German Prints

Antique Salt Lake City Mormon Settlement View, Utah, Meyer ca. 1850 This finely engraved 19th-century view depicts early Salt Lake City, identified beneath the image as “die Mormone...

Antique Chromolithograph Aurora Borealis Polar Lights, Meyers 1900 A beautifully composed and scientifically intriguing antique chromolithograph depicting the phenomenon of the Auro...

Antique Comets with Tails Engraving, Bertuch Bilderbuch Weimar 1807 A finely engraved and delicately hand-coloured scientific print illustrating comets with luminous tails, publishe...

Title: Natural Bridge of Virginia, Hand-Colored Landscape Engraving, Original 19th Century Description: An original nineteenth-century hand-colored engraving depicting the famous Na...

Original Antique Print of Peacock and Red Admiral Butterflies by Bertuch, c. 1800 Original antique hand-colored copper engraving depicting three European butterflies together with t...

Antique Lighthouse Engineering Engravings, Set of 3, c.1800 This set of three large-format engravings depicts the design and construction of a lighthouse at sea, drawn from Karl Fri...

Ernst Kropp Marsh Landscape with Swans – Atmospheric German Etching, c.1910 This atmospheric original etching by German artist Ernst Kropp (1880–1945) captures a tranquil marshland ...

Antique Botanical Prints Set, German Wildflower Atlas Plates, Stuttgart 1885 This elegant group of botanical plates originates from Naturgeschichte des Pflanzenreichs by M. Fünfstück, published in Stuttgart circa 1890. Produced during the late nineteenth century’s peak period of scientific illustration, these works beautifully combine botanical accuracy with refined decorative composition, making them highly suitable for both collectors and interior-driven presentation. The plates illustrate a wide variety of European wildflowers, medicinal plants, and garden species rendered in delicate hand-colored tones and precise naturalistic detail. Species represented include carnations and pinks (*Dianthus*), forget-me-nots (*Myosotis*), buttercups (*Ranunculus*), columbine (*Aquilegia*), monkshood (*Aconitum*), water lily (*Nymphaea*), poppy (*Papaver*), cabbage (*Brassica*), meadow herbs, flowering perennials, and numerous field and woodland plants. The compositions balance individual botanical studies with airy spacing and harmonious arrangement, allowing each specimen to read clearly while forming a cohesive visual ensemble. The restrained palette — soft sage greens, pale blues, muted yellows, and gentle rose tones — creates a calm and sophisticated aesthetic well suited to contemporary interiors. Rather than functioning merely as scientific diagrams, these plates operate as architectural decorative elements, ideal for organic modern interiors, Scandinavian spaces, country houses, wellness environments, or boutique hospitality settings. Displayed together, the prints introduce rhythm, natural structure, and historical authenticity while maintaining visual lightness. Originally produced as educational material yet executed with notable artistic sensitivity, the plates exemplify the German tradition of merging science, craftsmanship, and design. Their timeless botanical subjects and balanced compositions make them especially appealing for designers seeking authentic nineteenth-century works that integrate seamlessly into modern environments. The prints are offered unframed, allowing collectors and designers full freedom to tailor framing choices to individual interiors. Any framed examples shown serve purely as visual inspiration. Condition report: Very good antique condition with general age-related toning consistent with late nineteenth-century paper. Light surface wear and occasional minor spotting visible upon close inspection. Original centerfolds as issued. Paper remains structurally sound and displays attractively overall. Framing tips: These botanical plates benefit from generous ivory or warm off-white matting to enhance the delicate compositions and preserve visual breathing space around each specimen. Frames in dark walnut, natural oak, or subtle antique gilt create an elegant balance between historical character and contemporary refinement. Hanging as a grid or salon-style botanical arrangement produces a cohesive, designer-led wall installation with strong visual presence. Keyword block: antique botanical prints, German botanical atlas, M Fünfstück, Naturgeschichte des Pflanzenreichs, wildflower botanical prints, antique plant illustrations, European flora prints, botanical wall art set, vintage botanical plates...

