German Prints

Optical View of New York City, Manhattan Harbor - Hand-Colored and Published in Augsburg ca.1775 Description: This striking hand-colored vue d’optique depicts an animated harbor sce...

Original Antique Print of Four Corals by Bertuch, c. 1790 Original antique hand-colored copper engraving depicting four remarkable varieties of coral and marine growth, published in Friedrich Justin Bertuch’s celebrated “Bilderbuch für Kinder” around the end of the 18th century. The plate is titled “Corallen I / Corallia / Coraux I” and bears the reference “I.B.21” at lower right. It belongs to Bertuch’s early natural-history series illustrating the extraordinary diversity of marine organisms then collectively described as corals. Four dramatically different specimens are arranged across the sheet. Fig. 1 depicts a branching red coral with multiple upright stems. Its vivid original red coloring makes it the strongest color accent in the composition and recalls the precious red corals that had long been collected in the Mediterranean and used for jewelry and decorative objects. Fig. 2 shows a tall, dark branching form with an elegant tree-like structure, representative of the flexible horn-like corals historically grouped among the gorgonians. Fig. 3 illustrates a large irregular, porous coral formation, rendered in pale ochre and gray tones. Its complex surface and numerous cavities emphasize the extraordinary structural variety encountered in coral colonies. Fig. 4 dominates the upper part of the plate and is perhaps the most visually striking specimen. Its broad, deeply folded and radiating surfaces create an almost flower-like or sculptural appearance, demonstrating why corals occupied such a fascinating position between the botanical and zoological worlds in early natural-history classification. During the 18th century, the classification and biological nature of corals remained an important subject of scientific investigation. Earlier naturalists had frequently compared them with plants or mineral formations, while increasingly detailed observation established their animal nature. The terminology and organization of early coral collections therefore provide a fascinating insight into the development of marine zoology. The engraving combines finely engraved scientific detail with restrained original hand coloring in red, ochre, gray and black. Its large sculptural forms and spacious composition give the plate considerable decorative appeal in both traditional natural-history collections and contemporary coastal interiors. Friedrich Justin Bertuch (1747–1822) was a German publisher, writer and patron of the arts. His monumental “Bilderbuch für Kinder” was one of the great illustrated educational encyclopedias of the late 18th and early 19th centuries, covering zoology, botany, geography, science, technology, antiquity and numerous other subjects. Creator: Friedrich Justin Bertuch (1747–1822) Source: Bilderbuch für Kinder Plate: Corallen I / Corallia / Coraux I Reference: I.B.21 Subject: Four Corals and Marine Organisms Place of Publication: Weimar, Germany Date of Manufacture: Circa 1790 Period: Late 18th Century Style: Neoclassical – In the Period of Medium: Original hand-colored copper engraving on paper Condition: Good. Wear consistent with age and use. General age-related toning with scattered foxing, spotting and minor marks. Some discoloration and handling wear are visible, consistent with the age of the sheet. Original hand coloring remains attractive, particularly the strong red coloring of Fig. 1. Please refer to the photographs for further details of condition. Please note: This is an original antique engraving from the late 18th century, not a modern reproduction. The print is sold unframed. Framed images or interior views, if shown, are for presentation and inspiration only. Other companion marine-life and natural-history plates from Bertuch’s “Bilderbuch für Kinder” are also available separately. Keywords: antique coral print...

