German Prints

Antique Solar System Chart “Planetensystem”, Meyers Scientific Cosmos c.1900 A visually captivating and intellectually rich antique chromolithogr...

Dardanelles Strait, Ottoman Turkey – Probst Optical View with Ships, c.1770 This highly decorative hand-colored optical view depicts the Strait of the Dardanelles (Çanakkale Boğazı)...

Bembine Tablet of Isis Engraving from Montfaucon Antiquity Explained, 1721 Description: A striking and historically important engraving depicting the celebrated Bembine Tablet of Is...

Antique Grape Botanical Chromolithographs, Wine & Table Grapes, Set of Six, 1854 This impressive set of six original mid-19th century botanical chromolithographs was published in St...

Das Weltausstellungsgebäude in Wien – The Vienna Exhibition Hall, 1873 A finely hand-colored 19th-century engraving depicting the grand Weltausstellungsgebäude (World Exhibition Hal...

Title: Antique Arabian Horse Lithograph “Sultan Mahmoud,” Stuttgart 1846 Description: A refined and highly decorative antique lithograph depicting the Arabian stallion “Sultan Mahmoud,” published in Stuttgart in 1846 as part of August Jäger’s celebrated equestrian publication Das orientalische Pferd (“The Oriental Horse”). Elegant in its simplicity and executed with exceptional lithographic skill, the composition presents the horse in a poised side profile intended to emphasize the noble proportions, refined anatomy, and graceful bearing associated with elite Arabian bloodlines. The lithograph was issued by the Stuttgart publisher G. Ebner, whose imprint appears in the lower right margin. The notation in the lower left indicates that the print formed part of the first installment of the series. During the mid-19th century, European fascination with Oriental horses reached its height, and richly illustrated works such as Das orientalische Pferd became important references for breeders, cavalry officers, collectors, and admirers of Arabian equestrian culture. Arabian horses were among the most prized horses of the 18th and 19th centuries, admired for their endurance, intelligence, elegance, and speed. Carefully bred by Bedouin tribes across the Arabian Peninsula, these horses later became foundational bloodlines for many modern breeds, including the Thoroughbred. Their distinctive features — refined heads, arched necks, high tail carriage, and athletic build — made them symbols of prestige throughout Europe. This particular lithograph possesses a quiet monumentality and timeless elegance. The horse stands alone against a restrained ground with no unnecessary background detail, allowing full attention to focus on the animal itself. The monochrome lithographic technique creates subtle tonal transitions and sculptural modeling, while the precise draftsmanship demonstrates the quality associated with mid-19th-century German lithography. Today, prints from Das orientalische Pferd are highly appealing both as historical equestrian studies and as sophisticated decorative artworks. The minimalist composition and elegant tonal palette allow this piece to work equally well in traditional interiors and modern curated spaces. This print displays exceptionally well in dark walnut, black lacquer, or lightly gilt frames paired with a wide ivory or oatmeal mat. Its refined monochrome palette and noble equestrian subject make it particularly suitable for libraries, studies, country houses, horse stables, riding clubs, or sophisticated gallery walls. This is an original antique print, not a reproduction. All items we offer are authentic period works of art over 100 years old. The piece is sold unframed; any framed images are shown for presentation and interior inspiration only and may not always be to scale. Keywords: Arabian horse, Sultan Mahmoud, oriental horse, antique horse lithograph...

Hand coloured, framed copper engraving "Fuhrwerk II" published by Winkelmann and Sons in Berlin in the mid-19th century. The print shows the vehicles of that time, four different ca...

Holy Family with God the Father – Antique German Chromolithograph, 1900 This richly symbolic and beautifully composed antique German chromolithograph presents the Holy Family in a r...

A portfolio of 12 offset-printed heart designs by noted German graphic designer Pierre Mendell (1929-2008) assembled from his work at Mendell & Oberer -...

Antique Roman Military Costume Plate, Hand-Colored Print c.1880 This striking antique costume plate presents a detailed and authoritative visual survey of Roman military dress, rend...

Antique Rice Botanical Print, Oryza Sativa, Hand Colored, c.1831 Description: This original botanical engraving depicts Oryza Sativa, the rice plant, shown in a clear and balanced c...

Maiden Rock Mississippi River, Antique Steel Engraving c.1850 Description: A finely detailed and atmospheric mid-19th-century steel engraving titled “Maiden Rock am Mississippi”, de...