Original Antique Anatomical Print of a European Crayfish by Bertuch, c. 1800 Original antique hand-colored copper engraving depicting the common European crayfish and its anatomy, p...

Monumental Bavarian Altars – Architectural Triptych, Munich 1874 Description: This exceptional triptych presents three monumental chromolithographs depicting grand altar and shrine ...

Antique Chromolithograph of Jerusalem from the Mount of Olives, circa 1890 This captivating chromolithograph titled “Jerusalem” dates to approximately 1890 and presents a sweeping p...

Set of 9 Antique Greek Costume and Antiquity Prints by Wasmuth, Berlin c.1900 This impressive set of nine antique prints presents a richly detailed visual survey of ancient Greek li...

Marine Mammals Print: Whales, Seals, Narwhal & Dolphin – Antique 1867 This beautiful antique print depicts a variety of marine mammals including whales, seals, dolphins, and a narwh...

Antique Print 'The Hunters Tomp', Germany late 19th century A colorful antique print depicting a group of animals like stag, wild boar, hare, staghound and deer visiting the tomp of...

Title: Elegant 1805 Hand-Colored Botanical Engraving of Bulbous Plants from Bertuch Description: This detailed hand-colored botanical engraving is taken from Friedrich Justin Be...

Antique print of various snakes including the buff striped keelback snake. This print originates from 'Bilderbuch fur Kinder' by F.J. Bertuch. Friedrich Joha...

Antique Print 'The Hunters Funeral', Germany late 19th century Item e8171 Antique lithograph titled 'The Hunter's Funeral Procession'. It depicts a satirical scene where forest anima...

Original Antique Print of Gar and Exotic Armored Fish by Bertuch, c. 1800 Original antique hand-colored copper engraving depicting four unusual species of freshwater fish, published...

With strikingly bright images set in a giltwood frame with inset glass. Triple matted with marbled board. Very minor foxing and very minor chipping on outer edge of frame that will ...

Antique German Jousting Knights Plate c.1500, Hand-Colored Print This dynamic antique costume plate offers an energetic and beautifully rendered depiction of German jousting practic...

German Botanical Plates, Exotic Plants & Fruit Trees, Stuttgart c.1890 Description: A striking and visually diverse pair of antique botanical plates (Tafeln 57–58), published in Stu...

Bird Print after Naumann in Wooden Frame, Germany 1900s Item e8165 This antique, framed print depicts a detailed group of coastal birds in a natural coastal landscape. The artwork is...

Print of a Group of Shorebirds after Naumann in Wooden Frame, Germany 1900s Item e8166 This antique, framed print depicts a detailed group of shore birds in a natural coastal landsca...

Antique Meadow and Fodder Plants Prints, Botanical Studies, 1852 This diverse four-plate set illustrates meadow plants, clover species, legumes, and useful field plants from Carl Gu...

German Botanical Plates, Wildflowers & Medicinal Plants, Stuttgart c.1890 Description: A visually engaging and scientifically rich set of four antique botanical plates (Tafeln 51–54...