Swans on a Quiet Lake – Graceful Antique Bird Chromolithograph c.1880 This serene late 19th-century ornithological chromolithograph depicts a peaceful lakeside scene with swans in different stages of maturity, presented within a broad, open landscape of calm water, grassy banks, and distant trees. In the foreground, an adult white swan glides across the water with its neck elegantly curved, while nearby a grey-brown juvenile swan and an older, darker bird stand at the water’s edge. The composition gently illustrates growth and variation within the species, a common and instructive theme in natural history illustration of the period. The swan, long regarded as a symbol of grace, purity, and tranquility, was a favored subject in 19th-century European ornithological works. The contrast between the bright white plumage of the adult bird and the softer grey tones of the younger swans is rendered with great sensitivity, emphasizing differences in age and development. The surrounding landscape is deliberately understated, allowing the birds to remain the focal point while conveying a convincing natural habitat. Produced using chromolithography, this print displays soft, harmonious coloration and smooth tonal transitions. Pale blues and greens dominate the water and sky, complemented by gentle earth tones along the shoreline. Fine feather detailing and subtle reflections in the water demonstrate the technical quality of late 19th-century chromolithographic printing, which sought to combine scientific accuracy with decorative appeal. This print is ideal for collectors of antique bird prints, waterfowl imagery, and pastoral wildlife scenes. It also works beautifully in interior settings such as living rooms, bedrooms, nurseries, country houses, or calm contemporary spaces, where its balanced composition and soothing palette add a sense of elegance and quiet refinement. Condition report Good antique condition. Light foxing and mild age-related toning visible, mainly in the margins, consistent with chromolithographs of this period. The image area remains clean and well preserved, with no major tears or losses observed. Framing tips Frame with a wide off-white or soft beige mat and a natural wood, walnut, or simple black frame. This enhances the gentle color palette and gives the print a timeless, museum-style presentation. Keywords antique bird print, swan illustration, swans on a lake, waterfowl art...

Original Antique Print of Two Sperm Whales by Bertuch, c. 1800 Original antique hand-colored copper engraving depicting two sperm whales, published in Friedrich Justin Bertuch’s celebrated “Bilderbuch für Kinder” around the beginning of the 19th century. The plate is titled “Fische XXXVIII / Poissons XXXVIII” and presents two different representations of the sperm whale, one of the largest toothed whales in the world. Both animals are shown in profile with their characteristic massive, almost rectangular heads, narrow toothed lower jaws and relatively small flippers. Jets of water emerge dramatically from the blowholes. The unusual appearance of the animals reflects both their distinctive anatomy and the way whales were understood and represented by European naturalists around 1800. The sperm whale was of considerable economic importance during this period. It was hunted particularly for spermaceti, the waxy substance contained within its enormous head, as well as for whale oil and ambergris. These early zoological representations are especially interesting because accurate observation of living whales was extremely difficult. Natural-history illustrators therefore frequently relied upon stranded or captured specimens, descriptions by sailors and whalers, and earlier published illustrations. The engraving is delicately enhanced with original hand coloring in restrained shades of black, gray and brown and bears the inscription “Jacob Hauer Schmuzer” at lower right. Friedrich Justin Bertuch (1747–1822) was a German publisher, writer and patron of the arts. His monumental “Bilderbuch für Kinder” (Picture Book for Children) was one of the great illustrated educational encyclopedias of the late 18th and early 19th centuries. Creator: Friedrich Justin Bertuch (1747–1822) Engraver: Jacob Hauer Schmuzer Source: Bilderbuch für Kinder Plate: Fische XXXVIII / Poissons XXXVIII Place of Publication: Weimar, Germany Date of Manufacture: Circa 1800 Period: Early 19th Century Style: Neoclassical – In the Period of Medium: Original hand-colored copper engraving on paper Condition: Good. Wear consistent with age and use. Light age-related toning and scattered minor spotting and marks. Some marginal wear and a small loss/irregularity at the upper right corner. Original hand coloring remains attractive. Please refer to the photographs for further details of condition. Please note: This is an original antique print from circa 1800, not a modern reproduction. The print is sold unframed. Framed images or interior views, if shown, are for presentation and inspiration only. Keywords: sperm whale print, antique whale print...

Antique Comet Study “Kometen”, Meyers Scientific Cosmos Leipzig c.1900 A captivating and atmospheric antique chromolithograph titled “Kometen” (Comets), published in Meyers Konversa...

