Baroque Wall Decorations

Follower of Guido Reni (1575-1642) "Mater Dolorosa" 17th Century Oil on canvas Italian School Size: +/- 74 x 60 cm Good condition The image depicts the Virgin Mary with an expressio...

A wonderful watercolour on paper study of a romanesque relief from 1890, executed by a young artist who has signed the work 'Cavins aged 23'. It is stamped: ‘ESK’ - which stands off ...

A charming vintage Italian decorative plate from Faenza, hand painted in a traditional palette of cobalt blue, leafy green, warm ochre, and ivory. The broad border is filled with scr...

Important 19th Century Italian Parade Plate Polychrome ceramic, with a wide brim, short frill, and a wide base. Reverse with ring support. Decoration on the rim with harpies and fan...

This striking oval portrait, attributed to the circle of Nicolas de Largillière, exemplifies the refined elegance and artistic sophistication of late 17th to early 18th-century Frenc...

Portrait of Sophia Charlotte of Hanover, Queen of Prussia, Early 18th Century, Central European School. Elegant early 18th century portrait traditionally identified as Sophia Charlo...

Flemish School, 17th Century "Portrait of a Man" oil on canvas, 44 x 37 cm, Framed good condition

Saint Stephen. Oil on canvas. 17th century, following Aegidius Sadeler's engraving (inspired by Jacopo Palma). The figure of the Saint appears in the ...

TITLE: Georg Wagner, Peace of Westphalia Diplomat Portrait Engraving, 1652 DESCRIPTION: Original 17th-century portrait engraving of Georg Wagner (1605–1661), German jurist, mayor of...

TITLE: Set of Four Peace of Westphalia Portrait Engravings by Matthäus Merian II, 1652 DESCRIPTION: A rare and highly decorative matching set of four original 17th-century portrait ...

18th Century Portuguese Corbel in carved chestnut wood, decorated with plant elements and an angel. Period defects Height: 56 cm. good condition

Beautiful Tuscan Ceramic Plate 17th Century with a deepened centre, painted with a biblical scene, landscape and architecture, glazed on the underside, described and marked. Diamete...

Early 17th century German oil painting on chamfered oak panel by Maller Michael Nagel signed in gilt on hem of cloak. The date 1602 is on the edge of the ...

Antonio Domenico Gabbiani (Florence 1652 – 1726) Portrait of a Nobleman Oil on canvas
 89 × 52.5 cm This refined half-length portrait exemplifies Antonio Domenico Gabbiani’s mature ...

Decorate a game room or a study with this large and colorful pair of antique plaques. Crafted in southern Italy circa 1920, each bombe panel features "Trompe l'oeil" scrolled and sca...

19th Century Portrait Polish Nobleman Rembrandt Copy. Beautiful painting purchased in France. Age appropriate wear, see detailed photos or message us with questions.

French Baroque style hand painted multicolored print of six figures of varying patterns for marble tiles in a silver frame (Matching prints available NWL6148A-F) Good condition cons...

Portrait of a Bishop with a Crosier, 1700. The painting depicts a holy bishop or a high-ranking prelate, shown in a half-length portrait with his face in three-quarter profile to the...

SPANISH SCHOOL 19th Century Title: "Dwarf with a Dog" Copy of Diego Velázquez. Technique: Oil on canvas. Dimensions: 142 x 107.5 cm. With frame. Provenance: Private collection, Ge...

A collection of gilded architectural pine carvings dating to the 17th-19th century. These handcarved three dimensional elements display an intriguing Neoclassical style lantern with...

French Baroque style hand painted multicolored print of sections of marble pavings for the Church of the Sorbonne in a sliver frame (Matching prints available NWL6148A-F) Good condi...

Virgin and Child, Spanish-American Viceregal School, oil on canvas, 19th century Delicate depiction of the Virgin and Child, executed in oil on canvas towards the end of the 19th ce...

Italian painting from 1600 Banquet with Figures Memento Mori by Giovanni Martinelli, titled Death Comes to the Banquet Table, vanitas circa 1635. The oil-on-canvas painting is inspi...

Northern Italian School, 17th century "Coronation of the Virgin" oil on canvas, 160X108.5cm no cornice good condition

An incredible and very rare 19th Century Meissen porcelain plaque depicting Rembrandt and Saskia in the Tavern. Meissen plaques are incredibly rar...

AMAZING PLATE MONTELUPO 17th Century Round earthenware bowl with contours on a pedestal, polychrome decoration of a soldier in a frame of floral reserves. Minor restorations. Diame...

Circle of Carlo Maratta (active in the 17th century) "Mary Immaculate in Prayer" Bust portrait of Mary with her body slightly turned in profile, her gaze lowered, and her hands rais...

Giovanni Michele Graneri (Italy, Turin 1708-1762) Bambocciata (Farmers dancing in front of the inn) The painting, made in oil on canvas, depicts a moment of celebration where some p...

This evocative 19th-century oil portrait captures the regal elegance of an aristocratic lady, expertly rendered in the classic Old Master tradition. Drawing inspiration from late Ren...