Original Antique Print of Roman Naval Battles and Warships by Bertuch, c. 1800 Original antique hand-colored copper engraving illustrating ancient Roman naval spectacles and warships, published in Friedrich Justin Bertuch’s celebrated “Bilderbuch für Kinder” around 1800. The plate is titled “Alterthümer XIII / Antiquités XIII” and illustrates the extraordinary Roman practice of staging mock naval battles, known as naumachiae. Fig. 1 depicts a large purpose-built naumachia: an oval amphitheater surrounding a flooded arena in which several vessels engage in a simulated naval battle. Additional ships are shown approaching through the monumental entrance and waterway below. Such elaborate spectacles were among the most ambitious forms of public entertainment in ancient Rome. Figs. 2 and 3 show detailed side views of ancient oared warships, illustrating their construction, banks of oars, raised sterns and military equipment. The combination of classical architecture, naval history and finely drawn ancient vessels makes this an especially interesting plate from Bertuch’s series. The engraving is signed “J. H. Schmuzer” at lower right. Friedrich Justin Bertuch (1747–1822) was a German publisher, writer and patron of the arts. His monumental “Bilderbuch für Kinder” (Picture Book for Children) was one of the great illustrated educational encyclopedias of the late 18th and early 19th centuries. Published in Weimar from 1790 onward, it contained hundreds of engraved and hand-colored plates covering natural history, geography, science, technology, mythology, antiquity and costumes. An unusual and decorative early print combining ancient Roman history, architecture and maritime subjects. Creator: Friedrich Justin Bertuch (1747–1822) Engraver: J. H. Schmuzer Source: Bilderbuch für Kinder Plate: Alterthümer XIII / Antiquités XIII Place of Publication: Weimar, Germany Date of Manufacture: Circa 1800 Period: Early 19th Century Style: Neoclassical – In the Period of Medium: Original hand-colored copper engraving on paper Condition: Good. Wear consistent with age and use. Light age-related toning and occasional minor spotting. Minor marginal wear. Original hand coloring remains attractive. Please refer to the photographs for further details of condition. Please note: This is an original antique print from circa 1800, not a modern reproduction. The print is sold unframed. Framed images or interior views, if shown, are for presentation and inspiration only. Keywords: Roman naval battle, naumachia, Roman warship, ancient Roman ships, Roman galley...

Antique Chromolithograph of Flamingos – Phoenicopterus roseus, c.1890 A magnificent late 19th-century chromolithograph depicting the Greater Flamingo (Phoenicopterus roseus) in diff...

Antique Root and Medicinal Plant Prints, Botanical Studies, Germany 1852 Description This refined three-plate set depicts root vegetables and medicinal plants from Carl Gustav Calwe...

Antique Cosmos Study of Nebulae “Nebelflecke”, Meyers Leipzig c.1900 A visually striking and intellectually compelling antique chromolithograph titled “Nebelflecke” (Nebulae), publi...

European Owls – Antique Hand-Colored Bird Engraving, Vogel IX, c.1800 This finely executed hand-colored engraving presents six European owl species arranged in comparative study, issued as Plate IX (Vogel IX / Oiseaux IX). The plate belongs to the late 18th–early 19th century tradition of scientific ornithology, in which birds were illustrated side by side to support identification, classification, and study. The owls depicted correspond to species recognized today as the Long-eared Owl (Asio otus), shown prominently with its upright posture and distinct ear tufts; the Tawny Owl (Strix aluco), represented in both its grey-brown form and its warmer rufous color morph; the Short-eared Owl (Asio flammeus), identifiable by its paler facial disc and reduced ear tufts; the small but expressive Little Owl (Athene noctua); and a larger, more powerfully built owl commonly identified as the Eurasian Eagle-Owl (*Bubo bubo*), included to demonstrate contrast in scale and form. Each bird is depicted perched on a branch against a neutral ground, allowing close observation of plumage texture, facial structure, and stance. The hand-applied coloring enhances the naturalistic effect, particularly in the subtle gradations of brown, grey, cream, and rust tones characteristic of owl plumage. The bilingual German and French headings reflect the international scholarly audience for whom such plates were produced during this period of expanding scientific exchange. Plates like this were originally issued in ornithological volumes intended for scholars, collectors, and educated amateurs. Today they are valued both for their scientific relevance and their decorative appeal. The balanced composition of six distinct species on a single sheet makes this print especially attractive to collectors of natural history, bird enthusiasts, and interior designers seeking refined, nature-inspired wall art. Condition report: Good condition. Original hand coloring. Noticeable age toning and patina throughout, with scattered foxing and light surface marks consistent with age. Minor edge wear and small discolorations visible. No modern restoration observed. Framing tips: This print is well suited to a classic museum-style presentation. A soft ivory or light beige mat will complement the aged paper and muted coloration, paired with a medium walnut, light oak, or ebonized frame depending on the desired contrast. UV-protective glazing is recommended to preserve the original hand coloring. Technique: Hand-colored engraving Maker: European school, late 18th–early 19th century Keywords: antique bird print, owl engraving, European owls, ornithology print, hand colored engraving, Vogel IX, Oiseaux IX, natural history print, antique wildlife art, Strix aluco, Asio otus, Asio flammeus, Athene noctua, Bubo bubo, tawny owl, long-eared owl, short-eared owl, little owl, eagle owl, bird illustration, antique zoology, 18th century print, 19th century print, scientific illustration, vintage bird art, collectible print, natural history engraving, European wildlife, decorative wall art, interior design artwork, classic ornithology, antique nature print

