Georgian Wall Decorations

Glorious set of 12 prints of English country houses or stalely homes. Chromo-lithographs After the original drawings by Alexander Francis Lydon Published by Mackenzie C.1880 Unfr...

Wonderful set of 12 orchid prints. Lithographs after drawings mainly by W.Fitch Original hand color Published by Curtis. Dated 1837 and 1838 Unframed. Free shipping

JOHANN WILHELM WEINMANN (1683-1741) - PHYTANTHOZA ICONOGRAPHIE - Antique set of six framed 18th century first edition PHYTANTHOZA ICONOGRAPHIE botanical hand colored mezzotint engrav...

"Phytanthoza Iconographia": Set of Twelve Botanical Engravings by Johann Weinmann, Circa 1737–1745 A fine and historically significant set of twelve original copperplate engravings ...

A beautifully worked 19th century English woolwork embroidery depicting a pastoral countryside scene with a woman riding sidesaddle, a male attendant, hounds, rabbits, birds, floweri...

Lovely Georgian giltwood picture frame Carved pine with shallow gesso and gilt Original patina Internally or sight measures 19.25 x 24 inches. 48.5 x 61 cm Free UK shipping

An inside View of the Rotundo in Ranelagh Gardens, after Antonio Canaletto (1697 - 1768). Engraved by by Thomas Bowles, 1754. Hand colored engraving, in original ebonized frame with...

An exquisite circa 1790 equestrian oil on canvas of a red-coated and bewigged gentleman fox hunter with outstretched arm and hand holding cap, 'riding to hounds' on a galloping bay h...

Set of watercolor hand-painted botanical prints most likely created in the mid to late 1700s. Some of the descriptions are written in Latin and Greek and accompany absolutely stunnin...

19th Century copy of 18th century portrait of Robert Harley, 1st Earl of Oxford, (born 1661, London, died 1724, London). He was a British statesman who headed the Tory ministry from ...

"Phytanthoza Iconographia": Set of Four 18th-Century Weinmann Engravings of Grapes Circa 1740 A superb suite of four original antique botanical e...

Arcadian Dreams: 18th-Century Lille Faience Tile Plaques in Camaïeu Bleu Late-18th Century German, Nurnberg Circa 1770–1790 Each plaque is composed of multiple individual tin-glazed...

Wonderful set of 12 botanical prints. A beautiful colour of off-white/cream to the paper. Dated 1791 Originally from " Flora Londinensis " published by William Curtis Copper-pla...

John Thomas Serres 1759-1825 was an English maritime painter who enjoyed significant success, including exhibiting extensively at the Royal Academy,...

Royal House Antiques Royal House Antiques is delighted to offer for sale this super rare suite of Twelve original 1740-1760 dated hand water coloured prints after George Edwards 169...

Glorious set of 8 prints of mainly Scottish Castles. 2 from the English borders. Copper-plate engravings mainly after drawings by Moses Griffiths. ...

Botanical Splendor: A British Watercolor of Tulips, Early 19th Century This early 19th-century British botanical watercolor is a stunning exampl...

A stunning, early Georgian needlework picture in wool, depicting a courtly scene within a large oval cartouche set against a dark brown background. This central reserve is surrounded...

"Floral Masterpiece": Large Vintage Botanical Lithograph after Joseph Nigg, Printed by Mourlot, 1947 A magnificent and large-scale botanical lithograph, beautifully reproducing a pa...

Hand colored prints of horses from "L'art de monter a cheval: ou description du manége moderne, dans sa perfection" by Baron D'Eisenberg, Published in 1747. Each print is mounted in a cherrywood parcel-gilt frame, with a glazed reverse depicting the corresponding text sheet and can be sold as pairs. The following subjects are depicted: 1. L'Andaloux, Le Cheval d'Espagne, Plate I; 2. Le Barbe, Le Cheval Barbe, Plate II, 3. L'Allemand, Le Cheval d'Allemagne, Plate III; 4. L'Arabe, Le Cheval Arabe...

JOHANN WILHELM WEINMANN (1683-1741) - PHYTANTHOZA ICONOGRAPHIE - Antique pair of framed 18th century first edition Phytanthoza Iconographie botanical hand colored mezzotint engraving...

Fine pair of George III Neoclassical giltwood wall brackets, each having an exquisitely carved acanthus leaf cornice over a tapering body with longleaf carving, ending in pineapple f...

