exceptionally fine, with rich color lithography capturing the tonal variations of feathers, textiles, and painted patterns. These plates make a powerful impression when framed and are well suited for collectors of ethnographic art, museum-oriented interiors, historians of Mesoamerica, and designers seeking authentic cultural references. It is now uncommon to find both Mexican plates...

Antique Chromolithograph of Jerusalem from the Mount of Olives, circa 1890 This captivating chromolithograph titled “Jerusalem” dates to approximately 1890 and presents a sweeping p...

Karl Blossfeldt — Framed Photogravure: Natural Grace, 1942 A striking Karl Blossfeldt photogravure from the 1942 edition of Wunder in der Natur. Retaining its original condition, i...

Karl Blossfeldt — Framed Photogravure: Natural Grace, 1942 A striking Karl Blossfeldt photogravure from the 1942 edition of Wunder in der Natur. Retaining its original condition, i...

Clerical Vestments 1400–1800, Antique Hand-Colored Ecclesiastical Print This richly detailed antique costume plate illustrates the evolution of clerical vestments between 1400 and 1...

Monumental Bavarian Altars – Architectural Triptych, Munich 1874 Description: This exceptional triptych presents three monumental chromolithographs depicting grand altar and shrine ...

Karl Blossfeldt — Framed Photogravure: Natural Grace, 1942 A striking Karl Blossfeldt photogravure from the 1942 edition of Wunder in der Natur. Retaining its original condition, i...

The countrystyle vintage pull-down Jung Koch Quentell wall chart depicts Pisum Sativum, pea. Published by Lehrmittelverlag Hagemann, Duesseldorf. Colorful print on paper reinforced w...

Pyrotechnicae repraesentationis splendidissimae typus – Fireworks View c.1765 This antique print is an optical view depicting a grand fireworks display, likely celebrating the coron...

Pair of 18th-Century Garden Engravings – Hellbrunn & Trianon, Baroque Views This matched pair of early 18th-century garden engravings presents two celebrated princely pleasure garde...

Morels & Truffles – Antique Botanical Lithograph, European Fungi 1885 This densely illustrated lithograph from 1885 presents a comprehensive study of European fungi, including r...

A cottagecore vintage pull-down wallchart illustrating the job of a baker (view into a backery of the 1970s). The artist is D.Lordey, published by the Lehrmittelanstalt Koester &...

Pacific Island Ethnography – Canoe, Architecture & Costume, Antique Print c.1890 This detailed ethnographic engraving documents aspects of daily life, material culture, and technolo...

Original Antique Woodcut of Peru and Quito from Gottfried's America, c.1655 Description: An original antique woodcut titled "Peru", published in the celebrated travel collection *Ne...

Set of Four De Bry Botanical Engravings of Exotic Spices and Plants, c.1598 – Cinnamon, Aloe, and Aromatics of the Indies A fine and complete set of four original copper engravings ...

Set of six original antique mycology prints. It shows many mushrooms and other fungus. These prints originate from 'Cryptogamen-Flora, Enthaltung die Abbildung und Beschreibung Vorzü...

Antique Onion and Leek Botanical Print, Kitchen Garden Study, 1852 Description This striking original hand-colored lithograph illustrates onions, leeks, and related alliums from Car...

Long-Nosed Surgeonfish – Antique Hand-Colored Fish Engraving, Nodder c.1794 This finely detailed hand-colored engraving depicts a long-nosed surgeonfish, shown in lateral profile an...

Fly Agaric & Chanterelle Mushrooms – Antique Botanical Lithograph Set, 1885 This refined set of three large-format botanical lithographs illustrates a celebrated selection of Eu...

Antique print titled 'Abbildung der Statt Rom/wie sie von Romulo anfänge - Von Italia'. Woodcut of ancient Rome. This print originates from Munster's Cosmographia, one of the most in...

Lactarius Mushrooms – Antique Fungi Lithograph, Natural History Print 1885 This refined late 19th-century lithograph illustrates several species of Lactarius mushrooms, known for th...

Morel & Funnel Mushrooms – Antique Botanical Lithograph by Fünfstück, 1885 This elegant botanical lithograph from 1885 depicts a striking selection of European fungi, including ...

Karl Blossfeldt — Framed Photogravure: Natural Grace, 1942 A striking Karl Blossfeldt photogravure from the 1942 edition of Wunder in der Natur. Retaining its original condition, i...

Chinese Peacock-Pheasant – Hand-Colored Bird Engraving by Edwards & Seligmann, c.1750–1776 This fine hand-colored engraving depicts the Chinese Peacock-Pheasant (Phasianus alis et caudâ oculatis), an exotic species admired in Europe for its ornate plumage. The bird is shown perched gracefully on a flowering branch, its feathers marked with striking blue and green eye-like spots. Decorative peonies frame the composition, enhancing the print’s ornamental character. The engraving bears multilingual titles: “Der chinesische Phasanenpfau” (German), “Le Paon-Phaisan de la Chine” (French), and the Latin classification Phasianus, alis et caudâ, oculatis. At the lower left, the note G. Edwards ad viv. delin. credits the original life drawing...