Title: New York City Hall – Antique Architectural Engraving of Manhattan, c.1850 This finely engraved nineteenth-century view depicts New York City Hall, one of the most important c...

Karl Blossfeldt — Framed Photogravure: Natural Grace, 1942 A striking Karl Blossfeldt photogravure from the 1942 edition of Wunder in der Natur. Retaining its original condition, i...

Karl Blossfeldt — Framed Photogravure: Natural Grace, 1942 A striking Karl Blossfeldt photogravure from the 1942 edition of Wunder in der Natur. Retaining its original condition, i...

Damascus Faience Plate with Carnations and Tulips – Julius Lessing, Berlin 1890 Description: A striking chromolithograph from Julius Lessing’s Persisch-Türkische Fayencen (Persian-T...

Antique Beetle Chromolithographs, European Coleoptera Plates, Calwer 1893 Description: A striking and highly decorative set of six late 19th-century na...

Jesus Appears to Mary Magdalene – Antique German Chromolithograph, c. 1895 This striking late 19th-century German chromolithograph depicts the moving biblical moment in which the risen Christ appears to Mary Magdalene following the Resurrection. Christ is shown standing in quiet majesty, halo radiant with divine light, His right hand placed gently over His heart in a gesture of compassion and reassurance. Mary Magdalene kneels before Him with deep devotion, her long flowing hair and rich garments emphasizing both humility and reverence. The composition is set within a tranquil garden landscape, traditionally associated with the Resurrection narrative, reinforcing the spiritual symbolism of rebirth, forgiveness, and divine mercy. Christ’s red tunic and deep blue mantle radiate warmth and solemnity, while the soft golden halo creates a luminous focal point that draws the eye immediately to His face. This scene, known in Christian tradition as *Noli Me Tangere* (“Touch Me Not”), represents one of the most emotionally powerful moments of the Gospel story. It became a highly favored subject in Catholic devotional art of the late 19th century, commonly displayed in prayer corners, chapels, religious schools, and family interiors. Produced using high-quality chromolithography, this print achieves exceptional painterly depth, with delicate shading in the flesh tones, refined folds in the drapery, and beautifully layered landscape colors. The gold highlights of the halos and the saturated reds and blues are especially well preserved, reflecting the superior production standards of German devotional publishers during this period. This is a visually commanding and spiritually meaningful artwork, highly desirable for Catholic collectors, sacred art interiors, and serious devotional art collections. CONDITION REPORT Good antique condition overall. Light, even age toning to the paper consistent with late 19th-century chromolithographs. Minor edge wear and very gentle corner softening visible upon close inspection. No major stains, no tears, and no restoration observed. Colors remain strong and vivid. FRAMING TIPS This print will display beautifully in a classic gilt or softly antiqued gold wooden frame to echo the sacred halo tones. For a more restrained interior, a dark walnut or black lacquer frame with a wide ivory mat and museum glass will create a dramatic devotional presentation. TECHNIQUE Chromolithography MAKER German devotional publisher, Germany, circa 1895 KEYWORD BLOCK Jesus and Mary Magdalene, Noli Me Tangere, resurrection scene, antique catholic print...

Birds of Prey, Complete Set of 10 Chromolithographs – Eagles & Falcons c1890 This impressive and visually unified suite of ten large-format chromolithographs depicts some of the mos...

Antique Botanical Prints Set, German Flora & Orchids Atlas, Stuttgart 1885 This elegant group of late nineteenth-century botanical plates originates from Naturgeschichte des Pflanze...