Set of Three Antique Butterfly and Moth Prints by Bertuch, c. 1800 Set of three original antique hand-colored copper engravings depicting spectacular butterflies and moths together with their caterpillar and chrysalis stages, published in Friedrich Justin Bertuch’s celebrated “Bilderbuch für Kinder” around the beginning of the 19th century. The three plates are titled “Insecten XXIX / Insectes XXIX,” “Insecten XXIII / Insectes XXIII,” and “Insecten XXXI / Insectes XXXI.” Together they form a particularly decorative group illustrating the remarkable variety and metamorphosis of butterflies and moths. The first plate, Insecten XXIX, presents four large butterflies. Particularly striking is the brilliant blue specimen occupying the lower half of the composition, contrasted with three butterflies in more restrained shades of brown, cream and violet. The different views of the wings demonstrate the extraordinary variation in pattern and coloration among exotic butterflies. The second plate, Insecten XXIII, is devoted to two spectacular moths and their life cycles. The upper specimen is a Death’s-head Hawk-moth type, immediately recognizable by the remarkable skull-like marking on its thorax. It is accompanied by its large striped caterpillar and chrysalis. Below is another beautifully patterned moth shown together with its caterpillar and pupal stage. The third plate, Insecten XXXI, is dominated by a magnificent large eye-spotted moth. Its broad wings carry four prominent eye-like markings surrounded by intricate bands of black, cream, red and ochre. Beneath it are the extraordinary green caterpillar and dark chrysalis, illustrating three stages of the insect’s metamorphosis. The three engravings are beautifully enhanced with original hand coloring. Together they create an exceptionally attractive natural-history ensemble, combining strong decorative appeal with the scientific fascination with insect metamorphosis that characterized European natural history around 1800. The plates bear engraved signatures of Jacob Hauer Schmuzer, one of the engravers associated with Bertuch’s monumental publication. Friedrich Justin Bertuch (1747–1822) was a German publisher, writer and patron of the arts. His “Bilderbuch für Kinder” (Picture Book for Children), published in Weimar from 1790 onward, became one of the great illustrated educational encyclopedias of the late 18th and early 19th centuries. Its hundreds of engraved plates introduced readers to natural history, geography, science, technology, antiquity and cultures from around the world. The three plates work particularly well displayed together and would make an impressive grouping in a living room, library, study, bedroom or natural-history inspired interior. Creator: Friedrich Justin Bertuch (1747–1822) Engraver: Jacob Hauer Schmuzer Source: Bilderbuch für Kinder Plates: Insecten XXIII / Insectes XXIII Insecten XXIX / Insectes XXIX Insecten XXXI / Insectes XXXI Place of Publication: Weimar, Germany Date of Manufacture: Circa 1800 Period: Early 19th Century Style: Neoclassical – In the Period of Medium: Original hand-colored copper engravings on paper Number of Items: 3 Condition: Good. Wear consistent with age and use. General age-related toning, scattered minor spotting and occasional handling marks. Some minor marginal wear and edge irregularities. Original hand coloring remains strong and attractive. Please refer to the photographs for the individual condition of each sheet. Please note: These are three original antique engravings from around 1800, not modern reproductions. The prints are sold unframed. Framed images or interior views, if shown, are for presentation and inspiration only. Keywords: set of butterfly prints, antique butterfly prints, antique moth...

19th-Century Hand-Coloured Lithograph: Ornate Jousting Knights with Striking Heraldry This exceptional original hand-coloured lithograph, dating to 1842, offers a vibrant and detail...