Orders of Knights, Antique Hand-Colored Print of Medieval Orders c.1880 This distinguished antique costume plate depicts several of the major medieval knightly orders, rendered with...

A group of Rupprecht Geiger screen prints from the portfolio "Go Back, Go On, Go". Twenty screen prints with texts by Helmut Heissenbüttel. Ex. from an edition of 100. Cologne, Galer...

Antique View of Gowanus Heights Brooklyn New York, Meyer ca. 1850 This atmospheric 19th-century steel engraving depicts “Die Gowanus Heights bei Brooklyn,” an early panoramic view o...

German, educational, anatomical, roll-up chart depicting glands of the human endocrine system from the Deutsches Hygiene Museum, Dresden is printed on canvas backed paper on hollow s...

Phrenology & Ethnographic Skulls Study – Antique Print Human Types 1867 This intriguing antique print presents a detailed study of phrenology, ethnographic types, and skull anatomy ...

German, educational, zoological, roll-up chart depicting the anatomy of sheep/Ovis Aries by Jung-Koch-Quentell, Lehrmittelverlag Hagemann - Hadü Lehrmittel Düsseldorf is printed on c...

Dejima (Desima) Dutch Trading Post, Nagasaki Japan – VOC Engraving This fascinating and historically important engraving depicts Dejima (Desima), the small artificial island in Naga...

Antique Coronation of Mary Religious Chromolithograph with Gold Tones This richly colored antique religious chromolithograph depicts the Coronation of the Virgin Mary, one of the most important devotional themes in Catholic iconography. The composition shows Mary seated among heavenly clouds, modestly inclining her head as Christ gently places the golden crown upon her, while God the Father looks on from the opposite side. Above them, the Holy Spirit appears in the form of the descending dove, radiating divine light. Surrounding the scene, four cherubs float among soft clouds, holding floral garlands and lilies as symbols of purity and divine grace. The scene is executed in vibrant late-19th or early-20th century chromolithography, a technique prized for its intense color saturation and painterly softness. The gold halos, crown, and heavenly glow give the print a luminous presence that shifts beautifully with changing light. The palette combines warm golds, rich blues, soft flesh tones, and delicate pastels, making this one of the most visually striking devotional compositions of its type. This image was most likely published in Germany for the Catholic devotional market, where high-quality chromolithographs were produced for churches, schools, and private home altars. The multilingual caption along the lower margin, referencing the Coronation of Mary in several European languages, confirms its international devotional circulation. The Coronation of Mary is a theological subject derived from the belief in Mary’s assumption into heaven and her role as Queen of Heaven. This theme became especially popular in 19th-century Catholic visual culture as part of renewed Marian devotion. The imagery here directly reflects that revival, emphasizing gentleness, divine hierarchy, and celestial harmony. Because of its powerful religious symbolism, radiant gold accents, and exceptional color quality, this print works beautifully both as a devotional object and as a decorative statement piece in classical, ecclesiastical, or traditional interiors. It also fits exceptionally well within collections of Catholic imagery, Marian iconography, or antique chromolithographs. Condition Good to very good antique condition. Light overall age toning consistent with age. Minor edge wear and soft handling marks visible at the margins. Colors remain strong and vibrant. No major tears or losses observed. Plate mark not present, as expected for chromolithography. Framing Tips This piece frames beautifully in a classic gold leaf frame to enhance the gold halos and crown. A deep dark blue, ivory, or soft champagne mat adds contrast and visual depth. For a more dramatic presentation, a black frame with gold inner slip also works extremely well. Technique: Chromolithograph Maker: German devotional publisher, late 19th–early 20th century Keywords: Antique Catholic print...

Transport yourself to the Biedermeier era with this exquisite and rare original lithograph from the book "Neue Bildergalerie der Jugend." Published between 1831 and 1835 by Carl Hell...

Amphibians Print: Frogs, Salamanders, Axolotl & Caecilian – Antique 1867 This fascinating antique print depicts a variety of amphibians, including frogs, toads, salamanders, newts, ...

Transport yourself to the Biedermeier era with this exquisite and rare original lithograph from the book "Neue Bildergalerie der Jugend." Published between 1831 and 1835 by Carl Hell...