Attempt to Seize Amsterdam, 1577 — Haarlemmerpoort Assault, Hogenberg Description: This powerful late-16th-century historical engraving depicts the attempted seizure of Amsterdam on...

Antique Botanical Print – Orchid Odontoglossum Hybridum Leroyanum, c.1888 A striking and rare botanical print of Odontoglossum (Hybridum) Leroyanum, featuring a vibrant red and whit...

Damascus Faience Plate with Blue Floral Ornament – Julius Lessing, Berlin 1890 Description: A striking chromolithograph from Julius Lessing’s Persisch-Türkische Fayencen (Persian-Tu...

This illustration depicts a pigeon (Columba livia), titled "Columba livia Briss. Mas adult" in Latin, which refers to the adult male rock dove or common pigeon. The artist's signatur...

This beautifully detailed engraving of the eared jellyfish (Aurelia aurita) is a captivating representation from Friedrich Johann Bertuch's renowned Bilderbuch für Kinder (Picture B...

Etruscan Antiquity Plate with Warriors, Banquet and Dancers, Wasmuth c.1910 Description: This original early 20th-century plate presents a refined study of Etruscan antiquity, publi...

Architectural design with the central elements depicted in the engraving: the Baroque design of the pulpit, the inclusion of a Corinthian column which suggests a classical influence, and the presence of a staircase plan indicating the approach to the pulpit. Dating approximately between 1740 and 1760. The artist responsible for this design is Franz Xaver Habermann, and it was published by Johann Georg Hertel I in Augsburg. The design shows a richly decorated pulpit and archway, typical of the Rococo style, which is known for its elaborate ornamentation, asymmetry, and curves. This image is one of four numbered plates related to this work. The detail in the engraving is meticulous, showcasing the elaborate aesthetic that characterized much of the European art and architecture during the mid-18th century. Franz Xaver Habermann (1721–1796) was a German engraver and etcher who was active during the 18th century, a period marked by the Rococo style. Although not as widely known as some of his contemporaries, Habermann contributed significantly to the graphic arts during his time. Habermann's work often featured architectural designs, such as the intricate pulpit depicted in the image you've provided. He was skilled in creating prints that detailed elaborate decorative schemes and architectural fantasies, which were popular during the Rococo period. His creations were known for their intricate details and the fluidity of their lines, capturing the lightness and ornamental excesses that characterized Rococo design. Johann Georg Hertel I, who published Habermann's work, was part of a notable family of engravers and publishers in Augsburg, a city that was an important center for publishing in Europe at the time. The Hertel family played a significant role in disseminating artistic and architectural designs through their publications. While specific details about Habermann’s life and training may not be as well-documented as those of major artists of his time, his surviving works suggest that he was a highly skilled engraver who had mastered the Rococo style, contributing to the spread of this aesthetic through his printed works. His designs would have influenced the tastes of the period, both within Germany and across Europe, where the appetite for such elaborate designs was significant. More in detail about this engraving: This engraving features a detailed representation of a Baroque-style preacher's pulpit, intricately designed and placed upon a Corinthian column, demonstrating the grandeur of religious architecture during the Baroque period. The pulpit is richly adorned with elaborate scrollwork, acanthus leaves, and possibly religious iconography, all common elements in Baroque ecclesiastical design. A significant feature of this print is the inclusion of architectural details such as the Corinthian column base, known for its ornate capital with acanthus leaves and scrolls, which supports the pulpit above. This classical element signifies stability and order, providing a stark contrast to the exuberant decoration of the pulpit itself. To the right of the pulpit, there's a tall, slender window filled with panes that could either be clear or stained glass, framed by an ornate window arch...

Rodents & Small Mammals Print: Beaver, Squirrel, Porcupine – Antique 1867 This charming antique print depicts a wide variety of rodents and small mammals in detailed hand-coloured e...

Antique Anatomical Wall Chart Depicting the Human Skeleton A rare 19th century anatomical wall chart depicting the human skeleton. On the sides On the...

Large Mammals Print: Elephant, Rhino, Hippo & Tapir – Antique 1867 This impressive antique print depicts large mammals including elephants, rhinoceroses, hippopotamuses, and tapirs,...

Antique map titled 'Partie Orientale de la Nouvelle France ou du Canada (..)'. Original antique map of New England and Eastern Canada made a...

Karl Blossfeldt — Framed Photogravure: Natural Grace, 1942 A striking Karl Blossfeldt photogravure from the 1942 edition of Wunder in der Natur. Retaining its original condition, i...

Karl Blossfeldt — Framed Photogravure: Natural Grace, 1942 A striking Karl Blossfeldt photogravure from the 1942 edition of Wunder in der Natur. Retaining its original condition, i...

Set of Three German Costume Plates 1450–1670, Hand-Colored Antique Prints This beautifully matched set of three hand-colored costume plates presents a sweeping visual history of Ger...

Antique Chromolithographs of European Seabirds – Gulls, Terns, Skuas, Geese and Gannets, c.1890 A vibrant set of six antique chromolithographs depicting seabirds and coastal waterfo...

Lac Derg in der Graffschafft Donegal - (Lough Derg in County Donegal). This engraving shows the pilgrimage island in Lough Derg, famous since the Middle Ages as a site of penitenti...