Baroque Wall Decorations

Antique Late 16th or Early 17th Century Musical Party Garden of Love Scene Vertical Flemish Tapestry 5'9"x 8'5" - 175 x 257 This tapestry is a classic Flemish "Musical Party" or Gar...

A magnificent antique French tapestry depicting a scenic river including a fountain and a large tree full of flowers, dating to circa 1920 and showcasing elegant craftsmanship and ar...

Offered is an absolutely stunning, 1890s or older wall console or shelf. Minor patina gives this piece a classy statement. Made of hand craft wood and gilded. Use just as a decorativ...

Charles d'Agar (Paris 1669-1723 London) A very important pair of oil on canvas portraits from the early 18th Century. Portrait of Cyrill Wyche, half-length, in a red coat and blue ...

Monumental 18th Century Aubusson Verdure Tapestry From the historical residence Chateau de Nernier, situated on the French side of Lake Geneva: A magnificent French verdure tapestry, woven in wool and silk at the renowned Aubusson workshops in the early 18th century. This richly detailed piece features a lush woodland landscape with delicate architectural elements and meandering waterways inhabited by elegant wading birds. The composition is framed by an intricately woven floral border that enhances the tapestry’s pastoral...

Wonderful image after Rembrandt Fine Steel engraving. Published by Blackie & Sons London. C.1850 Unframed.

A pair beautiful petite hand carved cherub angel Heads, found at an estate sale in Germany. Made by a woodcarver in the Tyrollean Area in Austria, this area is well-known for their w...

This is an incredible antique 17th century French tapestry in an array of expansive trees & verdure. A magnificent addition to any...

Early 18th century Italian Venetian inland painting, a large size oil on canvas Baroque mountain landscape with stream, bridge, waterfall, wayfarers and a village in the background. The woodland is animated by figures, a caravan with horsemen fishermen. This monumental Italian Baroque landscape painting has a strong impact and an excellent composition balance, as it depicts in the center the luminous perspective of a fortified village, whose side wings consist of two mountain rocks with dark wooded vegetation crowded by characters, horsemen, paths, streams.On the left side, with respect to the observer, there is a path that runs alongside a stream that flows into a waterfall in the center of the composition. from a caravan of travelers on foot and on horseback traveling along it in both directions: going up the slope on the mountainous coast you can see a church and a village near the top. The right part of the painting depicts a more sparse and dry vegetation, painted in the chromatic tones of ocher, inside of which there are dead plant, dry branches and a smaller number of figures on the rugged mountain. The iconographic inspiration of this wooded representation seems to be in the large trunk of the withered conifer in a central position, which represents a dead tree, as a? reminder of the transience of everything in life, whose phases are summarized in the two mountainous coasts. In the background a village painted in light and soft blue colors, in stark contrast to the previous scene, seems  to reassure and project us into a future season. With a suggestive theatrical effect, more than 250 cm wide, this Baroque Italian painting comes from a private collection of Milan, the canvas has been lined and shows minor painting retouches at a horizontal seam of the canvas. It is unframed, it has just a wooden profile covering the canvas edge. It is an antique Italian landscape, the perfect opportunity to make a statement. Get the perfect size painting for a great living room, to create that eye-catching focal point. You can make an impact with a single large work by hanging this early 18th century Italian Baroque painting...

Elegant European gobelin tapestry featuring a richly detailed floral still life, produced in the late 20th century. The composition depicts an abundant bouquet of flowers arranged in...

A set of two framed plaques made of alabaster powder and resin, framed in a classic Baroque-style frame gilded with gold leaf, by Biggs and Sons, London, circa mid-20th century, mark...

8 Baroque Style Erotic Prints of Compromised Aristocrats & Soldiers, I (I is our inventory tag) Italy, 20th Century Prints,  This suite of eight Italian Baroque-style erotic prints ...

This is a monumental and spectacular 18th century, or possibly early 19th, oil on canvas of the Italian school. The canvas depicts a shepherd serenading a maiden in a wooded glen. B...

Wonderful image after Garofalo Fine Steel engraving. Published by Jones C.1840 Unframed.

Vertical 18th Century Flemish Verdure Tapestry Wool and silk tapestry verdure scenery depicting a peaceful scenery with lush trees and vegetation, hamlet scenery. Vivid colors and gr...

Monumental carved giltwood baroque wall bracket, with carved foliate scroll and putti motif. An unusually large wall bracket.  