Large antique print of the seven sacraments. Published by Mosella-Verlag, 1913. This print originates from a series titled 'Kathol. Schulbibelwerk von Dr. Ecker'.

Hand-Colored Botanical Lithograph of Nicotiana Tabacum and Nicotiana Rustica, 1854 This striking hand-colored botanical lithograph is from Carl Georg Calwer’s 'Deutschlands Tech...

Venetian Woman – Antique Hand-Coloured Woodcut by Jost Amman, Plate CXXII, 1577 This beautifully hand-coloured woodcut depicts a Venetian woman in rich 16th-century attire, titled *...

Guardian Angel Protecting Children by the Water, Antique German Chromolithograph This touching late 19th–early 20th century German chromolithograph depicts a classic Catholic devoti...

Antique Gemstone Prints Set of 4, Blue & Green Minerals, Bauer c.1900 Description: A refined and visually balanced set of four antique gemstone prints, published circa 1900 in Bauer...

Satirical German Military Engraving of Napoleon as the Little Corporal, c1835 This 19th-century German engraving presents a humorous encounter between a marching soldier and Napoleon Bonaparte, referred to here by his well-known nickname “the Little Corporal.” The guard refuses to let Napoleon pass, replying firmly: “Man passirt nicht — Und wär’ Ihr der kleine Corporal selbst; ich sage Euch man passirt nicht” (“One does not pass — and even if you were the Little Corporal himself, I tell you one does not pass”). The composition gently satirizes Napoleon’s legendary status, contrasting the anonymous authority of a common soldier with the figure who once ruled Europe. Produced around 1830–1850, likely in a German or Austrian print workshop, the engraving reflects the wave of post-Napoleonic satire that circulated widely in Central Europe. The artist captures the exchange with strong facial expressions, detailed uniforms and a richly rendered woodland setting. Prints of this type remain popular among collectors of Napoleonic history, military art and European caricature, while the crisp impression and large sheet size make it appealing as decorative wall art as well. A charming and historically engaging image from the early 19th century, combining humour, military history and well-executed engraving work. Condition: Strong impression; light age toning; minor handling marks; margins clean with no major tears or repairs. Suitable for immediate framing. Framing: Looks best floated on off-white or pale cream museum board in a thin black, dark walnut or antiqued gold frame. Museum glass recommended to preserve contrast and period detail. Keywords: Napoleon engraving...

Rivinus botanicals: Trifolium, “Gula / degener” & Lotus tetragonolobos, Leipzig, 1690s Set of three late-17th/early-18th-century botanical copper engravings with period hand-colour,...

Beetles Print: Stag Beetle, Scarab, Longhorn & Jewel Beetles – Antique 1867 This detailed antique print depicts a wide variety of beetles, including stag beetles, scarabs, longhorn ...

Set of 4 antique butterfly prints. Most likely originating from an edition of 'Unterhaltungen aus der Naturgeschichte. Insekten' by Gottlieb T...

America – Indians Crossing a River, Rafts and Canoes – De Bry, Latin Edition c.1594–1596 This finely engraved and hand-colored copperplate originates from the celebrated America ser...