Original Antique Print of Exotic Lizards and Flying Dragon by Bertuch, c. 1800 Original antique hand-colored copper engraving depicting three remarkable exotic lizards, published in Friedrich Justin Bertuch’s celebrated “Bilderbuch für Kinder” around the beginning of the 19th century. The plate is titled “Amphibien XII / Amphibies XII” and presents three unusual reptiles individually numbered Fig. 1–3. Particularly striking is Fig. 3, a so-called flying dragon or flying lizard, shown with its characteristic wing-like membranes extended from the sides of its body. These remarkable reptiles became popular subjects in early European natural-history publications because of their unusual ability to glide between trees. The two larger lizards above are equally dramatically represented, with elongated tails, prominent claws and distinctive markings. The animals are finely engraved and enhanced with original hand coloring in black, brown, green, red and ochre. The plate bears the engraved inscription “Jacob Hauer Schmuzer” at lower right. Friedrich Justin Bertuch (1747–1822) was a German publisher, writer and patron of the arts. His monumental “Bilderbuch für Kinder” (Picture Book for Children) was one of the great illustrated educational encyclopedias of the late 18th and early 19th centuries. Published in Weimar from 1790 onward, the work contained hundreds of finely engraved and hand-colored plates covering natural history, geography, science, technology, antiquity, costumes and mythology. An unusual and highly decorative early zoological print, particularly appealing to collectors of reptiles, natural history and early scientific illustration. Creator: Friedrich Justin Bertuch (1747–1822) Engraver: Jacob Hauer Schmuzer Source: Bilderbuch für Kinder Plate: Amphibien XII / Amphibies XII Place of Publication: Weimar, Germany Date of Manufacture: Circa 1800 Period: Early 19th Century Style: Neoclassical – In the Period of Medium: Original hand-colored copper engraving on paper Condition: Good. Wear consistent with age and use. Light age-related toning and occasional minor spotting. Some marginal wear and small edge imperfections, particularly along the right edge. Original hand coloring remains attractive. Please refer to the photographs for further details of condition. Please note: This is an original antique print from circa 1800, not a modern reproduction. The print is sold unframed. Framed images or interior views, if shown, are for presentation and inspiration only. Keywords: antique lizard print, flying dragon lizard, flying lizard, Draco lizard, exotic reptiles, antique reptile print...

Title: Detailed 1730 Maritime Warship Print with Tools, Rigging, and Ship Cross-Section Description: This exceptionally detailed and decorative maritime print, published in Nurember...

Antique Hand-Colored Engraving of Squirrels and Rodents, Quadrupeds Plate XXXXI Description: This fine antique hand-colored engraving, titled Vierf. Thiere XXXXI (Quadrupeds Plate 4...

Bertuch African Slave Trade & Slave Ship Engraving, 1805 Description: Original antique hand-coloured copperplate engraving illustrating the transatlantic slave trade, published by F...

Antique entomological illustration plate showcasing a wide variety of insects and arthropods, printed in Germany and featuring original German scientific nomenclature. Likely produce...

Antique Solar Study Chart “Die Sonne”, Meyers Scientific Plate Leipzig c.1900 A visually compelling and richly detailed antique chromolithograph titled “Die Sonne” (The Sun), publis...

Introducing "Composition, Trilogy Blue" by renowned German artist Max Hermann Mahlmann (1898-1971), a leading figure in the influential Bauhaus movement. Mahlmann's artistic legacy s...

Decorative German Botanical Plates of Technical Plants, Complete Set of 12, 1854 This beautiful set of twelve original hand-colored botanical plates offers a timeless and versatile ...

Title: Original Antique Print of Peru, Bolivia & Chile – Lima Cathedral and Views, c.1855 Description: An original antique wood-engraved print titled "Peru, Bolivia, Chile", featuring a series of finely engraved views and ethnographic scenes from the west coast of South America. The print was published in Germany around the mid-nineteenth century. At the centre of the composition is a detailed view of the Cathedral of Lima, one of the most important landmarks of the former Viceroyalty of Peru. Surrounding this principal image are ten smaller engraved vignettes illustrating the landscapes, wildlife, architecture and people of Peru, Bolivia and Chile. The scenes include the Cathedral of Chuquisaca (Sucre, Bolivia), llamas and alpacas in the Andes, the Andean condor, Indigenous inhabitants, horsemen, traders, the marketplace of Santiago de Chile, a river scene on the Marañón, tropical Indigenous dwellings, and daily life across the region. Together they provide a fascinating nineteenth-century European overview of the geography, cultures and natural history of western South America. The print combines architecture, ethnography, zoology and landscape into a single decorative composition, making it both historically informative and visually attractive. Such composite engravings were intended to introduce readers to distant countries through carefully selected representative scenes. This is an original antique print printed...

Agaricus Mushrooms – Antique Botanical Lithograph, German Mycology 1885 This botanical lithograph from 1885 focuses on Agaricus and related mushroom species, depicted with scientifi...

Antique Fruit Chromolithographs, Pears and Apples, Set of Six, Calwer 1854 This complete set of six mid-19th century botanical fruit chromolithographs was published in Stuttgart in ...