Antique French Aubusson Tapestry Runner Floral Vase A magnificent antique French tapestry depicting vase of exotic florals. Beautiful colorway, and an easy, chic addition to any spa...

Italian School, 18th century. A masterful example of 18th-century Italian School artistry, this Old Master landscape painting captures the sublime beauty of an idealized European co...

outstanding tapestry in wool and silk, Bruxelles, second half of the 17th century. Depicting a detailed scene of The Bull Hunting. On the background of the landscape the Monument of ...

Large Scale Framed Italian Silk Embroidery Textile Panel, dating from the 18th century. The textile displays a finely balanced symmetrical design of scrolling acanthus vines and abundant blossoming flowers in soft tones of rose, blue, green, and gold on a neutral background. Each stitch reveals the exceptional craftsmanship typrical of Italian embroidery of the period, likely originating from a noble household or religious setting. The embroidery is bordered with its original fringe edge and preserved under a custom gilt frame, lending the piece both protection and an elegant presentation. This panel will be perfect as a statement piece in a hallway, dining room, or above a console. This framed antique...

This is a gorgeous antique square 17th Century flemish Verdure landscape tapestry with a beautiful and rich summer scene of a countryside with lush trees and vegetation. The piece m...

Exquisite Rare 17th Century Belgian Tapestry with Biblical Heroic Scene and Ornamental Borders, Origin: Belgium, Circa: 17th Century

Germany Ansbach 18th century A set of 16 blue and white, with manganese tint, tiles with decorations of animals and figures. Very fine painting and much detail in the animals and fi...

An antique pair of Portuguese Baroque hand carved Pinewood architectural wall reliefs with richly ornate detailed scrolls, Acanthus leaves and masks, in good condition. Original pain...

Salvator Rosa last 17th century giltwood frame. Internal measurements cm 24 x 32.5 Pure example of Italian Salvator Rosa gild wood frame of 17th century. "Salvator Rosa" is the famo...

This exceptional 17th century Flemish tapestry presents a richly detailed pastoral composition characteristic of the great weaving centers of Flanders during the Baroque period. The ...

A Large and Impressive Early 20th Century Oil on Canvas "Madonna and Child" After Bartolomé Esteban Murillo (Spanish, 1618-1682) depicting a seated Virgin Mary with a baby Jesus Chri...

Gorgeous 18th Antique Century Silk & Wool French Verdure Tapestry, Country of origin: France, Circa date: 18th Century

This is a gorgeous antique square 17th century flemish Verdure landscape tapestry without figures in a beautiful and rich summer scene of a countryside with lush trees and vegetation...

Pair of Italian carved and giltwood wall brackets. Beautifully carved with acanthus leaves and scrollwork. Nice wide shelf atop a base that cumulates into a pineapple-like shape at b...

This late 17th century Franco-Flemish verdure tapestry, signed RAET, worked in fresh colors, depicting animals in a wooded river landscape with a bird of prey attacking a rabbit in t...

This is a lovely antique 17th century Flemish Verdure landscape tapestry depicting a beautiful and rich summer scene of a countryside with lush trees and vegetation, and birds. It me...

This is a large gorgeous Large Antique 17th Century Brussels Religious Tapestry depicting a scene with a bishop and attendants standing on the right, along with kneeling and standing...

An important and atmospheric Flemish verdure tapestry dating to the 17th century, woven in Flanders during the height of European tapestry production. This composition presents a ser...

Wonderful image after Rembrandt Fine steel engraving. With a highly decorative border. Published C.1850 Unframed.

Guillam Forchondt "El viejo" (Amberes, 1608-1678) & Ferdinand van Kessel (1648-1696) "El rapto de Europa" Óleo sobre cobre Se adjunta estudio realizado por la galería Soraya Cartate...

This 17th Century Italian Baroque painting, executed in oil on copper, depicts the Crucifixion of Christ with remarkable depth and dramatic composition. Christ is shown on the cros...

19th-century Baroque-style German hand-carved wooden deer head on a carved and hand-painted wall plaque. An impressive antique hand-carved wall-hang...

Italian 17th century still life painting in period carved gilt frame Italian school still life painting from the workshop of a great master. The 17th century Baroque painting in oil...

1920 Antique French Tapestry Wool & Silk Village Scene Framed "A magnificent antique wool & silk French tapestry depicting a village scene amongst verdure."-ARS PRODUCT SPECIFI...