Christ on the Mount of Olives, Antique German Chromolithograph c.1900 This striking late 19th to early 20th century German chromolithograph depicts Christ in the Garden of Gethsemane, the solemn moment of prayer and surrender before His arrest. Christ kneels in contemplation beneath the night sky, gazing upward toward a descending angel who brings the chalice of suffering, symbolizing the Passion that is about to unfold. At the left, the sleeping apostles Peter, James, and John lie overcome with weariness, emphasizing the solitude of Christ’s sacrifice. The composition is rich in devotional symbolism. Christ’s folded hands, bowed posture, and softly glowing halo express humility and obedience to divine will. The angel’s flowing white robes and green mantle are dramatically illuminated against the darkened sky, while the radiant chalice floats above as a direct reference to Luke 22:42, “Father, if thou be willing, remove this cup from me: nevertheless not my will, but thine, be done.” Palm trees and distant buildings subtly root the scene in the Holy Land. This image was created for private devotion and contemplation and would originally have been displayed in chapels, monasteries, religious schools, or Catholic homes. Passion scenes of this size and quality were specifically intended to guide prayer during Lent and Holy Week. The calm dignity of the composition, paired with its dramatic spiritual symbolism, makes this a powerful and emotionally resonant devotional work. The print was produced using the demanding chromolithographic process, requiring multiple stone plates to achieve its luminous color depth and fine tonal transitions. The halo effects, delicately layered drapery, and atmospheric landscape demonstrate the high technical standards of German devotional printing at the turn of the century. This is a genuine period chromolithograph and not a later reproduction. The printed attribution along the lower margin confirms German production for the Catholic market. Large-format Passion scenes in strong, unfaded condition are increasingly scarce and are highly sought after by collectors of Catholic iconography and museum-quality devotional art. Condition report: Very good overall condition. Colors remain strong and unfaded. Light age toning mostly confined to the margins. Minor handling wear consistent with age. No major tears, losses, water damage, or restoration observed. The image area remains clean and vivid. Framing tips: This work presents beautifully in an antiqued gold-leaf or warm gilt frame to enhance the sacred glow of the halos. An ivory or soft parchment mat complements the night sky without overpowering the colors. A dark walnut frame also works well for church or monastery interiors. Technique: Chromolithograph Maker: German devotional press, printed in Germany, circa 1900 christ mount of olives agony in the garden garden of gethsemane print christ praying chromolithograph antique catholic devotional art religious german chromolithograph passion of christ print holy week wall art lenten devotion image christ angel chalice biblical prayer scene antique christian wall art sacred jesus artwork turn of the century devotional printed in germany religious catholic passion art jesus gethsemane antique religious lithograph...

Original color linocut by Werner Büttner "Nachleben" in yellow and black. Printed on laid paper and signed and dated in pencil on the right. The paper has some compressions and slight creases, otherwise the condition is good. Shortly before the Wall was built in 1961, Büttner moved with his parents from the GDR to Munich. Moved to Berlin in 1968 and studied law at the Freie Universität Berlin from 1973 to 1977. After his studies he worked as a social worker in the Tegel prison. He was a co-founder of several humorously titled organizations such as the "Dum-Dum-Liga-Journal", setting up a seed bank for GDR refugees. In 1976, together with Albert Oehlen, he founded the League to Combat Contradictory Behavior. In the 1980s, together with the brothers Albert and Markus Oehlen and Martin Kippenberger, he was counted among the so-called "newcomers" or "young wild ones" in painting, who turned away from conceptual art and propagated a "return of painting...

Venetian Fleet vs. Ottoman Turks – Dardanelles Naval Battle Engraving, 1656 This print was almost certainly published by Matthäus Merian’s heirs, most likely as part of the Theatru...

Antique Crusading Knights Plate, Hand-Colored Medieval Print c.1880 This dramatic antique costume plate presents an evocative depiction of Crusading knights, vividly capturing the m...

Belgrade Bombardment 1914 – Color WWI Battle Print, Austrian-Serbian Front This vivid and highly decorative color print depicts the bombardment of Belgrade during the opening phase ...

Antique German Botanical Atlas Plates, Tafel 17–18, Lilies & Irises, 1885 Description: A refined pair of original double-page botanical plates (Tafel 17 and Tafel 18) from M. Fünfst...

Title: Calopteryx & Lestes Damselfly Lithograph from Die Geradflügler, 1908 Description: An original color lithograph depicting several of Central Europe's most elegant damselfly sp...

Antique Wildflower Botanical Print, Borage and Field Plants, Germany 1852 This original hand-colored lithograph illustrates a selection of common European wild and field plants, iss...