Aztec & Early Mexican Costumes, Set of 2 Antique Prints, 1500–1525 This striking pair of early 20th-century costume plates offers a vivid and historically valuable depiction of Aztec and early Mexican dress during the 16th century. Illustrated by Max Tilke and published by Ernst Wasmuth A.G. in Berlin, these prints belong to one of the most respected costume‐historical series of the period. Tilke was known for his meticulous research and his ability to translate ethnographic sources into richly detailed, accurate visual reconstructions. These two plates are among the most vibrant and desirable in the entire publication. Plate 144 presents warriors and nobles in full ceremonial and military attire. Jaguar warriors, eagle warriors, officers, and elite fighters are shown with their distinctive feathered headdresses, painted shields, quilted cotton armor (ichcahuipilli), and symbolic iconography referencing Aztec cosmology and rank. The colors and patterns reflect authentic codex sources, making the plate particularly valuable to historians of pre-Columbian culture. Plate 145 focuses on social classes and civilian dress from the late pre-Hispanic and early colonial period. Market vendors, weavers, young nobles, priests, and high-ranking women appear wearing garments such as tilmas, breechcloths, embroidered huipiles, feathered adornments, and body paint. Together, the two plates offer a rare, well-documented overview of everyday and ceremonial dress from Mexico around 1500–1525. The printing quality is exceptionally fine, with rich color lithography capturing the tonal variations of feathers, textiles, and painted patterns. These plates make a powerful impression when framed and are well suited for collectors of ethnographic art, museum-oriented interiors, historians of Mesoamerica, and designers seeking authentic cultural references. It is now uncommon to find both Mexican plates...

Art Nouveau Glass & Historic Glassmaking, Pair of Meyers Chromolithographs This attractive pair of original chromolithographs was published by Meyers Konversations-Lexikon in Leipzig in 1898 and illustrates the remarkable history and artistic development of glassmaking from antiquity through the Art Nouveau period. The first plate, titled "Glaskunstindustrie I," presents an international survey of historic glass objects. Featured examples include Phoenician-Assyrian glass, Roman vessels, Venetian millefiori glass, Venetian network glass, Egyptian mosque lamps, Persian bowls, German enamelled glass...

Immaculate Conception, c.1900 German Devotional Chromolithograph This beautiful early 20th-century German chromolithograph depicts the Immaculate Conception, one of the most belove...

Holy Family at Work with Saint Joseph – Antique German Chromolithograph, 1900 This deeply devotional and beautifully detailed antique German chromolithograph depicts the Holy Family...

Set of Three Antique Mineralogy Chromolithographs, Quartz, Agate & Tourmaline, 1888 DESCRIPTION: A decorative set of three original 19th-century mineralogy plates illustrating quart...

Introducing "Composition, Trilogy Blue" by renowned German artist Max Hermann Mahlmann (1898-1971), a leading figure in the influential Bauhaus movement. Mahlmann's artistic legacy s...

Tagalog Village on Luzon – Antique Philippine Colonial Landscape Print, c.1883 This beautifully atmospheric antique color lithograph titled Ein Tagalendorf auf Luzon (“A Tagalog Vil...

A traditional vintage pull-down school map illustrating North America, published by Westermann. Colorful print on paper reinforced with canvas. Measurements: Width 156 cm (61.42 inc...

Karl Blossfeldt — Framed Photogravure: Natural Grace, 1942 A striking Karl Blossfeldt photogravure from the 1942 edition of Wunder in der Natur. Retaining its original condition, i...

Set of 9 Antique Greek Costume and Antiquity Prints by Wasmuth, Berlin c.1900 This impressive set of nine antique prints presents a richly detailed visual survey of ancient Greek li...

Large antique print of the seven sacraments. Published by Mosella-Verlag, 1913. This print originates from a series titled 'Kathol. Schulbibelwerk von Dr. Ecker'.

Anatomy Print: Skeleton, Skull, Organs & Nerves Study – Antique 1867 This detailed antique print presents a comprehensive anatomical study from the 19th century, depicting the human...