A wonderfully cast pair of vintage heraldic lions, beautifully detailed and of great size and scale. These were cast in Japan of aluminium, and each has an incredible bronzed gilt finish. Hanging hook to rear of each lion. Wear commensurate to the age of item. Priced as a pair. Pair of Vintage Lion Wall Plaques...

A beautiful Italian grand Tour Style Pietra Dura mosaic on marble Plaque with gilt framing. Picture is a bird on branch with leaves and flowers.

Julius Caesar Ibbetson 1759-1817 old master painting English, 18th century This English school painting by Julius Caesar Ibbetson (1759-1817) depicts a countryside farm house off of a road with a horse drawn wagon...

HENDRICK VAN BALEN (Amberes, h. 1573 - 1632) “Alegoría de la abundancia” Óleo sobre cobre Medidas: 105 x 135 cm. (obra); 149 x 176 cm. (marco) En esta pieza el autor nos presenta una imagen alegórica de la abundancia, dominado por una composición piramidal cuya figura predomina por su posición y por la gama de tonos brillantes con la que se ha tratado en la diosa Deméter. Podemos reconocerla porque se encuentra sentada , sosteniendo con su mano izquierda la cornucopia de la abundancia, y con la derecha una espiga que señala a una figura masculina de menor tamaño que sostiene una antorcha, atributo propio de la diosa y que representa incursión de la misma en el inframundo para rescatar a su hija Perséfone, quien podría ser la figura que se sitúa a la izquierda de Deméter ya que ayuda a su madre a sostener la cornucopia. Además también se encuentra Hermes, situado en el lateral izquierdo, quien fue mandando por Zeus para rescatar a Perséfone del inframundo. Por lo tanto se puede concluir que se trata de una alegoría que representa la abundancia de la primavera. Por sus características formales, incluyendo la estructura compositiva y los tipos, podemos relacionar esta obra con la mano de Hendrick van Balen, uno de los más destacados representantes de la escuela flamenca del primer barroco. Karel van Mander afirma que fue discípulo de Adam van Noort, aunque algunos estudiosos han apuntado a una posible formación con Marten de Vos. En todo caso, hallamos su nombre registrado como maestro del gremio de pintores de Amberes en 1592. Poco después de esta fecha debió viajar a Italia, pasando por Venecia y Roma, como indican alguna fuente indirecta y, sobre todo, las evidentes influencias en su arte de Annibale Carracci y Palma el Viejo. Asimismo, pudo haber conocido en Venecia al alemán Johann Rottenhammer, cuyos característicos banquetes mitológicos son una influencia evidente en la obra de Van Balen. En todo caso, lo hallamos ya de vuelta en Amberes en 1602, con un taller propio en el que ya aceptaba aprendices. Tuvo varios hijos, y uno de ellos, su hija María, tuvo como padrino a Rubens y contrajo matrimonio con un pintor colaborador del maestro, Theodoor van Thulden...

Rare and unusual pair of 19th century Italian candle reflector remnants, , hand crafted in brass with hammered floral motifs and the pressed initials ...

An antique French fine tapestry, circa 1880. A battle scene. About the Tapestry: Antique French Rural Idyllic Tapestry C. Detti This tapestry depicts a detailed fighting scene and d...

Wonderful image after Rembrandt Fine Steel engraving. Published by Fisher, London, Dated 1842 Unframed.

Baroque woven tapestry of a verdant scene and a couple observing a sleeping Putto. Mounted on a stretcher frame, with linen backing.

Wonderful image after Rembrandt Fine Steel engraving. Published by Jones & Co., London. C.1850 Unframed.

This a print of the iconic The Blue Boy by Thomas Gainsborough from around 1770. It is believed to be a portrait of Jonathan Buttali, the son of wealthy ironmonger. This print come...

* Florentine painter, 17th century "THE ANNUNCIATION" Oil on canvas, 69cm x 100.5cm Good condition This painting depicts the biblical moment of the Annunciation, where the angel Gabr...