Temptations of San Antonio Abad. Oil on canvas. 17th century, following the model of David Teniers II (Antwerp, 1610-Brussels, 1690). Oil on canvas showing a figurative scene located inside a cave. To the right, you can see a cross standing, supported; to the left, a hut; and in the center of the painting appears an elderly, bearded man, leaning on a table on which there is a ceramic jug and a skull, with an open book at the foot of it. The man looks towards a woman, who points to something outside, and appears accompanied by a large frog and a series of ghostly beings or monsters dressed in brightly colored cloth and clothing. San Antonio Abad or Antonio Magno (251-356) was a Christian monk, considered the founder of the eremitical movement. He was tempted numerous times by the devil while he was in the desert, becoming a subject frequently represented in art (as can be seen in this oil painting). He is represented in a black habit because the Order of the Knights of the Hospital of San Antonio (Hospitals) was placed under his patronage, being the color of the habits of the members of this order (the tau or Egyptian cross was also the symbol chosen by they). David Teniers II or El Joven was a prominent Flemish painter and engraver, son of David Teniers El Viejo or I and father of David Teniers III, much appreciated at the time for his scenes of villagers and common people, his paintings of monkey painters, etc. . He dealt with the theme of the Temptations of Saint Anthony...

Largest collection of Portuguese tiles in the world 17th Century Portuguese Tile Panel. Restored 56cm x 56cm 14cm x 14cm tiles With certificate of authenticity and export issued by ...

BRITISH SCHOOL "Landscape with Figures and Animals" 19th Century Oil on canvas Recovered. Dim.: 50 x 58 cm good conditions

Set of 6 paintings attributed to the Cusco School, 18th–19th centuries Series of six small-format oil paintings on canvas, attributed to the Cusco School, 18th–19th centuries. They ...

These wonderful porcelain plaques were created in circa 1860 by the prestigious Konigliche Porzellan Manufaktur or KPM (German, founded in 1763). The plaques feature beautiful paintings based on works by the famous Seville-based Baroque artist, Bartolome Esteban Murillo (Spanish, 1618-1682). One plaque is decorated after Murillo...

Oil painting battle scene of Adam Eugen (1817-1880). Oil on canvas. Military scene from the time of the Spanish War of Succession, signed and dated Eugen Ad...

Wonderful image after Garofalo Fine Steel engraving. Published by Jones C.1840 Unframed.

Early copy of Dutch painting. Oil on canvas in antique style wooden frame. “Elisabeth Bas (1571, in Kampen – 2 August 1649 in Amsterdam) was a figure in the Dutch Republic. She was the wife of Jochem Hendrickszoon Swartenhont, an admiral in the navy of the Dutch Republic and military hero. The portrait is now in the Rijksmuseum Amsterdam, where it is known as Elisabeth Bas and attributed to Ferdinand Bol...

Jan Abel WASSENBERGH (1689-1750) "The Continence of Scipio" Oil on canvas, signed below center 92 x 107 cm unframed 99cm x 114cm framed (small old restorations) Jan Abel Wassenbergh (18 January 1689, Groningen – ca. 20 July 1750, Groningen), was an 18th-century painter from the Dutch Republic. According to Jan van Gool...

A very decorative pair of Italian 18th century Baroque st. Giltwood wall decor. Each pierced wall decor has a central double acanthus leaf with two 'C' and 'S' scrolled foliate branc...

17th century Roman school, Santa Cecilia with angels in concert, oil painting on canvas The valuable painting, in excellent condition, depicts Sa...

Italian School "Apostle" 17th Century Oil on oak wood Carved and gilded wooden frame. Small defects. Dim.: 44 x 58 cm good conditions

Portrait of an Aristocratic Lady, oil on canvas, European School, 18th century Oil on canvas depicting a noble lady, dressed in a low-cut red dress and blue cloak. The sobriety of ...

Early 20th Century Print reproduction of Thomas Lawrence's "Pinkie" in a baroque style brass frame and elevated with this beautiful convex glass to add depth to the print. Sarah Goo...

Elegant late 18th-century European portrait depicting an aristocratic lady portrayed half-length in richly detailed court attire. Her imposing powdered coiffure, delicate lace collar...

Delightful panel with an ancient fragment of tapestry representing fruits and beautiful colors. I thought of applying it on a panel covered with an ex...

A large, nicely-framed Italian hand-colored engraving in tones of terracotta and black (17th century, with more recent matte and frame) by Pietro Bartoli. The engraving depicts the mosaic ceiling in the church of Santa Costanza outside of Rome, which was studied by the ecclesiatical archaeologist Giovanni Ciampini. The mosaic ceiling no longer exists, but is known through various depictions of the artwork, such as this engraving. The images include Christian imagery including the sacrifice of Cain and Abel and possibly Noah building the ark. The upper row of mosaics is believed to represent scenes from the New Testament, with caryatids dividing the ceiling into twelve segments. The engraving is captioned in Latin: "Opus Musiuum olim in tholo Templi, quod vulgo creditur Bacchi, nunc Sancte Constantie extra Portam Piam cariatides, et Telamones in duodecium dividant Segmenta, ubi plura autumnales ferias, et piscationis Genium demostrant, iuxta interpretionem Ciampini qui mediatatem exhibet Veterum monum." In the 17th century, the church of Santa Costanza was known as the "Temple of Bacchus," and was the site of rowdy Bacchic festivals until Pope Clement XI banned the rites in 1720. Pietro Santo...