Antique Botanical Prints Set, German Wildflower Atlas Plates, Stuttgart 1885 This elegant group of botanical plates originates from Naturgeschichte des Pflanzenreichs by M. Fünfstück, published in Stuttgart circa 1890. Produced during the late nineteenth century’s peak period of scientific illustration, these works beautifully combine botanical accuracy with refined decorative composition, making them highly suitable for both collectors and interior-driven presentation. The plates illustrate a wide variety of European wildflowers, medicinal plants, and garden species rendered in delicate hand-colored tones and precise naturalistic detail. Species represented include carnations and pinks (*Dianthus*), forget-me-nots (*Myosotis*), buttercups (*Ranunculus*), columbine (*Aquilegia*), monkshood (*Aconitum*), water lily (*Nymphaea*), poppy (*Papaver*), cabbage (*Brassica*), meadow herbs, flowering perennials, and numerous field and woodland plants. The compositions balance individual botanical studies with airy spacing and harmonious arrangement, allowing each specimen to read clearly while forming a cohesive visual ensemble. The restrained palette — soft sage greens, pale blues, muted yellows, and gentle rose tones — creates a calm and sophisticated aesthetic well suited to contemporary interiors. Rather than functioning merely as scientific diagrams, these plates operate as architectural decorative elements, ideal for organic modern interiors, Scandinavian spaces, country houses, wellness environments, or boutique hospitality settings. Displayed together, the prints introduce rhythm, natural structure, and historical authenticity while maintaining visual lightness. Originally produced as educational material yet executed with notable artistic sensitivity, the plates exemplify the German tradition of merging science, craftsmanship, and design. Their timeless botanical subjects and balanced compositions make them especially appealing for designers seeking authentic nineteenth-century works that integrate seamlessly into modern environments. The prints are offered unframed, allowing collectors and designers full freedom to tailor framing choices to individual interiors. Any framed examples shown serve purely as visual inspiration. Condition report: Very good antique condition with general age-related toning consistent with late nineteenth-century paper. Light surface wear and occasional minor spotting visible upon close inspection. Original centerfolds as issued. Paper remains structurally sound and displays attractively overall. Framing tips: These botanical plates benefit from generous ivory or warm off-white matting to enhance the delicate compositions and preserve visual breathing space around each specimen. Frames in dark walnut, natural oak, or subtle antique gilt create an elegant balance between historical character and contemporary refinement. Hanging as a grid or salon-style botanical arrangement produces a cohesive, designer-led wall installation with strong visual presence. Keyword block: antique botanical prints, German botanical atlas, M Fünfstück, Naturgeschichte des Pflanzenreichs, wildflower botanical prints, antique plant illustrations, European flora prints, botanical wall art set, vintage botanical plates...

Title: Constantinopolis Expugnatio a Turchis - Hartmann Schedel, 1493 This woodcut view of Constantinople is from Hartmann Schedel's 'Nuremberg Chronicle' (Liber Chronicarum), publi...

Marine Mammals Print: Whales, Seals, Narwhal & Dolphin – Antique 1867 This beautiful antique print depicts a variety of marine mammals including whales, seals, dolphins, and a narwh...

Antique Comets with Tails Engraving, Bertuch Bilderbuch Weimar 1807 A finely engraved and delicately hand-coloured scientific print illustrating comets with luminous tails, publishe...

Antique Exotic Seashells & Cone Shells Engraving – Bertuch, c.1800 Original antique hand-colored copper engraving depicting seven remarkable and highly decorative seashells, publish...

Antique Print 'The Hunters Funeral', Germany late 19th century Item e8171 Antique lithograph titled 'The Hunter's Funeral Procession'. It depicts a satirical scene where forest anima...

Antique Salt Lake City Mormon Settlement View, Utah, Meyer ca. 1850 This finely engraved 19th-century view depicts early Salt Lake City, identified beneath the image as “die Mormone...

St. Anthony of Padua with Infant Christ, c.1905 German Chromolithograph (Seiberl) This beautiful early 20th-century chromolithograph of St. Anthony of Padua holding the Infant Chris...