A fine antique 18th century map of the North American seaboard. Entitled "A New Map of North America from the Latest Discoveries 1763". By the Cartographer/Engraver - John Spil...

Great images of corals Copper-plate engravings Drawn and engraved by A.Bell Published C.1790 Unframed. Free shipping.

Pair 19th Century Derby Porcelain Plaques with portraits by William Corden (1797 - 1867), both signed and dated (1828) on the reverse. The identity of the sitters has not yet been es...

20th Century cross-stich framed embroidery of King Charles seated with the Duke of Gloucester on his lap and Princess Elizabeth over backside. A dog is seated towards the right, and...

Glorious set of 12 prints of English family coats of arms or armorials Chromo-lithographs Published C.1900 Unframed. The measurement given is the paper size of one print. Free s...

Wonderful set of 8 botanical prints. A beautiful colour of off-white/cream to the paper. Dated 1791 Originally from " Flora Londinensis " published by William Curtis Copper-plat...

Wonderful pair of botanical prints Lithographs after drawings by W.Herbert Original hand color Published by S.Curtis. Dated 1826 Unframed. Free shipping

GEORGE EDWARDS (Naturalist, ornithologist and artist 1694-1773) - 'A Natural History of Uncommon Birds' (Published in several volumes between 1743 and 1764) - Antique pair of mid 18t...

An antique bronze bell reclaimed from an English church marked to F Baker. Dating to circa 1830, this historic bronze has a beautiful patina complimented by its original wrought iro...

All members of the same family set in giltwood frames.

Glorious set of 10 prints of British castles Chromo-lithographs After the original drawings by Alexander Francis Lydon Published by Mackenzie C.1880 Unframed. The measurement gi...

British Botanical Watercolor of Tulips, 19th century The beautifully framed and matted botanical watercolor depicts four different tulips. Dime...

English Georgian style (18/19th Century) large gilt wall carving of unicorn and lion with coat of arms.

Glorious set of 15 prints of London buildings Steel engravings. Published by Tallis, circa 1840 Unframed.

ANTIQUE GEORGE III SILK, SILVER THREAD NEEDLEWORK AND STUMPWORK EMBROIDERY A charming depiction of the baby Moses being discovered in the bullrushes by the Pharaoh’s daughter, all w...

Italianate landscape, Manner of Claude Lorrain Very good Quality oil on relined canvas in the Manner of Claude Lorrain, cargo ships on the banks of the river Po Italy. 📜 Provenance – Italianate Landscape after Claude Lorrain, England or Italy, circa late 18th–early 19th century This finely executed oil on canvas is an accomplished historic copy after Claude Lorrain’s celebrated Italianate river landscapes, specifically related to his Landscape with Merchants (c. 1630s), held at the National Gallery of Art, Washington, D.C. The composition also bears a close resemblance to the 1769 engraving by Boydell and James Mason, after a painting once in the distinguished collection of Robert Trevor, 4th Baron Trevor, later 1st Viscount Hampden. The scene features cargo ships along the tranquil banks of the River Po, enveloped in the soft, atmospheric light for which Claude Lorrain (1600–1682) is universally revered. Executed in the idiom of the Grand Tour period, the painting exemplifies the classical Arcadian themes sought by aristocratic collectors travelling through Italy in the 18th and early 19th centuries. This work is a particularly elegant example of the period's taste for Claudean compositions, balancing architectural elements with expansive vistas and golden, diffused light. The canvas has been professionally relined and restored, housed in a contemporary frame that complements the work’s scale and palette. Minor craquelure and darkening to areas of the blue and green pigments remain consistent with age, enhancing its historic charm. Ideal for integration into neoclassical, traditional, or transitional interiors, this work represents an opportunity to acquire a piece of decorative art with a strong visual lineage and academic relevance — a testament to Lorrain’s enduring influence across centuries of landscape painting. Very similar to the Landscape with Merchants in the National Gallery of Art, Washington, D.C. Our version could be after the engraving by Boydell and James Mason on 1st January 1769. Interestingly, the source painting for the painting was once in the collection of Robert Trevor, 4th Baron Trevor (from 1764), and subsequently (from 1776) 1st Viscount Hampden. 18th-Century Italian Landscape in the Manner of Claude Lorrain This exquisite 18th-century Italian Landscape in the manner of Claude Lorrain captures the essence of Italian Baroque landscape painting, showcasing the serene beauty and harmony of the classical countryside. Drawing inspiration from the Golden Age landscape painting, it reflects the elegance and detail characteristic of Claude Lorrain-style artwork, featuring sweeping vistas, balanced compositions, and an idealised landscape scene that exudes timeless charm. A Classical Italian Countryside Painting...