17th century, pair of ink drawings on paper with studies for grotesques, friezes and helmets. Painter of central Italy of the 17th century, signed with monogram “A.M.”. Measurements: cm L 45.5 x H 59.5 x 5.5; cm 22 x 33 / cm L 46.5 x H 59 x 5.5; cm 22.5 x 31.5 The pair of sheets, in good condition, is framed by antique frames in carved and gilded wood. They show some china studies with some studies for different subjects. Specifically, the first sheet represents the design of a frieze of Renaissance taste under which are some studies probably referring to a family coat of arms. Below the center is a monogram “A.M.”. The sheet is also worked on the back in which are drawn some articulated elements of decoration in the style of the Renaissance grotesque...

A stunning and large scale Italian 18th century Baroque period Giltwood wall decor panel. At the center of this very decorative panel is a protruding central medallion with carved fo...

A striking and competently carved pair of antique neoclassical carved cherubs. Crafted in oak, these neoclassical sculptures depict detailed handcarved faces of cherubs or putto sup...

OIL ON CANVAS OF 17th Century LANDSCAPE OF WINTER OF THE NETHERLANDS. Good CONDITION. MEASURES WITH FRAME: 114X90 CM WITHOUT FRAME: 96X74 CM      

Pietro Bardellino (Italy - Naples, 1732 - 1806), attr., Sacred Heart of the Child Jesus Measurements: with frame, cm L 86 x H 99 x P 8; only the canvas, cm L 78 x H 64 The painting, made in oil on canvas, represents the Sacred Heart of the Child Jesus. Stylistically the work is attributable to Pietro Bardellino (Italy, Naples, 1732 - Naples, 1806), a pupil of Francesco De Mura and considered by critics one of the most gifted and sensitive exponents of the Rococo style in Naples. The canvas represents the Child Jesus, surrounded by flowers in an outdoor setting, while showing the sacred heart. The canvas has a well-balanced color and a strong sweetness of the child’s traits, which with the complicit gesture of the right hand, involves the viewer in the intimate and delicate sharing of the garden in which he sits. The roses, in addition to being a beautiful piece of still life, contribute to enrich the Christological message, being bearers of symbolic meanings. Marian attributes par excellence, are often side by side with Christ, whose thorns foreshadow the Passion. In the canvas, on the top left, two cherubim are observed: among them, according to the Old Testament, is God: the author therefore puts into place an iconographic and iconological hyperbole that amplifies its meaning. The iconographic theme of the Child Jesus with the Sacred Heart in his hand spread between the second half of the eighteenth century and the first of the following century. With the worship of the Sacred Heart of Jesus, the Catholic Church intends to honour the Heart of Jesus Christ, one of the organs symbolizing his humanity, which by intimate union with the Divinity, has the right to worship and love of the Saviour for men, of which His Heart is the symbol. It represents one of the fundamental devotions of Christian life, as it manifests the true face of God, who is prodigal and boundless love. It was the French mystic Saint Margaret Mary Alacoque...

A Pair of Gouaches: “The Pilgrims of Emmaus” and “The Flight into Egypt,” France, 17th century A finely executed pair of 17th-century French gouaches depicting two major episodes f...

Venetian school of the beginning of the 18th century Architectural Capriccio with classic ruins and oriental figures Oil on canvas, cm 115 x 152 with frame; cm 98 x 136 canvas The p...

Original oil on canvas painting "nature morte" or literally "dead nature," this still life depicts multiple birds, fruit, flowers and more. Unsigned Condition: Some retouches. The ca...

Thomas VAN DER WILT (1659-1733) "Portrait of Noble Woman", oil on canvas 55cm x 46cm without frame 65cm x 56cm with frame very good conditions Thomas van der Wilt (1659–1733) was an...

Important English School, " Young Gentlemen " 18th century Oil painting on canvas cm. 76.5x64 in gilded frame. Condition: work lined, good condition

Our Lady of the Assumption Triptych Italian, 19th Century in ebonized wood with brass applications with an enamel plaque in the center representing t...

This enchanting 17th-century tapestry captures a joyful bacchanal of children, a subject highly prized in Baroque decorative arts. Inspired by the elegant models of François Duquesno...

An exceptionally fine pair of Baroque wall brackets. Water gilded with excellent patina with the gold subtly transparent showing its rich red bole, the brackets are rare both for their complexity and large size. An oyster shell shaped cartouche surrounded by theatrical garlands flowers...

Pair of original Baroque wooden putti / winged cherubs. We were told that they originate from a church in the French Pyrenees. We suppose they are from...