Alpine Botanical Prints Set, Primula & Cortusa, Palla Atlas, 1897 Description: A refined and visually harmonious set of four original antique botanical prints from Dr. Eduard Palla’...

Persian-Turkish Faience Plate with Tulip and Carnation Design – Julius Lessing, Berlin 1890 Description: An elegant chromolithograph from Persisch-Türkische Fayencen (Persian-Turkis...

Hand-Colored 1900 Print of Moorish Costumes, 15th Century North Africa A richly detailed original early 1900s chromolithograph depicting the traditional dress of the Moors (Mauren) ...

Antique View of the Old Courthouse in St. Louis Missouri, ca. 1850 This elegant 19th-century steel engraving depicts the historic Old Courthouse in St. Louis, Missouri, one of the m...

Great Britain 1300–1500, Antique Hand-Colored Medieval Costume Print This finely rendered antique costume plate offers a detailed and elegant overview of British dress between 1300 and 1500, a period defined by the late Middle Ages and the early beginnings of the English Renaissance. Drawn by Max Tilke and printed by Ernst Wasmuth A.-G. in Berlin, the plate captures a wide range of English social types, from armored knights to noblewomen, courtiers, and urban citizens. The hand-coloring is soft yet vibrant, giving the figures a distinct presence while retaining the scholarly clarity of the original publication. The upper register depicts individuals from the 14th and early 15th centuries. On the left, two armored figures represent the martial culture of medieval England, complete with shields, chainmail, and transitional plate armor. Beside them stands a queen or noblewoman in a red gown trimmed with ermine. Young courtiers and ladies-in-waiting follow, wearing fitted gowns, long sleeves, and elegantly draped fabrics typical of the period. The lower register moves toward the 15th century, showing the growing influence of continental fashion. A richly dressed courtier in purple robes gestures toward a noblewoman wearing a tightly fitted gown and headdress. Other figures illustrate the evolution of English headwear, from wimples and veils to the early forms of the gable hood. At far right, a colorfully dressed gentleman with a feathered hat reflects the increasing individuality and flourish that characterized late medieval wardrobes. This plate is of particular interest to collectors of medieval art, historical costume, or British history. The composition offers an engaging perspective on changing silhouettes, materials, and social roles in pre-Tudor England. It makes a superb display piece for libraries, offices, studies, and historically inspired interiors. Condition report: Good antique condition with gentle age toning. Minor edge wear and a few faint spots in the margins. Image area clean with vivid hand-coloring. No tears or repairs. Framing tips: Pair with a cream or parchment mat and a dark wood frame to accentuate the medieval palette. A thin gilt frame provides a more formal, museum-like presentation. Floating the sheet preserves the imprint and strengthens the antique character. Technique: Hand-colored lithograph Maker: Max Tilke, printed by Ernst Wasmuth A.-G., Berlin, c.1880 Keywords: Great Britain 1300–1500, medieval British fashion, English costume history, antique print, hand-colored lithograph, Max Tilke, Ernst Wasmuth, 14th century fashion, 15th century fashion, medieval clothing, British nobility dress, English knights, medieval women’s clothing, historical costume plate, Renaissance transition, decorative wall art, collectible antique print, medieval attire, English social classes, court dress, historical illustration IDENTIFICATION OF HISTORICAL PERIOD & SOCIAL CLASSES Historical period: – Late Middle Ages (1300–1450) – Early Renaissance influence in England (1450–1500) Social classes depicted: – Knights and military retainers – Noblewomen and queens – Courtiers and high-status officials – Upper-middle-class citizens – Well-to-do urban residents – Ladies-in-waiting and attendants IDENTIFICATION OF COSTUME TYPES SHOWN Costume types include: – Transitional plate and chainmail armor – Heraldic shields and knightly attire – Long medieval gowns...

18th Century Male Nude Academic Figure Study after Gérard de Lairesse c1745 Description This finely engraved academic figure study depicts a ...

Phalaenopsis Casta Orchid – Reichenbachia Plate 87, c.1888 An exquisite hand-colored lithograph of Phalaenopsis casta, published as Plate 87 from the legendary orchid series Reichen...