Adoration of the Magi, c.1900 German Chromolithograph (Printed in Germany) This beautiful early 20th-century German chromolithograph depicts the Adoration of the Magi, one of the most cherished subjects in Christian art. Printed around 1900–1920 by a major German devotional press, the work displays the hallmarks of high-quality chromolithographic craftsmanship: deep, luminous color; soft tonal transitions; richly layered stone-based pigments; and a gentle atmosphere that recalls late 19th-century academic religious painting. The composition presents the Virgin Mary seated with the Christ Child, Joseph beside her, and the Three Kings kneeling in reverence as they present their gifts of gold, frankincense, and myrrh. A young attendant appears in the doorway holding another offering. The figures are rendered with delicately modeled expressions, soft haloes, and meticulously detailed robes—particularly the embroidered white garment of the kneeling king and the golden cloak of the standing monarch. These chromatic effects were achieved through multiple lithographic stones, a technique that reached its peak among German devotional publishers during this period. The multilingual caption along the lower margin identifies the print for international Catholic distribution: “Anbetung der Könige. Adoration of the Three Kings. L’adoration des rois mages. L’adorazione dei Magi. La adoración de los Reyes Magos. Pokłon Trzech Króli.” This reflects the broad export networks of German publishers who supplied churches, monasteries, and private devotional homes throughout Europe and the Americas. The note “Printed in Germany” confirms its origin, consistent with presses in Munich, Dresden, Cologne, and Limburg, known for producing richly colored religious chromolithographs from the late 19th to early 20th century. This work is unquestionably an original chromolithograph, not a modern reproduction. The image shows true stone-layered color rather than digital or offset dots, and the paper retains the matte texture, subtle toning, and characteristic stippled pigment structure associated with genuine early 20th-century chromolithography. The presence of the multilingual caption, period typography, and the “Printed in Germany” imprint further authenticate the piece. Condition Report: Very good condition. Colors vivid and unfaded. Minor age toning to outer margins and small handling marks consistent with age. No tears, losses, or repairs observed. The bottom title and imprint text are sharp and fully legible. Tips for Framing: Ideal for framing in a gilded or walnut frame to complement the warm palette and ceremonial richness of the scene. A cream or ivory mat enhances the devotional character and highlights the luminous tones of the garments. A darker frame with a wide mat can also create a refined, museum-style presentation. Technique: Chromolithograph Maker: German Devotional Press, printed in Germany, c.1900 Keyword Block: adoration of the magi three kings epiphany art christ child holy family mary and jesus st joseph devotional art catholic art religious art chromolithograph german chromolithograph printed in germany antique lithograph german devotional print early 20th century religious print nativity scene christian iconography epiphany print anbetung der könige fine chromolitho religious ephemera magi kings christmas art holy family scene antique christian art...

Mount Vernon Washington’s House – Antique Steel Engraving Virginia 1854 Description: This refined mid-19th century steel engraving depicts Mount Vernon, the historic estate and resi...

Large Mezzotint of Napoleon at the Battle of Waterloo German Print, c1850 A dramatic large-format mezzotint depicting Napoleon Bonaparte during the Battle of Waterloo on 18 June 181...

Antique Chromolithographs of European Seabirds – Gulls, Terns, Skuas, Geese and Gannets, c.1890 A vibrant set of six antique chromolithographs depicting seabirds and coastal waterfo...

Baroque Garden and Palace near Vienna – Antique Architectural Engraving, 1649 This is a beautifully detailed 17th-century engraving, depicting a formal Baroque garden layout in Vien...

Antique Islamic Lamps and Hookahs Object Study, Maximilian Egypt 1846 This highly detailed 19th-century Orientalist reference engraving presents a comprehensive visual inventory of ...

Boston State House on Beacon Hill, Antique Steel Engraving ca. 1850 This striking 19th-century steel engraving depicts the Massachusetts State House in Boston, identified in German ...

Ottoman Ambassador Portrait Engraving, Bernigeroth, Turkish Envoy, c.1740 A finely executed and visually striking mid-18th-century copperplate engraving depicting Tschanibei Ally Ba...

Antique Botanical Print – Exotic Orchid Odontoglossum Wattianum, c.1888 Description: A richly colored and finely detailed botanical print of the orchid 'Odontoglossum wattianum', or...

Saint Joseph Visited by an Angel, Antique German Chromolithograph c.1900 This deeply symbolic late 19th–early 20th century German chromolithograph presents the powerful biblical mom...

Antique Engraving – Royal College of Physicians, Warwick Lane, London, 1746 This finely executed 18th-century engraving depicts the courtyard of the Royal College of Physicians at W...

Baroque Garden View Schwöbber, Volckamer Hesperides Engraving, 1708 This exceptional early 18th-century copperplate engraving presents a detailed and highly decorative view of the g...