English Georgian (18/19th Cent) oil painting portrait of a young British officer with arms crossed wearing a red coat with gold epaulets in a gilt carved frame.  

Antique Darning Sampler, 1791, by Ann Manning. The sampler is worked in silk threads on a linen ground, in a variety of stitches. Comprises of 15 darning p...

These are a set of TWO digitally remastered framed coloured prints of two different Toucans, dating originally from the very early 19th Century late Georgian period, Circa 1809. Th...

A finely executed antique embroidered silk panel depicting a parrot perched on a branching limb, rendered with strong decorative clarity and highly controlled stitchwork. The bird is...

This finely executed silk embroidery depicts a parrot perched in profile upon a branching limb, presented with an elegant economy of setting that recalls the decorative natural hist...

Pair of English Giltwood Wall Brackets Pair of English George II style architectural corbel wall brackets with rectangular top over relief decoration ending in a scrolled volute. Th...

Symphony of the Sea: Niccolò Gualtieri’s Masterful Shell Studies 1742 These fine 18th-century engravings represent a peak in natural history illustration, capturing a diverse array ...

Wonderful prints of Regency furniture Aquatints with original color. From Ackermann's Repository. 3 dated 1825. One dated 1810 Unframed.

Wonderful set of 8 cactus prints. Lithographs after drawings by W.Fitch Original hand color Published by Curtis. Dated 1837 and 1838 Unframed.

Great set of sea battles Copper-plate engravings. Published by J.Stratford, London. Dated 1803 Unframed. Free shipping.

This is a delightful round framed print of a Pineapple study originally from a hand coloured early 19th Century French botanical illustration. Prints of this style were originally p...

Georgian 19c Style Carved Mahogany Foot Stool Ottoman Bench.

These are a set of FOUR digitally remastered prints of Parrots, hand coloured framed prints, originally from Circa 1800s. Prints of this style we...

Wonderful pair of cactus prints. Lithographs Original hand color Published by S.Curtis. Dated 1826 Unframed.

Framed engravings of various Lords, Dukes etc. One duplicate. Framed under glass.

In a giltwood frame. Gentleman standing with red jacket. Frost And Reed label on reverse giving Maubert attribution. Maubert was born and trained in Dublin.

A spectacular and exceptionally rare pair of English, possibly Irish, George III circa 1800 wall brackets or shelves in 'Rustic' style, the cusped shaped tops in original 'red ochre' paint with period brass hanging tabs, the tapering 'bodies' composed of fully gilded twigs and rootwood in original finish. Provenance: The collection of Sir John Boorman at The Glebe, Annamoe, County Wicklow, Ireland. The 'Rustic' style in design emerged in Great Britain from the 'Picturesque' movement within Romanticism of the 18th century as a quiet rebellion against the formality of Baroque and Neoclassical architectural styles and was largely ephemeral due to it's inherently specific application; that it being intended for the 'cottage orné', follies, and grottos of the landed gentry. Frances Collard states "Rustic furniture, particularly that made of untrimmed branches and roots, appeared in the designs of Thomas Chippendale and Thomas Johnson and were featured in an anonymous work published by Josiah Taylor's 'Architectural Library, "Ideas for Rustic Furniture", from 1790-5". The Duke of Buccleuch...

An George I English needlework picture depicting musicians, maidens, dogs and ducks in the grounds of an estate with detailed renderings of flora an...

These are a set of TWO digitally remastered framed coloured prints of two different Toucans, dating originally from the very early 19th Century late Georgian period, Circa 1809. Th...

Wonderful oval stipple engraving after James Gillray Showing the meeting of Colonel Gardiner with his daughters before the Battle of Prestonpans. Set against the background of sterl...

Pair of 18th century gold Irish Georgian water-gilt gold leaf curtain pelmets. They are from a stately home in Ireland. They have a classic Irish shell...

Great map of South America Copper-plate engraving Published C.1780 Two small worm holes to left side of map Unframed.