The Nativity, c.1900 German Chromolithograph “The Birth of Jesus” (Printed in Germany) This beautiful early 20th-century German chromolithograph of “The Birth of Jesus” is a richly detailed devotional scene showing the Nativity as it appeared in the finest German religious prints of the period. Produced around 1900–1920 by a major German devotional press, the work exemplifies the warmth, luminous colour, and emotional clarity that made these chromolithographs treasured in Catholic households across Europe and the Americas. The composition presents the Virgin Mary and Joseph watching over the Christ Child, who lies upon a bed of straw illuminated by a radiant divine beam. Shepherds kneel and bow in reverence, offering homage with humble gestures and simple gifts, while others approach from the right carrying lambs. The soft modelling of the figures, the golden haloes, the warm earth tones of the stable interior, and the vivid reds and greens of the shepherds’ garments all reflect the layered stone-colour technique of true chromolithography. Each hue is built from multiple ink plates, creating the velvety gradients and luminous highlights that distinguish authentic chromolithographs from later reproductions. Along the lower left margin, multilingual titles identify the subject for international distribution: “Die Geburt Jesu. The Birth of Jesus. La Nativité. La nascita di Gesù. El nacimiento de Jesús…” This multilingual caption is typical of German religious publishers who exported devotional art worldwide during the early 20th century. The imprint “Printed in Germany” further confirms its origin in one of the major German chromolithographic centres such as Munich, Dresden, or Cologne, all of which specialised in high-quality Catholic imagery during this period. This piece is unquestionably an original chromolithograph, not a modern reproduction. The print displays the characteristic stone-layered pigment structure, stippled textures, and warm matte surface associated with genuine chromolithographic production. The natural toning of the paper, the crisp plate text, and the nuanced colour transitions further confirm its authenticity. These Nativity scenes were often framed near family altars and are now increasingly sought after for both devotional use and interior display. Condition Report: Very good condition. Colours bright and unfaded. Minor edge toning and small handling traces consistent with age. No tears, losses, creases, or repairs. Caption and imprint line remain sharp and fully legible. Best displayed in a gilded or walnut frame to enhance the golden haloes and warm palette of the stable scene. A cream or ivory mat will complement the tender atmosphere and highlight the luminous tones. A slim black frame with a wide mat offers a modern gallery presentation while preserving the devotional character. Technique: Chromolithograph Maker: German Devotional Press, printed in Germany, c.1900 nativity birth of jesus die geburt jesu adoration of the shepherds holy family christ child virgin mary st joseph shepherds catholic art religious art devotional print chromolithograph german chromolithograph printed in germany antique lithograph early 20th century religious print christian iconography christmas art epiphany art holy family scene fine chromolitho religious ephemera antique christian art...

Medieval European Warriors Plate 800–1300, Antique Hand-Colored Print This impressive antique costume plate presents a richly detailed study of European warriors and military equipm...

Title: German Imperial Navy Training Squadron: SMS Victoria Louise, Kurfürst Friedrich Wilhelm, and Weissenburg – 1903 Chromolithograph This 1903 chromolithograph by Hugo Graf from ...

Striking early academic natural history study by Richard Müller (German, 1874–1954), depicting a fish skeleton transitioning into a detailed crustacean (shrimp or crayfish) rendered ...

The Good Shepherd, c.1900 German Devotional Chromolithograph (Printed in Germany) This early 20th-century German chromolithograph presents one of the most iconic and comforting Christian images: Christ as the Good Shepherd. Produced around 1900 by a major German devotional press, the print exemplifies the luminous colour layering, soft modelling, and serene atmosphere characteristic of high-quality chromolithography from this period. These works were widely distributed throughout Europe and the Americas and became treasured objects in Catholic homes, chapels, and pastoral settings. Christ stands barefoot in a verdant landscape, gently holding a lamb to his chest while a flock gathers around him. The rich red cloak, delicate golden halo, and pastoral backdrop are rendered with exceptional detail and depth, achieved through multiple stone plates typical of fine chromolithographic production. The artwork conveys both theological symbolism and emotional warmth: the shepherd guiding and protecting his flock, the gentle lamb symbolising innocence, and the tranquil landscape offering a sense of peace and reassurance. The lower margin features multilingual titles identifying the subject for international Catholic distribution: “Der Gute Hirt. The Good Shepherd. Le Bon Pasteur. Il Buon Pastore. El Divino Pastor.” This multilingual caption format is typical of German devotional publishers active from the late 19th into the early 20th century. The imprimatur line, “Imprimi permittitur. Ordinariatus episcopalis Limburgensis,” confirms that the image was officially approved for devotional use by the Catholic Church. The imprint “Printed in Germany” situates the work within one of the major German chromolithographic centres, likely Munich or Cologne, renowned for their beautifully saturated and technically refined religious images. This is unquestionably an original chromolithograph, not a modern reproduction. The velvety colour fields, warm matte lithographic paper, subtle stippling, and natural toning all align with authentic early 20th-century stone-based printing. The crisp border text and preserved pigments further confirm its originality. The Good Shepherd was among the most cherished devotional themes of the period, and examples in this level of condition are increasingly rare and desirable among collectors of sacred art. Condition Report: Very good condition. Colours bright and unfaded. Minor age toning and small, expected handling marks at the outer margins. No tears, creases, losses, or repairs. The plate text and imprimatur are sharp and fully legible. Tips for Framing: Ideal for framing in a warm walnut or gilded frame to enhance the halo and red cloak. A cream or ivory mat complements the pastoral greens and highlights the central figure. A clean black frame with a wide mat offers a more contemporary presentation while keeping the devotional character intact. Technique: Chromolithograph Maker: German Devotional Press, printed in Germany, c.1900 the good shepherd christ the shepherd jesus with lamb pastoral christ catholic art devotional art religious art german chromolithograph printed in germany antique lithograph chromolithograph imprimi permittitur church imprimatur holy shepherd pastoral scene sacred art early 20th century religious print fine chromolitho religious ephemera christian iconography christ among the sheep antique christian art...

