Georgian Wall Decorations

An extremely true to the original work by Scottish-born artist Sir David Wilkie, (1785–1841) now displayed in the Tate Gallery in London The painting ...

Oil on herringbone canvas copy of Joshua Reynolds’s portrait of the architect Sir William Chambers painted in 1779; the original of which is in the Royal Academy of Arts, London. Thi...

Sea shell pair of engravings, from Index Testarum Conchyliorum by Niccolo Gualtieri, Engraved by Antonio Pazzi & Giuseppe Menabuoni, 1742. Pair of framed hand colored sea shell...

A large oil on canvas depicting a youthful father with his three children, two of which are behind him playing musical instruments, the daughter with her harp and son playing the flute. A third child with his back to the painter faces his father. The painting is presented in a carved and gilded wood frame. Like the great majority of Opie's work, this painting is not signed or stamped. Opie lived at No 8 Berners Street where he moved in 1791, the street famous for artists, composers and instrument makers. Jacob Erat the famous harp maker lived in the neighbourhood and moved to 23 Berners Street before his death in 1821. This painting could be the painting referenced in John Jope Rogers, "Opie and his Work" Truro 1878, Page 220, entitled 'Musical Party'. Provenance: Charles St. George Quechee, Vermont; New England Private Institution; Sotheby's New York April 7, 1989, Lot 1, as John Opie, Portrait of a Gentleman and his three children; Private collection Connecticut. John Opie RA, (May 1761 – 1807), was a Cornish historical and portrait painter. He painted many great men and women of his day, including members of the British Royal Family, and others who were most notable in the artistic and literary professions. Opie's artistic abilities eventually came to the attention of a local physician and satirist, Dr John Wolcot (Peter Pindar). Recognising a great talent, Wolcot became Opie's mentor, buying him out of his apprenticeship and insisting that he come to live at his home in Truro. Wolcot provided invaluable encouragement, advice, tuition and practical help in the advancement of his early career, including obtaining many commissions for work. In 1781, Opie moved to London with Wolcot, having entered into a formal profit-sharing agreement with him. Although Opie had received a considerable artistic education from Wolcot, the doctor chose to present him as a self-taught prodigy. A portrait of a boy shown at the Society of Artists the previous year had been described in the catalogue as "an instance of Genius, not having ever seen a picture." Wolcot introduced the "Cornish wonder" to leading artists, including Sir Joshua Reynolds, who was to compare him to Caravaggio and Velazquez, and to prospective patrons. The business arrangement with Wolcot lasted for a year after which Opie informed the doctor that he now wished to go it alone, leading to the estrangement of the two former partners. Through the influence of a Mrs Boscawen, Wolcot managed to have Opie introduced at the court of King George III. The king purchased one of his pictures and commissioned him to produce a portrait of Mary Delany...

Framed copperplate engravings of sea shells, Niccolo` Gualtieri (editor). Giuseppe Menabuoni (1708-after 1745) (after). Plates 30 and 31 from Index testarum conchyliorum quae ad...

Wax portrait of Queen Charlotte of Great Britain, Attributed to John Flaxman, Late 18th century. A large and rare portrait of Queen Charlotte, i...

Exceptional English George III period neoclassical memorial or mourning portrait of a gentleman attributed to famed London portraitist Thomas Hudson (1701-1779) depicting 'Edward Lon...

Oil on canvas Portrait of a gentleman 18th century Measures: Portrait framed 56 x 43 and 51 x 38.5.

"A Study of the Ruins of a Castle." By: John Claude Nattes (English 1768-1822). Fine original watercolor painting with pencil on paper, inscribed in pencil on reverse, matted and gil...

Late 18th century portrait of a gentleman unframed , English. Joh Rud Kupfer, 1764 age 37 signed on back.

18th-century Italian capriccio painting. Mounted in a beveled gilt wood frame, the oil on canvas painting depicts a dreamy expanse of Roman architec...

"Le Petite Favori" watercolor, after Jean-Baptiste Huet (1745-1811) watercolor on paper, oval, 19th century, the painting measures 8 1/2"-inches high x 10 1/2"-inches wide. Mounted i...

Superb large English silk and wool portrait, A Mother and Her Four Children, after John Hoppner R.A., circa 1810-20, Within gilt frame. Silk over linen fabric ground, silk floss, worsted wool yarn, Merino wool yarn and oil paint. A remarkable silk picture with painted sky background and each figure with a painted face and hands with the remaining portions of the picture finished in wool. The design comes from a mezzotint after John Hoppner made in the 1790s. John Hoppner specialized in painting mothers and children. The picture depicts a large standing female figure dressed in a white dress and wearing a turban. She stands by two classical columns with her four children in front of her. The youngest child is sitting on the ground playing with her red shoe in her hands with a tambourine by her side. Her elder sister stands behind her. Both girls are dressed in Empire-style muslin dresses...

Each print is mounted in a cherrywood parcel-gilt frame, with a glazed reverse depicting the corresponding text sheet. L'Andaloux, Le Cheval d'Espagne, Plate I; Le Barbe, Le Che...

English Oil on canvas Whippet landscape painting in the original gilt burl walnut frame. Early 19th Century

An Extremely Rare Pair Hand Decorated Irish Delft ware wall hanging Chargers or Cabinet Dublin Deep Dish Plates by Henry Delamain of circular form, each sim...