Antique Palm Tree Botanical Print, Exotic Tropical Plate, German Atlas 1885 An impressive original double-page botanical plate (Tafel 21) from M. Fünf...

Antique Chromolithograph Aurora Borealis Polar Lights, Meyers 1900 A beautifully composed and scientifically intriguing antique chromolithograph depicting the phenomenon of the Auro...

Original Antique Anatomical Print of a European Crayfish by Bertuch, c. 1800 Original antique hand-colored copper engraving depicting the common European crayfish and its anatomy, p...

Bird Print after Naumann in Wooden Frame, Germany 1900s Item e8165 This antique, framed print depicts a detailed group of coastal birds in a natural coastal landscape. The artwork is...

Print of a Group of Shorebirds after Naumann in Wooden Frame, Germany 1900s Item e8166 This antique, framed print depicts a detailed group of shore birds in a natural coastal landsca...

Alpine Botanical Prints Set, Primula & Cortusa, Palla Atlas, 1897 Description: A refined and visually harmonious set of four original antique botanical prints from Dr. Eduard Palla’...

Ernst Kropp Marsh Landscape with Swans – Atmospheric German Etching, c.1910 This atmospheric original etching by German artist Ernst Kropp (1880–1945) captures a tranquil marshland ...

Set of Three Dragonfly Lithographs by Richard Tümpel, Germany, 1908 Description: A superb set of three original color lithographs from Richard Tümpel's monumental work Die Geradflüg...

Antique Root and Medicinal Plant Prints, Botanical Studies, Germany 1852 Description This refined three-plate set depicts root vegetables and medicinal plants from Carl Gustav Calwe...

Antique Date Palm & Coconut Botanical Scene, Phoenix & Cocos, c.1831 Description: This richly illustrated botanical scene depicts the date palm (Phoenix dactylifera) and coconut pal...

Damascus Faience Plate with Carnations and Tulips – Julius Lessing, Berlin 1890 Description: A striking chromolithograph from Julius Lessing’s Persisch-Türkische Fayencen (Persian-T...

Venetian Woman – Antique Hand-Coloured Woodcut by Jost Amman, Plate CXXII, 1577 This beautifully hand-coloured woodcut depicts a Venetian woman in rich 16th-century attire, titled *...

Jesus Appears to Mary Magdalene – Antique German Chromolithograph, c. 1895 This striking late 19th-century German chromolithograph depicts the moving biblical moment in which the risen Christ appears to Mary Magdalene following the Resurrection. Christ is shown standing in quiet majesty, halo radiant with divine light, His right hand placed gently over His heart in a gesture of compassion and reassurance. Mary Magdalene kneels before Him with deep devotion, her long flowing hair and rich garments emphasizing both humility and reverence. The composition is set within a tranquil garden landscape, traditionally associated with the Resurrection narrative, reinforcing the spiritual symbolism of rebirth, forgiveness, and divine mercy. Christ’s red tunic and deep blue mantle radiate warmth and solemnity, while the soft golden halo creates a luminous focal point that draws the eye immediately to His face. This scene, known in Christian tradition as *Noli Me Tangere* (“Touch Me Not”), represents one of the most emotionally powerful moments of the Gospel story. It became a highly favored subject in Catholic devotional art of the late 19th century, commonly displayed in prayer corners, chapels, religious schools, and family interiors. Produced using high-quality chromolithography, this print achieves exceptional painterly depth, with delicate shading in the flesh tones, refined folds in the drapery, and beautifully layered landscape colors. The gold highlights of the halos and the saturated reds and blues are especially well preserved, reflecting the superior production standards of German devotional publishers during this period. This is a visually commanding and spiritually meaningful artwork, highly desirable for Catholic collectors, sacred art interiors, and serious devotional art collections. CONDITION REPORT Good antique condition overall. Light, even age toning to the paper consistent with late 19th-century chromolithographs. Minor edge wear and very gentle corner softening visible upon close inspection. No major stains, no tears, and no restoration observed. Colors remain strong and vivid. FRAMING TIPS This print will display beautifully in a classic gilt or softly antiqued gold wooden frame to echo the sacred halo tones. For a more restrained interior, a dark walnut or black lacquer frame with a wide ivory mat and museum glass will create a dramatic devotional presentation. TECHNIQUE Chromolithography MAKER German devotional publisher, Germany, circa 1895 KEYWORD BLOCK Jesus and Mary Magdalene, Noli Me Tangere, resurrection scene, antique catholic print...