Antique Maize Botanical Print, Corn Plant Study, Germany 1852 This striking original hand-colored lithograph depicts maize (corn) in detailed botanical study, published in Carl Gust...

Richmond Virginia James River View – Antique Steel Engraving c.1850 Description: This finely detailed mid-19th century steel engraving depicts a pan...

This original copper engraving depicts a lively scene of daily life in New Spain from Arnoldus Montanus' "Die Unbekannte Neue Welt oder Beschreibung des Welt-teils Amerika und des Su...

White Storks by the Water’s Edge – Elegant Antique Bird Chromolithograph c.1880 This refined late 19th-century ornithological chromolithograph depicts a pair of white storks (Ciconi...

Antique Clove Botanical Print, Caryophyllus Aromaticus, Hand Colored, c.1831 This strong and visually engaging botanical engraving illustrates Caryophyllus Aromaticus, the clove tre...

Virgin Mary with Christ Child and Angel Musicians – German Chromolithograph, 1900 This exquisite antique German chromolithograph presents a tender and highly lyrical devotional sce...

Caspar Schwenckfeld, Reformation Portrait, 16thC German Engraving A rare and visually striking Reformation-era portrait with polemical inscription, reflecting the religious tensions...

This exquisite antique copper engraving of Cyprinus Carpio (The Carp) is an original hand-colored print by Marcus Elieser Bloch (1723–1799) from his monumental ichthyological work “I...

Antique Lichen Prints Set of 6 – German Scientific Lithographs 1874 Description This exceptional wall set of six original 19th-century scientific lithographs comes from the 1874 Ger...

Girard's Bank Philadelphia, Antique American City View Engraving, c.1840 This original 19th-century engraving depicts Girard's Bank in Philadelphia, one of the most important financ...

Set of Two Antique Geological Cross-Section Chromolithographs, 1888 DESCRIPTION: A striking pair of original 19th-century geological chromolithographs illustrating the structure of ...

Antique Sugarcane Botanical Print, Saccharum officinarum, Hand Colored This finely executed botanical engraving depicts Saccharum officinarum, the sugarcane plant, one of the most i...

Title: Peru Mission Sion, 1834 South America Exploration Lithograph by Poeppig Description: A scarce and visually striking original lithograph depicting Mission Sion, published in L...

Set of Three Antique Mineralogy Chromolithographs, Gold, Silver & Copper, 1888 DESCRIPTION: A striking set of three original 19th-century mineralogy chromolithographs devoted to pre...

Set of Two Antique Mineralogy Chromolithographs, Fluorite, Amber & Coal, 1888 DESCRIPTION: A fascinating set of two original 19th-century mineralogy chromolithographs illustrating c...

TITLE: Set of Three Antique Mineralogy Chromolithographs, Marble, Aragonite & Fluorite, 1888 DESCRIPTION: A striking set of three original 19th-century mineralogy chromolithographs ...

Set of Two Antique Mineralogy Chromolithographs, Granite, Calcite & Fossil Stone, 1888 DESCRIPTION: A fascinating set of two original 19th-century mineralogical and geological plate...