Splendid 17th-century Italian painting by unknown artist, but certainly a follower of Caravaggio, relying on style and drawing. The painting has a very beautiful gilded wooden frame, with a subtle greek with spheres and an overlying rectangular frame with sinuous flowers on each corner, very elegant and beautiful. The painting depicts one of the most depicted religious scenes ever, the scourging of Christ, and is entirely done in oil on copper. The scourging of Jesus is an episode narrated in the Gospels (Mk15:15-16; Mt27:26-27; Lk23:16-26; Jn19:1-17[1]). Scourging is a flogging, particularly bloody, by means of sticks, rods or cat-o-nine-tails, the latter instrument consisting, in the Roman typology, of a short stick to which were secured several strings ending in metal claws, leads and bone splinters that caused tremendous lacerations and fractures to the tortured person. Chains are used in this scene, both to immobilize Jesus Christ and to flog him, as we can see in the upper right hand of the scourger. According to some personal research, it turned out that the actual scourging of Christ was mostly depicted at the column, while this Christ is on the ground, so presumably Christ here is scourged during the Way of the Cross at one of those stages where he fell. The painting has a very dark coloring, which is why this painting is believed to faithfully follow Caravaggio's style of dry, authoritarian brushstrokes. The painting shows a figure agonizing on the ground that continues to receive beatings and floggings of all kinds, representing Christ; his face is crucified in a loquacious expression of pain, he turns his eyes to heaven as if to invoke God, but at the same time those same eyes admonish the wickedness and arrogance inherent in humanity. Christ has one hand resting on the ground in the act of holding himself, while the other takes a completely unnatural stance against the barren ground. His body appears hardened to wanting to parry the blows, his legs are curled up on his knees as he takes kicks from the soldier above him. Christ is depicted pinned down from the neck with a very large and strong black iron bolt held by the other soldier. The soldier on the right in the foreground wears a one-shoulder tunic with an orange tunic and blue pants. On his feet he wears gray shoes, at his waist he has a belt with an iron helmet...

A circa 1725 oil on canvas portrait of Louis George Simpert, as Hereditary Prince, the future Margrave of Baden-Baden (Deutsch: Ludwig Georg Simpert, Markgraf von Baden-Baden) portrayed one-quarter length in powdered wig and wearing ceremonial armor and crimson sash newly fitted in a period molded giltwood frame with bead-and-reel inner border from the Eli Wilner collection. Canvas measures 24.5" x 19.25". A related, but later portrait of circa 1735, attributed to the same unknown painter, is held in the collection of Lichtenthal Abbey, Baden-Baden. Biography: Louis George or Ludwig Georg Simpert, Margrave of Baden-Baden, born June 7, 1702 at Ettlingen Palace was the son of Louis William, Margrave of Baden-Baden and his wife, Princess Sibylle of Saxe-Lauenburg. Hereditary Prince of Baden-Baden from birth, at the death of his father in 1707, he succeeded as Margrave of Baden-Baden at the age of four. As such, his mother was regent of Baden-Baden until he reached his majority on 22 October 1727 at the age of 25. He married Maria Anna of Schwarzenberg April 8, 1721 at Český Krumlov Castle. The couple were the parents of four children, of whom only one survived infancy. After the death of the first Maria Anna in 1755, he married the Princess Maria Anna Josepha of Bavaria on July 10, 1755; the daughter of Charles VII, Holy Roman Emperor and his Austrian wife Archduchess Maria Amalia. The second marriage remained childless. Due to his passion for hunting instead of military service, he became known as "Jägerlouis", "hunter Louis", a play on his father's nickname of Türkenlouis ("Turk Louis") due to his famous heroics against the Turkish army at the Siege of Vienna...

Mary Magdalene the Penitent oil painting on canvas, of Italian, Lombard origin, dates from the 17th century and is unframed, has been lined and restored to a new frame; this ancient...

This exquisite oil painting, is a masterful depiction of a pastoral scene that epitomizes the serene beauty of rural life. Likely created in the 17th century, the work surely of Flem...

A wonderful 19th Century Italian religious textile banner with beautifully colored Our Lady Of Sorrows Mary, Mother of Jesus oleograph, original backing, rod, rope, fringe and tassel...

A very fine Italian 18th century oil on canvas "Madonna and Child" after Giovanni Lanfranco (Italian, 1582-1647). The young Virgin Mary attending to...

18th Century Engraving Sneed Park, the Seat of Joseph Jackson Esquire. Hand colored engraving, “Sneed Park, the seat of Joseph Jackson Esquire. Illustration from the second volume o...

19th century Italian painting of Mary and Jesus on canvas with barite, selenite blades, scolecite, green aventurine, and aragonite and framed with 18th century Italian hand-carved fl...

C. Maratta went to Rome in 1636 and became an apprentice in the Studio of Andrea Sacchi. Pope Alexander VII commissioned many paintings from him. Maratta’s paintings of the later 165...