Original Antique Print of Gar and Exotic Armored Fish by Bertuch, c. 1800 Original antique hand-colored copper engraving depicting four unusual species of freshwater fish, published...

Title: Natural Bridge of Virginia, Hand-Colored Landscape Engraving, Original 19th Century Description: An original nineteenth-century hand-colored engraving depicting the famous Na...

Antique Star Chart Northern Hemisphere “Fixsterne”, Meyers Leipzig c.1900 A striking and atmospheric antique astronomical chart titled “Fixsterne d...

Rivinus botanicals: Trifolium, “Gula / degener” & Lotus tetragonolobos, Leipzig, 1690s Set of three late-17th/early-18th-century botanical copper engravings with period hand-colour,...

Antique Meadow and Fodder Plants Prints, Botanical Studies, 1852 This diverse four-plate set illustrates meadow plants, clover species, legumes, and useful field plants from Carl Gu...

Set of 4 antique butterfly prints. Most likely originating from an edition of 'Unterhaltungen aus der Naturgeschichte. Insekten' by Gottlieb T...

Antique Fruit Chromolithographs, Apples & Plums, Set of Six, Calwer 1854 This refined set of six original mid-19th century botanical fruit chromolithographs was published in Stuttga...

German Botanical Plates, Exotic Plants & Fruit Trees, Stuttgart c.1890 Description: A striking and visually diverse pair of antique botanical plates (Tafeln 57–58), published in Stu...

Original Antique Print of Roman Naval Battles and Warships by Bertuch, c. 1800 Original antique hand-colored copper engraving illustrating ancient Roman naval spectacles and warships, published in Friedrich Justin Bertuch’s celebrated “Bilderbuch für Kinder” around 1800. The plate is titled “Alterthümer XIII / Antiquités XIII” and illustrates the extraordinary Roman practice of staging mock naval battles, known as naumachiae. Fig. 1 depicts a large purpose-built naumachia: an oval amphitheater surrounding a flooded arena in which several vessels engage in a simulated naval battle. Additional ships are shown approaching through the monumental entrance and waterway below. Such elaborate spectacles were among the most ambitious forms of public entertainment in ancient Rome. Figs. 2 and 3 show detailed side views of ancient oared warships, illustrating their construction, banks of oars, raised sterns and military equipment. The combination of classical architecture, naval history and finely drawn ancient vessels makes this an especially interesting plate from Bertuch’s series. The engraving is signed “J. H. Schmuzer” at lower right. Friedrich Justin Bertuch (1747–1822) was a German publisher, writer and patron of the arts. His monumental “Bilderbuch für Kinder” (Picture Book for Children) was one of the great illustrated educational encyclopedias of the late 18th and early 19th centuries. Published in Weimar from 1790 onward, it contained hundreds of engraved and hand-colored plates covering natural history, geography, science, technology, mythology, antiquity and costumes. An unusual and decorative early print combining ancient Roman history, architecture and maritime subjects. Creator: Friedrich Justin Bertuch (1747–1822) Engraver: J. H. Schmuzer Source: Bilderbuch für Kinder Plate: Alterthümer XIII / Antiquités XIII Place of Publication: Weimar, Germany Date of Manufacture: Circa 1800 Period: Early 19th Century Style: Neoclassical – In the Period of Medium: Original hand-colored copper engraving on paper Condition: Good. Wear consistent with age and use. Light age-related toning and occasional minor spotting. Minor marginal wear. Original hand coloring remains attractive. Please refer to the photographs for further details of condition. Please note: This is an original antique print from circa 1800, not a modern reproduction. The print is sold unframed. Framed images or interior views, if shown, are for presentation and inspiration only. Keywords: Roman naval battle, naumachia, Roman warship, ancient Roman ships, Roman galley...