Byzantine Brooches

Massive Chanel Cross Brooch in shades of emerald, ruby, topaz and amythest poured glass cabocheons with faux baroque round and pear shape pearls. I...

Rare, large Ostrogothic silver eagle-headed buckle, circa 6th Century A.D. A bold projecting eagle head profile set with a cabochon ruby color glass eye, the neck chased with linear ...

Massive Multi Colored Byzantine Crest pendant brooch made by Maison Gripoix, France. Poured glass with rhinestone encrustations forming a large crest ...

During the Art Deco period when Gabrielle "Coco" Chanel was at her peak as a Parisian couture designer in the early 1930s and working closely with her favorite jewelry parurier Fulco di Verdura, for one of her clients, she commissioned this unique handcrafted gem-fringed medallion brooch with a yellow-gold circle rope of flexible thick chain that dangles from an unseen ornate open-work curvilinear yellow-gold base. Marked only "FRANCE" on the bar pin with a trombone clasp, like some early 1930s Chanel couture jewelry collected by TheMet museum, its artistry reflects the colorful organic-form starburst sketches of Verdura, which you can see from our photo of one of them. The Sicilian duke began creating fabric patterns for Chanel in 1927, which shortly expanded to executing fine jewelry beginning with custom pieces for the house founder. These included the iconic Byzantine-influenced gem-adorned cuffs referencing the Maltese-military cross, which the French designer can often be seen wearing in circa-1930s photos. Chanel reproduced some of Verdura's originals for her clients, but those variations featured faux gems. This softly-shaped abstract brooch design suits goldsmith Verdura's early anti-Art-Deco aesthetic that was considered a radical departure from 1920s silver-tone geometric jewelry, which otherwise featured linear designs or figurative representation. The deconstructed bouquet of gems mixes amethyst and rose-quartz beads with natural Keshi pearls and intricate tiny gold leaves, which are discreetly wired to a Baroque-motif frame that dangles a round gem surrounded by a chain halo. Significantly, Verdura was credited with re-introducing since Victorian times the rope motif to fine jewelry. Since 1930, Verdura's unique style was influenced by travels with Chanel to explore Byzantine art, Baroque architecture, and the exotic flora-and-fauna among his native Italian aristocratic estate. The legendary fashion editor Diane Vreeland and American entertainment stars were among the first Chanel clients to acquire couture real-gem-adorned jewelry made by Verdura, while one of the two brooches treasured by Vreeland was titled "Theodora". See our photo of the Byzantine mosaic of Empress Theodora, whose image--with an abundance of teardrop pearls and colorful gems above her chest, and with a gold halo surrounding her head--could have inspired the design of our brooch. As one of the most important modern-design collaborations, Chanel's close relationship with Verdura lasted largely undocumented years in Paris, until he launched his first outside jewelry venture with a Hollywood designer-boutique after emigrating to the United States in 1934. Within five years, as a financially-backed in-demand goldsmith in the States, he founded the namesake fine-jewelry company Verdura in New...

Chanel's appropriation of Byzantine and Renaissance forms continued throughout her career, often in the form of oversized cruciform brooches and pendants. This one is set in bronz...

This vintage set of signed Hattie Carnegie enamel clip on earrings and small pin and or pendant is reminiscent of a bygone era of Elizabethan meets byzantine influence. The colors ar...

Massive Chanel Cross Brooch in shades of emerald, topaz and amythest poured glass cabocheons with faux pearls by Maison Gripoix. Intricate scroll...

Chanel large square shaped cruciform pendant-brooch composed of ruby, emerald, and pearl square cabochons. The center being a signature "Chanel" coin medallion...

Chanel byzantine style crest brooch by Maison Gripoix. Poured glass emerald and ruby oval and heart shape cabochons are mixed with faceted cut topaz stone...

A beautiful Chanel Crystal Brooch from 2005.Designed in a Byzantine style. Featuring four large green faceted crystals interspersed with an equal...

Rich in detail and artistry, this antique 14k gold stickpin (circa 1910) portrays a finely painted enamel portrait of a Byzantine woman, her regal presence enhanced by a crown set wi...

Coco Chanel Early Byzantine heart brooch, The silvered metal heart set with crystal pastes and appliqued with faux emerald hand formed pate de verre ro...

Spectacular and exceptionally rare vintage couture brooch by Yves Saint Laurent, dating to the late 1980s/early 1991s - an era celebrated for the house's lavish and theatrical costume jewelry creations. Executed in a dramatic architectural cross-inspired design, this monumental piece is richly embellished with an extraordinary arrangement of faceted crystals in smoky sapphire...

Dramatic 18k yellow gold filagree bow brooch pendant featuring a leaf and scroll design accented with cabochon emerald and man made faceted rubies. The back has a "c" clasp and a hook so you can wear it as a pendant / enhancer as well. The rubies are synthetic and the emerald cabochons are cracked - I believe this piece was made during World War II and they used family stones and what they could get their hands on. 3.8" across by 2.35" wide This piece is in the Byzantine Style. Below is the history of Byzantine Jewelry from Lang Antiques: Byzantine jewelry was a full continuation of the Roman traditions which were kept alive behind the high walls of the new capital, Constantinople. The Roman techniques and styles continued to form the foundation of Byzantine goldsmith‘s skills who weren’t complete copycats; some innovations such as the use of Christian iconography and further specialisation of new and old techniques occurred. Production in the old jewelry centres of Alexandria and Antioch gave way to an increased production in Constantinople. Byzantine jewelry had a huge influence on the manufacturing of personal decoration in the rest of the Medieval world. The Carolingian (start 742 AD) and the later Ottonian courts (start 962 AD) were linked to the Byzantine empire and adopted their fashion resulting in the northern European Romanesque jewelry style. In the Byzantine Empire jewelry...

S.Georgios designer Unique Butterfly Pendant - Brooch is handmade in 18 Karat Yellow Gold all custom-made. This gorgeous jewel is microscopically decorated with granulation - yellow ...

An exquisite 1980s massive brooch created by French designer Edouard Rambaud, Paris. The piece features a Byzantine-inspired design with a gilt metal cross that is textured, carved, ...

Glamorous Roger Jean Pierre French brooch clip from the 1950's with aurora and clear crystal paste stones. The fur clip is attached to a tiered elem...

S.Georgios designer pendant enhancer is handmade in 18 Karat yellow gold. It is microscopically decorated with granulation work beads and wires and has a gorgeous unique velvet backg...

S.Georgios designer Pendant - Brooch is all handmade from solid 18 Karat White Gold and custom-made. This stunning jewel is microscopically decorated with granulation work with yello...